Chronicle 3. A CHRONICLE OF THE HUMANS

Chronicle 3. A CHRONICLE OF THE HUMANS

/ΕΛΛΗΝΙΚΑ/ Χρονικό 3. ΧΡΟΝΙΚΟ ΤΟΥ ΑΝΘΡΩΠΟΥ

● Academic Scholasticism ● Ares Poulianós: Archanthropus and Homo Erectus ● Homo’s Cradle: North Aegean and Macedonia ● DNA Analyses: Minoans, Mycenaeans, Cretans and Hellenes ● Paleolithic Odyssey ● Aegean Stonehenge ● Balkan Writing

Michales Loukovikas

Ain Ghazal Statues, Jordan, considered as one of the earliest large-scale human representations (ca 7250 BCE)

THE NEOLITHIC AGRICULTURAL revolution is the work of women, I said in our previous Chronicle, because, according to the division of labour of that period, they were the ones who gathered fruit, while men hunted. Women, therefore, should have foreseen the prospects of expanding available food by agriculture. It was a logical hypothesis I made in passing, noting that I do not know if any researcher has expressed the same opinion. Nevertheless, I stressed the need not to further engage in such speculations for the time being, and stick to generally accepted ideas – as long as they are not directly related to the issues under our consideration. Such are the assumptions connected to the theories of man’s African origin, and the origins of the inhabitants of Hellas, the Indo-European languages and their speakers, or even the Phoenician origin of the Greek alphabet, among various issues that are relevant, or sufficiently vague. As I’ve said, they are nothing but theories…

The situation prevailing in academic circles is, unfortunately, very sad, while – normally – universities should be temples of free movement of ideas, dialogue, knowledge and learning. So many theories, taken for “granted”, have already been overturned; and so much blood has already spilled, “in the name of” utter idiocies, touted as “divine laws”, whether “the earth moves”, or concerning the nature of the “Holy Trinity”, as if the “holy fathers” had X-rayed its components! A scientist who, instead of pursuing a “true understanding through reason”, as Plato said, yields to doctrine, to dogma (in order to forward his ego, as well), is nothing but a scholastic charlatan.

Archánthropus skull found in the Cave of Petralona in 1960

SΟ SCHOCKED I FELT when I came across the work of the anthropologist Ares Poulianós, who introduced us to the Archánthropus of Petrálona in Chalcidice, having already studied in depth the origin of the Hellenes: he was violently evicted from the cave and the museum which, nota bene, he had founded and funded himself (a period when several of his important findings “vanished”…), and had to spend endless hours in the courtrooms, rather than in excavation sites, in order to be vindicated – having against him even the Greek state, which ought to support him instead. That’s because he dared to overturn “well-established notions”, “divine laws”: that Homo’s cradle is not Africa, but the region of Macedonia and the northern Aegean. And after spreading all over the Mediterranean, the humans moved North and South, East and West. Therefore, the inhabitants of Hellas have been mostly indigenous, and the theories about the descent of the Indo-Europeans, or of any other people, from the North to the South, should be similarly discarded. According to this “Out of the Aegean” theory (it is also a theory), the Chronicle of the Humans is as follows:

Ares Poulianós

● 12-11 million years ago, the oldest Homo erectus (Standing man) appeared on earth. His bones and tools were found by Poulianós at Triglia, also in Chalcidice, not far from Petrálona; thus he called him Homo erectus trigliensis. In the same area, he discovered some nine-million-year-old ancestors of the horse. Hipparia appeared in Spain and Africa 500,000 years later. Homo erectus, in his Asian and African variants, emerged ten million years later(!), two million years ago, while the earliest African tools were made 2.5 (three at most) million years ago.

“Between twenty and seven million years ago, Earth really was the planet of the apes”, the anthropologist David Begun wrote in the New Scientist. “At least 100 species roamed the world before the first humans appeared. They… are more fascinating still for what they tell us about our own origins. Key human traits including big brains, dexterous hands, erect posture and long childhood can be traced back to this period. And the really surprising thing is that these features all evolved in European apes.”

“Earth: a planet of the apes. Key human traits evolved in European apes.” “Homo’s genesis due to great geologic-climatic changes in the Aegean.” (David Begun, Ares Poulianós)

“Apes and humans shared common ancestors in the very distant past”, said Poulianós. “The line of this evolution, however, was broken abruptly around twenty million years ago, with the great geologic and climatic changes taking place in the northern Aegean area. Throughout northern Greece… we encounter the well-known Petrified Forests… (with fossilized trunks over 17 million years old) as a result of volcanic eruptions that testify to the great and abrupt geological disturbances in the area. That epoch… is the beginning of a geological change, which prepared the evolution of the Primates. One of them was this twelve-million-year-old man.”

Graecopithecus (El Graeco)

● “Humans and anthropoids should have co-existed at that time,” remarks Marios Demópoulos, referring to the 10-million-year-old Ouranopithecus macedoniensis who was found in the areas of Chalcidice, Thessaloniki, and the Axiós (or Vardar) river. Anthropoids of the same period were excavated in other regions of Hellas, some quadrupeds, and other bipods, in a “semi-standing” posture.

● Graecopithecus (El Graeco), whose teeth were dug up in Hellas and Bulgaria, lived some 7.2 million years ago. These fossils are solid evidence that evolution of man’s genesis started in the Mediterranean 200,000 years earlier than Africa. “Graecopithecus is not an ape”, said Professor Nikolai Spassov. “He is a member of the tribe of hominins and the direct ancestor of homo”, who stood up and became bipedal to help himself find food with ease in the Balkan open savanna. The magazine New Scientist published a related article entitled Man’s cradle is Greece, not Africa.

● An important find is an elephant at Perdiccas near Ptolemaida, who lived three million years ago. It is the oldest hunting game in Europe, killed and chopped with dozens of sharp tools by a large group of Archanthropi in the Kozani area.

● 1.5 million years ago, man found refuge in caves to protect himself from the glaciers. In the Petrálona cave, the Archanthropus left the world’s oldest traces of fire, which he lit 1.1 million years ago. Similar traces of fire appear somehow later, one million years ago, in South Africa.

● The Archanthropus europaeus petraloniensis, circa 800-700 thousand years old, has been identified either as a Homo erectus, or Neanderthal, or an early form of Homo sapiens. Of course, those who worship orthodoxy speak instead of some archaic hominid unrelated to the above “classical” homos. Two 800,000-year-old skeletons were also found in the cave.

As we can deduce from the Archanthropus’ tools he was right-handed. Indirectly we can arrive to the conclusion that he may have had speech: right-handedness is linked to the left cerebral hemisphere, where the areas of speech are found. If he had speech, he might have had some elementary form of language… Besides, a hyena’s skull was found above its jaw, placed in a cave niche, as if it was some kind of “icon”. Thus man might have had some sense of symbolism since then.

● Moreover, special mention deserve the finds in the Apidima Cave, located on the western shore of Mani Peninsula in the southern Peloponnese. A systematic investigation of the cave has yielded Neanderthal and Homo sapiens fossils from the Palaeolithic era. The oldest skull fossil shows a mixture of modern human and primitive features, and has been dated to be more than 210,000 years old, making it the oldest proof of Homo sapiens living outside Africa. The skull is more than 150,000 years older than previous Homo sapiens finds in Europe… “Our results”, the researchers summarized, “suggest that at least two groups of people lived in the Middle Pleistocene in what is now southern Greece: an early Homo sapiens population, followed [sic] by a Neanderthal population.”

Mycenaeans and Minoans were close relatives, and ancestors
of today’s Greeks, according to an analysis of ancient DNA.

REGARDING THE INHABITANTS OF HELLAS and their origin, I firmly believe that, as a rule, the newcomers to a place are far less numerous than the indigenous and are easily assimilated. Exceptions are rare. This belief is confirmed by a recent analysis of ancient DNA, suggesting that today’s Greeks are indeed the descendants of Mycenaeans, with only a small proportion of DNA from later migrations to Hellas. We know, of course, that the Mycenaeans were Greeks. That’s why I consider even more impressive the finding that, at the same time, they were closely related to the Minoans, an earlier civilization flourishing mainly in Crete from 3000 to 1400 BCE.

The ancient genome came from the teeth of 19 people: ten Minoan Cretans (who lived between 2900 and 1700 BCE), four Mycenaeans from mainland Hellas (between 1700 and 1200 BCE), and also five Neolithic era or Bronze Age farmers from Greece and southwestern Asia Minor (between 5400 and 1340 BCE). By comparing this material to that of 334 other ancient people from several parts of the world and 30 modern Hellenes, the researchers drew their conclusions.

Minoan Linear A writing
(2nd millennium BCE)

For more than a century, the origin of the Bronze Age Minoans and Mycenaeans was an archaeological puzzle. The latter received from the former the symbols of their script, Linear A, and adapted them to the needs of their own language. This new script, Linear B, was deciphered by Michael Ventris in 1952; then we realized that the Mycenaean was an archaic Greek dialect. However, we have not yet been able to read the Linear A texts, obviously because the Minoan tongue was completely different. We have also come to the conclusion that the same should have been true as regards the two peoples.

Yet, it turned out that they were most closely related to each other, as they both got 3/4 of their DNA from the early Neolithic farmers of western Anatolia and the Aegean, and most of the remainder from some ancient populations related to those of Caucasia and Iran, according to the findings of the research team, reported in the scientific journal, Nature. It seems there was an early migration of people from the Orient to western Anatolia and the Aegean, after those early farmers had settled there, but before the Minoans split from the Mycenaeans.

Nevertheless, if the two peoples were not “brothers”, but “cousins”, it is because the Mycenaeans did have an important difference: some of their DNA (4-16%) came from Northern hunter-gatherers, who originated from Eastern Europe or Siberia. This suggests that a second wave of people from the Eurasian steppe came to mainland Hellas by way of Eastern Europe or Armenia, but didn’t reach Crete, according to Joseph Lazarides, a geneticist at Harvard University, who co-led the study.

Saffron gatherer: fresco replica from
Acrotiri, Thera (17th century BCE)

It is no wonder that the Minoans and Mycenaeans looked alike, with brown hair and eyes. This is exactly how artists in both cultures presented them on frescoes and pottery, although they spoke and wrote different languages. There were even more differences: the Mycenaeans, Lazarides observed, were militaristic, and their art was replete with war scenes, in contrast to Minoan art. Note that, because the Minoans used hieroglyphics in earlier times, some archaeologists, such as Arthur Evans, thought they were partly of Egyptian origin – which turns out to be wrong.

When the researchers compared the DNA of modern Greeks to that of ancient Mycenaeans, they found a lot of genetic overlap. Living Hellenes share similar proportions of DNA from the same ancestral sources as Mycenaeans, although they have inherited a little less DNA from ancient Anatolian farmers and a bit more from later migrations to Greece.

The continuity between the ancient and living Hellenes is “particularly striking given that the Aegean has been a crossroads of civilizations for thousands of years”, said George Stamatoyannopoulos of the University of Washington in Seattle, a co-author of the study. It seems that the major components of the Greeks’ ancestry were already in place in the Bronze Age, after the migration of the earliest farmers from Anatolia set the template for the genetic makeup of the Hellenes and, in fact, of most Europeans. “Our results support the idea of continuity but not isolation in the history of populations of the Aegean, before and after the time of its earliest civilizations,” the researchers added.

The results also show it is possible to get ancient DNA from the hot, dry lands of the eastern Mediterranean, says archaeologist Colin Renfrew of the University of Cambridge in Britain, who was not involved in this research. Scientists now hope they can get DNA from other ancient cultures, such as the mysterious Hittites, who came to ancient Anatolia sometime before 2000 BCE, and who may have been the source of Caucasian ancestry in Mycenaeans and speakers of early Indo-European languages in the region. His colleague, Kristian Kristiansen of the University of Göteborg, Sweden, who was also not involved in the work, agrees: “The results have now opened up the next chapter in the genetic history of western Eurasia – that of the Bronze Age Mediterranean.”

Minoan civilization: autochthonous and self-luminous…

Prince of the Lilies, Knossos (ca 1550 BCE)

ANOTHER RELATED RESEARCH, led by Stamatoyannopoulos, and focused on the Minoans, analyzed samples of DNA from some skeletons found in a cave on the Lasithi plateau and compared them with samples from 135 ancient and modern human populations. What the researchers told Nature is that Minoan civilization was created by the descendants of early colonists who sailed to the island from Anatolia 9000 years ago (?) and were genetically similar with the Neolithic inhabitants of the wider region. Thus there is no basis for any theories that the Minoans originated from Africa, as descendants of the ancient Egyptians or the Berbers. On the contrary, genetic similarities have been found with ancient and more recent European populations. The analysis also suggests that the Minoans are most closely related to the modern population of Crete, and also of Greece in general.

This genetic analysis confirmed the findings of Poulianós, after he had studied 1200 Cretans (including 200 women), that the majority of the population of the island is made up of indigenous people, at least since the Neolithic era. There have been, of course, migratory influences, but without significant alterations as a result. The human type still prevailing is the same, the so-called Caucasian-Mediterranean type (from Caucasia down to Crete), where the inhabitants of the Aegean islands south of Lesbos also belong. On the basis of the above data, the theory of the Semitic origin of the Minoans was also discarded. Not only the inhabitants of Crete, Poulianós points out, but also of Hellas in general, come mostly from a period before the arrival of the Achaeans. The findings of his research were made public in his book, The Origin of the Cretans, published in 1970 and reissued in 1996.

“What has been solved for us in the past years,” he writes in his preface, “is that Crete was inhabited not since the Mesolithic era, as we previously said, but since the Lower Paleolithic, that is, some million years ago. This is testified mainly by the stone tools of the first people who lived all over the Aegean even since the Upper Miocene. There are also bones of the inhabitants of Crete that date back to the Middle Paleolithic era. Crete has never been completely deserted by inhabitants. Not even during the great disaster caused by the eruption of the volcano of Santorini. Excavations unearthed human skeletons of all eras and ages… The key to understand these developments has been the Minoan Microcephalus, which was accidentally found in the basement of the Archaeological Museum of Heraclion. Except Minoan endogamy, the Microcephalus testifies to the biological evolution of the human species that began hundreds of thousands of years ago.⁽¹⁾ But it primarily proves that the Aegean Type, which is of the same age with the Continental one, is autochthonous. The same applies to the language of the Cretans that has always been Greek. Of course, there may have been variations of Hellenic created by long-term isolation in a place, even differences of pronunciation. But Greek was the dominant language throughout the Balkans and Eastern Mediterranean, at least since the Middle Paleolithic.”⁽²⁾

Candia (Crete), by Abraham Ortelius (1584)

• ⁽¹⁾ According to the Anthropological Society of Greece (ASG), founded by Poulianós, “the skull of a microcephalus was discovered in the Minoan excavations at Zakros. It belonged to a 20-year-old man, most probably of the Minoan dynasty, whose brain’s volume did not exceed the 530 cubic centimetres. This genetic aberration was due to the long isolation and endogamy of the Minoans. Thus neither the Cretans, nor the Minoan dynasty, emigrated from somewhere else, but it was a product of local evolution. The skull was sent away to Vienna in 1971, under the pretext of a study, a fact that was considered as unscientific and illegal by the ASG. Confronted by the indifference of the Ministry of Culture for many years to repatriate it, there was no other way but the recourse to Hellenic Justice. This was finally done in the spring of 1997, and since then it is housed at the National Archaeological Museum.”

• ⁽²⁾ As the French archaeologist Paul Faure writes in his book, Life in Minoan Crete: “Ancient writers never considered Minoan monarchies completely different from those of the Homeric world. Even more, they always considered Minos, Rhadamanthys and Sarpedon [Zeus and Europa’s children] as Greek rulers and their successors as consanguineous heirs, who ascended to the throne without conflict or interruption.”

Paleolithic Odyssey: most ancient navigators in the Mediterranean

I DO NOT KNOW IF THE CRETANS’ LANGUAGE has always been Hellenic, as Poulianós claims, but his bold expansion of their history into the distant past is already verified by archaeological finds: hundreds of stone tools dug out in the area of Plakiás, on the southern shores of Crete, which date back to 130-190 thousand years or even more! Quite impressive is that Crete has been an island for more than 5 million years; which means that the artisans who made all those tools arrived there by sea! The Minoan Thalassocracy during the Bronze Age is no wonder with such historical precedents.

The Mediterranean

In the summer of 2008, a Greek-U.S. team was searching in Crete for samples of life of its Neolithic inhabitants – nothing older than 11,000 years. The research team was headed by Eleni Panagopoulou, an archaeologist at the Directorate of Paleoanthropology and Speleology of Southern Hellas, and Thomas Strasser, an associate professor of art history at Providence College in Rhode Island. They were assisted by geologists and archaeologists, such as Curtis Runnels of Boston University. None of them could ever imagine how rewarding Fortune would be. “The idea of finding tools from this very early time period on Crete was about as believable as finding an iPod in King Tut[ankhamun]’s tomb”, remarked Runnels in jest…⁽³⁾

• ^(c) The first human presence in Crete was discovered accidentally, too, when fossilized footprints aged to 5,700,000 years old, predating other discovered tracks by 2,000,000 years, were found close to Tráchilos, Chaniá, in 2002, implying the possibility of hominin evolution outside Africa!

The plethora of findings excludes the possibility of some accidental stranding in this area. Everything points to the direction of an organized colonization. As Strasser stressed: “These early people were intentional seafarers; not individuals lost at sea.” Experts on early nautical history and archaeologists think that these ancient sea dogs had craft sturdier and more reliable than rafts. They must also have had the cognitive ability and knowledge to conceive and carry out water crossings over such great distances repeatedly in order to establish sustainable populations in Crete. “The fact that we have several hundred stone tools in nine different locations suggests that a large enough number of people came in order to sustain the populations and leave a visible archaeological trace”, Runnels said. “That means they didn’t just raft over once.”

“The results of the survey”, the Greek Culture Ministry said in a statement, “not only provide evidence of sea voyages in the Mediterranean tens of thousands of years earlier than we were aware of so far, but also change our understanding of early hominids’ cognitive abilities.” The research offers new perspectives on how our early ancestors migrated and expanded throughout the world, upturns the timetable of technological development, and pushes the history of navigation in the Mediterranean back more than 100,000 years. If early humans were crossing mare nostrum, Runnels said, then they certainly could have also crossed other water barriers, such as the Red Sea or the Gulf of Aden. “And that means that the assumptions that we have had – that the peopling of Eurasia was done by early hominins moving overland through the Near East, into India and down – will have to be revisited.”

Stone Age fishing and navigation

The research, which continued in 2009, reached the top ten discoveries of 2010. No wonder, because until then we believed that ancient humans reached Crete, Cyprus, a few other Greek islands, and possibly Sardinia, no earlier than 12,000 years ago. Orthodoxy claimed that the capability to construct and victual crafts, and navigate them to distant coasts, arrived only with the advent of agriculture and animal domestication. We thought that the earliest rafts were logs with sails made of animal skins lashed to a tree limb to catch the wind. We imagined that on such rafts the obsidian found in the Franchthi cave in Argolis was somehow transferred from Melos. The increased use of this most precious volcanic rock 13,000 years ago shows that the people of Argolis or Melos were accomplished seafarers. The earliest known boat, found in the Netherlands, dates back only 10,000 years; convincing evidence of sails only show up in Egypt around 2500 BCE. Although wooden boats don’t normally survive the ages, we know that one of the earliest members of the human family, Homo erectus, was able to cross several kilometers of deep water more than a million years ago to reach Flores and Sulawesi islands of Indonesia. Much later Homo sapiens braved treacherous waters to colonize Australia by 65,000 years ago.

Who were the artisans of the Cretan tools? We can only speculate on that based on their technology. The artifacts are very similar to tools used by Homo erectus more than a million years ago, and by Neanderthals, as well, until about 130,000 years ago. Even more intriguing, the archaeologists who found them noted that the style of the hand axes suggested that they could be up to 700,000 years old! These tools may testify to sea-borne migrations of Neanderthals from the Near East to Europe, argued Strasser; which means that they were navigating in the Mediterranean. Others prefer Homo heidelbergensis,⁽⁴⁾ in the role of a Paleolithic Odysseus. Whatever the case, it seems that early humans were capable of long-distance navigation, sailing at will in the open sea and using sea routes. Most probably, the urge to go to sea, and the cognitive and technological means to do so, predates Homo sapiens, remarked Alan Simmons, an archaeologist at the University of Nevada in Las Vegas. “The orthodoxy until pretty recently was that you don’t have seafarers until the early Bronze Age,” adds archaeologist John Cherry of Brown University, an initial skeptic regarding these finds. “Now we are talking about seafaring Neanderthals. It’s a pretty stunning change.”

• ⁽⁴⁾ The first Neanderthal was found in the Neander valley of Rhineland. Heidelberg gave its name to Homo heidelbergensis. Early Homos theorized to be Africans turned out to be… Germans?(!)

The last of the Neanderthals…

How long took the voyage to Crete? It depends on the starting point and the time of voyage. Even when the Mediterranean reached its lowest known point, plummeting some 150 metres below current sea level, those leaving from Asia Minor or Hellas would have had to make three separate water crossings ranging from 20 to 40 kilometres each to reach Crete. If, on the other hand, the seafarers departed from Africa, they should have been prepared to cross 200 kilometres of open sea water. “We can’t say the toolmakers came from Libya,” commented Strasser. “If you’re on a raft, that’s a long voyage, but they might have come from the European mainland by way of shorter crossings through Greek islands.” And why did they go there? Crete, according to the researchers, was an attractive place to hunt for food, with a variety of wildlife – such as deer, but also dwarf elephants and hippopotami, equal in size to cows and pigs respectively (due to the insular conditions that gave birth to the microcephalus) – as well as many edible plants. At the heart of it all, though, there was something fundamental to all human beings, Panagopoulou suspects: “I think they were mainly motivated by curiosity and the desire for exploration.”

The surprise discovery prompted researchers to go to other islands in search of their… Fortune. A Hellenic-Canadian team uncovered hundreds of tools that were embedded in the soil of a quarry on Naxos. The island was likely accessible only by watercraft even in glacial times, when sea levels were lower. The hand axes and blades resemble those the Neanderthals and modern humans made from about 200,000 until 50,000 years ago. They require a more sophisticated technology than those found in Crete. Similar tools, attributed to Neanderthals, have turned up on a number of other Aegean islands. Paleolithic artifacts have also been recovered on the Ionian Sea isles of Cephallenia and Zacynthus. The plethora not only of tools, but also of sites where they were found, adds weight to the idea of purposeful settlement. “People are going back and forth to islands much earlier than we thought”, Simmons said. Earlier even than these findings in Crete suggest. The discovery of human remains and stone tools in Spain, dating to over a million years ago, may indicate that, long ago, some ancient hominins were finally able to cross the 15 kilometers of the hazardous Strait of Gibraltar from Morocco. On condition they were Africans. What if their starting point was the Aegean? And the sea they crossed was the Mediterranean, not the Strait?

Neolithic farmers from the Aegean built Stonehenge!

STONEHENGE GIVES CLUES that confirm Poulianós’ theories, after a DNA analysis of 67 Neolithic and six Mesolithic Britons, who lived in the period between 8500 and 2500 BCE, according to the journal Nature Ecology and Evolution. It is striking that the Neolithic Britons were descended from Aegean and West Anatolian farmers, who followed the Mediterranean route of dispersal: they journeyed westward to Iberia and travelled north through France to Britain, which was then sparsely populated by Mesolithic hunters. This happened about 4,000 BCE, while the massive expansion of people out of the Aegean and Asia Minor had started in 6,000 BCE – thus spreading the Neolithic revolution into Europe.^(e)

• ⁽⁵⁾ Another ancient DNA related study showed how Mediterranean grain (specifically wheat) came to Britain through trade around 6,500 BCE, before the Neolithic farmers’ arrival there.

There are dozens of archaeological studies detailing the spread of farming and new cultural practices across Europe. But scientists weren’t sure whether those new traditions arrived with new people, or reflected the spread of ideas. These migrant newcomers, who introduced agriculture to Britain, brought new farming techniques, pottery, and new religious cultures and beliefs, such as the tradition of building monuments using megaliths. Stonehenge, in Wiltshire, was part of this culture, as a temple aligned with the movement of the Sun (see Chronicle 18, Introduction). The main part of the monument was built around 3000 BCE.

DNA suggests that most European hunter-gatherers of the time had dark skin combined with blue eyes. Genetic analysis shows that the Neolithic farmers, by contrast, were paler-skinned with brown eyes and black or dark-brown hair.

Towards the end of the Neolithic, around 2450 BCE, the descendants of the first farmers, who had almost completely replaced the older hunter-gatherers, were themselves almost entirely replaced by a new population, called the Bell Beaker culture, that migrated from continental Europe. Thus Britain saw two extreme genetic shifts in the space of a few thousand years.

Reconstructed hut in Dispelió Neolithic lake settlement

Early Balkan writing

WHATEVER HAPPENS regarding the cradle of Homo, which, by “axiom”, is in Africa, is repeated in the case of writing, whose cradle is found in 4th-millennium-BCE Sumer, according to conventional archeology. In spite of that, far too many finds in the Balkans, already in the 19th century, are inconsistent with this “axiom” – and probably for this very reason, comments on purpose archaeologist Colleen Anne Coyle, few are aware of these discoveries.

● Turdaș, Romania; Vinča, Serbia: a cache of artifacts with previously unknown inscriptions was excavated in Romania in 1875. Then, a similar cache was found in Vinča, a suburb of Belgrade, Serbia, some 245 km from Turdaș, in 1908. Later, more such fragments were recovered in Banjica, in another part of the Serbian capital. Since, over 150 sites have been identified in Serbia alone, but many have not been fully excavated. Thus, the culture of the whole area is called the Vinča culture with the homonymous symbols of the Danube, Old European, Balkan, or Vinča-Turdaș script, used in the Neolithic during 6th to 5th millennia BCE.

Balkan (Danube Valley, Old European) script:
the oldest writing in the world?

● Sitovo, Bulgaria: an inscription was found in 1928 on the wall of a rock shelter close to Plovdiv. The Sitovo inscription may be the only one containing so many symbols (around 50), where we possibly have a complete text. The archaeologist Alexander Peev, who discovered it, sent a copy of the text to Soviet colleagues in the hope that they could help in deciphering it. But, as he was an active anti-fascist, he was executed 1943, on suspicion of sending a coded message to the USSR… The inscription was published in 1950.

● Tărtăria, Romania; Gradeshnitsa, Bulgaria: more tablets with inscriptions with the Vinča symbols were discovered in 1961, inside a grave, in the area of Alba Iulia, Romania. Several scientists suppose that the tablets may date to around 5500-5300 BCE. If indeed the symbols are a form of writing, then the Danubian culture would far predate the earliest Sumerian script. They would thus be the world’s earliest known form of writing. Such a controversial claim would surely provoke reactions. There were scholars who considered certain symbols to be Sumerian – therefore the result of forgery – or, at least, quasi-Sumerian proto-cuneiform. Analyses of the symbols, nevertheless, showed that they have little similarity with Near Eastern writing, resulting in the opinion that these symbols and the Sumerian script probably arose independently. Others had objections related to the stratigraphy of the site… On the other side of the Danube, in the Vratsa Province, north-western Bulgaria, more clay artefacts with incised marks, dated to the 4th millennium BCE, were excavated in 1969. The lack of symmetry, complexity and variability in the patterns proves most historians’ theories of a decorative function to be unreliable; and the same is true about the claims they were property marks, or potters’ “signatures”.

Dispelió tablet: oldest known
(pre-Linear A) written text?

● Youra, Alonnesos; Dispelió, Castoriá, Greece: this Balkan culture was related not only to the Black Sea, but also to the Aegean, with statuettes similar to the Cycladic civilization. On the now uninhabited islet of Youra in the Northern Sporades and inside the “Cyclops Cave”, in 1992, archaeologist Adamantios Sampson located ostraca (potsherds, ceramic fragments) dated to 6th – 5th millennia BCE bearing incisions. “The ostraca bear incised unidentifiable symbols”, he said. “It is possible that they echo evidence on an Aegean Neolithic ‘script’, or ‘proto-script’, – a very fashionable subject of discussion in Greece after similar finds in the Castoriá lake,” the Dispelió tablet. Equivalent symbols were also discovered at other Neolithic sites in Hellas (e.g. Euboea, Mykonos, and Nisyros), having several similarities with incised symbols on ceramics of the early Bronze Age in the Cyclades, and directly connected with the Balkan script that was discovered in Serbia, Romania and Bulgaria.

The Dispelió tablet (or script, or disc) is the most important archaeological find at the Castoriá lake settlement discovered accidentally in 1932. But excavations started 60 years later, in 1992, by George Hourmouziades. The tablet was found the next year; it is wooden and carbon 14-dated to ca 5260 BCE; the settlement was inhabited from 5600 to 3000 BCE. The tablet bears charagmata, i.e. inscribed markings, said the archaeologist, “a Neolithic man’s attempt at communication that we hope we’ll be able to interpret one day.” It appears to be a form of proto-writing, 2,000 years older than the proto-Sumerian pictographic script, or 4,000 years older than the Cretan or Mycenaean linear types of writing. Except the tablet, many other ostraca were also found bearing the same type of writing. It is important that the symbols did not resemble the human figures, the sun and moon, or other figures ideograms usually depict. They actually showed signs of advanced aphaeresis (abstraction) that indicates they are the result of cognitive processes.

Dispelió flutes

In February 2004, Hourmouziades commented that the text with the markings could not be easily publicized, because it would ultimately change the current historical background concerning the origins of writing and articulate speech, depicted with letters, instead of ideograms, within the borders of the ancient Greek world – and by extension, the whole of Europe… A number of items in the settlement attest to its economic and agricultural activities, animal breeding and diet preferences, as well as ceramics, wooden structural elements, seeds, bones, figurines, personal ornaments, or bone flutes: one of them, dating back to the 6th millennium BCE, is the oldest found in Europe – if we assume that the Divje Babe flute in Slovenia (43,100 years old) is not man-made.

● Vinča, the largest Neolithic settlement on European soil, was a metropolis with a thriving culture in the period 4500–3500 BCE. The settlements in the area were much larger than all the other European cultures of the same period. Some of them were more extended than the prehistoric settlements of the Aegean and the Near East that were built a millennium later. Vinča, in particular, became the largest market in southeastern Europe, not only for the exceptional value of its products, but also for the rare materials or other goods imported from either Transylvania or the Aegean and the Adriatic coasts. Impressive is the thematic variety of the figurines (naked or dressed, standing, kneeling or sitting, female, male and hermaphrodite, or masked, and especially the figures with the mother and child in her arms), but also the stylistic evolution from the naturalistic, to the realistic, and eventually the abstract.

Proto-cuneiform tablet (c. 3100–2900 BCE): account of barley distribution with cylinder seal (impression of
a man, hunting dogs and boars)

● Around 7,000 known languages are spoken nowadays; there were even more in the past. However, written languages have been rather few: in the course of human history fewer than 100 major scripts have appeared. Scripts, presumably, have developed only wherever there is a need, a reason, for them. The cuneiform script in Mesopotamia emerged from counting and accounting – until the third millennium BCE, when the Sumerian metaphysical concern for the afterlife paved the way for something more than a “shorthand” and used initially for funerary inscriptions. Such a need for record-keeping did not exist in the Balkans at the time, say the dissenters. But this is another “axiom”, as others argue, if we take into account that e.g. Chinese characters were first used for ritual purposes, in association with the royal “sacred power”. Thus needs vary from place to place.

Tang dynasty Chinese calligraphy

Throughout the Balkans, the same symbols have been repeatedly found in times and places separated by great distances. Hence they were understood by many individuals who lived in different areas and eras, a fact that lends support to the notion that they were indeed examples of proto-writing,⁽⁶⁾ if not a rudimentary writing system. A theory is that the symbols were used for religious purposes in a traditional agricultural society. Nevertheless, some scholars have pointed out that more than a quarter of the inscriptions are located on the bottom of a pot – an ostensibly unlikely place for a religious inscription. Such symbols on various artefacts are widespread and highly standardized denoting the existence of an inventory used by scribes. Consequently, outstanding scientists support the view that the Balkan script is the oldest writing in the world. Have in mind that there are approximately 700 different characters, around the same number of symbols used in Egyptian hieroglyphs.

• ⁽⁶⁾ A question is certainly brought up: what is writing? The difference between proto-writing and writing is that while the former encodes information, the latter encodes language.

Hieroglyphs on stele (c. 1321 BCE)

The repetition of certain symbols of the Balkan script in the Linear A tablets points to the Minoan civilization as being among the inheritors of this writing system that migrated south, towards the Aegean and Crete – unless this course was the reverse. The same applies to the Hellenic language and writing. Scholars tend to “forget” about the Mycenaean Linear B and think that ancient Hellenes learned to write around 800 BCE from the Phoenicians. Still, a crucial question emerges: How is it possible for the Greek language to have 800,000 word entries, ranking first among all known languages in the world, with the second next having only 250,000 word entries? And how is it possible for the Homeric epics to have been created at about 800 BCE – that is, just when the Hellenes learned to write?(!) It would be impossible for the ancient Greeks to write these poetic works without having had a history of writing of at least 10,000 years back, according to a US linguistic research. Note, in conclusion, that while ancient Eastern civilizations used ideograms to express themselves, the ancient Greeks were using syllables and letters, in a similar manner to today’s scripts.

Göbekli Tepe: a sort of totem pole with humanoid figures

● If indeed the Balkan script is the oldest, it does not mean that it fell from the sky! As it is rightly pointed out, the study of symbols carved and painted in caves by our “primitive” ancestors may eventually persuade archaeologists to look back beyond the Balkans and Sumer. This universal system of symbols in cave art may have been carried around the world during human migration from homo’s cradle – wherever that was. The symbols are also found outside caves, e.g. on rocks, or in ornaments. The use of abstract symbols in communication is a critical turning point in the mental skills of our ancestors. Deciphering their underlying meaning is extremely complicated. Some prehistorians argue that in the caves, “we are nearly always associated with animal figures and thus cannot be said to be the first steps toward symbolism.” Conversely, scientists from other disciplines, e.g. linguistics, suggest that both signs and animals were meant to convey ideas in the same manner as a written language. Cognitive mechanisms necessary for the development of cave and rock art are likely to be analogous to those employed in the expression of symbolic thinking required for language.

Of course, the path from primitive symbols to the Balkan and Sumerian scripts is far too long. There must have been many intermediate stages of development. One is probably located at Göbekli Tepe, in SE Anatolia, in North (Turkish) Kurdistan, very close to Şanlıurfa. It was founded before the 10th millennium BCE, and was abandoned in the 8th. There are circles of massive ‘T’-shaped stone pillars – the world’s oldest known megaliths. Prior to this great discovery, Sumer was assumed to be the beginning of everything: the first organized society, having invented the wheel. Most probably, such breakthroughs should be transferred to Göbekli Tepe, where we are also confronted with what appears to be the earliest yet discovery of writing. About 20 symbols – at least – seem to have been in use. This in itself does not portend to a complete language but it is possible that other findings may occur as, so far, only a third of the site has been excavated. Obviously, the history of writing will be enriched with the Anatolian symbols, which take us back to at least 10,000 BCE.

