Chronicle 24. THE TRIUMPH OF CRETINISM

Chronicle 24. THE TRIUMPH OF CRETINISM

/ΕΛΛΗΝΙΚΑ/ Χρονικό 24. ΘΡΙΑΜΒΟΣ ΤΟΥ ΚΡΕΤΙΝΙΣΜΟΥ

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We don’t need no education…

We don’t need no thought control!

Roger Waters (Pink Floyd, The Wall)

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Michales Loukovikas

● The Genocide of the Hellenes (Β) ● Hypatia’s Assassination ● Christianism
and Slavery ● Colonialism and Racism

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“THIS WAS NO TIME FOR A PHILOSOPHER to be philosophical. ‘The tyrant’, as the philosophers put it, was in charge… Houses were entered and searched for books and objects deemed unacceptable. If any were found they would be… burned in triumphant bonfires in town squares… Anyone who made sacrifices to the old gods could, the law said, be executed. Across the empire, ancient… temples had been attacked, their roofs stripped, their treasures melted down, their statues smashed. To ensure that their rules were kept, the government started to employ spies… and informers to report back on what went on in the streets… and behind closed doors in private homes.

“The consequences of deviation from the rules could be severe and philosophy had become a dangerous pursuit. [A scholar] had been arrested and tortured to make him reveal the names of other philosophers… A fellow… had been flayed alive. Another had been beaten before a judge until the blood flowed down his back. The savage ‘tyrant’ was Christianity… the Christians were ‘the vultures’.”

Revealing, overwhelming evidence in Catherine Nixey’s breathtaking book, The Darkening Age / The Christian Destruction of the Classical World. It’s high time we “tear down the wall” of this Christian Iron Curtain:

“When modern histories describe this period… they tend to call it the ‘triumph of Christianity’.⁽¹⁾ It is worth remembering, however, the original Roman meaning of the word ‘triumph’. A true Roman triumph wasn’t merely about the victory of the winner. It was about the total and utter subjugation of the loser. In a true Roman triumph the losing side was paraded through the capital while the winning side looked on at an enemy whose soldiers had been slain, whose possessions had been despoiled and whose leaders had been humiliated. A triumph was not merely a ‘victory’. It was an annihilation.” And it wasn’t very far from a pillory, I should add.

• ⁽¹⁾ Χρίειν (ancient Hellenic: to anoint) > Χριστός–Christ (anointed) > Christianus (Latin) > crétin (French) > cretin. You see, Christianism and cretinism are (etymologically) identical!

A Roman Triumph, by Peter Paul Rubens (c. 1630)

That was exactly what the Christian leaders were after: “that all superstition of pagans and heathens should be annihilated is what God wants, God commands, God proclaims”, declared “Saint” Augustine to his congregation in Carthage – obviously, after he had a meeting with the… “Most Merciful” God himself!

“Christian observers would look on the tolerance of their non-Christian neighbours with astonishment. Augustine marveled at the fact that the pagans were able to worship many different gods without discord while the Christians, who worshipped just the one, splintered into countless warring factions… Despite that, he was not willing to extend such tolerance himself. It was, he concluded, the duty of a Christian to convert heretics – by force, if necessary… For those who wish to be intolerant, monotheism provides very powerful weapons. There was ample biblical justification for the persecution of non-believers. The Bible… is very clear on the matter of idolatry… And what precisely did God advise as a punishment for idolatry? Deuteronomy was clear: a person indulging in this should be stoned to death. And if an entire city fell into such sin? Again, the answer was clear: ‘destruction is decreed’.”(!)

ROMAN EMPERORS RULED ALEXANDRIA through a Roman Governor, or Prefect, with civil personnel which consisted mainly of Hellenes. This had worked well, until the moment that Constantine inaugurated a “Christian Monarchy”. Then a second hierarchy of officials appeared, in conflict with the old one. The “unorthodox” thought became a crime, and this second (continuously burgeoning) Church hierarchy, headed by a bishop, policed popular sentiments. This duopoly was an explosive mixture: the prefect derived his power from the emperor, of course; but the bishop considered he derived it from God – thus he was out of control. The conflict was sure to come if the bishop was an ambitious and fanatical person, such as Cyril, having opposite him an educated and urbane prefect, called Orestes. It was a clash between the tolerance of classic antiquity and the vulgar intolerance of the “New World Order” of Christianism. Moreover, it was unavoidable, as the atmosphere, mainly in Alexandria, had been explosive for some time.

The Lighthouse on Pharos islet (one of the 7 Wonders of Antiquity) and Alexandria in the background

● “The parabalani in Alexandria”, explains Nixey, “have been described as a ‘terrorist charity’ – a strange oxymoron… These men did, at times, good deeds but they also sowed fear. ‘Terror’ is the word used in Roman legal documents about them… The city had a new bishop, Cyril… the zealot Theophilus’s nephew. And, true to family form, he was a thug. Even Christians had reservations about this ambitious and brutal man: he was, as one council of bishops put it, ‘a monster’” – but “a monster” that could at any time deploy the parabalani, or his reserve army, several bands of fanatic, black-shirt monks. Soon, violence reigned.