• >> Chronicle 4. ON DEMOCRACY
• << Chronicle 2. IT ALL STARTED HERE…

Next Chronicle 4. ON DEMOCRACY ● Authentic Democracy: Direct and in No Way “Representative” ● Castoriadis and Chaos ● The Trial of Socrates ● Ecclesia and Heliaea ● French and Haitian Revolutions ● Plato’s Republic

Human evolution

Chronicle 12. “DO NOT MALTREAT OUR MUSIC!”

Chronicle 12. “DO NOT MALTREAT OUR MUSIC!”

/ΕΛΛΗΝΙΚΑ/ Χρονικό 12. “ΜΗ ΚΑΚΟΥΡΓΕΙ ΤΗΝ ΜΟΥΣΙΚΗΝ!”

Pericles

● “Golden Age” and “Decline” ● Modernists and Conservatives ● Script and Notation ● Musical Accent ● Odeon and Conservatory ● Folklore ● Collective and Individual Creation ● Democracy and Art

Michales Loukovikas

PERICLES’ “GOLDEN AGE”, THAT PERIOD of the greatest acme of ancient Hellenic civilization, coincided paradoxically with the years of “decline”, which seemed to fall upon Greece in the mid-5th century. This downward trend was a kind of omen foretelling, just like a Cassandra, the upcoming “civil” Peloponnesian War. The most dramatic reaction to “remedy the evil” was quite… anti-dramatic: the democratic polis of Athens decreed in 440 BCE the cessation of all theatrical and musical activities for four years!

“Do not maltreat our music!” (Ecprepes, a Spartan ephor)

Performing in Sparta those days with his modern nine-string cithara, Phrynis of Mytilene encountered the angry outcry of the ephori (ephors) who, shouting out “Do not maltreat our music!”, forcibly removed the two “extra” strings, and obliged him to play with the “classical” (in the 5th century) seven-string cithara.⁽¹⁾

• ⁽¹⁾ “Ecprepes, an Ephor, cut out with an adze two of the nine strings of Phrynis the musician, saying, ‘Do not maltreat music’.” (Plutarch, Moralia).

● So, the musical ethos was “restored” with an adze! “O, Tempora! O, Mores!” (Cicero, Edgar Allan Poe)

Was it indeed a clear manifestation of the ephori’s extreme conservatism, or had Phrynis, a leader of the innovative school with an exceptionally melismatic and modulative style, perhaps gone too far and actually maltreated music? We shall never know: first of all, we did not… listen to him play. But even if we had heard him play, we would still be unable to make up our minds judging by our ears – by our own standards, if you like, i.e. by the current criteria on music.

A 12-string lyre: an unparalleled “hubris”!

However, Pherecrates, a contemporary comic poet and musician, was strongly in favour of the ephori, if we consider that in his comedy, Chiron, he had presented Music as complaining to Justice for abuses committed by innovators, such as Timotheus of Miletus, Melanippides of Melos and Phrynis – whom, however, the comedian forgave because when he grew older, he came… to his senses! On the contrary, Pherecrates threw several “brickbats” at Timotheus and Melanippides, who remained impenitent until the end, playing their even more… “evil” twelve-string instruments!

Comic playwrights, however, with their innate conservatism, permit me to say, are not the most reliable sources, judging by the way Aristophanes has “taken care” of another great innovator, Euripides. The tragedian believed in the talent of Timotheus, while Aristotle, together with other philosophers, also praised the work of modernists:

“Without Timotheus”, the thinker of Stageira wrote in his Metaphysics, “we would not have so many melodic compositions, and without [his teacher, and also formidable rival] Phrynis, we would not have Timotheus either.”

“Laconism (brevity) is the soul of wit”, the ancients declared. But the Laconian ephori set out to… disprove them, hurriedly expelling Timotheus from their polis with a lengthy decree, which the Roman philosopher Boethius preserved:

“For Timotheus of Miletus came to our polis and dishonoured our ancient music by despising the seven-string lyre, and also corrupted the ears of the young people by introducing a greater variety of sounds, and gave music a feminine and sophisticated character by increasing the number of strings;

“For he depraved the melody’s simplicity and soberness, which it had thus far, instead of preserving it;

“We, the king and the ephori, declare we criticize Timotheus, and additionally compel him to remove from the nine strings those that are not necessary leaving only seven; and we banish him from our polis setting him as an example for all those who would like to introduce to Sparta some improper practice in the future”…

A 13-string barbitos

● Timotheus was fool enough to go to Laconia despite Phrynis’ reception there. We just hope he was spared the… adze! In our previous Chronicle we referred to the four basic modes (Dorian, Phrygian, Lydian, and Mixolydian). There were also three genera (diatonic, chromatic, and enharmonic). Each one of these modes and genera, but also the rhythms, had its own ethos. It seems that people like the Spartan ephori, or even Athenian elitists such as Plato, preferred the Dorian mode and the diatonic genus, and disliked all the rest. This might’ve been the reason for the… “ephoral” rage rather than the multi-string instruments themselves, which simply enabled the musicians to modulate through modes and genera. We have seen the same circles condemning the multi-string instruments as unmanly and effeminate. It’s not by chance that this attitude was shared by later conservatives such as the Catholic leaders. In the 11th century, they rejected the chromatic and enharmonic genera and retained only the “harder and more natural” diatonic genus, “for the diatonic is very firm and virile, the chromatic very soft and feminine, the enharmonic dissonant and moreover useless”!⁽²⁾ That’s why the musicians in the Occident were left with just the diatonic scale!

• ⁽²⁾ Quoted in Adrien de La Fage, Essais de diphthérographie musicale (Paris, 1864), emanating from a manuscript at the Dominican convent of Santa Maria Novella, in Florence: “… quia diatonum firmissimum et virilem, chromaticum mollissimum et feminilem, enharmoniumque dissonum insuper et inutilem.”

Orpheus depicted on an old Greek stamp

The ephori’s “puritanism” was not just a phenomenon of the years of “decline”. This mentality of “supervising everything” characterized them also in the past, bringing them into conflict – among others – with another Lesbian musician, the famous Terpander, legendary heir to Orpheus’ lyre,⁽³⁾ who lived from the late 8th to the mid-7th century, i.e. in the so-called “creative” times. In fact, he spent most of his life in Sparta, where he was called in during a period of political crisis to… pour oil on troubled waters. Indeed, he was able to restore peace and tranquility in the city with his music composed specially for the occasion! But the ephori, instead of thanking him, demanded… an apology because he played – alas! – a seven-string cithara and not a “traditional” – at the time – four-string instrument! They could not even suspect that this specific peace-restoring music could not be played on a four-string lyre…

The ephori could not even suspect that Terpander’s
music could not be played on a four-string lyre…

• ⁽³⁾ Legend says that when the Thracian Maenads killed Orpheus – apparently because he failed to honour Dionysus, or even because he spurned their advances – they cut him to pieces and threw him and his lyre into the sea. The waves carried his head and the instrument to Lesbos, where some fishermen found and delivered them to Terpander. He kept the lyre and looked after the burial of his great colleague.

Apollo in front of the Academy of Athens

But there was a sacred intervention – as “deus ex machina” – by Apollo himself, whose cithara, by… “divine coincidence”, was also seven-string! It was confirmed by a rumour that craftily circulated those days. Later, sanctioned with the seal of the Delphic Oracle, “the Spartans honoured the Lesbian songwriter”, according to Heraclides Ponticus (from Pontic Heraclea, 4th century BCE), adding: “for god commanded them through prophesies to listen to him”. As they were accustomed to always overdo (let alone it was an Olympian command to obey to Terpander), the Spartans in the future placed everyone else “after the Lesbian songwriter”, as Aristotle wrote.

The prevalence of the art of this unparalleled (in his time) citharoedus, at the expense of the ephori’s scholasticism, benefited in many ways the Spartans, who secured not only a peacemaker in times of political turmoil, but also the founder of their musical life. Among other things, Terpander was the first to invent a kind of musical notation for the proper performance of the Homeric epics.

Unfortunately, the opposite happened millennia later with the notorious report On Literature, Music and Philosophy by the ephori’s descendant, Zhdanov, whom Stalin considered an expert also on issues of music because he could… “play the piano a little bit”!⁽⁴⁾ The “father of socialist realism”, who in 1934 had nationalized even… culture, so as to turn it into a political tool, in his report of June 24, 1947, demanded from the great composers Shostakovich, Prokofiev, Khachaturian and Shebalin to repent publicly, denouncing themselves! What a pity there was no Pythia anymore…

• ⁽⁴⁾ See Ares Alexandrou, the exile, by Demetris Rautópoulos.

It was the nadir of a cultural policy aimed at creating… yes-men in literature and the arts – a policy that undermined the highest interests not only of culture, but also of the revolution. Note that it was not restricted within the Soviet Union: it was also imposed on all “sister” parties. The Zhdanov report was discussed by Greek party intellectuals even on the barren islands of exile: it was unanimously approved! There was only one “dissonant” voice: that of Ares Alexandrou…⁽⁴⁾

Well, starting from historical paradoxes, we have ended up to historical parallels that are often detrimental to historical truth. Spontaneously we are in solidarity with the musicians and confront the… “Zhdanovist” ephori with disgust. In fact, we cannot be absolutely sure – especially in such times of “decline” – which side was finally right: Phrynis and Timotheus or the ephori? Let alone that the above slogan of the “villains” fits perfectly well into the current situation concerning our music and, I believe, we should all cry out loud rhythmically and in chorus: DO NOT MAL–TREAT OUR MU–SIC!

A blind Egyptian harpist

Professional Musicians and Notation

OUR ONLY CERTAINTY is probably that these historical episodes refer to professional musicians, heirs of a long tradition starting since very old times – since prehistory. Once the humans began producing more than what was absolutely necessary, resulting in surplus product which some of them gradually appropriated, and thus constituted themselves as a ruling class, since that moment musicians emerged as a separate profession.

First-rate musicians in the Orient were closely connected with the royal courts or the clergy – if they were not courtiers or priests themselves. This situation later changed in ancient Hellas due to climatic conditions that were mild and did not necessitate strong central power. These conditions nurtured a similar attitude among the Greeks and a relaxed relationship with the gods. The development of democratic ideas took place in the same context, as I have tried to explain (see Chronicles 2 and 4).

The Hellenes have had open and inquiring minds exactly because they’ve been open to the outside world, as a result of the same conditions. Just a look at a map of Greece explains why. Thus, the oriental influence has been catalytic. The ancients, however, unlike us, did not like to… “copy and paste”. So, they adapted every recipe to their tastes by adding or removing ingredients. Having borrowed their script from the Cretans already in the 15th century BCE, with the necessary changes to meet the requirements of their language (Minoan and Mycenaean Linear A and B scripts), they received (probably from the Phoenicians around the 9th century BCE) the symbols with which they created their own alphabet – a real alphabet with letters for consonants and vowels alike, in contrast to the Semitic consonantal abjads. Then, using the same symbols (what would be more logical?), they arrived to the point to also invent musical writing (notation) as early as the 7th-6th century BCE.⁽⁵⁾

Seikilos Epitaph
While you live, shine | have no grief at all
| life exists only for a short while
| and Time demands his due.

• ⁽⁵⁾ The Delphic Hymns to Apollo (138-128 BCE) are the world’s earliest extant substantial musical fragments. The second hymn was composed by Limenius, while the first one most probably by Athenaeus. The oldest extant complete musical composition in the world is Seikilos Epitaph (1st century BCE or CE), engraved on a stele: its main part, the song (excluding the prologue and epilogue), bears symbols denoting the melody.

“The Hellenes had musical notation well before the 6th century BC”, Iégor Reznikoff said at the 2nd Musicological Symposium of Delphi in 1986. “They were very good in keeping records; that’s the reason why we know so much about ancient Greek tradition and return to it, as many other traditions had no musical writing and thus we know nothing about them.”

“Many ancient notations were invented by priests for priests and cantors, and some were even kept secret”, Curt Sachs remarked.

A culture with a script was not necessarily a culture with a musical script; and if the notation existed, it might have been… top secret! Music, with its catalytic effect on humans and magical powers, was a deadly enemy of all religions, but also a mighty weapon in the hands of priests, who made sure that knowledge around this art was a well-kept secret within the very select circle of initiates.

Music, with its catalytic effect on humans, was a deadly enemy of
all religions, but also a mighty weapon in the hands of priests, who
made sure that knowledge around this art was a well-kept secret…

Music lesson (lyre class)

This means that the Hellenes have not been the inventors of musical notation, but it was them who first used it not for religious-authoritarian reasons, but for didactic purposes, given that music was at the heart of education provided to children since they were six. This shows some differences between the cultures of the Greeks and “barbarians” – i.e. those speaking tongues incomprehensible to Hellenes. Greek culture was not theocratic (there was no reason to be), which is why knowledge was a public good and right. The initiation into the mysteries was part of the devotional process, but the role of religion was totally different, as it was anything but rigidly dogmatic – a basic feature of monotheism.

The Hellenes used the archaic alphabet for instrumentation, and Ionic letters for the song.⁽⁶⁾ This may indicate that instrumental notation preceded the vocal one. Obviously the latter became necessary because of music’s further development, thereby varying the melodic lines of voices and instruments.

• ⁽⁶⁾ The idea was later adopted by Byzantines and West Europeans alike (except the Italian school) designating the musical notes with the initial letters of the alphabet: πΑ, Βου, Γα, Δι, κΕ, Ζω, νΗ, and Α, Β, C, D, E, F, G, instead of the Italian terms Do, Re, Mi, Fa, Sol, La, Si – a terminology also used in Modern Greece, as if local musical theory never existed…

1st Delphic Hymn to Apollo, in vocal notation, cretic foot (quintuple), and Phrygian or Hyperphrygian modes with variations.

Thus we are able to play even now the extant ancient Hellenic music “remnants” – of course, approximately. That’s how – based on various indications – we also approach ancient Grecian phonology, speech, pronunciation, which was musical and not dynamic as it is now.⁽⁷⁾ The difference is enormous. This implies that the divergence between ancient and modern music has become even greater.

• ⁽⁷⁾ Contrary to modern Greek, ancient Hellenic had a musical accent, meaning that the accented syllable was not uttered with a stronger voice but at a higher pitch than the rest. Dionysius of Halicarnassus said that this interval was not just one or two tones, as we would imagine, but in a way similar to that of a fifth in music (e.g. D–A)! Nota bene, the acute, circumflex, and grave accents also implied different pronunciation in ancient Hellenic (see also Chronicle 14, Music as the Mother of Speech).

Europeanization of Hellenic Music

THE ARGUABLE CONTINUITY of Greek civilization, through the succession of classical antiquity with the Hellenistic, Roman and Byzantine periods – and the necessary adjustments at each stage due to changing conditions – seems to have been interrupted with the Ottomans’ arrival. Thus, we tend to identify the emergence of any divergence during this period. However, such phenomena have been much older, as the rapid linguistic changes taking place already in the Hellenistic period show. As far as music is concerned, colossal differentiations emerged much later, not because of the Turkish yoke, but – how ironic! – as soon as this yoke was thrown off and the modern Greek state was established, supported on foreign “crutches”.

A rule that was then undermined from above concerned the link between folk and erudite music. The fact that Constantinople, Thessalonica and Smyrna – the great centres of Byzantine and Ottoman eras – were outside the borders of the new state made things easier for the erudite musicians (all of them educated in Europe) to impose the music they could play and compose, regardless if it had nothing to do with local tradition.

Moreover, due to the fact that the former conqueror shared this tradition, a new kind of servitude appeared since then, leading also to attempts to “harmonize” Grecian music (based on the Western conception of harmony; see Chronicle 11) – the demotic song and ecclesiastical Byzantine chant: that was the only erudite music left in Greece, as secular Byzantine music was thoughtlessly ceded to Turkey, without Hellas claiming its share of this age-old cultural heritage.

Haven’t those in power realized that the people risked turning into tabula rasa? Haven’t they wondered if among the ages thrown into the dustbin, the Golden Age of Pericles was also included? No problem! They bathed in the spotlight just the Parthenons (i.e. the dead meaning of the Golden Age), then set up “new Parthenons” on barren islands of exile,⁽⁸⁾ and finally set out to strangle whatever little had survived from this legacy with the asphyxiating embrace of concrete. The architectural chaos they’ve created may have knocked architecture down the podium of the fine arts, but that’s what “business with pleasure” is all about – and this combination is better achieved through… defects: that’s how wallets become thick!

• ⁽⁸⁾ “New Parthenon”: description of the open torture chamber of Macronesos made by Panaiotes Kanellopoulos, government minister during the civil war and future prime minister.

The wonderful ancient Odeon of Herodes Atticus,
on a slope of the Acropolis of Athens

The Europeanization of Greek music has been going on apace all along, as long as the tutelage provided in conservatories,⁽⁹⁾ aka foreign music language schools, is based on European standards. The absence of “national” music education at its place of birth, while “third world” countries in the Orient boast of their higher music institutes, might be unthinkable in any country other than modern Hellas. Everything perhaps can be explained by amateurism or the absence of a cultural policy – without excluding the possibility of a conscious act. After all, isn’t this absence of policy also… a policy?

• ⁽⁹⁾ A conservatoire is called odeon in Greek. However, the ancient Hellenic Odeon was not meant for music lessons but for musical shows, singing exercises, music and poetry competitions, and the like. The odeons were similar to ancient Greek theatres, but were far smaller and provided with a roof for acoustic purposes. One of the best examples of such a building is the Odeon of Herodes Atticus (Herodeion) in Athens. As regards the term conservatory, it is surely unmusical as it also refers to conservatism, greenhouses, and preservatives!

It is quite serious, indeed. Any child inclined to music, regardless of stimuli, will be obliged to attend a conservatory having no choice: he/she will necessarily be taught a foreign musical language – the erudite European. It’s another case of brainwashing – not only of this child but also of his/her future listeners, since it is impossible to “shepherd” the public to listen to occidental music, if you don’t “produce” musicians specifically trained for the role, blocking the emergence of new traditional musicians, and marginalizing those who are already active. It’s been another scheme of the ruling circles in order to eradicate local traditional music and thus mutate the collective consciousness of the people.

The ruling circles tried to eradicate local tradition and mutate the
people’s collective consciousness. But some conservatives resisted.

Taking into account all these attempts, the continuous attacks against all local musical genres since the Hellenic state has been established, it is a miracle that this tradition has survived!⁽¹⁰⁾ It prevailed, of course, because it’s deep-rooted – but also because of a certain peculiarity: there was resistance against these attacks – mainly from conservative opponents of cosmopolitanism (such as Simon Karás, though sponsored by the Ford Foundation), and not from progressive Greeks, as it would be “proper” and “normal”. The fact that it was conservatives who mostly contributed in safeguarding Hellenic traditional music, created more confusion, obscuring the real problems.⁽¹¹⁾

• ⁽¹⁰⁾ Miracle upon a miracle: In my first articles about Mediterranean periplus for the newspaper Thessaloniki, concerning the need to establish a Mediterranean Conservatoire in the city, I had written that we would be obliged to bring teachers from countries where modal music tradition is still alive to transmit their knowledge. Eventually, life itself triumphantly disproved me (and I rejoiced!): In no time at all, a new generation emerged replete with great musicians who are also theoretically skilled – and that was the Achilles’ heel of the old generation… This, my dear fellow travelers, is the magic of DNA!

• ⁽¹¹⁾ I remember when I started the Mediterranean periplus program: I was obliged every day, for months – perhaps the entire first year – to prove with my comments I’m progressive. It was as if I said: “It happens that I deal with traditional music, but I’m not some conservative nut!” I felt so strong this need then. You can understand the prevailing atmosphere at the time…

Carols, by Nikephoros Lytras (1872)

Living Tradition or Folklore?

The conservatives, for sure, care about the conservation of music the way it has passed down to us. They are mainly interested in the conservation of the type (sum of typical features or clichés) of tradition, which is not seen in connection with the rest of the Mediterranean cultures, where it belongs. It is the typical attitude of the folklorists who miss the whole point. Thus they concentrate their attention on collecting songs and tunes in the form they’ve been polished to perfection by countless generations of musicians, disregarding personal creative interventions by current folk artists, ignoring that such innovations – if adopted by public taste – refined and perfected folk songs. They also reject any further similar effort as an attempt to adulterate their purity, arguing that, in the era of individualism, the practice of collective development of music is long gone.

Folk songs were created and perfected not by the people, but by
musicians as exponents of society or some strata… Only a thorough
understanding of traditional music will enable its development…

This may be true; but disregards the fact that the songs we so admire have been created and perfected not by the people in general, but by their musicians, as exponents of society at large, or some social strata. The composers and lyricists have been some talented persons, not society in general. In addition, we have no right to throw the inflow of new elements into traditional music in the purgatory condemning it to a standstill – which is equivalent to death; as Heraclitus said: τὰ πάντα ῥεῖ (everything flows); therefore, whatever does not flow, dies out. It goes without saying that I do not argue in favour of an uncritical acceptance of all new elements. I’m just pointing out the consequences of blind negativism: by cutting the thread of continuity, we offer the worst service to tradition. Are our folklorists under the naïve impression that barricading themselves behind the wall they are erecting, they would be supposedly safe? In the Internet era they behave like ostriches!

Trio of musicians playing diaulos, cymbala and tympanum (mosaic from Pompeii).

No objection that after the invention of the phonograph, especially since the record companies have also undertaken the promotion of their “merchandise”, the role of the people has shrank into that of a passive “receiver”-listener. So much for the famous public taste! Hence, in the era of individual creation, only a thorough understanding of traditional music will enable its further development under the new conditions – which is the hoped-for result – instead of serving as couleur locale. This development, of course, cannot come up with revivals such as the “neo-demotic”, or “neo-rebétiko”, that discredit the whole verbiage about “roots”, precisely because of the adherence of their protagonists to the past – if not to money…

Democracy and Art

● THE CULTIVATION of art, of culture as a whole, I’m afraid, is incompatible with the vulgar version of “representative democracy” – which is dominant today. Under pure, direct democracy, the citizens, who actually held power, were obliged to take all the critical decisions by themselves, either in the Heliaea, or in the Ecclesia of Demos, gaining de facto a political criterion and responsibility that today’s “subjects” do not possess. In addition, the polis obliged the wealthy to fund dramatic performances, while the citizens, instead of paying, were paid to see them (from the theorica fund). Suppose you were an ancient Athenian and, during the Dionysia festival, you were exposed to the dramatic art of Aeschylus, Sophocles, and Euripides, with their high-level poetry and music in their plays. If so, your culture, your cultivation, would be far more refined than what you have today. (See Chronicle 4. On Democracy, where our “representative democracy” is defined as oligarchy).

Bronze mask depicting Dionysus bearded
and horned (200 BCE – 100 CE)

Unfortunately, direct democracy has been a historical parenthesis. What’s happened before or after? The arts were then cultivated under the auspices of the ruling class. The kings or princes in their Courts, as well as several Maecenas – all of whom were cultivated, unlike their subjects or today’s rude plutocrats in power – really cared for the arts and the artists, if they were not artists themselves. Unfortunately, except the ancient Hellenic miracle, born out of pure democracy, all other classical forms of art were due not only to the celebrated artists of the era, but also to those exploiters and oppressors who supported them… Now, the rude ruling plutocrats do everything to ensure that their subjects are (or will become) equally rude. It is the only way their plutocracy will not be questioned. And those plutocrats who decide to play the role of politicians, as a result, are voted in by the crowd.

According to the commercialism of the era, demand determines everything: from detergents to works of art! And if the “rude crowd” does not buy works of art? So much the worse for the artists – who once again depend on the prosperous: either those few, with artistic sensibilities, or the many, who want to satisfy their vanity, or simply to show off! What would the general public choose today? Bach, Mozart, and Beethoven? Ravi Shankar, Parisā, Munir Bashir? Or the trash passed off as music? The good thing in the time we live is that the economic base is not fully reflected on the superstructure. Meaning that, in addition to the majority of trash buyers, there is also a sufficient minority with artistic, ecological, social, political, economic and also other sensibilities. The bad thing is that the ebb and tide in our socio-political balance is the determining factor. Hence, for sure, the people are not without responsibilities in the present circumstances, because it depends on them where this balance is tilted each time. Until one day the tide becomes permanent…⁽¹²⁾

• ⁽¹²⁾ I’m talking as daydreamer about a “permanent tide” in the time of the Internet, where “free downloading” is the thing. At a time when the vast majority of young people think that music is (to be offered) “free”, Music, as an art, has worn her burial shroud… So, let me be self-critical, as well: in the Internet era, I also behave like an ostrich!

• >> Chronicle 13. PROFESSIONALS OR AMATEURS?
• << Chronicle 11. “MUSIC IS THRACIAN AND ASIAN”

Next Chronicle 13. PROFESSIONALS OR AMATEURS? ● “Do Not Maltreat Our Music!” (Β) ● Autodidacts or Literate? ● Asia Minor Catastrophe and Rebétiko ● Censorship on Music ● Controversy Over Rebétiko ● Entertainment and Edutainment (B)

Dedication to Bacchus (Dionysus), by Lawrence Alma Tadema

Chronicle 5. IBERIA’S ODYSSEY

Chronicle 5. IBERIA’S ODYSSEY

/ΕΛΛΗΝΙΚΑ/ Χρονικό 5. ΙΒΗΡΟΥ ΟΔΥΣΣΕΙΑ

● Hellenes in Portugal ● Fado and Fate ● Odysseus
and Calypso in Lisbon; Their Son in Santarém
● Creto-Iberian Ties: Bull Worship and Bullfight

“Mosaic of a Phoenician trading ship” was the caption. Almost every word is a lie: the ship is neither Phoenician, nor trading; we also see in BIG, Hellenic letters: ΟΔΥΣΣΕΙΑ (ODYSSEY)… Inopportune comments of someone unable to read Greek!

Michales Loukovikas

“IN REMOTE TIMES, even prior to the 6th century BC, the Greeks colonised what is now Portuguese territory, exploiting mines, founding and fortifying towns, especially along the coast and in the basins of the larger rivers.”

Fado has been proclaimed as Intangible Cultural Heritage. Rebetiko, too: better late than never!

This historical flashback is Augusto Mascarenhas Barreto’s starting point in his bilingual (in Portuguese and English) book on Fado / Origens Líricas e Motivação Poética (Lyrical Origins and Poetic Motivation). It is the first chapter (Identity and Origins), following the preliminaries about fado: Portugal’s urban folk song was born in two of its oldest cities, Lisbon and Coimbra (with a distinct form in each); it is Provençal in origin, with Arabic melodic and poetic influence; it is a way of life (like rebetiko, flamenco, blues, tango, or any other authentic folk mode of expression, however “humble”, or even “marginal”, it is considered in origin); it’s dominated by nostalgia, by saudade, a keyword in fado coming from the Arabs, as well, and found corrupt elsewhere: it is Cape Verde’s sodade characterizing its nostalgic song, morna.

The Hellenes, says the Portuguese author, “mingled with the aboriginal inhabitants and the Iberians, who inherited from them certain ethnic and cultural characteristics. It is presumed that the Iberians were a people originating in the East of Europe. Iberus was the ancient name of the River Ebro, in Spain.”

Such homonymous toponyms are quite strange. It’s not only the Ἕβρος (Hebrus or… Maritsa) in Thrace, the river dividing Greece and Turkey; it is also Caucasian Iberia, west of Caucasian… Albania (a part of Azerbaijan), i.e. Caucasian Georgia, in the hinterland of Medea’s homeland, the ancient Colchis, where Jason sailed with the Argonauts for the Golden Fleece. Logic says the Iberians’ cradle should have been there – but most scholars, on the contrary, show to the direction of North Africa or the eastern Mediterranean.

North of the Greater Armenia, between the Black and Caspian Seas:
Colchis, Iberia and Albania. The Amazons were further north.

Among the cultural characteristics the Greeks bequeathed to Iberia (the Iberian Peninsula), Mascarenhas Barreto singles out the Moerae:

“The Hellenic Moira is to be found in the spirit of Fado… The word fado, derived from the Latin fatum, means fate, destiny – what has been foretold by the Oracle and which nothing can alter… Later, Moira became allied to Arab Fatalism.”

The foreigners, you see, attribute to the Hellenes cultural characteristics that the latter claim they are due to the 400-year-long Ottoman yoke…

Odysseus and Calypso in Odyssey-Lisbon

Odysseus blinding Polyphemus, Attic black
figured amphora (ca 7th century BCE)

MUCH MORE IMPRESSIVE is what Portuguese mythology says about the Iberian adventures of that “man of many ways”, “man for wisdom”, “of many wiles”, “of many turns”, “of twists and turns”, “of much resource”, the “skilled”, “ingenious” and “very resourceful” man,⁽¹⁾ Odysseus. He was the one who founded and walled Lisbon (see Chronicle 21: Iberian “El Dorado”):

• ⁽¹⁾ The… “polytropic” versions of Homer’s word “πολύτροπος” (polytropos) rendered into English by Richmond Lattimore, George Chapman, Alexander Pope, Allen Mandelbaum, Martin Hammond, Albert Cook, Robert Fagles, Robert Fitzgerald, Samuel Butler, Emil V. and D.C.H. Rieu.

“Legend”, says Barreto, “attributes the building of the ancient walls of the city [Lisbon] to the great Greek hero of antiquity, Ulysses, king of Ithaca and conqueror of Troy, who is supposed to have given the place the name of Ulissea – whence the word Ulissipo.⁽²⁾ Anyway, what is certain is that Lisbon was inhabited by the Phoenicians about 600 BC, and they named it Alis Ubbo, meaning ‘Calm Bay’. It was certainly visited by Greeks and Carthaginians, who established trade relations with the primitive peoples inhabiting the country. These tribes, who had mingled with the Celts and the Iberians, formed an ethnic sub-group: the Celtiberians.”

• ⁽²⁾ Ulissea, that is, Odyssey, from the Latin version of the hero’s name, Ulysses or Ulisses, hence Ulissipolis (Odysseupolis) > Ulissipo(na) or Olisipo(na).

“Legend attributes the building of the ancient walls of Lisbon to
the great Greek hero of antiquity, Ulysses”, i.e. Odysseus (Barretο)

The “Snake God” found in Tavira – the only Portuguese town, next to Huelva, where the Phoenicians actually settled.

● Ulysses’ Ulissipo is a “legend”, according to Barreto, but the Phoenicians’ Alis Ubbo is a “certainty”: it is the “classic” historical… science fiction. How can he really combine this conclusion with his starting point that “in remote times, even prior to the 6th century BC, the Greeks colonised what is now Portuguese territory”? Well, “what is certain is that”… if we are based on facts, neither the Hellenes, nor the Phoenicians or also the Punics ever settled in Portugal. This land could not compare with Andalusia that magnetized all the above due to its mineral wealth and strategic importance. The only area of Portuguese interest that drew their attention was the also mineral-rich Galicia. (By the way, I mean Galicia of Iberia and not that of Eastern Europe). Generally, Alis (Allis) Ubbo (Ubo) is also interpreted as “Safe” (or “Pleasant”, “Enchanting”, “Serene”, “Delightful”) “Harbour” (or “Port”, “Haven”, “Gulf”, “Cove”, “Shore”, “Inlet”): all versions describe a good anchorage and, therefore, all have something to do with the sea. In an article about the presence of Mycenaeans in Sardinia, Demetris Michalópoulos wrote inter alia:

“In ancient times, Cagliari, the current capital of Sardinia, was called Caralis. In all likelihood, the toponym derives from the Semitic word car, which means ‘white rock’”.

We assume that Caralis meant Bay (or Harbour, etc.) with a white rock, a toponym that was probably given by the omnipresent Phoenicians. Can we associate the Semitic alis with the Indo-European root sal-, e.g. the English salt, and Grecian ἅλς (hals), meaning both salt and sea? If so, Indo-European and Semitic languages should have had some common ground (at least on matters shared in common, such as navigation), with loan words probably derived from Mediterranean tongues, e.g. the Minoan Cretan.

“During the Punic Wars – between Rome and Carthage – the Iberian Peninsula was invaded by the Romans and, in 205 BC the town – then called Olissipo – was raised to the category of a Roman municipium. In 100 AD it was named Felicitas Julia, in honour of Julius Caesar, and the name was a promise of good fortune. In the year 376, the Visigoths invaded the peninsula. In 404 the territory was still occupied by Romans and barbarians, but in 522, after the departure of the Romans, a single Visigoth kingdom was formed, and the town came to be known as Olissipona. In 711 the Arabs invaded the peninsula from North Africa and occupied the town, to which they gave the name Lissibona… In 1147 Lisbon was re-conquered by Dom Afonso Henriques.”

An English frigate in choppy waters in the Tagus passing the Belém Tower,
by John Thomas Serres (1823)

That’s how we ended up to Lisboa, the current capital of Portugal, adds Barreto. But this is not the end of his story. There’s more to it:

“Santarém is believed to have been founded in the 10th century BC
by Abidis, of Greek origin,” son of Ulysses and Calypso. (Barretο)

“Santarém, [which] stands looking over the River Tagus… is believed to have been founded in the 10th century BC by Abidis [or Habis],⁽³⁾ of Greek origin, who gave it the name of Esca-Abidis. This prince, grandson of Gregoris [Gárgoris], king of the Iberian Peninsula, is also said to have founded towns… in Spain. According to legend, he was the son of Ulysses. Betraying the trust of Gregoris after having been given Alis-Ubbo (Lisbon), Ulysses secretly espoused Calypso, daughter of the peninsular king, who rushed with his army on Lisbon. Ulysses fled by sea, abandoning his spouse”…

• ⁽³⁾ Or Habido, Abido, Abidas, Αbidis, Gabis, Gabid: his name’s versions in various variations of the legend.

Odysseus and Calypso (with… Habis?), by Gerard de Lairesse

Consequently, Calypso was not a nymph on the Isle of Ogygia, as Homer says. Deviating from the greatest of the rhapsodes, the Lusitanians adopted Calypso as a princess of Iberia and daughter of Gregoris/Gárgoris, not of Atlas. Note that we remain in the same places that Heracles had earlier toured for the golden apples of the Hesperides and Geryon’s cattle. It is assumed that Ogygia must have been nearby the Pillars of Heracles, since Odysseus had to travel for 18 days in an easterly direction to reach Scheria, the Phaeacian Island, which many identify with Corfu. There’s a chance that Ogygia was one of the Pillars, today’s Spanish Ceuta on Moroccan soil, opposite the other Pillar, the Rock of Gibraltar. Although it is not an island now, it may have been one in the days of Homer.

According to Hesiod, the conqueror of Troy – and also of numerous… women (for he was so “skilled”, “ingenious” and “resourceful”) – had in total 16 sons and a daughter from six women. But in his long list, he includes no Abidis, Habis, or what. Odysseus had three sons from Penelope, one from the daughter of Thoas the Aetolian, eight sons and a daughter from Circe, two sons from Calypso, one from Callidice, the queen of Thesprotia, whom he later married, and another from Euippe, daughter of Tyrimmas, king of Dodona in Epirus. Note that, if we accept Hesiod’s genealogy of Odysseus, with nine children from Circe and two from Calypso, we must reverse the time he lived beside these two nymphs, according to Homer: one year with Circe and seven with Calypso.

Circe, by Charles Gumery

With such a “proliferation”, of course, Odysseus was in danger of falling by the hand of some… close relative – something that did happen in the sequel of the Odyssey, in the Telegony, or Thesprotis, the Epic Cycle’s final episode, attributed to Eugammon of Cyrene or Cinaethon of Sparta. Circe’s son, Telegonus, so the story goes, while searching for his father, landed on Ithaca where – according to the custom of the era – started plundering and slaughtering, among others, also his genitor. Overwhelmed with remorse, as he realized he became a patricide, he collected Odysseus’ body and, accompanied by his half-brother, Telemachus, and Penelope, returned to the island of his mother, who turned them immortal. This “saga” ends merrily there with a happy end worthy of… a Greek film of the ’60s: with the marriages of Circe with Telemachus and Penelope with Telegonus! Finally, only poor Odysseus was enveloped by murky darkness!

A similar end awaits our hero in Dante Alighieri’s Divine Comedy. The father of Italian poetry presents a traditional variation of the Homeric version, in which Odysseus himself says that he never returned to Ithaca. From Circe’s island, Aea, Aeaea, or Aeaeë,⁽⁴⁾ he passed through the Pillars of Heracles into the Atlantic, crossed the Equator, sailing in the southern hemisphere for five months, until he reached a big mountain. Then a tornado had the ship spin three times and sink. They all drowned there. But where? In the “underworld”, or in the “new world”, in America? Logic, based on today’s geographical knowledge, makes us draw wrong conclusions. Moreover, the narrative takes place in Dante’s Inferno (see also Chronicle 15. Sailing to Rio de Janeiro!, Homer’s Odyssey is a poetic periplus).

• ⁽⁴⁾ It’s another homonymous toponym with the capital of Colchis, Aea (today’s Kutaisi). But there’s an explanation now: Circe was the sister of Aeëtes, the king of Colchis, and aunt of Medea, with whom she shared magic powers – and also temperament: they say that Circe was exiled to the solitary island of Aeaea by her subjects and father because she had killed her husband…

The Lusitanians, however, didn’t bother to… “set out for Ithaca” with Cavafy, nor cared about Odysseus, after he escaped, leaving Calypso behind. Naturally, they were more concerned about what happened “at home”; hence they paid much more attention to Abidis/Habis:

Olissipo-Lisboa with the port on the Tagus (16th century)

“When Abidis was born,” says Barreto, “Gregoris ordered him to be thrown in a cave to be devoured by wild beasts. In answer, however, to the entreaties of his daughter, he consented that the child should be delivered to Fate, according to primitive custom, and the boy was put in a basket and taken away by the current of the river.⁽⁵⁾ A hind adopted him and when the child was later found in a wild state by some huntsmen, his mother recognised him by a mark. Gregoris forgot his former anger and gave him schooling, so that he could succeed him in the government of the peninsula. The name Esca-Abidis (Escalabis) in Greek means ‘food of Abidis’,⁽⁶⁾ in memory of the place where he was reared by the hind.

• ⁽⁵⁾ Quite biblical the image, recalling “Moses baby” on the waters of the Nile… Conclusion: there’s no originality in the Judaic mythology, although it has since acquired “dogmatic authority”… (See also Chronicles 18, footnote 2, and 21, footnote 4).

Roman mosaic in Pedrosa de la Vega (Castile and León). The only known evidence of transparency.

• ⁽⁶⁾ Ἐσχάρα (eschara): hearth, fire-place (like ἑστία); pan of coals, brazier; (the camp’s) watch-fires; sacrificial hearth; fire-stick.

Ἑστία (hestia): hearth of a house; the house itself, home; household, family; altar; the hearth goddess Hestia, or Vesta in Latin. Hestiatórion is the Greek word for restaurant.

“As regards history, the Romans rebuilt the town in 153 AD and called it Scalabis-castrum. Julius Caesar raised it to the status of a capital – one of the four in Lusitania… In the year 500 when the Visigoths came to Lusitania, the barbarians and Lusitanians formed in that region a single people. In 632 the town of Tomar was the scene of the martyrdom of Irene… a nun. Her body, thrown into the river, was carried down as far as Scalabis… Nineteen years later, King Recceswinth, who was Catholic,⁽⁷⁾ changed the name of Scalabis to Santa Irene. When… the Arabs occupied the town (715), they called it Chantireyn” – and that’s how we ended up to Santarém.

• ⁽⁷⁾ Force of habit: “Catholic” is what Barreto wrote, instead of “Christian”, as he should, because the Schism was still to come…

Creto-Iberian ties due to Mediterranean Minoan Thalassocracy.
A common cultural characteristic was bull worship and bullfight.

GRAECO-IBERIAN TIES, clearly suggested by Portuguese mythology, date back to much earlier times than the Trojan War, to the pre-Hellenic era of Minoan Thalassocracy in the Mediterranean: they were Creto-Iberian. A common cultural characteristic of the Cretans and the peoples of Iberia was bull worship and bullfight, or rather bull-leaping (taurocathapsia; see Chronicle 17. Minoan Cretan Thalassocracy, conclusion).

In his Memoriae Historicae, Strabo, a geographer-historian of Roman times, who was born in Amaseia of Pontus (64-63 BCE) and died probably in Rome (24 CE), referred to the Lusitanian equestrian bullfight (“… the peoples of the coastline, who are fond of meeting, on horseback, the fierce Hispanian bulls”, he wrote).⁽⁸⁾

Reconstruction of a relief fresco of a bull by Arthur Evans
at the northern Propylaea of Knossos

• ⁽⁸⁾ The ancestor of the Iberian bull, aurochs, was described by Julius Caesar as “somewhat smaller than an elephant, swift and powerful; attacks both men and animals.” Charlemagne hunted a similar animal, known as bubalo. It is likely that the savage creature killed by St. George was an aurochs, and not a dragon, as the plastic artists present him. The aurochs (aur = wild + ochs = ox), or urus, is the bos primogenius that is now extinct. It survived until 1627 in a forest of Poland.

Apart from bullfighting on horseback, there was also the pega – from the verb pegar, which means catch, seize… the bull by the horns! In one kind of pegas, the so-called forcado was not only completely unarmed, but had nothing to fool the bull (e.g. cape). He should withstand the initial impact (the tremendous weight of the attacking animal plus speed), and the subsequent shaking of his head so as to get rid of an unwelcome rider on his neck…

There were more forcados, usually eight, as assistants in the pega to master the bull. It is the picture we have from the Minoan bull-leaping in an extant fresco of Taurocathapsia dating back to the 15th century BCE. Isn’t it impressive? Even more so if we take into account that these Cretan “forcados” included women!

Taurocathapsia (bull-leaping), Minoan fresco

Arriving at the other side of the Mediterranean, we can find the earliest known description of such a bullfight in the Epic of Gilgamesh, the legendary hero of Mesopotamia, whose name became associated with his futile struggle to obtain immortality. The epic, dating back to c. 2100 BCE, describes how the hero and his companion, Enkidu, kill the Celestial Bull that the goddess Ishtar has sent to punish Gilgamesh for spurning her advances:

“Enkidu seizes the celestial bull by the horns”, while Gilgamesh “approaches it slowly and jumps on its back; then grabs it by the tail”…

“The pegas”, Barreto concludes, “probably originated in the Neolithic ritual hunts. We may wonder whether the peoples of the Iberian Peninsula learnt this from the Cretans of the 3rd millennium BC, or if they themselves may have been the teachers, since the bulls were taken from their natural habitat in the peninsula to the island of Crete.”

But still, if you talk about so extensive exchange going on five millennia ago – whether it is bull-leaping, or even bull shipments from Iberia to Crete – how is it possible to be concerned about trivial “problems”, as to who were the initiators of this practice?

● Bull-leaping was a Minoan ritual connected with bull worship, where the bull was not killed, contrary to bullfight. When it passed to the Mycenaeans, it was called in Greek ταυροκαθάψια; from ταῦρος (“bull”) and κάθαψις, a rare noun composed of the words κατά- (“across”) and ἅπτομαι (“touch, reach”); thus, literally, “touching of the bull”. Representations (frescoes, statuettes, seals, etc.) of the ritual, outside Crete or Hellas, have been found in Asia Minor (Smyrna, Hattusa), Canaan, Egypt, Bactria, and the Indus Valley.

Juanito Apinani‘s speed and bravery in the bullring of Madrid,
from the etchings “La Tauromaquia” by Francisco Goya (1815-16)

● Non-violent taurocathapsia (bull-leaping), practiced in Spain, were called recortes. The recortadores competed at dodging and leaping over bulls without a cape or sword. Some used a long pole to literally pole-vault over the charging animal, which was not restrained by any guiding rope or similar safety device. The recortes were common in the 19th century. Etchings by painter Francisco Goya depict these events.

● In neighbouring Portugal, the bullfight’s second stage, called pega (“holding”), was the one referred to by Barreto. The so-called forcados challenged the animal directly without protection or weapon of defense. The front man provoked the bull into a charge to perform a pega de cara (face grab), secured its head and was aided by his fellows who surrounded and subdued the animal. The bull was not killed in the ring, in the audience’s sight, but by a butcher. After an exceptional performance, some bulls were healed, released to pasture until their end days and used for breeding.

● A “safer” style of this ritual, practiced in French Gascony, used young cows instead of bulls, which were furthermore guided by long ropes attached to their horns, so that they ran directly towards the sauteurs (“leapers”) and écarteurs (“dodgers”), and were restrained from trampling or goring them should they miss a trick.

● In faraway South India, in Tamil Nadu, there was a related ritual, the jallikattu, as part of the harvest celebration. The participants tried to leap onto a bull, reaching for the money packets tied to its horns as a prize. The event has been depicted in rock art dated at least to the 3rd century BCE.

• >> Chronicle 6. INDO-IBERIAN ARC (Jondo)
• << Chronicle 4. ON DEMOCRACY

Next Chronicle 6. INDO-IBERIAN ARC (Jondo) ● Roma, Bartók, Pohren and Flamenco ● Lorca, Falla, Pedrell and Cante Jondo

Chronicle 27. AN ARCHAEOLOGIST’S WATERLOO

Chronicle 27. AN ARCHAEOLOGIST’S WATERLOO

/ΕΛΛΗΝΙΚΑ/ Χρονικό 27. ΤΟ ΒΑΤΕΡΛΩ ΕΝΟΣ ΑΡΧΑΙΟΛΟΓΟΥ

● Emporia in Egypt and the Levant ● Leonard Woolley’s Waterloo ● Itinerant Minoan Artists ● Creto-Egyptian Ties ● Differences Between Minoan and Pharaonic Society and Art

Michales Loukovikas

.

… Hope the voyage is a long one…
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbours seen for the first time!
May you stop at Phoenician emporia
to buy fine things…
And may you visit many Egyptian cities
to gather stores of knowledge from their scholars…

(Constantine P. Cavafy, Ithaca)

A Minoan woman

UNDER NORMAL CIRCUMSTANCES, in the process of a research, in order to present a topic, you know beforehand in general terms what you’re looking for, while searching for documentation. Sometimes, however, the thread you have in hand to find your way in the “labyrinth of history” leads you to unanticipated landscapes, “into harbours seen for the first time”! Then a strong desire is born to “stop at Phoenician emporia… | and visit many Egyptian cities | to gather stores of knowledge from their scholars”, as Cavafy advises in his Ithaca. These are, indeed, the happiest moments of a research!

It happened exactly that when from the Aegean emporia in the historical space of the Mediterranean, I ended up following itinerant Minoan artists to distant lands! I felt I was obliged to give more information about these emporia, after referring to Naucratis in the previous Chronicle, when I realized I have already used this term several times in connection with colonies or trading posts; but the emporia were not exactly colonies or trading posts, though related to both. Writing in the Encyclopaedia of the Hellenic World about Commercial posts and harbours, Elias Petropoulos tried to clear things out:

“The term emporium denoting a type of settlement or colony first appears in ancient literature rather late, in the 5th century BC. According to some scholars, an emporium should be understood as the locale of the emporos (or merchant), i.e. the traveller carrying commodities. The word emporos etymologically originates from the preposition en and the word poros, meaning sea route. The word appears in Homer’s Odyssey twice. In both cases the epic poet obviously meant a private individual who travelled for professional reasons. Hence we could suppose that the word emporium originated from the word emporos. Unfortunately, this word does not appear on [Mycenaean] Linear B tablets, and this is rather surprising, but it also leads to the obvious conclusion that the word was coined at a later time. Scholarship on the subject argues that the word or term emporium (in the sense of a colony or settlement and not that of a simple commercial transaction or exchange of products) appears first in writing in the work of Herodotus in the mid-5th century BC. By the 4th century BC the word is found written on an inscription (known as ‘the inscription of Pistiros’) which has been unearthed quite recently in a settlement of the modern Bulgarian (ancient Thracian) hinterland, close to Philippopolis…

Emporium < Emporos (< en + poros) = a voyager on a sea route

The Babylonian Marriage Market (1875), by Edwin Long,
inspired by a passage in the Herodotan Histories

“According to information we can extract from Melpomene, Herodotus’ fourth book [of Histories], the Black Sea was home to several emporia, as the ancient historian described them… There are also more scattered references in the other eight books of Herodotus. These emporia were located outside the Black Sea, and situated in the Mediterranean. The case of Naucratis among them really puzzles us: the ancient historian mentions it as both a polis and an emporium. Many studies have dealt with this issue, but nevertheless we still cannot determine the early nature of this settlement with certainty. The term usually understood as the opposite of emporium is colony, which is considered as a complete form of settlement in the model of the ancient Greek polis, featuring a distinct form of political and social organization. A colony was obviously established in the context of a predetermined plan of action, and under the auspices of a god (or gods) through an oracle, with every formality on the part of the metropolis, possessing an agricultural hinterland and its own coinage… However, in some cases, an emporium may be characterized as a proto-polis or proto-settlement, in the sense that it could act as an early stage in the foundation of a colony or polis.”

Frieze of a landscape with river; Acroteri, Thera – when there were still rivers on Santorini…

Egypt with Alexandria, Naucratis, Avaris, Sais, Pelusium, Memphis and Thebes mentioned in this Chronicle.

Emporia, according to Wikipedia, were places that the traders of one people had reserved to their business interests within the territory of another people. Except Naucratis, famous emporia in Egypt included Avaris and Sais, where Solon, the Athenian legislator, went “to gather stores of knowledge from its scholars”, in 590 BCE. Similar emporia were founded in the Levant, such as Al-Mina and Posideion in Syria. Sais (or Zau in ancient Egyptian) was located in the western Nile Delta. The city’s patron goddess was Neith. The Greeks, such as Herodotus, Plato and Diodorus Siculus, identified her with Athena and hence postulated a primordial link to Athens. Diodorus recounts that Athena built Sais before the deluge that supposedly destroyed Athens and Atlantis; all Hellenic cities were wiped out in that cataclysm, but the Egyptian cities survived. In Plato’s Timaeus and Critias (around 360 BCE), a priest in Sais entrusted to Solon the story of Atlantis, with its aggression against Greece and Egypt, and its eventual defeat and destruction by a natural catastrophe.⁽¹⁾

• ⁽¹⁾ The story of Atlantis may be connected with either ice melting after the last Ice Age (but Hellas was non-existent then), or the Sea Peoples’ raids and the consequent Bronze Age collapse. This could have been the “cataclysm” that destroyed Greece, while Egypt barely survived… (See the Chronicles 18, 19, 20, especially the last one).

Taureador: Fresco fragment from Avaris, 16th BCE

Avaris (today’s Tell el-Dab’a), the capital of Egypt under the Canaanite Hyksos, was also located in the Nile Delta, in the northeastern region. Its position at the hub of Egypt’s emporia made it a major administrative and commercial centre. Excavations have shown there was a busy harbour catering to over 300 ships in a trading season. Artifacts inside the precinct of the palace, possibly a temple, have produced goods from all over the Aegean. Most impressively, there were even Minoan-like wall paintings similar to those found in Crete at the Palace of Knossos. It is speculated that there was close contact with the rulers of Avaris, whoever they were, and the large building with the frescoes allowed the Cretans to have a ritual life in Egypt. French archaeologist Yves Duhoux also proposed the existence of a Minoan colony on an island in the Nile Delta.

Minoan Ladies in Blue fresco, ca 1525-1450 BCE

Outside of the Aegean, only three sites have an indisputable record of Minoan civilization, one being Avaris in Lower Egypt, the others Kabri and Alalakh in the Levant. Kabri, in Palestine, near the Lebanese border, is notable for its Minoan-style wall paintings. In the summer of 2009, more Aegean-style frescoes were found at the site. Apparently, the Canaanite rulers of the city wished to associate it with the Mediterranean culture and avoid Syrian and Mesopotamian styles of art that other cities in Canaan adopted. Alalakh was a late Bronze Age city-state in the area where Seleucid Antioch would rise by the end of the 4th century BCE. It was occupied from before 2000, when the first palace was built, and destroyed probably in the 12th century by the Sea Peoples (as were many other towns of coastal Anatolia and the Levant). Alalakh was never reoccupied and its place was taken by the nearby port of Al-Mina during the Iron Age.

Mantiklos Apollo, from geometric to orientalizing period, bronze, (c 700-675 BCE, Thebes, Hellas)

Al-Mina (“The Port” in Arabic) is the name that archaeologist Leonard Woolley gave to this ancient trading post in the Orontes estuary. According to Woolley, it was an early Hellenic trading colony, founded a little before 800 BCE in direct competition with the Phoenicians to the south. Large amounts of Greek pottery established its early Euboean connections, while the Syrian and Phoenician ware reflected a cultural mix typical of an emporium. The controversy whether it is to be regarded as a native Syrian site, with local architecture and pots, and a Greek presence, or as a Hellenic trading post, has not been resolved. Al-Mina served as an outpost for cultural influences that accompanied commerce with Urartu and Assyria through the shortest caravan route. Pottery recovered from later levels after 700 BCE shows that a Hellenic presence endured through the 4th century BCE, with pottery imported from Miletus and deftly imitated locally, apparently by Greek potters. Al-Mina is a key to understanding the role of early Hellenes in the East at the outset of the Orientalizing period of Greek cultural history. Robin Lane Fox has made a case for the Greek name of the site to have been Potamoi Karon mentioned by Diodorus Siculus; he suggestively linked it to karu (“trading post”) in an Assyrian inscription, which would result to Rivers of Emporia.

Sumerian silver lyre of Ur (2600-2400 ΠΚΧ)

Woolley identified Al-Mina with Posideion mentioned by Herodotus and Strabo, but recent scholarship places the latter at Ras al-Bassit, located 53 kilometres north of Latakia (Hellenistic Laodicea) by the Mediterranean. Excavations there revealed a small settlement of the late Bronze Age, when it may have functioned as an outpost of Ugarit to the south. Unlike Ugarit, Bassit survived the passage of the Sea Peoples and into the Iron Age. It had strong links with Phoenicia and Cyprus, and a Greek presence was attested from the 7th century BCE. Posideion expanded and its acropolis was fortified in the Hellenistic period.

Ram in a Thicket: one of a pair of figures found at Ur. The excavation was a joint venture of the British Museum and the Pennsylvania University. Then they decided to share the booty!

Woolley began work at Al-Mina in 1936, after the excavation in Mesopotamia, at Ur, where he discovered Sumerian royal tombs of great wealth. He made up his mind to work by the Mediterranean coast because he was interested in finding ties between the Aegean and the Mesopotamian civilizations, and also wished to throw light, as he wrote, “upon the development of Cretan civilization and its connections with the great civilizations of Nearer Asia”. Disappointed at Al-Mina, as he did not find a Bronze Age port there, he soon moved his interests to the earlier, more urbane site of Alalakh, where he worked before and after World War II (1937-39 and 1946-49). It seems, however, that his “view” was anything but “impartial”, for he, too, was “spectacled”, wearing “Asiatic myopic glasses”. All those clues on the “connections” he was interested in were there, of course; but, having already in mind an elaborate scenario, and most probably the secret ambition to turn Arthur Evans’ work in Crete upside down, he led himself to erroneous conclusions. If Ur had been his Austerlitz, Alalakh turned out to be his Waterloo! His failure to interpret his findings correctly should be taught in every School of Archaeology, helping each equally short-sighted scholar learn his/her lesson…⁽²⁾

Wishing to turn Arthur Evans’ work in Crete upside down, Leonard Woolley drew wrong conclusions. If Ur had been his Austerlitz, Alalakh turned out to be his Waterloo!

Lawrence (left) and Woolley at Carchemish

• ⁽²⁾ “Sir” Charles Leonard Woolley (1880-1960) was knighted in 1935 for his contribution to his discipline, since he was considered as one of the first “modern” archaeologists. Volunteered by Arthur Evans to run the excavation on a Roman site in northern England, Woolley started his career in 1906, later admitting: “I had never studied archaeological methods even from books… and I had not any idea how to make a survey or a ground-plan”. He worked with T. E. Lawrence, the later famous “Lawrence of Arabia”, on the excavation of the Hittite city of Carchemish in 1912-14. His work at Ur, starting in 1922, led to the discovery of the royal tombs and inspired Agatha Christie in writing the novel Murder in Mesopotamia. The writer later married Woolley’s assistant, Max Mallowan. Woolley was one of the first archaeologists to propose that the “great deluge” of the Bible was a local flood, after identifying a flood-stratum at Ur of “…400 miles long and 100 miles wide; but for the occupants of the valley, that was the whole world”…

The Knossos palace reconstructed

Wolf-Dietrich Niemeier vs. Leonard Woolley

REFERRING TO MINOAN ARTISANS TRAVELLING OVERSEAS: The Alalakh Frescoes and the Painted Plaster Floor at Tel Kabri (Western Galilee), the German archaeologist Wolf-Dietrich Niemeier, who excavated at Kabri, explained how Woolley’s ambition to upturn Evans boomeranged back on him:

“The uniqueness and seeming suddenness of the emergence of the Cretan palace system in the Aegean has often been explained by connections with and influences from the older advanced civilizations of the ancient Near East. In Alalakh… Woolley thought to have found what he had looked for: in Yarim-Lim’s palace he recognized ‘unmistakable connections’ with Minoan Crete. Similar building techniques… as well as frescoes ‘identical in colouring, technique and style’ at Alalakh and Knossos led him to the conclusion that ‘there can be no doubt but that Crete owes the best of its architecture, and its frescoes, to the Asiatic mainland’, and that ‘we are bound to believe that trained experts, members of the Architects’ and Painters’ Guilds, were invited to travel overseas from Asia (possibly from Alalakh) to build and decorate the palaces of the Cretan rulers’.

“Crete owes the best of its architecture, and its frescoes, to Asia.”
(Leonard Woolley)

Yamhad, with Halab (Aleppo) as capital, and several toponyms mentioned in this Chronicle:
Carchemish, Alalakh, Ugarit, Qatna, Hazor in Canaan, Mari, Babylon, Ur.

“Woolley’s main argument for this theory, which has been accepted by eminent scholars,⁽³⁾ [!] was that ‘Yarim-Lim’s palace antedates by more than a century the Cretan examples in the same style’… However, after a long debate on ‘Alalakh and Chronology’, Woolley’s date (‘between c. 1780 and 1730 BC’) proved to be too high. Yarim-Lim of Alalakh was not – as Woolley had thought – Yarim-Lim I of Yamhad, the contemporary of the great Hammurabi of Babylon, but a younger brother of King Abban [Abba-El?] of Yamhad who gave Alalakh to him as an appanage principality…⁽⁴⁾ The dates recently proposed by different scholars lie between c. 1650 and 1575 BC. In regard to architecture… the evidence is far from substantiating Woolley’s theory of Near Eastern architects working in Crete… The orthostates of Alalakh are c. 300 years later than the orthostates of the first phase of the Old Palace at Phaistos… Fragments of wall paintings from Yarim-Lim’s palace show characteristic Minoan motifs which appear contemporary or even earlier in Crete. Moreover, the sense of movement detectable in the wall-painting fragments from Yarim-Lim’s palace is characteristically Minoan and in opposition to Near Eastern tradition.

• ⁽³⁾ You see, the… spectacled parrotlet (forpus conspicillatus) is not an endangered species!

• ⁽⁴⁾ There were three kings of Yamhad under the name of Yarim-Lim and, of course, far more local rulers with the same name, such as the one in Alalakh. Woolley (more than anyone else) should have known better before he wrote that “Crete owes the best of its architecture, and its frescoes, to the Asiatic mainland”…

Papyrus fresco on Thera

“Woolley’s strongest argument for a direct connection between the Alalakh paintings and those in Crete was that they both were executed in true fresco painting on wet lime plaster. But it is exactly this fact which definitely disproves Woolley’s theory of the Near Eastern ancestry of Cretan fresco painting. Until most recently the Alalakh frescos formed the only known example of true fresco painting on the ancient Near East. In Crete, true fresco painting is known at least from c. 1900 BC on. Thus true fresco painting apparently has been first invented on Crete, probably because it was suitable to the temperament of the Minoan artists.⁽⁵⁾ Technique, style and iconography of the fresco fragments from the Yarim-Lim palace at Alalakh indicate that their resemblances to the Cretan wall-paintings worked in the reverse direction as that originally thought by Woolley.

• ⁽⁵⁾ While the Egyptian artists of this period painted their wall paintings in the “dry-fresco” (secco) technique, the Minoans used a “true” or “wet” painting method, allowing the pigments of metal and mineral oxides to bind well to the wall, which required quick execution. The nature of this technique encouraged improvisation, spontaneity, and the element of chance. Since they had to work within the time constrains of the drying plaster, they had to be very skilful, and their fluid brush strokes translated into the graceful outlines that characterize Minoan art. For this reason, this method of painting was most appropriate for the fluid moments of life and nature scenes that the Minoans favoured, which contrasted sharply with the strict stylization and stereotyping typical of frescoes from other Mediterranean cultures of the same time. The figures of Minoan frescoes are depicted in natural poses of free movement that reflect the rigours of the activity they engage in, an attitude characteristic of a seafaring civilization accustomed to freedom of movement, liquidity, and vigour.

Ritual sprinkler in rock crystal
from Kato Zakros, Crete

“There is much evidence that Cretan objects of art were highly valued in the ancient Near East. In the Mari tablets Cretan imports are mentioned… The prestige character of the Cretan objects in the Mari texts is indicated by the fact that two of them were presented by King Zimri-Lim of Mari to other Mesopotamian Kings. As finds of Kamares pottery at Ugarit, Qatna, Byblos and Hazor demonstrate, this outstanding pottery was highly esteemed in the Levant. Thus, at least from the 19th century BC on, Crete within its relations to the Levant was not only the receiver but developed into an equal partner producing works of art for which there was a great demand in the Near East.⁽⁶⁾ These Cretan works of art arrived by some kind of exchange or trade in the Levant. But, as Woolley has stated, ’one cannot export a palace on board of a ship, nor is the «art and Mystery» of fresco-working a form of merchandise’.⁽⁷⁾ Do we therefore have to reconstruct just the reverse scenario as that suggested by Woolley, i.e. Cretan artisans travelling to Alalakh for painting the frescoes there?

• ⁽⁶⁾ I ignore the Levantine contribution to the Minoan culture and, unfortunately, Niemeier gives no information on the subject. What I do know is how much the Cretans were indebted to, and how much they were benefited by learning from, the Egyptians (see Chronicle 17, Minoan Trade and Influence). I can imagine, in addition, how much the Egyptians would have benefited if they were not so stuck-up to let themselves learn from the Cretans…

• ⁽⁷⁾ I used a similar argument in Chronicle 22, Conclusion, to show the necessity of Hellenic presence in Iberia: “What the Phoenician ships could not transport and, thus, made the Greek presence absolutely necessary in Iberia, was Hellenic culture, art, ideas, models, architecture, burial habits, etc.”

“The sense of movement is characteristically Minoan, in opposition to Near Eastern tradition. Kabri and Alalakh show a purely Minoan iconography and technique. This can only mean they were made by itinerant Minoan artists.”
(Wolf-Dietrich Niemeier)

Knossos: the Throne Room with the griffins reconstructed

“In ‘Greater Canaan’…⁽⁸⁾ there are two other sites which can contribute to the problem: Qatna and Tel Kabri. Fragments of wall-paintings from the palace at Qatna show [techniques] in the characteristic Aegean manner. Tel Kabri lay on one of the most important trade routes of the ancient Near East, [Way of the Philistines,] the later so-called Via Maris…⁽⁹⁾ In the palace of the local ruler… a threshold was plastered and painted with… similar floor-techniques and designs of the Minoan palaces but not from the Ancient Near East… There is evidence that the walls of this room were also covered with painted plaster of which unfortunately only tiny fragments have been preserved. The plaster floor has been painted in true fresco technique… found also in Cretan and Theran fresco painting but not in tempera and fresco secco. The colours in the floor’s painting are… very similar to those of Cretan and of Theran wall-painting… Originally the floor… imitated the slabs of a stone pavement… In Crete painted plaster floors imitating slab-paved floors are known from [c. 2000 BCE]. Other parts of the Kabri floor were decorated with floral motifs. Among them are chains of stylized linear iris blossoms of a characteristic Minoan type which occurs first in frescoes and vase-painting [in 1700-1500 BCE]. Such kind of decorative mixture is a characteristic feature of Minoan fresco painting… The Kabri floor and also the fresco fragments from Yarim-Lim’s palace at Alalakh do not have only single Minoan motifs foreign to ‘Greater Canaan’ which could be explained as intrusive or incorporated elements arriving by motif transfer, but they show a purely Minoan iconography as well as technique. This can only mean that they were executed by travelling Minoan artisans…

Asherah, Canaanite fertility goddess

• ⁽⁸⁾ Greater Canaan: “the area between the Amuq plain [where Antioch was later built] to the north and the deserts to the south and to the east for the middle and late Bronze Age… appears to form a largely uniform civilization with regional variations.” (Ruth Amiran)

• ⁽⁹⁾ The historical name of the road, sadly for the Israeli Jews, was Way of the Philistines, since it crossed through the Philistine plain, where the Gaza Strip is located. Via Maris was “fished up” out of the Vulgate – “via maris”, meaning “by the way of the sea” – without specifying any road (there was no such Roman name denoting any road anywhere). The modern name was adopted so as to… expel the Palestinians from their homeland, Palestine, even on archaeological terms!

La Petite Parisienne de Crète…

“We have evidence for exchange of information on the equipment of the palaces within the ancient Near East (to which Minoan Crete belonged in a certain sense as a westernmost member). That Cretans actually travelled to the Levantine coast is proved by a tablet from the Mari archives mentioning a Cretan who purchases tin at Ugarit from agents of the Mari palace. A tale in the mythological poetry of Ugarit is of highest interest in our context. In it the goddess Anat is sending the divine messenger over the sea to the god of handicrafts, Kothar wa-Khasis, who is brought from his throne in Kptr (almost unanimously identified as Caphtor = Crete) to build a splendid palace for god Baal and to furnish it with precious works of art.⁽¹⁰⁾ As Arvid Schou Kapelrud has stated, Kothar is ‘the master-builder and the master-smith as he is found in the Near Eastern courts of this time, a highly skilled specialist’. In Canaanite mythology the god of handicrafts was called from Crete to furnish the palaces of the deities with precious works of art; in reality the rulers of Tel Kabri (Rehov) and Alalakh (and other cities, possibly Qatna) asked the rulers of Crete for sending artisans to decorate their palaces with fresco painting. As has been demonstrated by Carlo Zaccagnini, the sending of specialized workers is well-attested in the framework of the diplomatic relations between the rulers in the ancient Near East, their transfers are inserted into the dynamics and formal apparatus of the practice of gift-exchange.”

• ⁽¹⁰⁾ “KPTR” may be identified with “Caphtor”; but the latter’s identification with Crete is anything but certain. Biblical Caphtor may refer to: a) Pelusium in the Nile Delta; b) Cilicia; c) Cappadocia; d) Cyprus; e) Crete (see Chronicle 20, Pelasgians and Philistines-Peleset). Egypt fits far better here because in all references to Kothar, except the poetic tale mentioned above, his abode is identified as “HKPT”, which is possibly read as “Hikaptah”, or “House of the ka (soul) of (god) Ptah”, i.e. Memphis. The Hellenes pronounced this Hikaptah as Aegyptos, hence the name of the country in many languages.

Minoan fresco frieze at Avaris reconstructed

AFTER THE DISCOVERIES in Alalakh and Kabri, the absolutely impressive Minoan wall paintings in Avaris with a long frieze of taurocathapsia (bull-leaping) against a labyrinth pattern, griffins or rosettes, recovered during Manfred Bietak’s excavations there,

“instantly created much sensation, since among the scenes depicted on them are spectacular representations of bull leaping so closely identified with Minoan cult and culture”, as Wolf-Dietrich and Barbara Niemeier commented in another paper on Minoan Frescoes in the Eastern Mediterranean.

“From 1990 on, we suggested that the Kabri and Alalakh frescoes were painted by travelling Aegean specialists, and [some time later] Bietak and Nanno Marinatos did the same for the Avaris frescoes”.

A Minoan heterotopia at Avaris. Taureador (detail)

There was a minor problem among archaeologists on the date of these frescoes. Wishing perhaps to please everyone,

“Bietak and Marinatos came to the conclusion that ‘Minoan wall painting existed in Avaris both during the late Hyksos period and the early 18th Dynasty’. Bietak had regarded as possible that ‘trade… links between Avaris and Crete… might have survived a dynastic change and might have carried on into the 18th Dynasty, even after the fall of the Hyksos.’ There is indeed enough evidence from history that the kind of diplomatic and economic relations which apparently are behind these fresco paintings can survive the changes of regimes.

“According to Bietak, ‘king Ahmose, the founder of the 18th Dynasty, fits particularly well into the picture of Minoan connections.’ He imagines the possibility of a political deal between Ahmose and the ‘Minoan Thalassocracy’ in which the Minoan fleet helped Ahmose – who had no fleet – against the danger still threatening from the Hyksos harbour bases in southern Palestine. There is no archaeological or textual evidence for the latter hypothesis, and it recalls rather imaginative and today forgotten scenarios connected with the expulsion of the Hyksos, like those according to which Mycenaean mercenaries helped Ahmose in evicting the Hyksos, or according to which fugitive Hyksos princes conquered the Argolid and subsequently were buried in the Shaft Graves at Mycenae. Moreover, Ahmose already had a fleet: he captured Avaris after a series of assaults by both land and water [and then] proceeded to southern Palestine.”

Ahmose fighting back the Hyksos

Even a pharaoh with a fleet of his own would surely prefer to have the far more experienced Cretan navy on his side, than against him, allied with the Hyksos! The Avaris paintings indicate an involvement of Egypt in international relations and cultural exchanges with the eastern Mediterranean either through exchange of gifts or even marriage. They additionally point to Minoan authority as being involved in Egyptian affairs, possibly because Crete had a strong naval force to offer the pharaoh, and also to Avaris as a place where these cultural exchanges took place, meaning the city was incredibly important to Egypt.

Girl from Acroteri, Thera: detail
from the fresco of the lilies

The marriage of a Minoan princess to an Egyptian pharaoh may be one possible scenario. Bietak has suggested that the Avaris frescoes were painted by Minoan artists who were members of the entourage of a Knossian princess married to a pharaoh, whom he first identified as a Hyksos ruler, then as Ahmose, and later as Thutmose III. At last, who was the Cretan girl’s groom? The Minoan eruption on Thera (c. 1640 – c. 1540) coincides with the Hyksos period in Egypt (1650–1550 BCE). But because the exact moment of the eruption escapes us, we can not speculate if the marriage took pace then and when. There follows Ahmose with his New Kingdom, when the Egyptians considered the Aegean to be part of their “empire”. The term must not be understood literally, because in Egypt, they misinterpreted even the gifts given to the pharaohs: “The Egyptians, with their characteristic egocentric sense of superiority, would have presented such gifts as tribute”, remarks A. R. Schulman. At any rate, “Ahmose fits particularly well into the picture of Minoan connections”. Thutmose could very well be the groom, too. Besides, we know that he had three foreign wives: Menwi, Merti, and Menhet. However, a problem arose: another dynastic change that happened during his reign, in the middle of the 15th century BCE – not in Egypt but in Crete, when the Minoans were put under the yoke of their own “Hyksos” (foreign rulers), the Mycenaeans. Therefore, if there was a wedding, it should have happened in the beginning of Thutmose’s reign, when the actual pharaoh was his stepmother, Hatshepsut, or immediately after her death, in 1458 BCE.

Theran rosettes

Whatever the case, these unique wall paintings are of Minoan style, technique, and content. There is a long frieze of bull-leaping and grappling against a maze pattern. Marinatos has made a case that the rosette motif, a prominent feature of the “Taureador” paintings, reproduces the Knossian rosettes, and that it is a distinct Minoan symbol. The frescoes also depict griffins, hunting scenes, felines chasing ungulates, several life-sized figures, and a white female wearing a skirt. Especially important are the Minoan palace emblems, such as the half rosette frieze, and the presence of big griffins that are the same size as the ones in the Knossian Throne room. The technique of painting is typically Aegean, while the style is of very high quality and compares with some of the best paintings from Crete. The use of Minoan royal motifs in a palace of Avaris, says Bietak, indicates that “an encounter on the highest level must have taken place between the courts of Knossos and Egypt,” while the large representation of the female in the skirt may suggest a political marriage of a Minoan princess to the pharaoh.

Minoan female acrobat
(ivory, 2800-1100 BCE)

“Dynastic intermarriage was a favoured diplomatic tactic in the Bronze Age Near East,” the Niemeiers point out. The entourage of a foreign princess, some scholars suppose, “would comprise several hundred people, who until the end of their lives remained in the harem of the pharaoh, and that one can well imagine that at Avaris the rooms of the foreign princess and her entourage were decorated according to her desires. [However], at Alalakh and Tel Kabri, the frescoes probably had been attached to the walls of major ceremonial (and possible ritual) halls of the palace, not of the private rooms of queens or princesses.”

The technique of using lime plaster in two layers with a highly polished surface, fresco in combination with stucco, are all techniques that are not Egyptian but first seen in Cretan paintings. The colours used by the artists are clearly Minoan. Using blue instead of grey is Minoan, with that colour convention being seen in Egypt later, due to Aegean influence. Besides, there are no Egyptian hieroglyphs or emblems among the fragments. The composition of the paintings and motifs also fit in perfectly with all those of the Aegean world. Thus the overwhelming evidence seems to point into the direction of Minoan artists working in Avaris.

Differences Between Minoan and Pharaonic Society and Art

Wild duck on Thera

“The differences between the styles of Egyptian and Minoan arts have been analyzed by Henriette Antonia Groenewegen-Frankfort and, most recently, by Bietak,” the Niemeiers comment. “According to Groenwegen-Frankfort, Minoan art differs from Egyptian (and ancient Near Eastern) art in its ‘absolute mobility in organic forms’. Bietak aptly explains this with the different cultural patterns of both civilizations. The Minoan society was not – as the Egyptian one – dominated by writing, listing, and absolute order, and therefore Minoan art was not subjected to hieroglyphic clichés and a rigid canonical order. As to a comparison of Canaanite and Minoan arts, we do not have, unfortunately, many objects of art from the middle Bronze Age Levant. But those which are extant show a style distinctly different from the Minoan one. For instance, the bird representations on bone inlays from Megiddo and Lachish seem motionless in comparison to the crane on an ivory plaque from Palaikastro. Canaanite female and male metal figurines appear stiff in comparison to the Minoan female and male metal figurines displaying strong inner tension and dynamics.”

“Minoan art differs from Egyptian art in its ‘absolute mobility in organic forms’.” “The Minoan society was not dominated by absolute order; so
Minoan art was not subjected to hieroglyphic clichés and rigid order.”
(Henriette Antonia Groenewegen-Frankfort and Manfred Bietak)

Another map of the area, with arrows pinpointing the places mentioned in this Chronicle): Alalah, Carchemish, Ugarit, Qatna, Byblos, Megiddo, Mari, Babylon, Ur.

As it turned out the wall paintings at Avaris, Alalakh, Kabri, possibly Qatna (17th – 16th centuries BCE), were not the older ones.

“Earlier are the painted stone imitations in Zimri-Lim’s palace at Mari [18th century BCE]. The excavator of Mari, André Parrot, compared the stone imitations to those at Knossos. He also asked for possible connections between the Mari and the Knossos murals, and, pointing to the evidence for their connections provided by the Minoan precious objects mentioned in the Mari archives, he apparently tended to see some Cretan influence in the murals there.”

● Located in Mesopotamia, far from the Mediterranean, Mari (today’s Tell Hariri) was a Sumerian and Amorite city on the Euphrates. It flourished from 2900 to 1759 BCE, when it was sacked by Hammurabi, despite the gifts king Zimri-Lim had given him. More important was Mari’s strategic position as a relay point between northern Syria and lower Mesopotamia. The city came to control the trade lanes between different regions such as Iran, Mesopotamia, and Anatolia. The royal palace contained over 300 rooms and was possibly the largest of its time (over 1,000 rooms, they say, had the palace of Knossos)! More than 25,000 tablets were recovered while excavating Mari, as Parrot noted, “bringing about a complete revision of the historical dating of the ancient Near East, and providing more than 500 new place names, enough to redraw the geographical map of the ancient world.”

● Qatna (modern Tell el-Mishrife), 18 km NE of Homs, was one of the largest Bronze Age Syrian towns. Trade routes in the 2nd Millennium connected Mesopotamia with Cyprus, Crete, Egypt. Qatna is mentioned in the tin trade, linking Mari, via Qatna, to the Mediterranean; Cypriote copper was also transported on this route; their alloy, bronze, was most valuable during both the Bronze and Iron Ages.

Theran boy-boxers

Regarding the ethnic composition of the “Minoan” workshops, there are various possibilities: the frescoes were painted a) by travelling Aegean artisans; b) under the supervision of Aegean artists, assisted by Levantine painters, after they were trained by them; c) by Levantine students of Aegean masters. The idea of mixed workshops seems more appealing, probable, realistic. Decorating huge palaces was a great undertaking. However, it would seem unthinkable to imagine Cretan ships full of artists travelling around the Mediterranean for this task. The artistic teams should have been rather small, working necessarily with local apprentices.

“It is difficult to decide in each case which of these solutions is the correct one,” point out the Niemeiers. “We would agree with Philip P. Betancourt that only a very small percentage of the fresco paintings is known and that ‘we are touching the tip of the iceberg of a whole series of interrelated workshops, working in Knossos, the Aegean islands, on the coast of Western Asia and in Egypt, perhaps travelling back and forth, perhaps occasionally exchanging personnel, or going back to Knossos to learn the most recent things’… The Alalakh, Kabri, and Avaris frescoes are to be seen ‘in terms of the forging of an élite koiné – artistic, iconographical, ideological, technological – in the circumstances of the intense maritime interaction between the coastal areas of the Eastern Mediterranean’,” as Susan Sherratt proposed. Marinatos has argued that these paintings are evidence of a koiné, a visual language of common symbols, which testifies to interactions among the rulers of neighbouring powers. This idea is adopted by the Niemeiers, as well: “The Minoan artists involved in the painting of all these frescoes apparently formed an important element in the growth of the so-called ‘International Style’ of the Late Bronze Age eastern Mediterranean.”⁽¹¹⁾

• ⁽¹¹⁾ Not only of the eastern part of the Mediterranean: according to some fresco experts, similar wall paintings have also been found in “faraway” Morocco. However, it is not clear if they are painted with the true (wet) fresco or secco technique.

“Interrelated workshops worked in Knossos, the Aegean islands, the Western Asia coast and Egypt, travelling back and forth, exchanging personnel, or going back to Knossos to learn the most recent things.” “An élite koiné – artistic, iconographical, ideological, technological – was forged in the circumstances of intense maritime interaction between the coastal areas
of the Eastern Mediterranean.” (Philip P. Betancourt and Susan Sherratt)

Cretans in Egypt, bringing gifts of metal, jewelry etc, facsimile of a painting in Thebes, Egypt, 18th dynasty
(early 15th century BCE)

Whatever happened to the Avaris wall paintings? One group of them had fallen off the wall of a doorway, and another group of fragments was found in dumps deposited by the north-east palace. The frescoes seem to have been removed during the later Thutmosid period – when there was no Minoan Crete anymore, after it was taken over by the Mycenaeans.

“Minoan fresco painting apparently was a rather short-lived phenomenon in the Levant and Egypt – in Egyptian terms, covering the Hyksos period and the very beginning of the early 18th Dynasty,” the Niemeiers sum up. “Later, we find again paintings of nature scenes which appear to breathe a Minoan spirit. They were, however, executed in secco technique and certainly were not painted by Aegean artists. Minoan wall painting was a thing of the past at that time.”

Without Minoan Crete there was no room for Minoan art. Minoan workshops were still busy, of course; but the artistic masters worked for the new political masters, the Mycenaeans; there were no Greek artists at that time to compete with them. But their new works of art are not typified as “Minoan” anymore; they are called “Mycenaean”, sometimes with a footnote that they were made by Cretan artistic workshops. Would anyone ever think to describe as “Cretan” the masterpieces of another great Cretan master, who lived more than three millennia later, namely Doménicos Theotocópoulos, the famous El Greco?

Mycenaean women procession fresco

Before Tin, it was the Obsidian…

HERE WE ARE AGAIN AT OUR STARTING POINT, my dearest fellow voyagers, having come full circle back: we began with Periplus and Minoan Cretan Thalassocracy, and we concluded with Emporia and Minoan Cretan fresco.⁽¹²⁾ Now we can start anew, picking up the thread again, going back even before our starting point – before man learned how to work metals, when he voyaged in search of an equally valuable material: the obsidian. So, let’s attempt to go back to the Neolithic era. Let’s schedule it, at least: our vivid imagination is our strong point!

• ⁽¹²⁾ See also Chronicles 3, 5, and 17, 18, 19, about Crete, Cretans, Minoan civilization, navigation and trade, thalassocracy, fresco, taurocathapsia, etc.

• >> 28. THE MAKING OF THE MEDITERRANEAN PERIPLUS
• << Chronicle 26. IBERIAN CROSS-CHECK

Grandstand Minoan procession fresco

Chronicle 26. IBERIAN CROSS-CHECK

Chronicle 26. IBERIAN CROSS-CHECK

/ΕΛΛΗΝΙΚΑ/ Χρονικό 26. ΙΒΗΡΙΚΗ ΔΙΑΣΤΑΥΡΩΣΗ (ΣΤΟΙΧΕΙΩΝ)

● Naucratis ● Adolf Schulten and Dan Stanislawski ● The Trojan War Odysseys ● Metal Attraction ● Cassiterides ● Balearics ● Arganthonios ● Graeco-Tartessian Friendship Against Phoenicians and Punics

Michales Loukovikas

ALTHOUGH DAN STANISLAWSKI accepted there were Contacts Between the Ancient Civilizations of the Eastern Mediterranean and Iberia,⁽¹⁾ he was against the idea of any Aegean presence in the peninsula, and remained faithful to the mainstream scholarly favouritism towards Phoenicia. Commenting on the “claims that there was contact” between Iberia and Crete, he conceded it is “a seductive idea… a reasonable hypothesis”, but “as yet there is no convincing evidence that the Mediterranean island route to the west was used” by Minoans.

• ⁽¹⁾ See the beginning of Chronicle 21 with the first paragraph of Chapter 7 from Dan Stanislawski’s Study in Historical-Political Geography: The Individuality of Portugal (1959). His other studies on Portugal are: Portugal’s Other Kingdom: The Algarve (1963), and Landscapes of Bacchus: The Vine in Portugal (1970).

The Minoan international trade: colonies and emporia

Such tangible, “convincing evidence” in the hands of archaeologists, i.e. a load of Egyptian trade items found in Spain, is of “a somewhat later period”, after the fall of the Minoans, c. 1400-1200 BCE. Although we cannot rule out the possibility of “Phoenician intermediaries”, we must have in mind that in this “somewhat later period” (late Bronze Age), especially in Occidental Mediterranean, sea trade was in the hands of those who brought about the fall of the Minoans, meaning the Mycenaeans – who, strangely enough, are not even mentioned by the American professor! Therefore, his assertion that the Egyptian trade items found in Spain “almost surely may [!] be associated with Phoenician intermediaries”, is anything but scientific.

Besides, the Aegean presence in Egypt, i.e. the origin of these trade items, dates back to at least the Mycenaean times, and possibly further back into the Minoan age, when a trade settlement was founded in the Nile Delta under the aegis of the pharaohs, namely Naucratis (Ναύκρατις). It was the first and, for much of its early history, the only permanent Hellenic colony in Egypt, acting as a symbiotic nexus for the interchange of Egyptian and Grecian trade items, art and culture. When a historian “forgets” the Mycenaeans and Naucratis, it means he’s wearing “Phoenician myopic glasses”!

The Calydonian [Boar] Hunt, from a Laconian black-figure cup by the Naucratis Painter (ca 555 BCE)

● Naucratis is located in the Nile Delta, on its westernmost branch, c. 70 km southeast of its mouth, where Alexandria later rose; it was not only the first Greek settlement in Egypt, but also its most important harbour in antiquity until the rise of Alexander’s city. Its first period is obscure, due to the collapse of Mycenaean civilization and the ensuing “Dark ages” (1100-750 BCE). A cultural “renaissance” during the 8th century brought about renewed Hellenic contacts with the Orient and its two important river civilizations of the Nile and Mesopotamia. Herodotus writes that a shrine known as Hellenion was a co-operative enterprise financed by nine Greek poleis: four Ionian (Chios, Clazomenae, Teos and Phocaea), four Dorian (Rhodes, Halicarnassus, Cnidus and Phaselis), and one Aeolian (Mytilene). Miletus, Samos, and Aegina had their own separate sanctuaries. This means that the natives of at least twelve cities of Hellas worked in a collaboration that was not only rare but proved to be lasting.

● The sister port of Naucratis was the harbour town of Heracleion or Thonis, Egypt’s main seaport to Greece, which was only discovered in 2000 by a French underwater archaeologist, Franck Goddio. Its ruins are located 2.5 km off the modern coast. The city was built on some adjoining islands connected with bridges and intersected by canals. It submerged into the sea in the 6th or 7th century CE, probably due to major earthquakes and floods. The “Stele of Naucratis”, with a pharaonic decree, describes Heracleion as a “harbour in the Sea of Hellenes”, referring to the Mediterranean.⁽²⁾ Its twin “Stele of Heracleion” was recovered in 2000. The city’s Grecian name is linked to a large temple of Khonsu, whom the Greeks identified with Heracles. It is believed the city was visited by the great hero, or even by Paris and Helen on their flight from the jealous Menelaus, before the Trojan war. Heracleion’s mythic wealth was lauded by Homer, as well.

• ⁽²⁾ The Egyptian pharaohs, let’s remind each “spectacled” historian, described the Mediterranean as “the Sea of Hellenes”, not as “the Sea of Phoenicians”!

The hetaera Phryne Removing Her Veils, by James Pradier (bronze, 1845)

● A celebrated Thracian hetaera, who lived in Naucratis in the 6th century BCE, was Rhodōpis. According to Herodotus, she was a fellow-slave of the fable teller Aesop, with whom she had a secret love affair. Charaxus, Sappho’s brother, who had gone to Naucratis as a merchant, fell in love with her, and ransomed her from slavery with a large sum of money. Sappho accused Rhodōpis in a poem of robbing her brother of his property. Other lovers – insist Diodorus and Pliny – erected… even a pyramid for her! Rhodōpis (rosy-cheeked), or Doricha, was the model for the original version of the Cinderella story recorded later by Strabo.

● Athenaeus, born in Naucratis, flourishing in the late 2nd – early 3rd centuries CE, was a Greek rhetorician, grammarian and gastronomist. His books have been lost, but a 15-volume synopsis of his 30-volume Deipnosophistae (Banquet Connoisseurs) mostly survives. It is an immense store-house of information, on matters linked to dining, music, songs and dances, games, courtesans, and luxury. Guests included wealthy persons, patrons of art, and scholars, jurists, musicians, and others, as well, who described the lifestyle, the arts and scientific knowledge of the Greeks. In the course of discussing classic authors, they made quotations from nearly 800 writers and 2,500 works, many of them unrecorded. Thus we are entrusted much valuable information about the ancient world and many authors that would be otherwise unknown. (We have consulted Deipnosophistae repeatedly in our Chronicles).

Campaspe, Alexander’s courtesan, a prominent
citizen of Larissa, by John William Godward (1896)

● An Athenaeus’ contemporary, a bit older, was Julius Pollux (Ἰούλιος Πολυδεύκης), also born in Naucratis, flourishing in the late 2nd century CE and living a long life of more than 80 years. He was a grammarian, sophist, scholar and rhetorician, whom Commodus appointed a professor-chair of rhetoric in the Athenian Academy – due to his melodious voice, according to Lives of the Sophists by Philostratus. No work of his rhetoric has survived. His valuable extant work is Onomasticón (Ὀνομαστικόν), a thesaurus, or a dictionary, of Attic synonyms and phrases in ten books, arranged not alphabetically but according to subject-matter. It supplies in passing plenty of rare information on many points of classical antiquity – objects in daily life, the theatre, music, politics – and quotes numerous fragments of lost works. Thus, Pollux became invaluable for William Smith’s Dictionary of Greek and Roman Antiquities (1842). (We have repeatedly consulted Pollux in our Chronicles, as well).

● Under the circumstances, Stanislawski, an expert on Portugal, a scholar whom we described as wearing “Phoenician myopic glasses”, cannot be suspected of pro-Hellenic bias in his narrative about those fateful events in Iberia, related in three Chronicles (21, 22, and 25). At the same time, we’ll be able to cross-check the accuracy of our own testimony. But before that, let us give the floor to the German historian and archaeologist Adolf Schulten, who will give an answer to the question concerning the contacts between Iberia and the Aegean. Schulten (1870–1960), who also studied in Greece, dedicated his life to Spain, where he conducted extensive research and excavations; therefore, he is considered a key influence on Spanish archaeological studies. Among others, he searched – but, unfortunately, with no success – to find Tartessos in 1924 and Maenaca in 1948. Very popular in Portugal and Spain are his biographies on two great figures of the struggle of the Lusitanians against the Romans: Viriathus (1927) and Quintus Sertorius (1926).

Statue of Viriathus in Zamora

● The great Lusitanian hero, Viriathus, started fighting after a massacre committed by the Romans in Lusitania with 30,000 victims. He was assassinated in his sleep, in 139 BCE, by the three men he had sent for peace talks with the Romans, who bribed them instead. When the conspirators asked for their prize, the Romans said: “Rome does not pay traitors who kill their chief”! Big talk to avoid payment, since the same tactic was used again in the next century to get rid of Sertorius, whose aim was to create an independent Iberian Republic. He was a Roman statesman and general, opponent of the dictator Sulla during the Roman civil wars. His popular, pro-Iberian policy had displeased many Roman aristocrats, and was eventually assassinated, also by traitors, during a feast, in 72 BCE. When his will was read, they saw he named as his chief beneficiary the… chief conspirator! The next year, the “victorious” Pompey, returning from Iberia to Italy, helped in the suppression of the gladiators’ insurgency led by Spartacus, with whom Sertorius was in contact.

Schulten made a thorough examination of the Mediterranean Spanish coast in 1919, preparing a critical edition of Ora Maritima (Sea Coast), by Avienus (hence of the Massaliote Periplus, as well), a study that led him to Tartessos.⁽³⁾ Excavating in the current Doñana National Park, close to the mouth of the Guadalquivir, he found a Roman town in Cerro del Trigo, which he believed was located on the remains of the legendary city. But, despite all his efforts, he found no trace of it. The result of his excavations, among others, was the publication of a study in 1924. A second edition, greatly improved and expanded, followed in 1945, and reissued in 2006. It was entitled: Tartessos – Contribution to the Oldest History in the Occident:

• ⁽³⁾ We followed the same route in Chronicle 22: An Iberian Periplus Revival.

The Palace of Minos at Knossos

TARTESSOS: CONTRIBUTION TO THE OLDEST HISTORY IN THE OCCIDENT

THE MOST ANCIENT REFERENCES

“BY ALL ACCOUNTS, AN ORIENTAL PEOPLE that, before the Phoenicians, sailed along the coast of Spain were the Cretans, the people of Minos, the oldest maritime power in the Mediterranean… Cretan toponyms are found even in Corsica. In Sardinia we encounter Cretan copper bars. In the Balearics, Aegean vases and bull heads similar to those of Crete have been discovered. Oriental ornaments of ivory, turquoise, or amethyst, have been found on the southeastern coasts of Spain… It seems that the Iberian alphabet contains eight Cretan graphemes… According to Egyptian monuments, the Keftiu, i.e. the Cretans, had large amounts of silver. This silver could have come from Spain… In Falmouth of Cornwall a tin bar has been found with the characteristic shape of Cretan copper bars, i.e. the double swallowtail. This fact could be an indication of exchange between Crete and Tartessos, as the Tartessians traded with the Oestrimni [see Chronicle 21, Legendary Odyssean Lisbon], who sailed to England… Further proof that the Cretans were sailing to Spain can be found in the name of Tartessos itself. The termination in -essos is primitive pre-Hellenic of Asia Minor, mainly of southern Asia Minor. It is very widespread in the regions of Caria and Crete. Thus, perhaps the name of Tartessos does not come from the Phocaeans, but from the Cretans and the Carians. The toponyms ending in ‘-essos’ spread to the Occident, as is evidenced by their appearance in Sicily (Herbessos, Telmessos). If the name of Tartessos is Cretan, then we need to examine whether the Phoenician ‘Tarshish’ is derived from ‘Tartessos’, rather than the indigenous toponym”…

The Statuette of Geryon (6th century BCE), bronze sculpture, showing the 3-headed giant, probably found in Chiusi in Italy, one of the towns of the Etruscan dodecapolis.

THE PRE-TARTESSIANS

“Hispanic [Iberian] daggers of copper and silver of the 3rd millennium have been found in Crete… Where did the silver and tin that the ancient 3rd-millennium-BC Oriental empires used come from?… It is reasonable to suppose that in the 3rd millennium BC, the Orient extracted silver and, above all, tin, from Andalusia and that the Cretans or Carians were probably the agents of this trade, as were later the Phoenicians”…

TARTESSOS AND THE PHOENICIANS

“Geryon, considered as the personification of the Tartessos [Guadalquivir] River, does not pertain to Gades, as later ignorance would have it, but to Tartessos. And the island Erytheia, his dwelling, which took his daughter’s name (Pausanias), could not have been the island of Gades, but the island formed by the Tartessos Delta, in front of which his castle rose. But when Tartessos disappeared, confusion made the figures of Geryon and Erytheia to be mistakenly transferred to Gades. However, the most ancient mythographers clearly place Erytheia on the Delta of the Tartessos River. Stesichorus says that Erytheia ‘faces’ the sources of the river, i.e. its mouth. Pherecydes asserts that Heracles went to Tartessos, and, therefore, places Erytheia here and not at Gades”…

TARTESSOS AND THE PHOCAEANS

“There is another testimony on the Phocaean trips to Tartessos: the Ionian names of islands and coastal sites that are found all along the way, on the Italian coast, in Sardinia and Spain, way down to Tartessos. These are several toponyms ending in –οῦσα [-ussa], widespread in Ionian regions on the coast of Asia Minor, and their presence in the Occident undoubtedly reveals the passage of the Ionians, of the Phocaeans. On the Italian coast we can find: Πιθηκοῦσα [Pithecussa] (Ischia), Ἀνθεμοῦσα [Anthemussa], Σειρηνοῦσα [Seirenussa, Sirenuse] (islands in the Gulf of Salerno). In Sardinia: Ἰχνοῦσα [Ichnussa] (the Ionian name of the island). On the eastern Spanish coast: Μηλοῦσα, Kρoηοῦσα [Melussa, Croeussa] (Mallorca and Minorca?), Πιτυοῦσα, Ὀφιοῦσα [Pityussa, Ophiussa] (Ibiza, Formentera). On the southern coast: Πιτυοῦσα [Pityussa] (Cape Sabinal), Καλαθοῦσα [Calathussa] (in the Bay of Huelva?), Κοτινοῦσα [Cotinussa], old name of the island of Gades. On the southwestern coast: ἄκρα Ὀφιούσης (prominens Ophiussae, Avienus), Cape Roca – the extreme toponym indicating the limit of the Phocaean sphere. We know from this old [Massaliote] Periplus that the neighbouring estuary of the Tagus was linked to Tartessos through a Phocaean commercial road”…

Harvester Vase: a Minoan stone vessel from Hagia Triada, Crete (1500-1450 BCE), originally covered in gold leaf. The relief depicts a sowing festival: a central figure shaking rattle leads the others singing and carrying pitchforks. Notice the diminishing of figures in one of the oldest examples of perspective.

THE TARTESSIAN CULTURE

“Could perhaps Tartessos be a colony founded by some Oriental people of those that were part of the Aegean civilization, e.g. of Crete?… There are reasons to support this hypothesis: the ancient culture of the pre-Tartessians, the numerous coincidences with the Orient and the older oriental nations, the possibility that primitive navigators have founded a colony in Andalusia, as later the Tyrians founded Gades. And besides all this, the name itself of Tartessos alludes to the Orient. If Tartessos were a colony of Aegean navigators, e.g. of Cretans or Carians, this would at once explain its ancient and high culture, as well as the coincidences with Crete in metallurgy, writing, the bull cult, etc. As an Aegean colony, Tartessos would have been founded around the 3rd or 2nd millennium BC, and certainly before the Tyrian voyages. Thus the Tyrians would have invaded the maritime domain of the old Aegean navigators, both in the Occident and in the Orient. A Cretan Tartessos could only be founded before the fall of Cretan power (in 1200). Thence, the ruin of Crete would have influenced the Occidental colony, explaining thus the scarce resistance of the Tartessians against the Tyrians. The possibility that Tartessos is an ancient Aegean colony must therefore be studied.”

All the more so, because the Minoans apparently imported tin from Tartessos at the mouth of the Guadalquivir. At any rate, what strikes me is that in Schulten’s text, too, the Mycenaeans are… conspicuously absent! “The fall of Cretan power” did not take place “in 1200”, when the Bronze Age collapsed, together with the Mycenaean power, but c. 1450 BCE, when the Mycenaeans took over Crete. Then they inherited not only the Minoan Thalassocracy, but the network of the Cretan colonies and emporia, too. The Bronze Age collapse coincided with the Trojan War that was followed by a westward “exodus” of Trojans and Hellenes:

The Arrival of Aeneas at Pallanteum, by Claude Lorrain

Odysseys in the Aftermath of the Trojan War: Colonization of Iberia

THE TROJAN WAR, in the time when it was fought, was not a heroic war. It was accompanied by the eastward movement of the Sea Peoples, and the westward “exodus” of both Hellenes and Trojans. For sure, the latter were in search of a new homeland. As for the Greeks who managed to survive, after a long, ten-year absence, with the spoils not rewarding enough, as Strabo says, were not welcome back home (see Chronicle 20, The Luwian Civilization: The Missing Link in the Aegean Bronze Age), and either had a tragic end (e.g. Agamemnon), or were forced to follow the life of pirates. Such fate awaited “heroes” such as Aeneas, Antenor and Opsicella; or Diomedes, Menelaus, Menestheus, Odysseus and Teucer – for whom “later poets sang”…

Breogán and the Tower of Heracles, A Coruña

Aeneas is linked to Rome, while Antenor and Opsicella founded cities in the Italian North, with the latter ending up in Biscay. Among the Greeks, Diomedes, son of Tydeus, arrived in Lusitania and Galicia, where he founded Tyde (today’s Tui), an Aetolian city, as Silius Italicus writes. Menestheus, the leader of the Athenians in the Trojan War, was expelled from Athens by Theseus’ sons, and set ashore with his entourage in Andalusia, at the mouth of the river Criso (Guadalete), where he founded a colony and an oracle in his name: it was Portus Menesthei, today’s El Puerto de Santa María (see Chronicle 22). Odysseus founded and walled Lisbon (see Chronicle 5, Odysseus and Calypso in Odyssey-Lisbon and Chronicle 21, Legendary Odyssean Lisbon), while Teucer arrived in Lusitania and Galicia, where he founded Pontevedra (see Chronicle 20, Teucer-Teucrus of the Troad and Salamis), having previously passed from Mastia (or Massia, the later Carthago Nova, today’s Cartagena in Murcia). Some include Aveiro among the cities supposedly founded by Greeks in Lusitania. That’s why, they add, the women there are so beautiful!

Silius distinguishes the Aetolians from the Grovii (or Gravii in Latin), who lived in the coastal northern Lusitania, spreading also into Galicia.⁽⁴⁾ However, Pliny states “Helleni, Gravii, Castellum Tyde, graecorum sobolis omnia” (Hellenes, Grovii, the Castle of Tyde, they are all Greeks).

• ⁽⁴⁾ Pomponius Mela stated that all the tribes were Celtic, except for the Grovii, who worshipped gods different from the Celts. Pliny also rejected that the Grovii were Celts; he considered them to be of Greek stock. They cooperated with the local Gallaeci tribes in the aftermath of Viriathus’ death, in order to take revenge for his assassination. So, they attacked the Roman settlements in Lusitania, gaining momentum with the support of other tribes along the way, and reaching the south of the Peninsula, near Andalusia, thus endangering Roman rule in Hispania (Iberia).

Greeks in Iberia: Athena, Atlas, and Heracles with the golden apples of the Hesperides; marble relief, 5th century BCE

Teucer and his companions, says Strabo, founded some peoples in Galicia such as the Hellenes and Amphilochians. Something similar happened in Cantabria with certain Spartans. Relevant information is given by Pompeius Trogus, who translated into Latin the stories of the world from Hellenic literature. Justin, who compended Trogus’ work, points out that the Galicians claim they are of Greek descent (Gallaeci graecam sibi originem asserunt). This may be explained by the origin of the Celts who, according to Herodotus, might have come from Thrace, speaking perhaps also Hellenic (see Chronicle 20, Thracian and Celtic Coincidences).

Isidore of Seville (Híspalis), citing Latin writers, stated that, due to their Hellenic origin, “the Galicians are endowed with great ingenuity”. While Jerome couldn’t agree more: “… almost all islands, rivers, lands of the entire orb neighbouring the sea, are occupied by Greek inhabitants, who, as we have already said, owned all the maritime places from the Amanus [Nur] and Taurus Mountains [Asia Minor] to the British Ocean.”

According to Strabo, all the Northern highlanders in general – Galicians, Astures, Cantabrians, Basques – made hecatombs ritu graeco and married more graeco. In Cantabria, one could also meet Messenians and even Trojans, except for the Spartans, who expanded as far as the Douro’s mouth, leading a Laconic life.

Homer’s Odyssey is unique, but the Trojan War’s Odysseys were too many, from both belligerents, eventually enriching the Western Mediterranean – mainly Italy and Iberia – with “new blood”.

Celts in Europe

● When scholars like Stanislawski “forget” the Mycenaeans (not to mention the Minoans), they end up… uttering bubbles, such as: “Greek colonization to the West was very late, especially if we compare it with the Phoenician.” In fact, the Phoenicians were last in line, and their western colonization came even later. Let’s move now to Stanislawski’s text, Contacts Between the Ancient Civilizations of the Eastern Mediterranean and Iberia:

CONTACTS BETWEEN THE ANCIENT CIVILIZATIONS
OF THE EASTERN MEDITERRANEAN AND IBERIA

Celts lived mainly in Galicia; Celtiberians in Portugal
and half of Spain; Iberians in the other half (Andalusia
to Catalonia); Basques in NE Spain (and SW France).

A WESTWARD MOVEMENT

“THE EARLIEST PASSAGE of Phoenician ships through the Straits of Gibraltar was probably made during the general period of time when the Central European farmers and pastoralists were first entering the Cantabrian region. These events preceded the 1st millennium BC. Later, Greek exploration and trade grew, following the example given by Phoenicia, perhaps as early as the 9th century and certainly by the end of the 7th century BC. Such contacts can be equated in time with the acceleration of the East-West movement of peoples and cultures which took place in the North with the advent of the Celts, who may have appeared in Iberia as early as 900 BC, and the main force of which was felt by the 6th century. Between the 6th and the 3rd centuries BC, while the lands of the western Mediterranean were developing under the influence of active and aggressive Greeks and Carthaginians [Punics], northern Iberia was changing under the influence of Celts of later arrival from beyond the Pyrenees. However, there was a difference between the early contacts along the Mediterranean coasts and those of the Central Europeans with northern Iberia. It was not opportunity for settlement that drew men along the southern coasts, but trade… It was the attraction of metals that drew the early Greeks beyond the Straits of Gibraltar and along the western coasts of Spain.”

CONTACTS WITH THE WEST COAST OF IBERIA

Celtic art in Spain

“It is possible that the early merchant wayfarers sailed up the west coast to trade directly with Galicia. But if they did, the coast of present Portugal represented a gap in their interest, for there is almost no record of them there.⁽⁵⁾ It would seem that Portugal was then, as through so many periods of time before and after, apart from the main stream of events. It possessed no great source of silver such as the mines of Andalusia, nor of copper or tin (with slight exceptions in both cases).⁽⁶⁾ With her metals, Spain was a magnet for the early traders, whereas Portugal attracted casual traders at most”…

• ⁽⁵⁾ There are slight exceptions; e.g., there is the Egyptian scarab of the 7th century BC that was found in a pre-Celtic level at Alcácer do Sal. (D. Stanislawski)

• ⁽⁶⁾ There is no record e.g. of Carthaginian exploitation of the copper of the Alentejo, which Romans later mined at Aljustrel. As all of southern Portugal is poor in tin, silver, and gold, there was little there to distract them from their preoccupation with such places as Andalusia and Murcia. (D.S.)

HOMOGENEITY OF THE IBERIAN MEDITERRANEAN REGION

“At the time of their first contacts with the west, the earliest Phoenicians and Greeks encountered a culture area with fundamentally similar characteristics throughout. It extended along the Mediterranean coasts, slopes, and adjacent interior valleys, from the Pyrenees to the Guadiana River… With their usual perspicacity, the Greeks recognized this area as being essentially homogeneous and sharply different in culture from the Celtic territories of the interior and of the north and west peripheries”…

EARLY POLITICAL GROUPS AND CONFUSION OF NAMES

Winged griffin of Tartessos (700-575 BCE)

“Indisputably, one of the important Iberian groups was that of the Tartessians, wealthy farmers and traders in metals. It was their knowledge of the sources of metals that first brought them in touch with the Phoenicians and Greeks. They knew the coasts to the west and northwest of their home, for the tin and gold that they traded came from Galicia. They were also able to furnish silver, copper, and lead, which came to them from the Guadalquivir River basin. It appears that tin was the product of greatest importance at the time. The early centuries of the pre-Christian millennium were times of great opulence along the coast of Galicia. That this wealth was due to tin may be inferred from the fact that the Greeks used the term Cassiterides to identify the area. However, the question as to the ultimate source of tin is moot. In spite of the lack of archaeological evidence it seems likely that, in the earliest years of trading, it came from alluvial deposits along the river banks of Galicia. There is a possibility, however, that Bronze Age connections with French Brittany and with the British Isles had continued and that the Galicians were merely purveyors of tin from those places. This basic necessity of bronze-users was scarce in the other parts of the Phoenician and Greek world. There was no tin in all of North Africa, Asia Minor, Caucasia, Cyprus, mainland Greece, and the Greek islands. The mines of Tuscany were small. It is no wonder that both Galicia and the Tartessians were prosperous and that the Phoenicians and Greeks were attracted to the area.”

“Tin was the product of greater importance. This basic necessity of bronze-users was scarce in the Phoenician and Greek world.” (Dan Stanislawski)

According to Pomponius Mela (1st century CE),
the Makárōn nēsoe (Fortunate Isles) are the Canaries; the Hesperides are at Cape Verde;
and the Cassiterides are the Azores

● “The Cassiterides are ten in number, and lie near each other in the ocean toward the north from the haven of the Artabri [A Coruña, Galicia].⁽⁷⁾ One of them is desert, but the others are inhabited… Of the metals, they have tin and lead, which, with skins, they barter with the merchants for earthenware, salt, and brazen vessels. Anciently the Phoenicians alone, from Gades, engrossed this market, hiding the navigation from all others. When [other navigators] followed a certain [Phoenician] shipmaster, that they might discover the market, the jealous shipmaster willfully stranded his vessel on a shoal, misleading those who were tracking him, to the same destruction. Escaping from the shipwreck by means of a fragment of the ship, he was indemnified for his losses out of the public treasury.” (Strabo)

• ⁽⁷⁾ According to Strabo, the Artabri (or Arrotrebae) were an ancient Gallaecian Celtic tribe, living in the extreme NW of modern Galicia, about Cape Nerium (Cabo Prior), outskirts of the harbour city of Ferrol. In Magnus Portus Artabrorum during Roman times (1st century BCE, even before), they traded in metals (like silver, gold, tin and iron), or even wild horses. The port was located on a turbulent, unpredictable sea, in the bay of Ferrol, and the rias of Ferrol, Betanzos and Coruña, with the Tower (lighthouse) of Heracles. Ptolemy refers to the Galaeci Lucenses and their capital town, Lucus Augusti (now Lugo).

● “The islands called Cassiterides, situated in the open sea approximately in the latitude of Britain, lie opposite to, and north of, the Artabrians… They that inhabit the British promontory of Belerium,⁽⁸⁾ by reason of their converse with the merchants, are more civilized and courteous to strangers than the rest. These are the people that make the tin… They beat it into four-square pieces the size of dice, and cart it to a British island, near at hand, called Ictis…⁽⁹⁾ For at low tide, all being dry between them and the island, they convey over in carts an abundance of tin in the mean time. But there is one thing peculiar to those islands, which lie between Britain and Europe; for at full sea they appear to be islands, but at low water for a long way they look like so many peninsulas… Hence the merchants transport the tin they buy of the inhabitants to France, and for thirty days’ journey they carry it in packs on horses’ backs through France to the mouth of the river Rhône.” (Diodorus Siculus)

The Cassiterides and Bolerium (depicted
here as an islet) south of Britain

• ⁽⁸⁾ Belerium, or Bolerium, now Land’s End: a headland on the western tip of Cornwall, the most westerly point of England. Diodorus’ text is very often connected with St. Michael’s Mount.

• ⁽⁹⁾ Ictis, or Iktin: an island described by Diodorus as a tin trading centre, somewhere off the coast of southern England, with its exact location unknown; candidates include St. Michael’s Mount, or Looe Island, off the Cornish coast, also known as St. Michael’s Island, or St. George’s Island.

● “There are two kinds of lead, the white (plumbum album) and the black (plumbum nigrum). The white is the most valuable; it was called by the Greeks cassíteros; and there is a fabulous story of their going in quest of it to the islands of the Atlantic, and of its being brought in barks made of osiers, and covered with hides. It is now known that it is the production of Lusitania and Gallaecia… White lead was held in esteem in the days even of the Trojan War – a fact attested by Homer, who called it ‘cassíteros’… It is extracted with great labour in Hispania [Iberia] and throughout all the Gallic provinces, but in Britannia it is found in the upper stratum of the earth in such abundance, that a law has been spontaneously made prohibiting anyone from working more than a certain quantity of it.” (Pliny)

Hellenic ship, mocaic (ca 1st century BCE-CE)

GREEK EXPLORATION AND SETTLEMENT

“The earliest Greek ventures may perhaps be dated as of the 9th or the 8th century BC. Possibly Rhodian and Chalcidian sailors were in the western Mediterranean at this time… The line of Ionian names stretching along the islands and coasts of the western Mediterranean and to the Atlantic coast of Portugal – the names with the –ussa termination – can probably be ascribed to this early period. These names are important in dating the arrival of the Greeks in western waters. They mark the island route of the early Greek navigators. Starting from Syrakoussai [Syracusae] in eastern Sicily, they may be followed through Ichnussa (Sardinia), Melussa (Menorca), Rornyussa (Mallorca) and Pityussa (Ibiza). The latter three, even now, are identified on maps as the Balearics or Pityusas. The -ussa names extend westward to the Straits of Gibraltar and up the Atlantic coast of Portugal to Ophiussa, in the region of Lisbon, and the general area of Portugal plus Galicia may have been vaguely termed Ophiussa.”

The “Balearides” (Gymnesian) and the “Pityusae” Isles on an old map

● The Balearics comprise two island groups: the Gymnesians (Mallorca and Minorca) and the Pityuses (Eivissa or Ibiza and Formentera). The term “Balearic” derives from the Grecian Βαλλιαρεῖς or Βαλεαρεῖς (from βάλλω, meaning “to launch”), referring to the islanders who were skilled slingers and served as mercenaries for the Hellenes, Punics, and Romans. However, Strabo regarded the word as of Phoenician origin, as similar to lightly armoured soldiers the Hellenes called γυμνήτας, hence Gymnesiae (from γυμνός, meaning naked). This does not mean they fought naked, but that they used much lighter armament than the hoplites. Anyhow, according to Lycophron’s poem Alexandra, the toponym refers to shipwrecked Boeotians who were cast nude on the islands (a story obviously invented); or to the islanders themselves who were often nude (because of the year-round benevolent climate). In the Gymnesian Isles there are megalithic stone monuments (naveta, taula and talaiot) which speak of a very early prehistoric human activity. They are similar, but not necessarily related, to the nuraghe of Sardinia and torri of Corsica. One of the earliest cultures on Minorca was influenced by other Mediterranean civilizations, including the Minoan. Those islanders e.g. may have imitated those inverted plastered timber columns found at Knossos (such evidence is probably not “convincing” enough for Stanislawski). There is also a tradition that the Balearics were colonized by Rhodes after the Trojan War. The Pityusic Islands (from Grecian πιτύα, pine tree) are sometimes informally called in English as the Pine Islands, which is identical to the Hellenic name Πιτυοῦσαι, i.e. “pine-covered islands”. In antiquity they were listed in Claudius Ptolemy’s Geography under the names Ophiussis and Ebyssus, which had a town of the same name. It is the port Ibossim founded by Phoenicians in 654 BCE, later known to Romans as Ebusus, hence Eivissa (in Catalan) or Ibiza (in Castilian). The population of the two largest islands (Gymnesians) is stated by Diodorus at 30,000.

Herodotus, by Jean-Guillaume Moitte (1806)

THE PHOCAEAN GREEKS

“Herodotus said that it was Greeks from the city of Phocaea in Asia Minor who were first to navigate in the western Mediterranean waters. It may seem temerous to question the facts of the father of history, but Antonio García (A. G. y Bellido, Hispania Graeca [Hellenic Iberia]) does so convincingly. The Phocaeans, says he, arrived late upon the scene, profiting by earlier maritime contacts. Nor does he accept the statement that the important voyage of Colaeus, the Samian, was a voyage of discovery of Tartessos for the Greeks. This widely heralded 7th century journey was, to him, merely one – although perhaps the most profitable and spectacular up to that time – of many such voyages that had been made by Rhodians, Chalcidians, Samians, and others.⁽¹⁰⁾

• ⁽¹⁰⁾ Another point of view is expressed by H. R. W. Smith in his review of García’s Hispania Graeca. Smith does not deny the thesis of García but says that he can find no reason to believe that the Phocaeans reached Tartessos prior to the time of Arganthonios, the Tartessian king friendly to the Greeks, or before the voyage of Colaeus. (D.S.)

A Satyr on pottery found at Alalia

“Whatever the dating may be – and the archaeological inquiry has far to go – the Phocaeans certainly became the most active and effective Greeks in the area. Their colonization had energy and breadth and was the only one in the western Mediterranean with lasting results… There is no specific evidence that this activity was connected with the decay of Tyre, but there is such a coincidence in time. Tyrian decline had begun by the end of the 8th century BC and was notable during the following century. This was the time of the voyage of Colaeus, the Samian (650 BC), the founding of the Phocaean colony of Massalia, present Marseille (600 BC, or approximately then), and the founding of Alalia in Corsica (640 BC, or approximately 40 years prior to Massalia). Some time before the end of the century, Mainake [Maenaca], the most westerly of Phocaean colonies, was founded near Málaga.⁽¹¹⁾

• ⁽¹¹⁾ Within 20 miles to the east, says García; Smith suggests that it might even be at approximately the outskirts of present Málaga. (D.S.)

● Some dates are different here. The difference in Colaeus’ voyage is not important (650, not c. 640 BCE); but the dating of the founding of Alalia is almost one century earlier (650 instead of 566 BCE). Was it initially a temporary seasonal settlement?

Following the Mediterranean island route, the
Phocaeans arrived from Asia Minor to Iberia.

“This century was one of intimacy between Phocaeans and Tartessians. The reign of Arganthonios of Tartessos began in the 7th century BC. The ancient sources spoke of his 80-year reign but probably, in typical Greek fashion, they dramatized a dynasty or a period by creating a mythical longevity for a single ruler. Whether this represented one ruler or several does not alter the fact that there was frequent and close contact between Tartessos and Phocaea. This was the period of the Phocaean maritime dominance during which the Tartessian king lent money to the Phocaeans to build their fortifications against the threat of the Persians.”

● Arganthonios is a name apparently based on the Indo-European word for silver, hence money. Tartessos was very rich in silver. Similar names appear in inscriptions of the Roman period and on silver coinage in Gaul. Arganthonios, the “Silver Man” (c. 670–550 BCE), ruled Tartessos for 80 years (c. 630–550) and lived to be 120 years old. The idea of great age and length of reign may result from a succession of kings using the same name or title. Nevertheless, one could retort he died… quite young, if we take under consideration that, as the Bible says, “all the days of Methuselah were nine hundred sixty and nine [969!] years”: he supposedly lived almost one thousand years and became a symbol of longevity…

The Tower of Babel, by Pieter Bruegel the Elder

● The weird thing is that no one dares to say: fairy tales! Even more funny is that so many well-intentioned (and a few… bad-intentioned) people try hard to interpret the uninterpretable, although it is well-known that “you better stay away from the Bible’s dates”! It’s weird, so let’s have fun: “such mistakes are made by copyists or translators; are mistaken attempts to correct mistakes; deliberate extensions of the patriarchs’ ages by the ‘Seventy’ [Jews who translated the Old Testament into Greek], multiplying by 5 or 10, for the patriarchs to ‘fit’ with the Flood ‘myth’; confusion between ‘months’ and ‘years’; or between solar and lunar years; or between Sumerian and new numbers; the names do not refer to individuals, but to ‘dynasties’,” as in the case of Arganthonios. We also have fundamentalist interpretations: “a water vapour canopy protected the earth from radiation before the Flood; early humans had a better diet; or the more we sin, the less we live: the humans were originally to have everlasting life, but sin was introduced into the world by Adam and Eve, its influence became greater with each generation, and God progressively shortened human life, particularly after the Flood”… Amen!

DIFFERENCES BETWEEN GREEKS AND PUNIC
PEOPLES IN THEIR RELATIONS WITH IBERIA

The island and bay of Gadir: the Phoenicians’
springboard for attacks against Tartessos

“The period of the decline of Tyre was not only important for the Ionian Greeks, but also for the Tyrian colony of Carthage. During the time of Phocaean colonization, Carthage too was expanding. As early as 653 BC, it had established the colony on Ibiza of the Balearics, which lay athwart the Greek island route to the west. After 573 BC, when Tyre fell to the Babylonians, Carthage showed increasing independence. Competition for western metals was growing between the two great rivals, Carthage and Greece. It is reasonable to assume that the friendship of Arganthonios (or that of his dynasty), through almost a century of time, was more than mere affection and amiability. It probably represented a form of alliance in which the Tartessians aided the Phocaeans in their struggle against the threat to their mother city. In return, Greeks supported the Westerners against the growing aggressiveness of Carthage and the Punic colony of Gadir, which threatened the area of Tartessos. Almost from the time of their founding of Gadir the Phoenicians showed their expansionist tendencies. It was not long before they were using the island as a base of attack against the mainland and the Tartessians.

“Graeco-Iberian friendship: an alliance against Carthage and Gadir’s aggressiveness. From the beginning the Phoenicians used the island as a base of attack against the Tartessians… Graeco-Iberian contacts: history of amity; the Iberian hospitality toward Greeks was proverbial… Friendship and mutual support against the common enemy served both.” (Dan Stanislawski)

Dionysus (the god of the grape-harvest, winemaking
and wine), by Exekias (cylix, c. 530 BCE)

“The Greeks were usually neither pacific nor friendly neighbors when the prospect of gain was apparent. In this they differed little from the Phoenicians. However, in their relations with the Tartessians they had no desire, it would seem, for control of land or people, but merely wanted to trade their products, especially olive oil and wine,⁽¹²⁾ for Tartessian metals. In fact, the history of Greek contacts with Iberians is one of amity, and the hospitality of the Iberians toward Greeks was proverbial. The purposes of both peoples were served by friendly intercourse and mutual support against the common enemy, especially after the increased importance and the expanded ambition of Carthage. A major clash for complete dominance of the area was inevitable. This was speeded by events in the eastern Mediterranean area”…

• ⁽¹²⁾ Pierson Dixon, The Iberians of Spain, and Rhys Carpenter, The Greeks in Spain, state that the olive tree and the vine were introduced into Spain by the Greeks. Olive oil was exported from Greek Akragas [Agrigento] to Carthage in the first half of the 1st millennium BC. No doubt the Greeks traded in wine with Iberia. Wine made from grapes is very old in the countries of the eastern Mediterranean, and the Phoenicians were famous merchants of wine… (D.S.)

Artemis, Phocaea’s patron goddess; Massaliote “heavy” silver drachma (ca 390-220 BCE)

THE ALALIA COLONY AND ITS EFFECTS

DAN STANISLAWSKI, IN THIS PART of his story, turns his attention to the historic developments in Asia Minor: in 546 BCE, Cyrus conquered Lydia and Ionia, causing “a mass migration of perhaps half of the population of Phocaea to their Corsican colony of Alalia… All the men in this city of probably 5,000 to 7,000 people had gone. This population figure suggests the large number of available vessels, and points to the commercial importance of the city at that time”. The Battle of Alalia took place “sometime between 540 and 535 BC”, with its disastrous impact on the Hellenes and, even more, on the Tartessians.

“Carthage may then have sealed the Straits of Gibraltar, as Carpenter suggests. More likely, the Straits had been largely sealed for a long time, but after the battle the land route between Mainake and Tartessos was also blocked. Mainake itself was destroyed by the Carthaginians toward the end of the century, to end its traffic and its competition with the Carthaginian settlement in the location of present Málaga”…

Phocaean electrum coin with playing seals

ECONOMIC CHANGES IN THE WEST

“As Carthage had inherited the western empire of Tyre, so did Massalia fall heir to that of her mother city, Phocaea. Greek trade became centered here, with the end of Phocaean maritime enterprise in the West of the Mediterranean. Trade through France to Brittany and beyond had been undoubtedly important to the Massaliotes previous to this time, but the record had been obscured by the greater drama of the struggle on the Mediterranean. During the last half of the 6th century BC, during which time Carthaginians grasped complete power in the West, the prosperity of Galicia – presumably based upon tin – declined. This decline may have been due to the change from the sea route, by way of the Straits, to that from Massalia, via the French rivers, to the northwest and ultimately to Britain”…

“Galicia’s decline due to the change from the sea route, via the Straits, to that from Massalia, via the French rivers, and ultimately to Britain.” (Stanislawski)

Stanislawski offers four possible explanations for the Galician decline; probably the second one is the most important:

Armor of a Punic officer

“More likely, the Galicians had for some time been not producers, but purveyors, of tin from French Armorica or the British Isles. If this were true, the direct land route from Massalia would have skirted the Carthaginian barrier and eliminated Galician middlemen… At approximately the same period of time there was an increased interest in silver… by the avidity with which the Greeks of Asia Minor sought it for coinage… Perhaps the richest of ancient silver mines was that of Mastia (or Massia), a region second only to Tartessos in commercial importance. The ancient prosperity of the region and of its most important city, also named Mastia (or Massia), the later Cartago Nova, and probably the site of the present Cartagena, was based upon silver mining through several centuries. Great amounts were mined under the direction of Hannibal in the 3rd century BC, and it was still a large operation at the time of Polybius in the succeeding century.”

CARTHAGINIAN DOMINATION OF THE WESTERN MEDITERRANEAN

Bronze Age gold helmet found in Leiro, Galicia

After the battle of Alalia, “Greek commercial activity in Iberia was ended and Carthage was less inhibited in the spread of its control. Tartessos, which had feared the Carthaginians and had allied itself with the Greeks, was left without support and was destroyed.⁽¹³⁾ In the following century, probably 20,000 Iberian mercenaries were fighting in Sicily for the Carthaginians… Celts were also serving as mercenaries in the Carthaginian forces.

• ⁽¹³⁾ If there was no city of that name, it is not important to the larger fact that the area as a whole was put under the control of the Carthaginians of Gadir (Carpenter, The Greeks in Spain). (D.S.)

Dido (or Elissa, founder of Carthage), attributed to Christophe Cochet

“There was an increasing reliance upon mercenaries from the peninsula, not only from the fringes but from deep within the interior as well. In the late 3rd century BC, Hannibal’s army included Celtiberians from the northern interior, Galicians from the extreme northwest, Lusitanians from Middle Portugal, Vettones from the middle Tagus drainage – and these do not complete the list. Such troops, however, were something other than pure mercenaries; many had been forcibly impressed into service… During earlier centuries no general antagonism in Iberia seems to have been engendered by the Carthaginians. Locally there may have been antagonism, such as probably existed between the Carthaginians and the Tartessians, but for the tribes of the interior the Carthaginians may have had a friendly appeal. They offered an opportunity to fight with pay. It was later, when the Carthaginians had expanded their power and increased their need for troops that their tactics changed with regard to these tribes of the interior, which had long served as a source of manpower. When Hannibal, in desperate need for troops and under economic pressure, forcibly impressed some of them into his armies, the others reacted in bitter opposition. The tribes of the interior were a bellicose lot. An opportunity to fight for pay was not distasteful to them but a demand that they submit to enslavement was another matter. According to Strabo they resisted Hannibal as they later did the Romans for somewhat the same reasons.

“Nevertheless, tens of thousands of mercenaries were introduced to new lands and cultures of the middle and eastern Mediterranean. Since this process had been going on from as early as the 6th century BC and many men had returned to the peninsula, the effect upon attitudes of the peoples of the Meseta [‘Plateau’, in the heart of Iberia] and even some of the remote western coasts may have been considerable.”

The harbour of Carthage

● In relation with her mercenaries, Carthage had already had a war in her… liabilities: the Mercenary or Libyan War (240-237 BCE), immediately after the First Punic War. It was a rebellion of her mercenaries, with Libyan support, due to her inability to pay them, since she had to pay first the huge war indemnities to Rome. She confronted a “Foreign Legion”, consisted of Iberians and Celt-Iberians, Celts, Baleares, Greeks and others. Bilateral negotiations were fruitless due to lack of confidence, but also to the multilingualism of the mercenaries, making it impossible to find a compromise. Very soon, hostilities broke out and the mercenaries captured Tunis. Threatened directly, Carthage had no choice but to capitulate to the demands of the mercenaries. The latter, with their strengthened bargaining position, started asking more and more, as e.g. that the Libyans, who were neither mercenaries (they were recruited), nor citizens of Carthage, should be paid, together with the Numidians, or the escaped slaves who were fighting on their side. Once again the Punics had no choice but to agree…

Salammbô, by Alfons Mucha (1896), based on Gustave Flaubert’s same-titled historical novel (1862) that was in turn based on Polybius. The heroine is Hamilcar’s daughter and priestess loved passionately by Mathos…

The conflict would have ended there if two of the mercenary commanders, Spendius, a Campanian slave, and Mathos, a Libyan Berber, had not persuaded the Libyans of the army that Carthage would take revenge for their part in the revolt as soon as the foreign mercenaries were paid and sent home. They were joined by many towns and villages of Libya, as the people there were fed up with the Punic yoke, and finally, by all the mercenaries. What had started as a simple “labour dispute”, exploded into a full-scale revolt threatening an empire… Outmatched in every aspect – men, money, and supplies – and unprepared, Carthage “staggered” as long as Hanno the “Great” was in charge. The generalship was eventually given to Hamilcar Barca, Hannibal’s father, who managed to defeat, in 237 BCE, those who he once commanded in Sicily, fighting against the Romans. He cleverly used the “psychological war”, won over a part of his opponents, and annihilated the rest in the decisive “Battle of the Saw” – that was not even a battle: he blockaded the mercenaries in a steep ravine, until they starved to death. The barbarities and atrocities were far too many in this “relentless”, “truceless war”, according to Polybius, with no rules of conduct – the “most impious war in history”. Mutilations and crucifixions on both sides shocked everyone then.

Silver coin of Hamilcar Barca

A smaller mercenary revolt in Sardinia was put down with Roman help. Rome, in this war, was an ally of Carthage, so she could continue paying the indemnities! Besides, the Romans would soon occupy both Sardinia and Corsica. Losing the two islands, the Punics had only Iberia to “milk” in order to get back on track. If Thucydides were alive, he would have much to write about… We can act accordingly; drawing parallels between the Carthage-and-her-mercenaries relation and that of the USA with their own mercenaries (Osama, Taliban, the Islamic State, etc.). Or about Carthage’s racist disadvantage, as Punic citizenship was an exclusive privilege; so, they refused to give political rights e.g. to the Libyans, and consequently were obliged to rely more and more on mercenaries. That was Rome’s advantage in the second Punic War, when Hannibal, despite his victories in Italy, was unable to break the ties of Rome with her allies. Or even about how many “Great” men, like Hanno, the “pacifist” – because of his personal interests, i.e. money – are finally so small. The only ones from all those I mention in these Chronicles, who really deserve this epithet, must be Alexander and Cyrus.

Centaur: bronze figurine from Campo de Caravaca (Murcia), probably made in Greece (6th century BCE)

In conclusion…

DAN STANISLAWSKI, I REMIND YOU, was the one who had rejected the possibility of a Minoan presence in Iberia; the one who had “forgotten” the Mycenaeans, attributing the role of the transporters of the Egyptian archaeological finds in Spain to the Phoenicians – and, indeed, during a time of Mycenaean domination in the Mediterranean (1400-1200 BCE); he was the one, in addition, who had “ignored” the Hellenic emporia in Egypt, mainly Naucratis; the one I accused he was “spectacled”, wearing “Phoenician myopic glasses”!

For all the above we can appreciate even more his own personal “view” of Iberia, since it’s anything but biased in favour of the Greeks. All the more so, when we realize that his story is almost identical with the historical panorama in our three “Iberian” Chronicles (21, 22, 25): Ὅπερ ἔδει δεῖξαι, as Euclid would say, or quod erat demonstrandum (Q.E.D), or “what had to be demonstrated”. There is just one last Chronicle left: we shall be dropping anchor at emporia or touring palaces in the Near East, to come full circle back to our starting point, in a voyage full of surprises, as on the way we’ll be meeting itinerant artisans, artists, and masters, “members of the Architects’ and Painters’ Guilds”, whose writing, nevertheless, in Linear A, would puzzle the renowned archaeologist Leonard Woolley…

• >> Chronicle 27. AN ARCHAEOLOGIST’S WATERLOO
• << Chronicle 25. “CARTHAGO DELENDA EST!”

Next Chronicle 27. AN ARCHAEOLOGIST’S WATERLOO ● Emporia in Egypt and the Levant ● Leonard Woolley’s Waterloo ● Itinerant Minoan Artists ● Creto-Egyptian Ties ● Differences Between Minoan
and Pharaonic Society and Art

Left: a clay tablet from Knossos; the Linear A script that puzzled Leonard Woolley.
Right: an inscription in the Greek alphabet by Massaliotes in Catalonia:
“Hail, Thespis Massaliote, son of Aristoteles”.

Chronicle 25. “CARTHAGO DELENDA EST!”

Chronicle 25. “CARTHAGO DELENDA EST!”

/ΕΛΛΗΝΙΚΑ/ Χρονικό 25. “CARTHAGO DELENDA EST!”

● Phoenicians and Punics ● Colonization ● Impact of Persian Expansion
● Tartessos: the Apple of Discord ● Battle of Alalia ● Tartessos and
Carthage Ruined ● Macedonia and Rome

Michales Loukovikas

Back to the ancient Mediterranean troubled waters

Prow of a ship on a Punic coin (replica)

IF PLUTARCH’S PARALLEL LIVES PORTRAYED peoples in pairs, one could very well parallel the Minoans to the Canaanite Phoenicians, and the Mycenaeans to the Carthaginian Punics:⁽¹⁾ the latter expanded not only founding colonies, but also through conquests. Crete and Phoenicia, by contrast, with their limited territories, could not become springboards for war expeditions. Expansion was only possible through trade and colonization, thanks to their navigators.

• ⁽¹⁾ Especially in this Chronicle, a clear differentiation is needed between the Canaanite Phoenicians and the Carthaginian Punics, so as to avoid confusion: the term Canaanite refers to Phoenicia, Canaan; the term Punic to Carthage; while the term Phoenician covers both, the entire family in the Mediterranean.

Attican hydria (vessel to carry water; 6th century BCΕ)

The restrictions the Greeks faced, as soon as they awoke from their “Dark Ages”, in order to expand anew to the West, were the “faits accomplis” the Phoenicians had set up in the meantime. The Hellenes had no problem to cross the Aegean as it was a Greek sea. With Troy burned down, no one could block their entrance to the Black Sea – only Nature. That’s why they euphemistically called it Euxine Pontus, “hospitable sea”, trying to appease Poseidon, and dominate there. But they knew that in the Mediterranean competition was fierce. The Phoenicians, who avoided “cruises” in the Aegean and the Black Seas,⁽²⁾ were “omnipresent” anywhere else, having created their commercial network while they voyaged on the seas almost alone. They were motivated by profit through exchange. Part of the profit, though, had to be paid as tribute to the metropolises, or the empires, which took turns in the role of the master of Phoenicia.

• ⁽²⁾ I do not mean to say that the Canaanites did not sail in the Aegean; Hellenic ships voyaged to Canaan, as well. The Graeco-Phoenician relations were age-old, and their exchange was done on equal terms. What I mean is that the Aegean could never become Tartessos: a Canaanite trader voyaging to Hellas was just a trader; the same person in Iberia acted like a monopolist.

Generally speaking, an ancient colony differed from a contemporary one in that the former was a polis (not a country) founded by another polis, the metropolis. In addition, a Hellenic colony was usually sovereign from its inception. However, in the Phoenician world, a colony, although autonomous, had to pay tribute to the metropolis: Carthage e.g. was a dependency of Tyre. This was out of need: the Phoenicians lacked the population to found large self-sustaining colonies and most of them had fewer than 1,000 inhabitants, with Carthage being one of the few exceptions.

Magna Graecia, Carthage and Etruria

The Greeks had other problems or incentives: hunger, wars, or various disputes, drove many to other lands. Population growth and cramped spaces in Hellas, in combination with a desire to expand the sphere of economical influence, had motivated them to settle in Italy c. 800 BCE. It was the next place to colonize and Hellenize after the shores of Asia Minor or the Black Sea. In the next 150 years, several poleis founded their colonies along the coast of southern Italy and Sicily, controlling trade routes and dominating the Strait of Messina. This zone came to be known as Magna Graecia. The Phoenicians generally avoided any military confrontations with the Hellenes, unless a land of strategic importance was at stake, e.g. Sicily. To the north, the Greeks faced another adversary, the Etruscans, who had risen to the status of a regional power in Italy, and also expanded in the western Mediterranean, due to the mining and trade of metals. The Hellenic presence was undermining their interests, especially since the Phocaeans began founding colonies on the coasts of Corsica, Gaul, and Iberia. This obliged the Etruscans to ally themselves with the Punics, whose interests also collided with those of the Greeks.

A navigator at Zákantha (Sagunto)

The situation began to change dramatically sometime after 640 BCΕ, when the first Hellene trader dropped anchor at Tartessos. It was possibly the first arrival of a Greek at Iberia in historical times, after the voyages of the Mycenaeans and their legendary heroes (e.g. Heracles) to the peninsula. This sailor was Colaeus (Κωλαῖος), a Samian silver explorer and trader, who arrived at Tartessos c. 640 BCΕ, according to Herodotus. In an era when merchants were anonymous, the “father of history” thought that Colaeus was important enough to note. Since no other Greek merchant had previously sailed to Tartessos, Colaeus was able to obtain a cargo of metal (150 kg of silver) and take it back safely to Samos, thus realizing one of the greatest trade profits at the time. The Massalian Phocaeans followed Colaeus’ route many years later and also dropped anchor at Tartessos. Herodotus wrote that the Phocaeans were the first Hellenes to make long sea-voyages, having discovered and explored the coasts of the Adriatic, Tyrrhenia, Iberia, and Tartessos. He added that Arganthonios, the famous Tartessian king, welcomed the Greeks and urged them in vain to settle there. But why “in vain”? After all they did settle there. And why was the king so anxious to have them in his land? The answer to this question is given by the historical developments.

Phocaean warrior (500-480 BCE)

Hearing that the Persians were becoming a dominant power in the area of their metropolis, Phocaea, the king gave them 1500 kg of silver to build a defensive wall about their city. Despite this wall, however, Phocaea was conquered in 546 BCΕ. Rather than submit to Persian rule, most Phocaeans abandoned their city. Some of them fled to Chios, others to their colonies in Corsica and elsewhere in the Mediterranean, they founded Elea c. 540 BCΕ, and some eventually returned to Phocaea. It is the period when Persia captured the Hellenic cities on the Asia Minor coast. Ironically, the Greeks were not alone in this tragedy; the Canaanites suffered even more: the Babylonian king Nebuchadnezzar destroyed Tyre in 572 BCΕ; then, in 539, the Persian king Cyrus the Great conquered Canaan; Phoenicia declined further and was obliged to pass the baton to Carthage; the Canaanites moved to their colonies, even to the new rising metropolis. The consolidation of the great Empire of the Achaemenids would re-arrange the map of the entire Mediterranean, not only in the Orient but also in the Occident. The 6th century BCE proved to be a major turning point.

The consolidation of the Achaemenids rearranged the map of the
entire Mediterranean, East and West. It was a major turning point.

Phoenician ship, marble mosaic

PHOENICIAN COLONIES were founded on both routes to Iberia and its mineral wealth: a) along the North African coast, and b) on the northern island route (Sicily, Sardinia, the Balearics).⁽³⁾ As we mentioned before, they paid tribute to either Tyre or Sidon, but neither had actual control on them. This rule changed c. 650 BCΕ, when Carthage gained independence from Tyre, establishing hegemony over other Phoenician colonies in the West. While some of them willingly submitted, giving up their foreign policy, and paying tribute to the Punics, others in Iberia and Sardinia resisted. Carthage sent troops there and appointed magistrates, retaining direct control over them. It was a policy rigidly enforced during the Punic Wars, when Carthage would become the undisputed leader of all Phoenicians, and resulted in a number of Iberian towns siding with the Romans. If that was the treatment reserved for their kindred, their brothers, one can easily imagine what would happen to all the rest.

• ⁽³⁾ What was the purpose of the Phoenician colonies on the second route to Iberia? The first one was the natural route linking Phoenicia with Iberia sailing by the North African coast; while the second one was the natural route linking Greece with Iberia voyaging from island to island. So, this was not a trade route for the Phoenicians. Its exclusive purpose was to block the Hellenes to sail west: it was of strategic importance.

Dido building Carthage (The Rise of the Carthaginian Empire), by J. M. W. Turner (1815)

The founder of Carthage, according to Greek historians, was Elissa, renamed as Dido in Virgil’s Aeneid. The city was built on a promontory, making it master of maritime trade in mare nostrum. All ships crossing the sea had to sail between Tunisia and Sicily, affording the city great power and influence. Founded in 814 BCΕ, it was one of the largest cities in Hellenistic times (by some estimates, only Alexandria was larger). The Punics, unlike other Phoenicians, had a landowning aristocracy, who controlled trans-Saharan trade routes and ruled the hinterland of North Africa. Besides, unlike the Romans, and despite the lack of manpower, Punic citizenship was exclusive, and the goal of the state was more focused on protecting commerce. Exempt from taxation, the citizens were primarily involved in this domain as traders or workers. As a result, Carthage could not afford to wage long wars, because commercial activities slowed down.⁽⁴⁾

Dido and the walled city of Carthage, medal (ca 1550 CE)

• ⁽⁴⁾ This contradiction is the superpowers’ Achilles’ heel. Carthage, as a commercial empire, would prefer peace; but as a commercial empire, had to conduct wars continuously – and this is in fact what happened: first against the Hellenes, and then against the Romans. In addition, the Punics’ refusal to grant their neighbours privileges, in order to integrate them into their society, turned them into a small, privileged, but vulnerable minority until the end, and obliged them to rely more and more on mercenaries during the wars. This would prove fatal for Carthage…

The war machine, however, was very efficient. Its navy was one of the largest in the Mediterranean, using serial production to maintain high numbers at a low cost, while the army included the now extinct North African elephants trained for war. Carthage turned west and became the “middleman” between mineral resource-rich Iberia and the Orient. The eastward expansion along the African coast was blocked by the Greek colony of Cyrene, founded in 630 BCΕ. The wars against Hellenes were due to the vulnerability of the Punic economy to Greek competition, since products “Made in Carthage” were inferior to Hellenic goods. The Greek colonists posed a twofold threat: a) undercutting the Phoenicians by offering better products; and b) taking over the distribution network.

Wars against Hellenes due to the vulnerability of Punic economy to
Greek competition: Punic products were inferior to Hellenic goods.
The Greeks posed a twofold threat to: a) undercut the Phoenicians by
offering better products, and b) take over the distribution network.

Punic gold coin with a horse

The empire depended heavily on its trade with Tartessos and Iberia in general, from which it obtained vast quantities of silver, lead, copper, and cassiterite that was essential for the manufacture of bronze. Carthage’s trade relations with the Iberians and the naval might that enforced its monopoly on this trade and with tin-rich Britain allowed it to be the sole significant tin broker and bronze maker. This monopoly, one of the major sources of power and prosperity for Carthage, should be maintained at any cost; a Punic sea merchant would rather crash his ship upon the rocky shores of Britain than reveal to any antagonist how it could be safely approached. In addition to being the sole significant distributor of tin, its central location in mare nostrum and control of the waters between Sicily and Tunisia (those “Pillars of Heracles” within the Mediterranean) allowed it to check the Orient’s supply of tin, as well. Carthage was also the largest producer of silver, mined in Iberia or North Africa, and, after the tin monopoly, this was one of its most profitable trades. The purple dye was also one of the most highly valued commodities, being worth 15-20 times its weight in gold. Ancient sources agree that Carthage via its trade had become perhaps the wealthiest city in the world. However, without the monopoly on trade with Tartessos and Iberia at large, the Punic Empire was inconceivable. Its leaders should have been aware of this fact when they replaced the Canaanites as overlords of Iberia c. 575 BCΕ. Sometime afterwards the Massaliote Phocaeans turned up at Tartessos. King Arganthonios’ friendship with the Hellenes must have greatly annoyed Carthage that felt its monopoly was at stake. It was urgent to take action against the “intruders”, in order to establish itself as the greatest economic and military power in the West of the Mediterranean.

The Punic Empire was inconceivable without Iberia.
The Battle of Alalia: a Grecian “Cadmean victory”…

Trireme, a mosaic from Carthage

This “action” took place in the Tyrrhenian Sea c. 537 BCΕ: it was the historic naval Battle of Alalia. When the metropolis Phocaea fell to Persia, most citizens chose to move to Alalia (or Aléria in Roman times), their colony in Corsica. But this led to a decline of Punic and Etruscan trade in the island and to an alliance between Carthage and Etruria. Their joint fleet of 120 ships, disguised as a pirate force, was defeated by just 60 Phocaean ships carrying people to Alalia. It would have been a great tactical victory of the Greeks, who wiped out an enemy force twice as large; but they lost almost two-thirds of their own fleet. Herodotus said it was a Cadmean victory – what would later be described as a Pyrrhic victory.⁽⁵⁾

• ⁽⁵⁾ Cadmean is a victory involving one’s own ruin; from Cadmus, legendary founder of Thebes, who required water from a spring guarded by a water-dragon and all his companions perished. Herodotus could not know the subsequent similar phrase, Pyrrhic victory, achieved at such a devastating cost that it is a prelude to defeat. It is named after Pyrrhus, king of Epirus, whose army suffered irreplaceable casualties in defeating the Romans twice in 280-279 BCΕ during the Pyrrhic War. The Romans suffered even greater casualties but had a much larger supply of men. Pyrrhus is reported as saying: “Another such victory and I come back to Epirus alone”…

King Pyrrhus of Epirus

Realizing that they could not withstand another attack, the Hellenes evacuated Corsica, and sought refuge in Rhegion. According to a legend, Greek prisoners were stoned to death by the Etruscans, while the (more practical) Punics sold them into slavery. Etruria got hold of Corsica, and Carthage kept Sardinia. The Punics would fight two more major naval battles with Massalia, losing both, but still managing to safeguard Iberia and close the Pillars of Heracles, the Strait of Gibraltar, to Hellenic shipping, thus containing Grecian expansion in Iberia until 480 BCΕ. The Massaliotes made no gains and just kept control of their Iberian colonies. It seemed as if the Iberian status quo remained in place; but in fact, a great tragedy was unfolding in Andalusia with the collapse and demise of the Tartessian polity and civilization.

Tartessos… delenda est!

SOME AUTHORS CONSIDER that this Phocaean victory/defeat in Alalia and the absence of Greek traders in Tartessos led to the collapse… Here we go again! During all those centuries of development, these authors saw only Phoenicians trading there. But, all of a sudden, the Hellenic presence became so vital for the Tartessians’ survival that they died out when the Punics cut their “oxygen” off! Other scholars offer the alternative of an “armed conflict”, but in general terms, and avoid being precise as to who was fighting whom. There are also versions of the Tartessian tragedy that specify both the perpetrators and time: “The Punics brought about the collapse by 530 BC”. Carthage should have put Tartessos in “quarantine”, sometime after the death of Arganthonios c. 550 BCΕ. This was the reason why ten years later, with the Punics and Etruscans allied against the Hellenes, the Tartessians did not remain “prudently neutral”; so, they stood by the Greeks and paid dearly. The situation did not allow “luxuries” such as neutralities…

The island of Gadir > Gades > Cádiz

Emboldened by the outcome of the Battle of Alalia, the Punics unleashed such a “reign of terror” that even their kindred in Gadir turned against them. The Punics besieged promptly the fraternal Canaanite colony and captured it. The Gaditans suffered so much and for so long that in 206 BCΕ, during the second Punic War, they rebelled against Carthage; and when Gadir fell to the Romans, they hailed the victors. Certainly, the new overlords were no better: just one year later, the Roman presence was shaken by a mutiny and an Iberian uprising against them. There was at least one aspect where the Canaanites proved to be superior to the Punics: just after the fall of Gadir, the Persian king Cambyses became master of Egypt in 525 BCΕ. Carthage was then spared a trial of arms against the Persian Empire, since the Canaanites refused to lend ships to the Persians for an African expedition against their own brothers. It seems that at least for the Canaanites, unlike the Punics, blood ties were still important. But even without losing a war, the Punic Empire may have paid tribute irregularly to the Great King of Kings.

The Punics were spared a trial of arms against the Persians, because the
Canaanites did not lend ships for a Persian expedition against Carthage.

Bronce Carriazo: a Tartessian bronze plaque found near Seville representing a local goddess of the marshes and assimilated to Astarte and Hathor

Carthage proceeded to destroy Tartessos and drive Greeks away from southern Iberia, defending its trade monopoly in the western Mediterranean, with attacks even on the merchant ships of its rivals. Historical reports indicate that Tartessos had little military defense, as its success was always based on trade and friendly relations with its neighbours. This is hard to believe, however, for the kingdom was so wealthy that many Iberian tribes would covet it. There should have been defensive walls and/or deterrent land and sea forces, i.e. army and navy. As for the year of the catastrophe, in several historical texts we can find one that sets the date as 533 BCΕ, i.e. it is consistent with what was cited before (“by 530 BC”), and another one sometime later, around 500 BCΕ. We cannot be sure if the two dates refer to the same event, or if there was an “armed conflict” between Punics and Tartessians that lasted about thirty years. “It is reported”, we can read in one of those texts, “that around 500 BC, Tartessos was attacked by the Carthaginians, who destroyed the capital and left it without protection from the sea.” It makes sense if we remember those accounts that Tartessos had a sophisticated system to regulate the river flow of its tidal river, and also its supposed similarity to Atlantis.

“Tartessos was attacked by the Punics, who destroyed
the capital and left it without protection from the sea.”

Auletris (woman playing aulos), Iberian high-relief from Osuna (Seville province, end of 3rd or beginning of 2nd century BCE)

The abrupt disappearance, and the fact that its capital has never been found, led to a lot of speculation: how could such an important civilization disappear with no traces left behind? If the capital eludes us, there are Tartessian cities that can “speak” the truth. Balsa–Tavira in the Algarve was violently destroyed in the end of the 6th century, probably together with the capital and other sites, when the Punics proceeded to impose their “iron will” (see Chronicle 21, footnote 11). Maenaca (Mainakē), the Hellenic colony founded close to Málaga under the aegis of Tartessos, is claimed it was also destroyed c. 500 BCE. We additionally know that many Canaanite colonies were deserted at the same time. We cannot be sure if this was connected with Phoenicia’s decline, or Carthage’s “ethnic cleansing” operations, or some local rebellions. Despite the numerous excavations, it has not been possible to locate with certainty either Maenaca, or Acra Leucá at Alicante, or the city of Tartessos. Whatever the result of all these continuous efforts, the ancient texts that mention these cities cannot be ignored; otherwise, the story of Tartessos and its demise should be treated as fiction, as well…

There is a tendency to present the Canaanites as “peaceful colonists”, while the Punics as “warlike colonialists”. However, we have seen the Phoenicians acting in a manner anything but peaceful whenever they could “manage” the adversary.⁽⁶⁾ In a text on the History of old Onuba (Huelva), except numerous open questions and hypotheses, we have some interesting data presented. Tartessos, it seems, began gradually sinking into crisis and decline in the 8th century BCΕ, at a time when there was a co-existence of Phoenician and Grecian colonies such as Gadir and Portus Menesthei, which was identified as a Phocaean site.⁽⁷⁾ The author was impressed by the closeness of the Greek site to the Tartessian capital and noted what the archaeologists in Huelva had observed, i.e. a decrease in Phoenician pottery, in parallel with an increase in Hellenic ceramics of far better quality.⁽⁸⁾

Hellenic helmet, Asta Regia (Jerez de la Frontera), close
to Portus Menesthei

• ⁽⁶⁾ We can’t say that this mentality has been a Phoenician peculiarity; it’s a human characteristic: virtually everyone acts likewise. The Hellenes e.g. very often acted as the “bullies” of antiquity (though this feature sometimes saved them, as it happened during the Persian Wars). Regarding the Canaanites, let’s go back to Chronicle 20. The Enigmatic Sea Peoples: one of them

“the Tjeker, moving to Canaan, captured the city-state of Dor and turned it into a large, well-fortified capital of their kingdom. Dor was violently destroyed in the mid-11th century BCΕ by the expanding Phoenicians, who were checked by the Philistines, and then by the Hebrews.”

And, of course, except these minor local powers that blocked Phoenician expansion, there were superpowers, such as the Assyrians, Babylonians and Persians. Conclusion: there was absolutely no room for Phoenician expansion in the Levant.

• ⁽⁷⁾ Amid all this speculation and conjecture, the author claims that the 8th century was “a time when Phoenician and Greek colonies, such as Gadir and Portus Menesthei, coexisted”. When did this coexistence actually occur? Was it in the 8th or in the 6th century? In Chronicle 22, both versions were presented:

Tartessian King Arganthonios

“The Hellenic cities on the Mediterranean coast of Iberia probably appeared on the ‘map’ after the foundation of Massalia, c. 600 BCΕ”. However, “the Hellenes of the Homeric era (at least their goods) arrived at Iberian ports… in the 9th or 8th century BCΕ. Those who transported the Greek ware… might very well have been the Phoenicians… What the Phoenician ships could not transport and, therefore, made the Greek presence absolutely necessary in Iberia, was Hellenic culture, art, ideas, models, architecture, burial habits, etc.”

• ⁽⁸⁾ The author seems to be obsessed with the Greeks, presenting them as a destabilizing factor, allegedly terrorizing the countryside and promoting their goods by force! He accepts, however, that these goods were better in quality! In such cases, the ones who resort to violence are the monopolists with less attractive products, so as to avoid free competition. Anyway, he admits that all his hypotheses are not based on archaeological finds.

The worsening of the situation in the next century is manifested by the almost total disappearance of open settlements, with the walling of cities. During the 6th century, we notice the outbreak of another crisis evidenced by the decrease of mineral exports. Its tragic climax is attested with the destruction of Tartessos by the Punics, because it was an ally of the Greeks. The conquerors, nota bene, had no intention to eliminate just the resistance of the conquered, indicating how merciless this confrontation had been, equivalent to what we now describe as “genocide”. The descendant culture of the Turdetani in southern Andalusia marks a return to the socio-economic features of the late Atlantic Bronze Age within the Iron Age conditions of the 5th century BCΕ, which is translated as a regression of at least two or three centuries.

The Battle of Salamis, by Wilhelm von Kaulbach (1868)

The Phoenicians’ double crushing defeat in Sicily and Salamis

AFTER IMPOSING “PAX PUNICA” in southern Iberia, Carthage turned its attention to another land of strategic importance mostly controlled by the Hellenes: Sicily. The Punics planned the largest overseas expedition thus far: after three years of preparations, they sailed for Sicily. It was the first Sicilian War,⁽⁹⁾ which coincided with Xerxes’ expedition against Greece in 480 BCΕ, prompting speculation about a possible alliance between Carthage and Persia. But even with no official pact, Carthage should have timed its expedition with that of the Achaemenids to exclude the possibility of any aid sent from Hellas to Sicily. The outcome of both expeditions was disastrous for the invaders. For the Phoenicians it was a double defeat: not only of the Punics in Sicily, but also of the Canaanites fighting in the naval Battle of Salamis under Persian orders. The repercussions brought sweeping changes in Carthage: an oligarchic Republic was then established, and also an isolationist policy was followed for the next 70 years when Carthage took no action against the Hellenes, nor even aided any of their rivals. Economically, sea trade with the Orient was cut off by the Greeks in Hellas, while the cities of Magna Graecia boycotted Punic merchants. This led to the development of trade with the West and caravan-borne trade with the East. Focus was shifted on the exploration and expansion in Africa and Europe. This isolationism explains why the two great maritime empires in the 5th century BCΕ, Carthage and Athens, were not engaged in war. Athens began massive exports of pottery in this period to Iberia, especially in the southeast. But again, as in the previous Canaanite era of Iberia, the archaeologists do not know yet if the ships that transported the ware were Punic or Athenian.

The ancient theatre of Tauromenium (Taormina) in Sicily

• ⁽⁹⁾ Essentially, the seven Sicilian Wars or, more properly, the Greek-Punic Wars, were a lamentable continuation of the relentless “tradition” of civil war among the Hellenes, with Carthage being always involved, changing sides, and finally winning, as a rule, the lion’s share. These wars, the longest lasting conflicts of classical antiquity (600–265 BCΕ), would culminate in the Punic Wars (264–146 BCE) against the Romans, and end with Carthage being razed to the ground.

While Carthage was engaged in another Sicilian War, the rise of Macedon under Philip II and Alexander the Great saw the defeat of the city-states in Greece and the fall of the Achaemenid Empire. All the Phoenician cities in Canaan submitted except Tyre that was besieged and sacked in 332 BCΕ. The thriving Greeks in the Hellenistic period gradually ousted the last remnants of the formerly dominant Phoenicians over trade routes in the eastern Mediterranean, while their culture disappeared entirely in Canaan. So, the Punics were the last of the Phoenicians. And they were spared another perilous ordeal when Alexander died in Babylon, in 323 BCΕ, while raising a fleet in Cilicia to invade Carthage, Italy, and Iberia…

The Punics were spared another ordeal when Alexander died,
while raising a fleet to invade Carthage, Italy, and Iberia…

Alexander with Heracles’ lion sculp,
cast stone plaque (1st-4th century CE)

Battles of the Diadochi with the three-way struggle among Antigonid Macedon, Ptolemaic Egypt and Seleucid Syria were also good news for Carthage avoiding unnecessary conflicts with the successors. Trade relations were reinstated with Egypt, together with sea-borne access to the eastern markets for the first time since 480 BCΕ. It seemed as if Carthage had also inherited the Phoenicians’ good fortune, since two superpowers, the Persian and Macedonian, could not realize their plans to campaign against its domain. But the confrontation with Rome would prove inevitable. The Punic Wars were a series of three conflicts lasting from 264 to 146 BCΕ. The first one was fought for the control of Sicily. Carthage, finally, evacuated it and paid heavy war indemnities. The end of the war found Rome with a large navy able to prevent sea-borne invasion of Italy, control sea trade routes, and invade foreign shores. Sardinia and Corsica were also seized, while Carthage had plunged into another war with its mercenaries. At last, the most powerful state that emerged in the western Mediterranean was Rome.

Hannibal in Italy: his feat in crossing the Alps with elephants, though many did not survive,
passed into European legend: detail of a fresco by Jacopo Ripanda (ca 1510)

Carthage spent the years after the war improving its finances and expanding its empire in Hispania (Iberia), preparing for the next war that is most remembered for Hannibal’s crossing of the Alps with elephants. He resoundingly defeated the Romans in several battles, but was unable to cause a break between Rome and its allies. Equally important, despite his many pleas, he never received sufficient reinforcements, because Carthage opted to send extra forces only to its source of wealth, Iberia. Thus Hannibal was not able to achieve his goal of ultimately conquering Rome and winning the war. This gave the Romans self-confidence, while they were fighting simultaneously in Italy, Sicily, Iberia, and also against Carthage’s ally, Macedonia. Finally, the war was taken to Africa, where Carthage was defeated and its control reduced to only the city itself.

“Ceterum censeo, Carthago delenda est!” (Cato)

Punic tetradrachm with Elissa-Dido and a lion

The resurgence of hostilities fifty years later, when Carthage recovered its wealth and power, was linked with anti-Roman agitations in Iberia and Hellas. Cato the Elder gave the “motto” for the annihilation of Carthage, ending all his speeches, no matter what the topic, saying: “Carthago delenda est!”, “Carthage must be destroyed!”.⁽¹⁰⁾

• ⁽¹⁰⁾ Cato (234–149 BCE) was a reactionary statesman, the first to write a Roman history in Latin, and prominent for his anti-Greek views, since he saw Hellenism as a threat to Roman culture.

Rome presented a series of unacceptable demands, claiming that Carthage must be demolished and rebuilt away from the coast, deep into Africa. In 146 BCΕ, after a three-year siege, it was systematically sacked and burned to the ground, with the fields salted to make the ground completely infertile and useless for future generations.⁽¹¹⁾ No Punic war records exist, since the books of the Library of Carthage were distributed among African tribes and none remain on Punic history.

In the end, Elissa-Dido was deprived of her immortal fame – by Aeneas…

• ⁽¹¹⁾Ares Alexandrou, Ascent (conclusion):

(…) remain there and look on to the end
look at them, those with keys and others with handcuffs
who’ll be demolishing
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . as allies
roofs bridges wells
look at them
while they’ll be leveling down the town you’ve built
and sowing it with salt.

Elissa-Dido was finally deprived of her immortal fame – by Aeneas…

• >> Chronicle 26. IBERIAN CROSS-CHECK
• << Chronicle 24. THE TRIUMPH OF CRETINISM

Next Chronicle 26. IBERIAN CROSS(-CHECK) ● Naucratis ● Adolf Schulten and Dan Stanislawski ● The Trojan War Odysseys ● Metal Attraction ● Cassiterides ● Balearics ● Arganthonios ● Graeco-Tartessian Friendship Against Phoenicians and Punics

Chronicle 22. AN IBERIAN PERIPLUS REVIVAL

Chronicle 22. AN IBERIAN PERIPLUS REVIVAL

/ΕΛΛΗΝΙΚΑ/ Χρονικό 22. ΑΝΑΒΙΩΣΗ ΠΕΡΙΠΛΟΥ ΤΗΣ ΙΒΗΡΙΑΣ

● Tartessos (B) ● Colonies in Provence, Iberia, Maurusia ●
Tin Route ● Democritus and Plato ● Topography Beyond
the Pillars of Heracles

Michales Loukovikas

AFTER THE SEA PEOPLES’ RAIDS and the following Bronze Age collapse in the 12th century BCE, the Phoenicians started setting up their sea-trade monopoly. Carrying out their “master plan”, and enjoying a free hand, as their antagonists were passing through a long “Dark Age”, “they headed straight for the gold, silver, and tin of Iberia”, and became “partners” with the Tartessians. At last, they were masters of the Mediterranean! A lot of Phoenicians chose to settle in local towns, profiting from their hospitality. That’s what Strabo implied writing that “the best cities of Tartessos were inhabited by the Phoenicians”.

Later they secured a harbour of their own nearby. It was Gadir, the “walled city”, called Gádeira by the Hellenes, and Gades by the Romans (modern Cádiz).⁽¹⁾ Its founding is dated traditionally to 1104 BCE, although no archaeological strata there can be dated earlier than the 9th century. Therefore, we assume that in its earliest days, it was merely a small seasonal trading post. According to a Grecian legend, the city was founded by Heracles on Erytheia, Geryon’s island, when he killed him. One of its notable features in antiquity was a temple dedicated to the Phoenician god Melqart, who was associated with Heracles by the Greeks. It was still standing during the 1st century, and some historians believe (based in part on this information) that the columns of this temple were the origin of the myth about the Pillars of Heracles.

Phoenician gold ring with two dolphins, a symbol of Gadir

• ⁽¹⁾ Gadir means wall, fort, and this in turn means the walls were the distinctive feature of the city in an area and era when cities were probably not walled. It also implies that the Phoenicians felt the need of such protective walls. Consequently, their relations with the locals were based on anything but in good faith since the beginning.

● The Phoenician settlement was built on one of three neighbouring islets in the Gulf of Cádiz, known as Erytheia, Cotinussa, and Antípolis, which are all Greek toponyms.

Soon the entire coastline around this strategic area, on both seas and continents – the Mediterranean and the Atlantic, Europe and Africa – was full of Phoenician settlements. However, they were more densely concentrated there, in the south, than further up the coast. So, the Hellenes, when they finally re-appeared on the scene, were able to establish their own trading emporia along the northeastern coast before venturing into the Phoenician zone. Encouraged by the Tartessians, who strongly desired an end to the Phoenician economic monopoly, the Greeks stepped on Andalusian soil and founded Maenaca (Mainakē), very close to the Phoenician Malaca, on the coast of Málaga, possibly at modern Vélez-Málaga. The Massaliote Periplus, which gave an account of a sea voyage round Iberia in the 6th century BCE, placed Maenaca in the dominion and under the aegis of Tartessos: the peninsula was a magnet for everyone due to its great wealth and strategic importance.

Tartessos, with Phoenician and Greek colonies: its core area is shown in green,
with its sphere of influence spreading in the entire southern Iberia.

Regarding the uncertainty on the whereabouts of Maenaca, Strabo pointed out in his Geographica that its ruins, close to Malaca, could still be seen in his time (64 BCE – 24 CE); he additionally collated the regular Greek urban plan versus the haphazard Semitic layout of the Phoenician site, whose location suggests it was a more dense and irregular urban cluster than neighbouring Maenaca.⁽²⁾ But even if we are still puzzled about the latter’s exact site and life span, the Hellenic cities on the Mediterranean coast of Iberia probably appeared on the “map” after the foundation of Massalia (modern Marseille), c. 600 BCE, by Phocaeans from Ionia in Asia Minor – something that the Punics had tried but failed to prevent. This city gradually became a thriving trading centre and a major rival of Carthage for the Iberian markets, and especially the tin trade through Gaul-France.

• ^(b) The father of urban planning was Hippodamus (Ἱππόδαμος, 498-408 BCE) from Miletus, an urban planner, architect, mathematician, physician, meteorologist and philosopher, hence the Hippodamian plan of city layouts. Most impressive in his plan was a wide central area that was kept unsettled and in time evolved to the agora, the centre of both the city and its citizens.

The Greek Colony of Marseille, by Pierre Puvis de Chavannes (1869)

Later on the Phocaeans founded Alalia in Corsica c. 566 BCE and moved towards Iberia. Some popular theories claim that at least one of their settlements, Rhode (modern Roses), at the northeastern tip of Iberia, dates back to the 8th century, as a colony of the Aegean island of Rhodes; but in fact, it seems it was founded in the 6th century BCE by Massaliotes, perhaps with some admixture of colonists from nearby Emporion (today’s Empúries). Still, as in the case of the Phoenician settlement in Gadir, Rhode might have been nothing more than a small seasonal trading post of Rhodes in the 8th century; or perhaps, the colonists that settled there, two centuries later, were mainly Rhodians serving in the Massaliote army, along with Cretans, in a special force charged with surveying vigilantly the Punic movements in southern Iberia.

Nevertheless, popular theories should not be discredited and discarded without serious thought or research, just because they are “popular”; those concerning Rhode, for sure, were not born out of nothing. Sailing towards Provence, we can see that traders from Rhodes were visiting this coast since the 7th century BCE. Rhodian pottery from that century has been found in the area of Marseille, near Istres and Martigues, and at Évenos, near Toulon. The Rhône (Greek Rhodanós), the main river of Provence, and the ancient town of Rhodanousia, were named after the island of Rhodes. There is still a problem of a time gap of one century with the supposed Iberian settlement of Rhode; but, at any rate, the traces left by Rhodians in Provence (and elsewhere) precede those of the Phocaeans, the founders of Massalia.

Hellenic colonies in Provence and Corsica

Hellenes from other cities of Ionia also traded in the western Mediterranean, as far as Iberia, but very little remains from that period. As regards the Phocaeans, it is obvious they went there not just to trade, but also to settle. A foundation myth reported by Aristotle in the 4th century BCE, and by Latin authors later on, symbolizes the intermarriage between Hellenes and locals, recounting how a Phocaean, named Protis (or Euxenus), married a local princess, called Gyptis (or Petta), thus giving him the right to receive a piece of land where he could found a city. Contacts developed undisputedly from 600 BCE onwards between Celts, Ligures and Greeks in Massalia and other colonies such as Agde (Agathē Tychē), Nice (Nicaea), Antibes (Antípolis), Monaco (Mónoecos), et al. An Olbia (modern Hyères) was founded here in Provence, and another one in Sardinia.

A Tin Route linked Cornwall to Massalia through the Channel,
the Seine valley, Burgundy and the Rhône-Saône valleys.

The Vix Krater, an imported Greek wine-mixing metal vessel, the largest known from antiquity (1.63 m in height), found in the famous grave of the Celt “Lady of Vix”;
ca 500 BCE

“Massalia was not an isolated Greek city, but had developed an Empire of its own along the coast of southern Gaul by the 4th century”, claimed Charles Ebel in the 1960s. Nevertheless, this idea of a Massaliote Empire is no longer accepted by several skeptical scholars in the light of recent archaeological evidence, which shows that Massalia’s chora (agricultural territory under its direct control) was never large enough. The same skeptics also dispute the idea of a Hellenization of southern France due to Massalia. However, its influence was felt all through Gaul to Brittany, because of the trade relations of the Massaliotes with the Celts, especially for the transport of tin from Brittany, or even Cornwall. It seems that a Tin Route, indispensable for the manufacture of bronze, was established at that time from Cornwall, through the Channel, along the Seine valley, Burgundy and the Rhône-Saône valleys to Massalia. Caesar reported (during his conquest of Gaul) that the Helvetii were in possession of documents in Greek, and all Gaulish coins used the Hellenic script until about 50 BCE. The Massaliote coinage by that time circulated freely in Gaul, influencing coinage as far afield as Britain. Hellenic Marseille eventually became a centre of culture, and that is why several Roman parents sent their children there to be educated.

The Massaliote Periplus Revival

ΟUR MASSALIOTE PERIPLUS REVIVAL SETS SAIL from Massalia’s harbour. Leaving both Rhode and Emporion behind us, we drop anchor between Barcinōn and Callípolis. Legends say that Barcinōn, modern Barcelona, was founded either by Heracles, in the middle of 12th century BCE, or Hamilcar Barca, Hannibal’s father, in the second half of 3rd century BCE. At that time, the Laietani, defined as a Thracian–Iberian people, settled in this area. Some scholars identify Barcinōn with Callípolis, a small Greek colony, which was founded in the 6th century by the Llobregat river. It is described by Avienus in his Ora Maritima (Sea Coast), based on the Massaliote Periplus. But Callípolis should have been at some distance off Barcelona, between Tàrraco (Tarragona) and another Hellenic port, that of Sálauris (Salou), on the Costa Daurada (or Golden Coast) of what is now Catalonia.

The Argonauts’ route according to Apollonius: they never got close to Iberia…

● The legend about Heracles as a founder of Barcelona is unrelated to his colonizing effort in Andalusia following two of his labours there (10th and 11th: Geryon and the Hesperides). His passage from Catalonia is linked to a different version of the myth of the Argonauts, in which Jason’s expedition involved not only the Argo, but nine ships in all. One of them was lost during a storm off the Catalan coast, and Heracles eventually found it wrecked by a small hill, but with the crew saved. These Argonauts were so taken by the beauty of the place that they founded the city of Barca Nona (“Ninth Boat”). Well, it is not only that the city’s name resembles that of Barcelona only in Latin; we also need to remember that Heracles deserted the Argonauts (or… they deserted him) while he was searching for his companion, Hylas, in the outset of the expedition, when the Argo was still in the Sea of Marmara. Others, however, say that Heracles went as far as Colchis with the Argonauts, got the Girdle of the queen of the Amazons, Hippolyta, and slew the Stymphalian Birds (his 9th and 6th labours respectively, organized not in a chronological order). Whatever the case, he could not build Barcelona because he was not among the Argonauts when they fled from Colchis, wandering afterwards in the Mediterranean. But do we know how they fled?

The secret of the Orphic song was not loudness: just one male voice against so many Sirens could never prevail. The secret was its quality, a kind of music they had never listened before,
that drowned out their song and eventually the Sirens themselves.

● There have been several versions of the Argonauts’ expedition – about their route, even crew (see Chronicle 15, footnotes 7 and 8). There is unanimity on the way they voyaged to Colchis; but differences appear about their way back. Pindar (6th–5th centuries BCE), the celebrated lyric poet, sang in his Fourth Pythian Ode that Jason moved eastwards (not westwards) and, through the Phasis and Cyrus (Rioni and Kura) rivers, sailed out to the Caspian Sea. Then, based on the geographic knowledge of the time, he found himself in the Oceanus River encircling the earth, turned south and west, voyaging as far as the Red Sea, and in this way he returned to the Mediterranean. Herodorus of Heraclea (between 6th and 4th centuries BCE) adopted a more realistic approach that the Argonauts used the same route to go back home. The historian Timaeus of Tauromenium (modern Taormina in Sicily, c. 345 – c. 250 BCE), maybe inspired by the great European periplus of his contemporary Pytheas of Massalia (see Chronicle 16, Peripli of the Classical and Hellenistic eras), gave a wider scope to the Argonauts’ nostos. Through the Maeotis (Azov) lake and the Tanais (Don) river, he maintained, Jason found his way up to the Baltic Sea and, sailing by round Europe, he returned home to Iolcus. The Argonautica by Apollonius of Rhodes (3rd century BCE), the only surviving Hellenistic epic, is far more detailed and adventurous, but never sails beyond Italy. Finally, the Argonautica Orphica, written much later (5th–6th centuries CE) but in the name of Orpheus, who was one of the Argonauts, borrows from all the above, emphasizing the role of the Thracian musician, poet, and prophet. The narration is more mythological, probably because of the anonymous author’s everyday life in a hostile Christian environment, after the old gods were violently thrown out (see our additional Chronicles 23-24: The Genocide of the Hellenes, and The Triumph of Cretinism). In the beginning, he adopts the Pindaric version, but as soon as he finds himself on the Caspian waters, he follows in Timaeus’ steps and turns north, not south: the river now is not the Don but the even longer Volga, and the result, of course, is another periplus of Europe.

In memory of the Zácantha citizens who determined to die rather
than fall into Punic hands in 218-19 BCE, by Agustín Querol

BACK TO OUR IBERIAN PERIPLUS. Sailing on while keeping a steady course to the southwest, we arrive at Zácantha or Arse, founded by Greeks from the island of Zácynthus in the 7th century BCE. Captured and destroyed by Hannibal during the 2nd Punic War (219 BCE), after eight months of the citizens’ heroic resistance related by Livy, it was rebuilt by the Romans who transcribed it as Saguntum, hence its current name of Sagunto.

After Valentia (Valencia), our course turns southeast due to a headland jutting out on the coast of Iberia. Sailing past this area formed by Montgó Massif, we stop at the first port marked on the map of Tartessos, Hēmeroskopeion, located at modern Dénia, in the Valencian province of Alicante. It means Watchtower in Hellenic and it reflects the first use of the lofty promontory as such. According to Strabo, the town was also called Artemisium, because there was a temple of Artemis on the cape where it was situated. Hēmeroscopeion was another colony of the Massaliote Greeks, along with two more small settlements in the area, the names of which have not survived. The Romans called it Dianium, whence its modern name, from Diana, i.e. Artemis in Latin. Apart from its strategic location, the city was equally important for some iron mines nearby.

Lady of Elche

Althaea (today’s Altea) was located further down the road, and then Acra Leucá, also built by the Massaliotes on a White Promontory, or Acropolis, as the name indicates, c. 325 BCE. The city passed to the Punics who used it as a military base and trade post. Its Carthaginian name did not survive, but the Romans called it Castrum Album, meaning almost the same. Most archaeologists agree that the Roman town Lucentum, or Lucentia (Luminous city), is Acra Leucá – what is now the modern city of Alicante.

Helice, modern Elche (Elx in Valencian), was founded around 600 BCE near Acra Leucá to the South. The Achaean settlers named it after their native city.⁽³⁾ Here, too, Hannibal was a fateful man. It was rebuilt by the Romans as Ilici. There was also a small walled coastal settlement, the Roman Portus Ilicitanus, Harbour of Helice, mentioned by Claudius Ptolemy in his Geography; it’s today’s Santa Pola. Built with a regular layout in the Grecian tradition near the Vinalopó river in the 4th century BCE, it served as an emporium oriented to Greek-Iberian exchange. But its life span was brief (c. 80 years), which is inconsistent with the hypothesis that the Massaliote colony Alonís, or Alonae, was there. So, despite Ptolemy’s mention that created more confusion, attention was recently turned to a nearby town, La Vila Joiosa, as a possible location of this colony. The increasing amount of archaeological evidence for Greek presence in Santa Pola, combined with the Graeco-Iberian script used in Alicante and Murcia, confirm the long-term direct contact between Hellenes and Iberians in this area. The celebrated Lady of Elche (Dama de Elche, or Dama d’Elx in Valencian), a once polychrome stone bust of a woman, is the most important find there. It’s considered as an excellent example of Iberian sculpture with strong Hellenic influence. It is claimed (Encyclopaedia of Religion) that the Lady is “directly” linked to the Punic goddess Tanit. If so, then perhaps, in the absence of Phoenician sculptural standards, the Grecian model was unchallenged.

Bronze coin with the patron Poseidon and the inscription ELIK(e), and a trident flanked by
dolphins on the reverse

• ⁽³⁾ Helice (Ἑλίκη) was an ancient Hellenic city in Achaea, in the north of the Peloponnese, which disappeared a winter night in 373 BCE. It was thought to be a legend like Tartessos until 2001, when it was rediscovered in the Helice Delta. The catastrophe is attributed to an earthquake and accompanying tsunami, causing the area to sink into the earth and be covered by the sea. All the inhabitants perished without a trace, despite a search and rescue effort involving 2000 men. The only thing that was left there were a few building tops projecting from the sea. Around 174 CE, Pausanias reported that the walls of the ancient city were still visible under the water. Others said that Roman “tourists” frequently sailed over the site, admiring the city’s statuary! As time passed by, the site silted over and the location sank into oblivion. Modern scholars argue that the submergence of Helice might have inspired Plato to write his story about Atlantis.

Mastia (Massia) > Qart Hadasht > Cartago Nova > Cartagena

The trading contacts of southeastern Iberia with Tartessos, Hellas, Phoenicia and Magna Graecia, together with the absorbed influences, gave rise to an Iberian culture that Pliny and Strabo called the Contestani. Cartagena, originally named Mastia, or Massia, is located here. Mastia (or Massia) was also the name of an Iberian tribe allied with the Tartessian confederacy. The first description of this city with high walls appears in the Massaliote Periplus, and then in Avienus’ Ora maritima. Mastia is also mentioned in a treaty between Carthage and Rome in 348, marking the boundary between them in Iberia. Its mineral wealth, fisheries, agriculture, and harbour, one of the best in the western Mediterranean, made the Punics re-found it in 228 BCE as Qart Hadasht (“New City”), honouring it with a name identical to the metropolis. The Romans renamed it as Carthago Nova in order to distinguish it from the mother city. The importance the Punics attached to their “New City”, so as to serve as their local capital and springboard for the conquest of Iberia, shows that Gadir could not serve this purpose, among other things, due to antagonisms with the Gaditan Phoenicians, which would explode – even before the Punic Wars – in open hostilities.

Greeks and natives “became united in a single state,
consisting of barbarian and Hellenic laws.” (Strabo)

Serapis or Asclepius, Hellenistic sculpture in a temple of Emporion.

Entering the Punic sphere, we come to realize the way the Phoenician colonial network was created: through infiltration of already existing settlements that soon passed under their full control – without excluding the use of violence in case the locals resisted. By contrast, the Hellenes, especially the Ionians, such as the Phocaeans and the Massaliotes, contrary to the tactics of the Dorians, had a quite different approach. Referring to the foundation of Emporion, Strabo wrote:

“The Emporians lived before on an islet off the coast that now is called Palaiápolis [old city]; for they now live on the mainland. Emporion is a double city (a dipolis), divided by a wall, having before, as neighbours, some [indigenous] Indigetes… Because they became united after some time in a single state, consisting of barbarian and Hellenic laws, as it also happened in many other cities.”

Therefore, there were three phases of colonization: a) a separate settlement; b) peaceful coexistence after a spirit of mutual trust had been established through cooperation; and c) a commonwealth.

The Contestani’s neighbours to the southwest were the Bastetani or Bastuli, and their towns, Baria, Ábdera, Sexi, Malaca, Carteia, Bailo, are mostly mentioned as Phoenician colonies. Baria (present-day Vera, or the fishing village of Villaricos), is said to have financed Hannibal’s campaigns from the local silver mines. There follow Ábdera (today’s Adra), and Sexi (Ex), modern Almuñécar, whose residents sometimes still call themselves sexitanos; a Phoenician settlement was “planted” there in about 800 BCE. As for the seaport town of Ábdera, it was used by the Punics as an emporium. Very few make clear it was a former Grecian colony…

Break: Ábdera, Democritus and Plato

Diomedes Devoured by His (man-eating) Horses,
by Gustave Moreau

● It is not the first time that places allegedly connected with Phoenicians or Punics are known by Hellenic names. We can see that in the case of Ábdera in either Thrace or Andalusia. According to myth, both cities were founded by Heracles in memory of his companion, Ábderus, who was devoured by either Diomedes’ mares or Geryon’s cattle, during the 8th or 10th Heraclean labour respectively. Historically, Ἄβδηρα, a city-state on the coast of Thrace, 17 km northeast of the mouth of the Nestos River and almost opposite Thasos, in today’s prefecture of Xanthe (where I was born), was a colony of Clazomenae, founded in 654 BCE. Its prosperity, however, dates from 544 BCE, when most residents of Teos (including the poet Anacreon) migrated to Ábdera to escape the Persian yoke. Clazomenae and Teos were Ionian cities of Asia Minor in the Smyrna area. Ábdera became a wealthy city, the second richest among the allies of Athens, as it was a prime port for trade with the interior of Thrace. As a valuable prize, it was sacked repeatedly by Thracians, Macedonians (from several areas, such as Macedonia, Thrace, Asia Minor, Syria, Egypt) and Romans. The result was a decline in the second half of the 4th century BCE – which was attributed to other reasons, as well: the air of Ábdera, claimed Cicero, was proverbial in Athens as causing stupidity. Yet, it was the place of birth of several philosophers, such as Democritus, Protagoras, Anaxarchus, or Hecataeus of Ábdera, who was also a historian. In addition, Anacreon lived there for some time, but showed no signs of idiocy…

Democritus on an old Greek coin of 10 drachmas

● Democritus (Δημόκριτος, “chosen of the people”, c. 460 – c. 370 or c. 357 BCE), the “father of modern science”, was ignored in Athens. Plato, though he never mentioned him (but, on the contrary, he devoted a dialogue on Protagoras), disliked Democritus so much that he asked from his pupils to burn all his books!⁽⁴⁾ They proved to be very effective: we now know just citations of his works, since all of them disappeared in the Dark Middle Ages. Democritus and his master, Leucippus, from Miletus, or from Ábdera, were those that formulated an atomic theory of the universe – the idea that everything is composed of various imperishable, indivisible elements called atoms. Democritus travelled a lot spending the money his rich father left him. He praised the Egyptian mathematicians and became acquainted with the Chaldean magi. He was cheerful and always ready to see the comical side of life – but was intentionally misunderstood: they claimed that he laughed at the foolishness of men. That’s why they described him as the laughing philosopher, with Abderitan (incessant) laughter, and also an Abderite, meaning a scoffer, or mocker. The Athenian stupidity about the Abderitan air must have jumped from Plato’s mouth into Cicero’s writings because of Democritus…

Democritus was ignored in Athens. Plato, though he never mentioned him, disliked him so much that he asked from his pupils to burn all his books!

• ⁽⁴⁾ No wonder that Plato, who rejected the Athenian democracy as prone to anarchy, is included in a list of major advocates of anti-democratic thought (see Chronicle 4. On Democracy), together with: Friedrich Nietzsche (German philosopher, who discarded the so-called “democracy” of his time as “Christianity’s heir”); Charles Maurras (French writer, monarchist and fascist, who asked for the assassination of his opponents); Hubert Lagardelle (French syndicalist, a Proudhonist who later degenerated into a fascist); Robert Michels (German-Italian sociologist, who passed from socialism and revolutionary syndicalism also to fascism); Oswald Spengler (German historian, a “critical” supporter of Hitler, although he considered him vulgar); Martin Heidegger and Carl Schmitt (German Nazi philosophers); Elazar Shach (Israeli fundamentalist rabbi, a champion of Judaic law and an enemy of democracy). Within this framework, with this “company” (except, of course, Nietzsche), what is the real meaning and worth of the Platonic Republic?

● See the next two additional Chronicles 23-24, on the incessant struggle between the defenders and the opponents of Freedom of Thought and Speech.

The scientist philosopher was a determinist and materialist, believing everything to be the result of natural laws. Unlike Aristotle or Plato, he tried to explain the world without reasoning to a purpose, or final cause. The idealists became so pre-occupied for centuries with the teleological question that hindered progress. Democritus, with Leucippus and Epicurus, proposed the earliest views on the shapes and connectivity of atoms. Therefore, their theories appear to be more aligned with those of modern science than any other theories of antiquity. Yet, the so-called “exile of atomism”, after its rejection by authorities such as Aristotle, Plato, and the Christian Church, as well, lasted too long, until the 17th century, when it was resurrected by Gassendi and Descartes. In the meantime, all writings by Leucippus and Democritus, and most of Epicurus, were “lost”. The loss is irreplaceable if we take into account the vast scope of the Democritean work regarding ethics, natural science, mathematics, cosmology, music, art and literature, etc. Suffice it to say that among the works of this traveller-scientist-philosopher, there was one entitled Ocean Periplus… Other titles we’ll never read: Pythagoras, The Horn of Amalthea, On the Planets, On Nature, On the Mind, On Rhythms and Harmony, On Homer, On Poetry, On Song, On History, On Painting, On the Sacred Writings of Babylon, Planispheres, Chaldaean Account, Phrygian Account…

Democritus on an old Hellenic banknote of 100 drachmas

● Book burning, suggested by Plato, was included among the favourite “sports” of the Christian Church. But it wasn’t the only one. Another method of censorship was copying classical works in the medieval monasteries. Behold the grim, dismal picture Catherine Nixey has painted in her thorough research, The Darkening Age / The Christian Destruction of the Classical World (see also our next two Chronicles):⁽⁵⁾

• ⁽⁵⁾ Catherine Nixey – how ironic! – is the daughter of a nun and a monk. However, her parents were anything but dogmatic (a rare exception); thus she was not indoctrinated (brainwashed).

Medieval scribe copying manuscripts
(19th-century illustration)

“In the silent copying-houses of the monks… gestures were used to request certain books: pagan books were requested by making a gagging gesture.⁽⁶⁾ Unsurprisingly, the works of despised authors suffered. At a time in which parchment was scarce, many ancient writers were simply erased, scrubbed away so that their pages could be reused for more elevated themes. Palimpsests – manuscripts in which a text has been scraped (psao [ψάω]) again (palin [πάλιν]) – provide glimpses of the moments at which these ancient works vanished… The work of Democritus, one of the greatest Greek philosophers and the father of atomic theory, was entirely lost.”

• ⁽⁶⁾ “Books approved by the Church would be stamped or marked by the word ‘Imprimatur’ – ‘Let it be printed’.” (C. Nixey). Centuries later, Mayakovsky would suffer due to similar stamps or marks.

“This theory – an Epicurean one [in Roman times] – offered an alternative view to the idea of a ‘Creation myth’, and stated that everything in the world was made not by any divine being but by the collision and combination of atoms… These particles were invisible to the naked eye but had their own structure and could not be cut (temno [τέμνω > ἄ-τομον, a-tom]) into any smaller particles… Everything that you see or feel, these materialists argued, is made up of two things: atoms and space… The distinct species of animals were explained by a form of proto-Darwinism… ‘No thing is ever by divine power produced from nothing’, wrote Lucretius in his great poem, On the Nature of Things, and ‘no single thing returns to nothing’. Atomic theory thus neatly did away with the need for and possibility of Creation,⁽⁷⁾ Resurrection, the Last Judgement, Hell, Heaven and the Creator God himself.

• ⁽⁷⁾ “Creation happened, as a Christian theologian infamously stated, on 23 October, 4004 BC”. (C.N.)

Book burning: the favourite “sport”
of the Christian Church…

“In the ensuing centuries, texts that contained such dangerous ideas paid a heavy price for their ‘heresy’… Some of the greatest figures in the early Church rounded on the atomists. Augustine disliked atomism for precisely the same reason the atomists liked it: it weakened mankind’s terror of divine punishment and Hell.

“Democritus had perhaps done more than anyone to popularize this theory – though not only this one. Democritus was an astonishing polymath who had written works on a breathless array of other topics. A far from complete list of his titles includes: On History; On Nature; The Science of Medicine; On the Tangents of the Circle and the Sphere; On Irrational Lines and Solids; On the Causes of Celestial Phenomena; On the Causes of Atmospheric Phenomena; on Reflected Images… The list goes on. Today Democritus’s most famous theory is his atomism. What did the other theories state? We have no idea: every single one of his works was lost in the ensuing centuries. As the eminent physicist Carlo Rovelli wrote, after citing an even longer list of the philosopher’s titles: ‘the loss of the works of Democritus in their entirety is the greatest intellectual tragedy to ensue from the collapse of the old classical civilisation’. (See the Appendix on Democritus at the end of this Chronicle).

“Democritus’s atomic theory did, however, come down to us – but on a very slender thread: it was contained in one single volume of Lucretius’s great poem, that was held in one single German library, that one single intrepid book hunter would eventually find and save from extinction. That single volume would have an astonishing afterlife: it became a literary sensation; returned atomism to European thought; created what… was called ‘an explosion of interest in pagan antiquity’, and influenced Newton, Galileo and later Einstein.”

The Rock of Gibraltar at sunset

Proto-Aeolic or Proto-Ionic capital with oriental influences from the Santuary of Baal Hamón in Gadir (7th century BCE)

SAILING PAST MAENACA AND MALACA, after this highly instructive break, we finally drop anchor at the Bay of Gibraltar. Carteia was built at its most northerly point, about halfway between the modern cities of Algeciras and Gibraltar, on elevated ground, at the confluence of two rivers, overlooking the sea. According to Strabo, it was founded circa 940 BCE, as the emporium of K’rt, meaning “City” in Phoenician (compare Qart Hadasht, i.e. Carthage, “New City”). The area had much to offer a merchant; the hinterland behind Carteia was rich in wood, agricultural products, lead, iron, copper, and silver. Dyes were another much sought-after commodity, especially those from the murex shellfish, used to make the prized “Tyrian” purple.⁽⁸⁾ Due to its strategic location, the city played a significant role in the Punic Wars. In the Battle of Carteia in 206, the Punic fleet was defeated by the Romans, who captured the colony circa 190 BCE.

• ⁽⁸⁾ The “Tyrian” purple was, in fact, Minoan: see Chronicle 19, footnote 6.

The Bay of Gibraltar: Algeciras (W), Calpe (E)
and Carteia (in the middle?)

Passing through the Strait and into the Atlantic, we are surprised to hear that Bailo was none other than Gadir. The information, however, cannot be verified, and the closest to the name “Bailo” we can find is Baelo, near the present-day village of Bolonia, around Tarifa, at the southernmost point of Europe – but rather far from Gadir. The town served as a trade link with northern Africa (Strabo: “hence the crossings to Tingis of Maurusia”);⁽⁹⁾ nevertheless, it was abandoned because of earthquakes. Eventually, we realize we’re sailing in an area colonized by Heracles – or, in other words, by the Mycenaeans: not only Ábdera (or Ábderos), but also Carteia (Carpeia, Carpaea or Carthaea), and Bailo-Baelo or Belōn, appear to have links to the great hero. Carteia, wrote Strabo citing Timosthenes of Rhodes, was previously called Heraclea, after its founder. Some identify it with Algeciras, Paco de Lucía’s hometown, on the west side of the bay, others say on the contrary it was located on the east side, on Calpe, i.e. the Rock of Gibraltar; there are those also who connect it to Tartessos claiming that once the latter disappeared, many confused it with Carteia (e.g. Pausanias: “Tartessos, some people say, used to be the old name of Carpeia”). Other settlements of the Heraclean colonizing labour were Mellaria (Menlaria, or Melouria, modern Tarifa), and also Gadir; sometimes even Tartessos is included in the list. Some, very few, on the other hand, identify the legendary city with modern Sanlúcar de Barrameda. Wishful thinking, most probably, on either side…

• ⁽⁹⁾ Strabo’s “Maurusia”: Mauritania, Western Sahara, Morocco, and northern Algeria.

Gulf of Gadir and the three islets with Greek names:
Erytheia, Kotinoussa, Antípolis

As for the Pillars of Heracles, the northern one on European soil is called Calpe, or Alybē (Gibraltar), “small in size but rising sharply to a great height and looking like an island from afar” (Strabo), while the southern one, Abylē or Abyla (Ceuta), is rather low. Their peculiarity is that their sovereignty is exercised nowadays by foreign powers: Gibraltar, on Spanish territory, is controlled by Britain; Ceuta, on Moroccan soil, by Spain. The Phoenician Abyla, founded in the 7th century BCE, passed under the control of the Phocaeans who renamed it as Heptá Adelphoí (Seven Brothers). The Romans, as usual, transcribed the Grecian toponym into Latin as Septem Fratres, or simply Septem (hence perhaps its current name), and used Ceuta almost exclusively as a military post. The strategic importance of the Strait was obvious to everyone.

There is another settlement, beyond the Pillars and on African soil, presented as a Punic colony of the early 5th century, possibly with prior Phoenician presence, called Tingis (today’s Tangier). Taking advantage of Carthage’s crushing defeat in Sicily in 480 BCE, the Phocaeans should have taken control of this town, too, dominating – at least for a while – in that area of strategic importance, during the Punics’ isolationist period after their defeat. Like so many other towns, Tingis in fact was neither Phoenician, nor Greek, but, in this case, Berber. According to a Graeco-Roman mythological tradition, cited by Plutarch, Tingis was the wife of the giant Antaeus, king of Libya (Maghreb) and son of Poseidon and Gaea, who was killed by Heracles. In Berber mythology, the founder of the city was Syfax, son of Tingis and Heracles. The tomb of Antaeus, with his giant skeleton, was found in Tangier by the Roman rebel Quintus Sertorius in the 1st century BCE, while the “cave of Heracles”, where the hero supposedly slept before he stole the apples of the Hesperides, is located 14 kilometers from the city to the west.

The Strait of Gibraltar with the Pillars of Heracles

The colonizing activity apparently continued after the Trojan War, since we are told that, despite the reports to the contrary, there were Hellenic (later Roman) settlements beyond the Pillars of Heracles. One of them was located between Gadir and the city of Tartessos, at the mouth of the Río Guadalete: it was Portus Menesthei (Μενεσθέως Λιμήν), probably the present-day El Puerto de Santa María, locally known simply as El Puerto.⁽¹⁰⁾ Even the Gaditan Phoenicians, wrote Strabo, offered sacrifices in Menestheus’ oracle. As one of Helen’s suitors, he fought in the Trojan War. But afterwards, according to some writers, he was expelled from Athens by the descendants of Theseus, and found refuge with his entourage in Iberia. (See Chronicle 26, Odysseys in the Aftermath of the Trojan War: Colonization of Iberia). Lastly, there was another Hellenic settlement located next to Huelva to the West: it was Calathussa, today’s Aljaraque.

• ⁽¹⁰⁾ The word “Port” is preserved in the toponym throughout its history: the Arabs (Moors) invaded Iberia in 711 CE and renamed the port to Alcante or Alcanatif, meaning Port of Salt, due to the production of salt since the time of the Phoenicians. Finally in 1260, the Castilians, who occupied the city, renamed it to Santa María del Puerto.

The Lioness of Baena (Córdoba) with Greek
and oriental influences (6th century BCE)

Portus Menesthei, in “historical terms”, might not be that old, since the Hellenes of the Homeric era (at least their goods) arrived at Iberian ports later, in the 9th – 8th centuries BCE. Those who transported the Greek ware and other products might very well have been the Phoenicians, due to their artistic quality, which the Canaanites were unable to achieve. Such an excellent ceramic, an Attic cylix, a wine-drinking vessel, was found in Medellin of Badajoz, in Extremadura. The presence of such a beautiful cup so far from the coastline is explained by the so-called Silver Route that probably crossed western Iberia from north to south to facilitate transport of mineral wealth from Galicia to Tartessian harbours.

Hellenic culture, art, ideas, habits, etc. could not be transported on
Phoenician ships, making the Greek presence in Iberia necessary…

What the Phoenician ships could not transport and, therefore, made the Greek presence absolutely necessary in Iberia, was Hellenic culture, art, ideas, models, architecture, burial habits, etc. Taking into account that perhaps the Minoans were not Greeks, it seems that Iberia was found under Hellenic influence for the first time during the Mycenaean period. But this is half-true and, therefore, half a lie (at least), given that the Mycenaeans were civilized thanks to the Minoans. Consequently, Minoan and Mycenaean influences on Iberian cultures were very similar, if not identical. At that time, there was perhaps no Tartessos. Minoans and Mycenaeans inseminated the local cultures they found in Iberia, and the Tartessian civilization germinated some time later, when there were no Greeks around anymore. It took them at least half a millennium to wake up from their lethargic “Dark Ages” and re-appear in the peninsula. In the meantime, the rich rewards were reaped by the Phoenicians and Punics…

Major Hellenic colonies in Iberia before the Punic conquests (c. 300 BCE): Rhode, Emporion, Callípolis, Sálauris, Zácantha, Hēmeroscopeion-Artemisium, Acra Leucá, Alonís, Helice, Ábdera, Maenaca, Portus Menesthei, Calathussa: they are all located in Spain. So, the Iberian periplus
I’ve tried to revive in this Chronicle ended up as just a circumnavigation of Spain.

Appendix on Democritus

“Aristoxenus, in his Historical Notes, affirms that Plato wished to burn all the writings of Democritus that he could collect, but Amyclas and Cleinias, the Pythagoreans, prevented him, as it would be of no use, for the books were already widely circulated… Plato, though he mentions almost all the early philosophers, never once alludes to Democritus, not even where it would be necessary to controvert him, obviously because he knew he would have to match himself against the greatest of philosophers”… (Lives and Opinions of Eminent Philosophers, by Diogenes Laërtius)

Lives and Opinions of Eminent Philosophers, Diogenes Laërtius

Avoiding the encounter, Plato passed the torch to Aristotle who wrote a monograph on Democritus, praising him for arguing from sound considerations appropriate to natural philosophy, and regarding him as an outstanding rival. This may be the reason why this monograph, albeit Aristotelian, was “lost”; only a few passages quoted in other sources have survived. The predominance of Platonic philosophy in the 4th century BCE, and the spread of Platonic schools must be the reason why Democritean thought and work was brushed aside and vanished. What survived could not pass through the “Symplegades” of Christian “zealots”; and what has been brought down to us includes many fragments, most of which, however, are on ethics and not physics.

Democritus on a Greek stamp

● The world is born when many atoms of various shapes gather and produce a whirl, separating the fine bodies, while bringing together the heavier bodies at the centre in a first sphere (earth). As long as the atoms are infinite, and the void is also infinite, our world is anything but a unique phenomenon. Thus, the atomists are the first thinkers to have clearly put forward the idea that there are infinite worlds. In their system there are three eternally existing elements: the atoms, the void, and motion-change (kinesis). Proposing that motion-change is eternal, Democritus was aware that in this way he removed all anthropomorphic elements from the natural world.

Portrait of a philosopher,
probably Democritus

The mechanisms of nature function without being regulated by any higher power. Can it be that everything in nature happens without order, or by chance? Judging by Plato and Aristotle, many after Democritus have interpreted the atomist theory in this way. Plato launches a harsh attack in his Laws against Democritus (without mentioning his name), and the “wicked, disrespectful” philosophers, who claim that the greatest and finest things came to be with no intervention of some intellect or god, and are works of nature and chance. These philosophers, claims Plato, are wrong in underestimating the role of the soul, to which they attribute a material substance, but also of the “intelligent purposefulness” governing the universe. The controversy with Democritus must be the motive for the late Plato to write Timaeus, in an attempt to construct a teleological cosmology in contrast to the supposedly “mechanistic” Democritean universe. Once more, Plato does not mention his rival directly, not even when he adopts a peculiar system of mathematical atomism, in which the atoms of Democritus are replaced by elementary triangles.

Hylas and the Nymphs, by John William Waterhouse (1896)

Diogenes details the Democritean opera

On Ethics: Pythagoras | On the Disposition of the Wise Man | On Those in Hades | Tritogeneia (so called because three things, on which all mortal life depends, come from her) | On Manly Excellence or On Virtue | Amalthea’s Horn (the Horn of Plenty) | On Tranquillity | Ethical Commentaries | Well-Being (not to be found) [was already “lost” in the 3rd century CE, the time of Diogenes].

On Nature: The Great Diacosmos (the Major World System; the school of Theophrastus attribute it to Leucippus) | The Lesser Diacosmos (the Minor World System) | Cosmography, Description of the World | On the Planets | On Nature (I) | On the Nature of Man or On Flesh (II) | On the Soul: On Reason | On the Senses | On Flavours | On Colours | On the Different Shapes (of Atoms) | On Changes of Shape | Confirmations (summaries of the aforesaid works) | On Images or On Foreknowledge of the Future | On Logic or Criterion of Thought (I, II, III) | Problems.

Miscellaneous: Causes of Celestial Phenomena | Causes of Phenomena in the Air | Causes on the Earth’s Surface | Causes Concerning Fire and Things in Fire | Causes Concerning Sounds | Causes Concerning Seeds, Plants and Fruits | Causes Concerning Animals (I, II, III) | Miscellaneous Causes | Concerning the Magnet.

On Mathematics: On a Difference in an Angle or On Contact with the Circle or the Sphere | On Geometry | Geometrics | Numbers | On Irrational Lines and Solids (I, II) | Extensions (Projections) | The Great Year or Astronomy, Calendar | Contention of the Water-Clock (and Heaven) | Description of the Heaven | Geography | Description of the Pole | Description of Rays of Light.

On Music: On Rhythms and Harmony | On Poetry | On the Beauty of Verses | On Euphonious and Cacophonous Letters | Concerning Homer or On Correct Epic Diction and Glosses (Tongues) | On Song | On Words | A Vocabulary.

On the Arts: Prognostication | On Diet or Dietetics | Medical Regimen | Causes Concerning Things Seasonable and Unseasonable | On Agriculture or Geometrics, Concerning Land Measurements | On Painting | Treatise on Tactics | On Fighting in Armour.

Supplementary (Some include as separate items in the list the following works taken from his notes): On the Sacred Writings of Babylon | On Those in Meroë | Ocean Periplus, A Voyage Round the Ocean | On History | A Chaldaean Treatise | A Phrygian Treatise | Concerning Fever and Those Whose Malady Makes Them Cough | Legal Causes and Effects | Problems Wrought by Hand.

The other works which some attribute to Democritus are either compilations from his writings or admittedly not genuine, adds Diogenes.

• >> Chronicle 23. THE GENOCIDE OF THE HELLENES
• << Chronicle 21. IBERIAN “EL DORADO”

Next Chronicle 23. THE GENOCIDE OF THE HELLENES ● “Burning Books, Burying Scholars” ● Libraries Burned ● Massacre of Thessalonica ● Delphi, the Serapeum and the Temple of Artemis in Ruins ● Sacrilege of Alexander’s Sōma ● The Darkening Age

Phoenician bireme

Chronicle 21. IBERIAN “EL DORADO”

Chronicle 21. IBERIAN “EL DORADO”

/ΕΛΛΗΝΙΚΑ/ Χρονικό 21. ΙΒΗΡΙΚΟ “EL DORADO”

● Minoans, Mycenaeans, Phoenicians
in Iberia ● Fortunate Isles, Hesperides
● Sardinia ● Odysseus, Calypso,
Ophiussa ● Tartessos

Michales Loukovikas

“ONE FREQUENTLY MEETS CLAIMS that there was contact between the far western coasts of present Spain and Portugal, and Crete of Minoan times”, comments Dan Stanislawski in his Study in Historical-Political Geography: The Individuality of Portugal, and specifically in Chapter 7 about Contacts Βetween the Ancient Civilizations of the Eastern Mediterranean and Iberia.

“It is not only a seductive idea but it makes a reasonable hypothesis, for the Minoans were good navigators, traders, and seekers of metals. Had they known anything of the Iberian Peninsula they might well have been attracted; however, while it is quite possible that the Mediterranean island route to the west was used by them (Rhys Carpenter, The Greeks in Spain), as yet there is no convincing evidence that it was. The excavations of Almerían culture at Los Millares, which may be dated as of 2000–1800 BC, presented certain items reminiscent of Aegean cultures, but there is no evidence that would clearly demonstrate connection. Such items may represent nothing more than casual parallelism. Other finds of a somewhat later period in Spain make better evidence of contact with the eastern Mediterranean lands, for they can be neatly equated with materials of the Egyptian Tell-el-Amarna of 1400–1200 BC. The Egyptian trade items of this period of time are well known to Spanish archaeology and almost surely may be associated with Phoenician intermediaries. As of the present date, such items may be taken as the earliest evidence of direct contact between Iberia and the eastern Mediterranean navigators.”

Where did the Bronze Age Mediterranean find tin to produce bronze?
Who transported this rare and precious metal to the Mediterranean?

A model of Los Millares with its walls

Voilà! Here is a “neat” example of the established historians’ “classic” mentality: reserved if they write or talk about Minoans, even Hellenes, but garrulous when they lecture about Phoenicians. Indeed, why was it so difficult for the peoples of the Aegean to reach Iberia? They were certainly not inferior to the Phoenicians in seamanship and, furthermore, the Aegean was far closer to Iberia in comparison to Phoenicia. Besides, who controlled then (“1400–1200 BC”) the Mediterranean trade? The Phoenicians, or the Mycenaeans – whom Stanislawski “fails to bring in mind”?(!) Why should the Egyptian trade items of this period found in Spain “almost surely may be associated with Phoenician intermediaries”? The crucial question, however, this mentality does not answer is: Where did the Bronze Age Mediterranean obtain tin to produce bronze? Who were established then as sea traders to transport this profitable metal to the Mediterranean? Most obviously, the Mycenaeans. That is why the evidence about the Aegean peoples’ presence in Iberia is anything but “convincing”… Regarding the “opposite point of view”, there are detailed descriptions of Minoans extracting metals from the area of the Lake Superior and carrying them through the Mississippi River to the Gulf of Mexico destined for the Mediterranean! Although we cannot exclude this, we do not intend to take you that far. It is better to remain on Iberian soil…

Los Millares, by Marianne Weil, cast bronze (2008)

Some “non-established” historians link the distinctive culture of Los Millares in Almería with The Early Minoan Colonization of Spain (W. Sheppard Baird). Far more interesting is the following El Argar culture, which flourished in Almería, as well, in today’s eastern Andalusia, between 1800 and 1300 BCE. This Argaric culture was characterized by the early adoption of bronze, which allowed local dominance over “copper age” (chalcolithic) neighbours. That people’s mining and metallurgy were quite advanced, with silver, gold, and bronze being mined or worked for weapons and jewelry. They developed sophisticated techniques, and traded with other tribes.

Argaric gold sword

The ancient collective burial tradition, typical of European Megalithic Culture, was abandoned in favour of individual burials; the tholos or “beehive” tombs in favour of small cists. This innovative trend seems to have come from the eastern Mediterranean, most likely the Mycenaeans – skipping Sicily and Italy, where the collective burial tradition remained for some time yet. In the next phase of this culture, beginning c. 1500 BCE, burial in pithoi (large jars) became most frequent. Again this custom – that never reached beyond the Argarians’ circle – must have come from Hellas, where it was used after c. 2000 BCE. During the Mycenaean era, cultural exchanges are very clear in the Mediterranean, with the Argarians adopting Grecian funerary customs, while the Hellenes also imported the Iberian tholos for the same purpose.

Note that whoever arrived at Iberia could easily find the way to the tin ores of Brittany and Cornwall, through the Western Iberian Bronze cultures that had some degree of interaction, not just among them, but also with other Atlantic cultures in Britain, France, etc. It is the so-called Atlantic Bronze Age complex of c. 1300–700 BCE that consisted of different civilizations in Andalusia, Portugal, Galicia, Armorica (the part of Gaul that included Brittany), and the British Isles. The Atlantic Bronze Age was marked by economic and cultural exchange, which led to a high degree of cultural affinity manifested in the coastal communities from Galicia to Scotland, while commercial contacts extended from Scandinavia to the Mediterranean.

Heracles fighting Geryon, ca 540 BCE

Next notable culture was that of Tartessos, a harbour city and the surrounding region in southern Iberia (in Andalusia). It was the first organized polity of the peninsula, developed culturally and politically by the end of the 2nd millennium BCE. The area is mentioned in the Greek mythology of this era as a reminder of the Mycenaean campaigns and presence in Iberia. Heracles went to perform two labours there: to kill Geryon and obtain his cattle; and to steal the golden apples of the Hesperides. Geryon dwelt in the “Far West” of antiquity, on an island of the Hesperides, Erytheia (Erytheis); that was the name of one of the Hesperides, and also the fearsome giant’s daughter. The Occident, and more precisely Iberia, was called Hesperia. “Geryon was killed by the great strength of Heracles at sea-circled Erytheis”, sang Hesiod in his Theogony. Heracles set up two massive stone spires to stabilize all this area and ensure the safety of ships sailing through the Gibraltar Strait, called the Pillars of Heracles. He also founded colonies; among others, Gádeira, on Geryon’s island, where the Phoenicians would later establish their headquarters: Gadir (now Cádiz). A tumulus nearby Gádeira was associated with Geryon’s final resting-place; and there are legends about Heracles as being buried in Spain, as well.

Geryon is also mentioned among the mythical kings of Tartessos. His grandson, Norax (Norace), conquered the south of Sardinia, founding the city of Nora, and becoming a hero of the Nuragic mythology. He dictated the first laws, divided the society into “seven classes” and forced the aristocrats to work. Later Gárgoris introduced commerce, beekeeping, and new agricultural tools such as the plow. The agricultural innovations are also credited to his (grand)son, Habis (Habido, Abido, Abidas, Abidis, Gabis, or Gabid, as he is mentioned in various variations of the legend), who succeeded him on the throne. Later generations of Hellenes linked the area to Tartessos. They thought the Garden of the Hesperides and the Fortunate Isles, i.e. Isles of the Blessed, or Elysium, could be found somewhere outside the Pillars of Heracles.

Heracles, Hesperides, Fortunate Isles, Sardinia

Medusa Bronze Plaque

● Heracles was great-grandson of Perseus, the legendary founder of Mycenae, who killed the Gorgon Medusa. To achieve that, he had to find the Hesperides who would give him the necessary weapons. Finally, cutting off her head, from her neck sprang Pegasus and Chrysaor (gold + sword), the result of her meeting with Poseidon. Later Chrysaor became king of Iberia. Geryon, his son and heir, dwelt on the Hesperides island of Erytheia, the “red island” of the Vesper, so called because it lay under the sunrays in the sunset. It was identified with Gadir, there were also alternatives, such as one of the Balearics, or even the Delta in the estuary of the Tartessos river (Guadalquivir; see Chronicle 26, Tartessos and the Phoenicians). Heracles, on his way to this area, according to Herodotus, crossed the desert of “Libya” (Maghreb) and became so frustrated at the heat that he shot an arrow at Helios, i.e. the Sun. The god, “in admiration of his courage”, gave Heracles the golden cup (boat) he used to sail across the sea from West to East each night. Heracles reaching Erytheia on it was a favourite motif of the vase-painters. Diodorus Siculus, on the contrary, claimed that Heracles raised a large fleet in Crete to sail against Chrysaor, the wealthy king of Iberia, and his three sons. Stesichorus, in the 6th century BCE, composed a Song of Geryon (Γηρυονηΐς), where he made the first reference to Tartessos, with the Hesperides nearby. Later Strabo reported the same location in his Geographica.

Heracles with nymphs, a satyr, and Pan in the Garden of the Hesperides, by Hesperides Painter, hydria (water jar),
ca early 4th century BCE

Heracles’ way back home with the cattle was eventful. He crossed the Pyrenees that he himself had created when his beloved Pyrene bore a serpent and was so terrified that she fled to the woods where she died. Heracles created a tomb for her by piling up rocks, thus forming the mountain range. Arriving at Gaul, in the Monaco area, he turned away the previous gods. As a result, the temple of Heracles Mónoecos (single + house) was constructed on a promontory – called thus as it was the sole temple in what is now the Côte d’Azur. The Phocaeans built the colony Mónoecos there in the 6th century BCE. The only deep-water port in Monaco is dedicated to the great hero: Port Hercule. Heracles also founded the cities Alesia and Nemausus and became the father of the Celts. Reaching Liguria, two giants, Al(e)bion and Bergion, Poseidon’s sons, attempted to carry off his oxen, but the hero killed them. In this fight, he was assisted by Zeus with a shower of stones. The Italian route was rather uneventful as far as the tip of the peninsula, near Rhegium, where an ox jumped into the sea and swam to Sicily. Eryx, another son of Poseidon, king of the homonymous city and also excellent boxer, appropriated it. Heracles fought with him and killed him in order to take the animal back. The only problem afterwards was when Hera made the cattle mad in Thrace. Heracles was obliged to go as far as the Hellespont to recover the oxen, and take them to king Eurystheus, who sacrificed them to Zeus’ sister-wife.

● The Hesperides (Ἑσπερίδες) in Hellenic mythology were nymphs, aficionadas of singing, who tended a blissful garden in a far western corner of the world, near the Atlas Mountains in northwestern Africa, at the edge of the Oceanus encircling the Oecumene. They were three daughters of Hesperus, the Evening Star of the planet Venus or Vesper (just like other Greek triads, such as the Graces and Moerae, Fates): Aegle (“dazzling light”), Arethusa (“waterer”), Erytheia (“red one”). The Garden of the Hesperides was Hera’s orchard in the Occident, where either a single tree or a grove of immortality-giving “golden apples” grew. In later years, it was thought that they might have actually been oranges, a fruit unknown to Europe and the Mediterranean before the Middle Ages. Under this assumption, the Hellenic botanical name for all citrus species is ἑσπεριδοειδῆ (“hesperidoids”) – implying that they have come from the Occident, while in reality their origin is in the Orient (Southeast Asia).⁽¹⁾

A traditional Rabelo boat in the Douro used for centuries
to transport people and goods, mainly wine

• ⁽¹⁾ In some languages, the orange is named after Portugal, the former main source of imports: Greek portokali (πορτοκάλι), Bulgarian and Slav-Macedonian portokal, Romanian portocală, Georgian phortokhali, South Italian dialectic portogallo or purtualle. Related names are found in non-European languages, as well: Turkish portakal, Arabic al-burtuqal, Persian porteghal, and Amharic (the Ethiopian language) birtukan.

Portugal’s name derives from the Roman Portus Cale that evolved into Portugale during the 7th and 8th centuries. Cale was an early settlement located at the mouth of the Douro River, in the north of what is now Portugal. The etymology of the name Cale is mysterious, as is the identity of the town’s founders. Some historians have argued that Hellenes were the first to settle Cale and the name derives from the Hellenic word callos (κάλλος, beauty), referring to the beauty of the Douro valley. However, the mainstream explanation is that it is an ethnonym derived from the Callaeci, or Gallaeci, who lived there. The same applies to the names Galicia and Gaia, the twin city of Porto, at the Douro mouth. (On Greek colonies there, see Chronicle 26, Odysseys in the Aftermath of the Trojan War: Colonization of Iberia).

Macaronesia: the Azores, Madeira,
the Canaries and Cape Verde

● In the Fortunate Isles, or Isles of the Blessed, heroes and other favoured mortals in the Greek and Celtic mythologies were received into a winterless blissful paradise. These islands were thought to lie in the “Western Ocean”, near the “Oceanus River” encircling the earth. Strabo located them opposite “Maurusia” (Mauritania, Western Sahara and Morocco), beyond the end of the world, where neither snow nor heavy rains ever fell, with the beneficially invigorating cool breath of Zephyrus constantly blowing. Plutarch, referring to these isles several times in his writings, located them firmly in the Atlantic a few days’ sail from Iberia:

“The islands are said to be two in number separated by a very narrow strait and lie [2,000 kilometers] from Africa… A firm belief has made its way even to the barbarians that here are the Elysian Fields and the abode of the Blessed of which Homer sang.”

Geography now names these islands as Macaronesia (from the Greek name Makárōn nēsoe (Μακάρων νῆσοι, Isles of the Blessed): the Azores and Madeira (Portugal), the Canaries (Spain) and Cape Verde.

Metallic model of a Nuragic ship

● Close relations between Iberia and Sardinia implied by mythology are confirmed by archaeological, architectural, linguistic, cultural and historical finds. The Sardinians had also contacts with the Mycenaeans, who traded in the western Mediterranean, and the Cretans, e.g. with Cydonia, modern Chaniá, as shown from pottery recovered in excavations in Sardinia. But influences may have been even wider. The stepped pyramid of Monte d’Accoddi, near Sassari, is somehow similar to the monumental complex of Los Millares in Andalusia and some later edifices in the Balearics. Certain scholars see similarities even with Mesopotamian structures and attribute them to migrations, particularly of Sumerians, to the Occident. Ancient Greek historians and geographers described the mysterious megalithic nuraghe as daedaleia, implying there was a connection with Daedalus who, after working in Crete, where he built the Labyrinth, settled in Sicily and then in Sardinia.

During the Chalcolithic period, in the dawn of the Nuragic civilization of the 18th century BCE, copper was used to make weapons and other items. Soon the island, rich in mines, notably copper and lead, saw the construction of numerous furnaces for the production of alloys traded across the Mediterranean, possibly by Minoans, later on by Mycenaeans, and perhaps even Sardinians. The Nuragic culture acquired skilled metal workers who were among the main metal producers in Europe. Passing to the Bronze Age, they used this new alloy to make a wide variety of products, such as weapons, tools, even votive offerings, e.g. bronze vessels that indicate their close relationship with the sea. Sardinia was not on the vital map of tin sources and trade in ancient times (Cornwall-Devon, Brittany, Iberia, Bohemia–Saxony). But because of its other mineral wealth, it served as a centre for metals trade at that time and likely actively imported tin from Iberia for export to the rest of the Mediterranean. Traders from the Aegean, therefore, and other areas where tin was scarce, went there very often. This fact explains cultural influences on the Nuragic civilization from Mycenae, Crete and Cyprus, as well as the presence of late Bronze Age Mycenaean, Cretan and Cypriot ceramics, and locally made replicas, in half a dozen findspots that seem to have functioned as “gateway” communities.

Sardinian and Corsican tribes

The late Bronze Age (15th–13th centuries BCE; see also previous Chronicles) saw vast population migrations, e.g. those of the Sea Peoples, who destroyed the Mycenaean and Hittite worlds and also attacked Egypt. Some scholars connect the Sherden, one of the Sea People tribes, with the Nuragic Sardinians, who might have settled on the island before or after the failed invasion of Egypt. These theories are controversial to most archaeologists and historians. But Simonides of Ceos, in a lost work reported by Zenobius, spoke of Sardinian attacks against Crete during the Sea Peoples’ raids in Egypt. This would at least confirm that Nuragic Sardinians frequented the eastern Mediterranean at the time. Further proof comes from 13th century Nuragic ceramics found at Tiryns and at the Sicilian Agrigento (Acragas) area, along the sea route that linked the Occidental to the Oriental part of mare nostrum.

The second largest island in the Mediterranean after Sicily was called Ichnussa by the Hellenes. It was most probably named Sardinia after a legendary hero of the Nuragic pantheon, Sardus, who colonized the island from Libya. His father was Makeris, who might be connected with the Phoenician Melqart, also identifiable with the Libyan Heracles. So, Sardus is also associated with the Heracleidae that settled there led by Iolaus, a nephew of Heracles, according to Diodorus Siculus. Iolaus may have given rise to the tribe of Iolei, Iolaensi, or Iliensi,⁽²⁾ who were repeatedly checked by Punics and Romans, but they were never subdued. He also founded many cities from the Black Sea area to Sicily and Sardinia, requesting the assistance of Daedalus. Some of the latter’s edifices were still standing in Diodorus’ time (1st century BCE). Finally, the Phoenicians appeared in this area for the very first time around 1000 BCE, and began visiting Sardinia with increasing frequency. Later, from the 8th century onwards, they started founding (or appropriating) strongholds and cities primarily on the strategic southwestern coast of the island. Common ports of call, where they dropped anchor, were Caralis, Nora, Bithia, Sulcis, Tharros, and Olbia (mostly Hellenic toponyms).⁽³⁾

• ⁽²⁾ Sardinian and Corsican tribes: the Corsi (perhaps from Liguria) moved to Corsica from North Sardinia; the Balearic Balares (from Iberia or South France, perhaps related with the Basques), settled in the north-central of Sardinia; the Iolei (from North Africa, East Mediterranean, or West Sicily) settled in the central-south area. The Gallurese, Logudorese and Campidanese dialects may correspond to these tribes.

Launeddas

• ⁽³⁾ Sardinia and neighbouring Corsica constitute a special case in terms of music, too, cultivating one of the oldest forms of vocal polyphony, as ancient as the polyphony of Epirus and Albania. Unesco classed this kind of song, called cantu a tenore, as intangible world heritage in 2005. A similar style, cantu a cuncordu, corresponds to the Corsican paghjella and is liturgic in nature.

The polyphonic tradition extends to the musical instruments. A typical polyphonic woodwind instrument made of three pipes is the launeddas (also called “triple clarinet” or “triplepipe”). The pipes are played with circular breathing and the sound may be continuous. One of the pipes functions as a drone and the other two play the melody in thirds and sixths. Predecessors of the launeddas can be traced back to approximately 2700 BCE in Egypt, where reed pipes, depicted on tomb reliefs and pyramids, were called memet. The launeddas date back to at least the 8th century BCE and are still played in religious ceremonies and dances (su ballu). The musicians use extensive variations on a few melodic phrases, and a single tune can last over an hour, creating some of the “most elemental and resonant sounds in European music”, as Alessio Surian said.

Legendary Odyssean Lisbon

Cynetic writing with a human figure (8th century BCE)

GÁRGORIS IS MENTIONED AS A LEGENDARY KING of one of the peoples of Tartessos, who lived in today’s Algarve and Low Alentejo of southern Portugal. They were called Cynetes, Cynesioi, or Conii, the westernmost dwellers of Europe, according to Herodotus, who distinguished them from the Celts. Gárgoris, as the legend goes, had incestuous relations with his daughter, whose name has not survived. The… “fateful act” happened one day when a bee strung her; Gárgoris, wishing to heal the wound, massaged her with his mouth, and thus they were overwhelmed by passion (it’s unclear exactly where the bite was)! After she had got pregnant, he ordered that she should be locked up and the child be killed. The boy was abandoned on a hill very close to a lair of wild beasts, which instead breast-fed and protected him. When Gárgoris learned that his (grand)son was still alive, he ordered that he should be taken away from the cave and put to death in another way: in a stampede of cows, devoured by dogs or hungry pigs, or thrown to the sea. Protected by Fortune, Habis managed to survive against all adversities: the animals nursed him, or a sea wave carried him ashore. Raised by a hind (Habis in the Cynete language means fawn), and grown up like a savage, he became a skilful bandit, but was captured by peasants who led him to the king. The boy’s birthmarks made Gárgoris realize that he was his (grand)son. Impressed by his miraculous survival of all ordeals, he named him heir to the throne. Recorded by the Gallo-Roman historian Pompeius Trogus (1st century BCE), the legend was narrated in verse by Jerónimo de Arbolanche in his poem Abidas (1566).

Perseus and Andromeda (1870), by Gustave Moreau

According to Justin, a Latin historian who wrote the Epitome of Pompeius Trogus Philippic Histories, Habis, as a king, made revolutionary social reforms, “dividing the citizens among seven cities”, and forbidding slavery because of debt, which was a common phenomenon in ancient times. Justin also commented on some parallels of the legend with similar stories on other progenitors, such as Perseus, Moses, Romulus and Remus, expressing the view that Habis was superior to the founders of Rome, who were just obliged to milk a she-wolf, without passing all those adversities to demonstrate a similar or superior ability to survive.⁽⁴⁾ With so charismatic a king, the area between the Guadalquivir and the Sado estuary, in Setúbal, was spectacularly transformed, for Habis introduced agriculture, with cereals and cattle farming, thus improving the nutrition of his subjects. The land was ruled by his descendants for centuries. His legislative work was also great, with the laws in rhyme he introduced, which, in the years of Tartessian acme, numbered “six thousand verses”, according to Strabo. This tradition of laws in verse seems to have begun in archaic times, when writing was not widespread, so that people could memorize and observe the laws.⁽⁵⁾ Such laws were obviously written in the Southwest, or Tartessian script,⁽⁶⁾ the oldest of the Paleohispanic scripts (7th – 5th century BCE). It extended between the Guadalquivir and Sado estuaries, even in the interior of Iberia, reaching Alicante and Murcia in the East, where a Graeco-Iberian alphabet was used. There is no agreement about how these scripts originated; some researchers claim their origin is linked only to the Phoenician abjad, while others believe that the Greek alphabet contributed, too. It seems that no one gives priority to the Hellenic script. Alas! All these “Philo-Phoenicians” were unable to find any “Phoenico-Iberian” script!

Odysseus and Calypso, by Max Beckmann

• ⁽⁴⁾ I have commented on the parallels with “baby Moses” (see Chronicle 5, footnote 5): Habis’ stamina was supreme! As regards Perseus, when he was a baby, his grandfather, Acrisius, cast his mother, Danaë, and him into the sea, in a wooden chest, fearful of an oracle that his grandson would kill him. During his trials when he grew up (he beheaded Medusa and saved the Aethiopian princess Andromeda from Cetus), he could not be victorious if he was not the son of Zeus – hence, he was the foremost of all!

• ⁽⁵⁾ More about the ancient Greek musical nomoi, i.e. the age-old tradition of laws in verse meant to be sung in order to be memorized and observed, see Chronicle 11, footnote 1, and Chronicle 16, footnote 10.

• ⁽⁶⁾ Or South Lusitanian, or Bastulo–Turdetanian, or escrita conia (script of the Conii or Cynetes).

There are also other versions of this legend. Gárgoris is identified with Cronus eating his children, while Habis-Abidas is presented as persecuted because he introduced agriculture in pastoral Tartessos. Another version, which found quite unexpectedly its way into a book about fado, is a later adaptation to make the story morally acceptable by covering up the incest factor. Thus it combines the legend with the myth of Lisbon foundation, and the Odyssey, embellishing the story with our cherished Homeric heroes. In this version, as related by Augusto Mascarenhas Barreto in his numerous mythological and historical digressions in the book Fado – Lyrical Origins and Poetic Motivation, Gárgoris is renamed as Gregoris, the Iberian king, while his daughter is none other than Calypso; in this way, her son’s father is, of course, Odysseus, and Ogygia is no longer an island but a location at the estuary of Tagus, the future Lisbon. According to Barreto, the Ithacan king walled the settlement and named it Ulissea (Odyssey) – whence the word Olisipo(na) – while the son he had from Calypso, named Abidis, after passing the aforementioned ordeals, founded Scalabis (Santarém), and some other cities (e.g. Astorga, Astigi; see also Chronicle 5. Iberia’s Odyssey).

Map of the Lisbon area: Olisipo, Sintra, Scalabis, and Salacia, present-day Alcácer do Sal

There are many versions of the Lisbon foundation myth, as well. In one of them, a thunderbolt lit the skies and exploded into flame in an unknown land. Then Odysseus was instructed by Zeus (the great god of Thunder and Lightning) to build a city on the point of impact. This land, says another version, was ruled by charming Ophiussa, who had a huge snake tail instead of legs. The queen fell madly in love with Odysseus and, in order to keep him there, offered him the throne. Our cunning hero pretended to accept the proposal, fearing for his life; but all the while, he was secretly filling up his boat with supplies; and one night, while the queen was asleep, he and his crew fled into the darkness. Outraged the next morning, Ophiussa hit her tail so hard on the ground that she created the seven hills where Lisbon is built. This story introduces us to Ophiussa, the Land of Serpents, a name given by the ancient Greeks to Atlantic Iberia, what is now Portugal and Galicia, and specifically the area around the Tagus estuary.

A female Uraeus Serpent, one of the forms in which Isis is depicted (Ophiussa’s sister perhaps?)

● The land the Hellenes called Ophiussa was the Oestriminis (Extreme or Far West) for the Romans, something like Finis terrae (“end of the earth”, from a Mediterranean perspective). Rufus Avienus Festus, a Roman poet of the 4th century CE, in his Ora Maritima (Sea Coast), inspired by the Massaliote Periplus (6th century BCE), a Greek mariner’s log, wrote that the Oestrimni, a people who had been living in this area for a long time, had to flee after an invasion of serpents. In fact, these serpents were not snakes but people linked to the Saephes, or Ophis (People of the Serpents), and the Dragani (People of the Dragons), who came to colonize this land. The Saephes were neighbours of the Cynetes, living in an upland region near the Tagus estuary, close to an island Avienus called Poetanion; along with another tribe, the Cempsi, they had taken that territory by force from the Oestrimni. The newcomers were most probably proto-Celts or Celtiberians, while the Oestrimni were the Paleolithic inhabitants of Atlantic Iberia.

The Ophis, who worshiped serpents, lived mainly on inland mountains of northern Portugal and Galicia, or by the mouths of the rivers Douro, Cávado, Tagus and Sado. The Saephes lived in Cynetic land (in the Algarve and Low Alentejo, where Gárgoris reigned), together with the Cempsi. The latter, perhaps with strong Germanic and Ligurian influences, entered Iberia c. 650 BCE and finally settled in the Tagus valley and in the peninsula of Setúbal, where Avienus located the lugum cempsicum, the current Cabo Espichel. Finally, the Dragani, who settled in the north-western Iberia (Cantabria, Asturias, Galicia, Beira), must have come from Liguria, a region of north-western Italy, with strong Celtic influences, that is, they were Celto-Ligurians. Their name shows that they may have introduced the dragons into Iberia, where the locals must have already had their own griffins in their cults.

Another supernatural being in the Portuguese and Galician mythical tales is Moura Encantada (Enchanted Moura). A legend relates that on the summer solstice a maiden-serpent, a chthonic goddess, revealed hidden treasures to people journeying through forests. This maiden lived, as they said, in the area of Porto. Festivities related to this goddess occurred during the solstice. She would change into a snake during the rest of the year, living under rocks, and shepherds would set aside some milk from their flocks as an offering to her.

Calypso and Odysseus, by William Russell Flint

Calypso, according to Greek mythology, was not a princess but a nymph on the island of Ogygia, daughter of Atlas, hence she was also called Atlantis (Homer), or an Oceanid, that is, a daughter of Oceanus (Hesiod). However, both versions are linked with either the Pillars of Heracles area or the Atlantic Ocean. Atlas, the Titan who held up the celestial sphere, was identified with the Atlas Mountains in northwest Africa. Scholars who have examined Homer’s work and geography, among them Strabo and Plutarch, have suggested that Ogygia and/or Scheria, the Phaeacians’ island, were located in the Atlantic,⁽⁷⁾ and some have identified either or both with Atlantis. Besides he makes clear that

“an Ogygian isle lies far out at sea, distant five days’ sail from Britain, going westwards”.⁽⁸⁾

Deucalion and Pyrrha, by Andrea del Minga, throwing stones behind to recreate mankind

• ⁽⁷⁾ On the geography of the Odyssey, see Chronicle 15. Sailing to Rio de Janeiro!, Appendix: An Atlantic Odyssey

• ⁽⁸⁾ Ogygia is linked to the Ogygian deluge and the mythical king of Attica and/or Boeotia, called Ogyges, in the sense that Ogygian means “primeval, primal, at earliest dawn”. This means that Calypso’s island was very ancient. So, when Aeschylus calls the Nile Ogygian, he doesn’t suggest that the island was in Egypt, as some thoughtlessly thought.

● The Hellenic mythology mentions three deluges: those of Ogyges, Deucalion, and Dardanus.

Plutarch additionally mentions “the great continent”, which was interpreted as a reference to either America, or an allusion to Plato’s Atlantis. Many traits of the Phaeacians, including their seamanship, are suggestive of either Minoan Crete or Atlantis. The description of their palace is that of a very advanced civilization. Above all, their ships were superb, quite different from the galleys of the Trojan War, and… steered by thought!⁽⁹⁾ Hence the view that it was Homer before Plato who first spoke of Atlantis.

• ⁽⁹⁾ Computerized ships: the best a “Periplus in the Archipelagos” can have! Of course, with this technology in mind among other things, the idea that Scheria-Phaeacia could be Corcyra-Corfu must be ruled out. It appears far more plausible that the Phaeacians were after all the Minoans with the palace of Knossos and their amazing ships!

Homer

● Homer described the ships as faster than falcons, while King Alcinous explained to Odysseus what sort of information the ships required in order to take him home:

“Tell me your country, nation, and city, so that our ships may shape their purpose accordingly and take you there. For the Phaeacians have no pilots; their vessels have no rudders as those of other nations have, but the ships themselves understand what it is that we are thinking about and want; they know all the cities and countries in the whole world, and can traverse the sea just as well even when it is covered with mist and cloud, so that there is no danger of being wrecked or coming to any harm.”

“Fairy tales”… As with the foundation of Lisbon, the refrain we can hear in chorus over and over again after all these stories is that they are myths; it’s not reality. Again and again, traditions about Hellenes are “legends”, those concerning the Phoenicians “history”… Possibly true, there were no Grecian settlements west of the Pillars of Heracles; only voyages of discovery. Olisipo’s foundation myth by Odysseus is nothing but a myth. On the other hand, there is not the slightest evidence to support the “history” of a Phoenician foundation of Lisbon “around 600 BC”, or as far back as 1200, under the name of Alis Ubbo (“Safe Harbour”), even if there were some organized settlements in Ulissea-Olissipona with clear Mediterranean influence, either at that distant time or later; it’s nothing but a myth, as well.⁽¹⁰⁾ Likewise, except the voyages of discovery, there is no record of Phoenician or Punic colonies beyond the Algarve, namely Balsa–Tavira, close to the Portuguese-Spanish border,⁽¹¹⁾ with substantial Phoenician settlement and influence since the 8th century BCE. Essentially, Phoenician influence in today’s Portugal was due to cultural and commercial exchange with Tartessos.

• ⁽¹⁰⁾ Such a Copper Age settlement is the Castro Zambujal, the most important in the peninsula of Lisbon. The locals, probably together with Eastern Mediterranean settlers, based their economy on intensive farming, and were also part of an economic network importing minerals like gold, copper, amphibolit stone, and ivory, between 3000 and 1700 BCE. It is a site with relatively good conservation – some walls still exist up to a height of 4 meters, as the community constructed a wall around to protect itself from attacks.

Balsa: a coin depicting a horse and a fish (50 BCE)

• ⁽¹¹⁾ Tavira’s origins date back to the late Bronze Age (1000-800 BCE). The Phoenicians took hold of the town in the 8th century BCE, when it became one of their first settlements in the Iberian West, creating “a colonial urban centre, with massive walls, two harbours, at least two temples, and a regular urban structure”. This last characteristic, however, reminds ancient Hellenic city planning, and not that of Phoenician or other Semitic settlements (see in Chronicle 22, in the beginning, a comparison made by Strabo between the Greek Maenaca and Phoenician Malaca, in the area of today’s Málaga). The original Phoenician name of the town was perhaps Baal Saphon, or Baal Shamin, after the NW Semitic and Mesopotamian Thunder and Sky gods. It was later shortened to Balsa. Others, on the contrary, insist that the term Balsa is of Iberian, perhaps Basque, origin. It can be found now in other parts of the world.

The town was violently destroyed by conflict, at the end of 6th century BCE and was deserted for a century. This probably happened while Tartessos was devastated by the Punics. During the post-Tartessian, or Turdetanian period, the Iberian colonies seceded from Punic hegemony (410 BCE). As a result, Tavira recovered, during the urban bloom of the area, and became bigger than ever. But this renaissance did not last long: the city was destroyed and abandoned again by the end of the 4th century BCE. After Carthage was razed to the ground, in the mid-1st century BCE, the Romans created a new port, some 7 kilometres from Tavira, which inherited the name Balsa.

“The Tartessian fortunate city.” (Herodotus)

Arganthonios

RETURN TO TARTESSOS. The legendary polity appears, circa the middle of the 1st millennium BCE, in Greek and Near Eastern sources. Homer must have been again the first one to sing in the Iliad of a gold-bearing land in the western limits of the world (Iberia), before the Great (Atlantic) Ocean, where people lived happily for many years. The “Tartessian fortunate city”, according to Herodotus, was just outside the Pillars of Heracles, at the estuary, or precisely οn the Delta, of the homonymous river, and governed by a centenarian king named Arganthonios – a name that certainly referred to his great wealth.

Another historian, Ephorus, described in the 4th century BCE

“a very prosperous market called Tartessos, with much tin carried by river, as well as gold and copper from Celtic lands.”

Around the end of the millennium, however, there are indications that the name fell out of use creating the impression that the city might have been lost due to natural or other causes. Apart from Thera, Tartessos is a strong candidate for the site of Atlantis. They must have had more in common due to Minoan influence. The Andalusians, just like the Hellenes, may have benefited from the Cretans not only economically, but culturally, as well. Archaeological finds in Tartessos have built up a picture of a widespread culture, with the core area extending from the Guadalquivir valley to Huelva, but also covering the entire southern Iberia, from the Tagus estuary to the southern land of Valencia. Pausanias, writing in the 2nd century CE, identified the river and gave details on the location of the city:

“They say that Tartessos is a river in the land of the Iberians, running down into the sea by two mouths,⁽¹²⁾ and that between these two mouths lies a city of the same name. The river is the largest in Iberia, and tidal, that of a later day called Baetis” – named Guadalquivir (“Great River”) even later by the Moors.⁽¹³⁾

View of the river Guadalquivir (1854), by Manuel Barrón y Carrillo

• ⁽¹²⁾ Strabo also spoke of two mouths, creating a Delta at the river’s estuary, while describing the region and estimating its size. In this passage, which is like a periplus of the Pillars of Heracles area, he doesn’t refer to Tartessos city (non-existent in his time) – though it is mentioned by the later Pausanias. The land, says Strabo, has its “natural borders” drawn by the riverbeds of Ana (Guadiana) and Baetis (Guadalquivir), eloquently nicknamed “the silver river”. Tartessis was the toponym referring to the land, while the capital was called Tartessos, like the river.

• ⁽¹³⁾ Aristotle’s idea about the river was even grander, as he thought it rose from the Pyrenees! You see, even a genius can fail miserably! But Pausanias also erred, because the Guadalquivir is just the fifth longest river of Iberia, after the Tagus, Ebro, Douro and Guadiana. According to Livy, the local (Tartessian and Turdetanian) names for the Guadalquivir were Kertis and Rerkes.

The eastern mouth of the river, the only one existing now, was much wider at that time. The western mouth does not exist anymore, but it is thought that it was located near Huelva. In this area we now find only a number of lakes. At that time, between these two river arms, there was a large lagoon with at least one island in it where the legendary city was probably located. The landscape is completely different now. Some findings lead to the conclusion that there must have been two natural disasters (tsunamis) that caused the islands and the dry areas to sink, one that happened around 1500 BCE, and the other in 200 CE.⁽¹⁴⁾ Therefore, none of them is linked with the demise of Tartessos, between the late 6th and early 5th centuries BCE, when most sites were inexplicably abandoned…

Geography of Tartessos and Iberia; 7th-5th century BCE. N to S: Dragani, Oestrimni, Ophiussa, Saephes, Cempsi, Cynetes.

• ⁽¹⁴⁾ These natural disasters are significant, as they give us some clues about the city of Tartessos – its founding and disappearance. The first catastrophe, around 1500 BCE, implies that the city was apparently founded in the following period, i.e. at some point during the second half of the 2nd millennium BCE. As for the second disaster, ca 200 CE, it must have changed so dramatically the topography of the area that it has not been possible to locate the city until now. Moreover, we do not know the extent of the destruction caused by the Punics when they set out to raze the Tartessian civilization from the face of the earth. That is why Tartessos remains a legendary city to this day.

The Tartessians were excellent in engineering and had created a sophisticated system to regulate the water flow of a tidal river. Strabo described an advanced, urbanized society with many flourishing, wealthy cities along the banks of the Tartessos-Baetis-Guadalquivir River:

“They are considered to be the most educated of the Iberians, they have a scripture, even historical chronicles, poems, and laws in 6,000 verses”, he wrote.

Treasure of Tartessos, El Carambolo

Tartessian culture is divided mainly into two periods: The first is characterized as “geometric” and coincides with the late Bronze Age ranging from 1200 to 750 BCE – corresponding somehow to the Greek geometric art (Parallel Lives in art? Who knows)… The second is termed “oriental”, influenced by Phoenicians and Hellenes alike, ranging from 750 to 550 BCE, when it was gradually superseded by the classic Iberian culture. A similar shift to the Lusitanian culture occurred in the southern Portuguese territory, mainly in the Algarve and Low Alentejo, with littoral extensions up to the Tagus mouth. Significant elements of the period were the introduction of the potter’s wheel, and several other major advances in craftsmanship, e.g. architecture, and also in agriculture. Another noticeable and notable element was the increase in specialization and stratification. Writing was a very important development. With the arrival of the Hellenes, whose influence extended far beyond their colonies,⁽¹⁵⁾ this “orientalism” began to transform itself into the Iberian culture, especially in the South East. Greek influence is visible in the gradual change of the style of the monuments approaching more and more the architectural models of the Hellenic world. The Iberian script evolved from the Tartessian with noticeable Greek influence. A variant of the Hellenic alphabet (Ibero-Ionian script) was also used to write Iberian texts.

• ⁽¹⁵⁾ There are maps showing only one Greek colony in the entire Iberia: Emporion. All other cities
  are shown as local or Phoenician. Even Acra Leucá (a toponym made up of two Hellenic words) is shown as a Phoenician colony! By what magic wand did the Greek cultural influence spread? How could it penetrate even the Phoenician sphere of influence?

Culture (from Cicero’s “cultura animi”) is also material, denoting the artifacts a society creates and their connection to social relations. Civilization is certainly inconceivable without division of labour and technology. Culture and civilization necessitate an economic base in order to thrive. In the case of Iberia, it was the metals that opened the way to the dawn of the Bronze Age, sped up later when some Easterners arrived there. But mining and smelting preceded the coming of Minoans, Greeks, or Phoenicians. Alluvial tin was panned in the Iberian streams from an early date. The Río Tinto mines, along the river that flows into the Gulf of Cádiz at Huelva, are estimated at 8,000 to 10,000 years old. They have been mined for copper, silver, gold, and many other minerals, by Iberians, Tartessians, Phoenicians, Hellenes, Romans, Visigoths, Moors and Spaniards, for such a long time that the place has turned into an environmental disaster zone.⁽¹⁶⁾

Río Tinto: beautiful colours but… poisonous!

• ⁽¹⁶⁾ After its exploitation for ten millennia, the Tínto area looks like a “lunar landscape”, or even worse. Recently it has gained scientific interest due to the presence of so-called extremophile aerobic bacteria that dwell in the water. The extreme conditions there may be analogous to other locations in the solar system thought to contain liquid water, such as subterranean Mars, or Jupiter’s moon Europa, where an acidic ocean of water is theorized to exist under its frozen ice surface.

El Corazón de la Tierra: the Heart of the Earth (uprooted…)

Thus the river is of interest to astrobiologists. Based partially on research done near the Río Tinto, two NASA scientists reported in 2005 they had found strong evidence of present life on Mars! They may have been obliged to retract, but who knows? The Americans may one day employ… Martians as slaves! That is the reason why Europe, eternally in the role of a satellite, is being transmuted into… Europa, moving inexorably towards the gates of El Dorado vigilantly guarded by Cerberus!

Giant geysers of water vapour are thought to eject off the frigid, icy surface of the Jovian moon Europa.

The invention of coinage intensified the search for bronze and silver in the 7th century BCE. Consequently, trade links, formerly largely in elite goods, assumed a broader economic role. By that time, silver extraction in Huelva Province had reached industrial proportions. Huelva city was certainly connected to Tartessos; it contains the largest accumulation of imported elite goods and should have been an important centre. Excavations in the heart of the town revealed a great industrial and commercial emporium that lasted several centuries. Some 90,000 ostraca (ceramic fragments), indigenous and imported (Phoenician and Greek), were exhumed. All these vessels, dated from the 10th to the 8th centuries BCE, precede finds from other Phoenician emporia. The existence of foreign produce and materials together with local ones permits us to imagine its old harbour as a major hub for the reception, manufacture and shipping of diverse products of various and distant origins and destinations. Finds in other parts of the city help us estimate its habitat in some 20 hectares, which constitutes a sizable extension for a site in Iberia during that period. The analysis of written sources and the products exhumed, including thousands of Hellenic ceramics, some of which are works of excellent quality by known potters and painters, tends to identify this habitat with the lost city of Tartessos.

• >> Chronicle 22. AN IBERIAN PERIPLUS REVIVAL
• << Chronicle 20. THE ENIGMATIC SEA PEOPLES

Next Chronicle 22. AN IBERIAN PERIPLUS REVIVAL ● Tartessos (B) ● Colonies in Provence, Iberia, Maurusia ● Tin and Silver Routes ● Democritus and Plato ● Topography of the Area Beyond the Pillars of Heracles

Oceanus, Roman mosaic at Ossonoba, modern Faro, Algarve, Portugal.