The circumcellions were another extreme North African terrorist gang, based mainly in Carthage. Initially concerned with remedying social wrongs, they became linked with the Donatists, condemned property and slavery, advocated free love, canceling debt, and freeing slaves. But gradually, says Nixey, they “became notorious not only for their suicides but for their vicious attacks on those who didn’t share their particular Christian beliefs. [Their] ‘holy’ violence alarmed even the Church”, for they targeted not only the festivals of the old gods (a favourite target), but also priests, who were tortured and horribly killed as “traitors”. “Augustine called [their methods] ‘a new and unspeakable kind of violence’… and others might have been shocked by such acts – but the Church was reaping what had been sown. A few decades earlier, as… Brent D. Shaw has pointed out, Christian preachers had been glad of the circumcellions’ violence and cultivated it: in the attacks against the temples such freelance destroyers had been eminently useful and were drafted in to do the strong-arm work of pulling these buildings down… ‘Where there is terror, there is salvation… Oh, merciful savagery!’, said Augustine” – in tempore non suspecto. It was inconceivable that such gloating oxymora could turn into boomerangs! Such was the era’s “atmosphere”…

Hypatia, by Raphael (detail
from The School of Athens)

Great Terror: Hypatia’s Assassination

● 415. The Great Terror in Alexandria culminated with the brutal murder of the astronomer, mathematician, and philosopher, Hypatia, “a most beautiful, most vertuous, most learned, and every way accomplish’d Lady; who was torn to pieces by the Clergy of Alexandria, to gratify the pride, emulation, and cruelty of their Archbishop, commonly, but undeservedly, stiled St. Cyril”, as the philosopher John Toland said. The astronomer Carl Sagan linked Hypatia’s death with the demise of the Alexandrian Library. The assassination, symbolizing the end of Alexandria as a centre of wisdom and scholarship, was instigated by Theophilus’ nephew and successor, Cyril, the so-called “Pillar of Faith”, proclaimed as a “Doctor of the Church”, and canonized as… “Saint” – of all Christian denominations! Who are, indeed, the ones that err deplorably? All the Christian Churches in the world, or those who described him as a “thug”, “monster”, or as a “proud Pharaoh”, as the emperor Theodosius II called him?

Cyril began his reign the way he meant to go on: by persecuting his opponents. He eyed enviously the wealth of the Novatians, an established Christian sect of puritans. Edward Gibbon described them as “the most innocent and harmless of sectaries.” But they weren’t going to support him, and they had already joined his opponents. So, one of Cyril’s first acts was to close their churches and seize their sacred vessels and ornaments. He next, says Nixey, targeted the Jews:⁽²⁾

• ⁽²⁾ John “Chrysostom”: “’the synagogue is not only a brothel… it is also a den of robbers and a lodging for wild beasts… a dwelling of demons… a place of idolatry’. St Chrysostom’s writings would later be reprinted with enthusiasm in Nazi Germany.” (C. Nixey)

“A Christian attempt to regulate the dancing and theatrical displays – apparently much enjoyed by the city’s Jewish population – started a complicated chain of reprisals that climaxed in a Jewish attack on some Christians. Some were killed – and Cyril was provided with the pretext he needed. Mustering together a mob of the parabalani, as well as some of the merely brutal and enthusiastic, he ‘marched… to the synagogues, took possession of them, purified them and converted them into churches’. ‘Purified’ in such texts is often a euphemism for stole, self-righteously. The Christians then completed their work by purifying the Jewish ‘assassins’ of their possessions: stripping them of all they owned… they turned them out of the city into the desert.”

“Without any legal sentence, without any royal mandate, the patriarch, at the dawn of day, led a seditious multitude to the attack of the synagogues. Unarmed, unprepared, the Jews were incapable of resistance; their houses of prayer were levelled with the ground, and the episcopal warrior, after rewarding his troops with the plunder of their goods, expelled from the city the remnant of the unbelieving nation,” noted Gibbon.

Alexandria: the Canopic Way (now Ṭarīq al-Ḥurriyyah), the principal thoroughfare, intersected by the Sōma, where Alexander’s tomb was located – the two main arteries with the Agora in the centre.

“Orestes,” recounts Nixey, “looked on in horror… Ostensibly the most powerful man in the city, he was nonetheless unable to stop the uprising: a mere governor’s retinue was no match for 800 marauding, muscular parabalani. And the numbers of Cyril’s militia swelled. Around 500 monks descended from their sacks and caves in the nearby hills, determined to fight for their bishop. Unwashed, uneducated, unbending in their faith, they were, as even the Christian writer Socrates [of Constantinople, or Scholasticus] admits, men of ‘a very fiery disposition’. One day, they surrounded Orestes and began to insult him, accusing him of being a ‘pagan idolater’… One of the monks threw a rock and struck Orestes on his head. The wound started pouring with blood. Most of his guards… scattered… Orestes was left almost entirely alone.”

Orestes escaped. The order was probably “Terrify him!”, not “Kill him!” Some passers-by also intervened. The governor appealed to Theodosius II, the child emperor, and his guardian sister, Pulcheria – a pietistic “Christian virgin”, who was waging her own campaign for Christ, by turning the imperial palace into a monastery. Later on she was also “sanctified”! The appeal was in vain. The monk, named Ammonius, was executed for the attack, Cyril immediately hailed him as a “martyr”, but the Alexandrian Christians were in turn appalled: the execution took place for the attempted murder of the prefect, not for the culprit’s faith. Several people intervened, and Cyril, a master in manoeuvres and behind-the- scenes schemes, was obliged to bring the matter to a close – for the time being. But now a blood sacrifice was required to appease the henchman of Christ…

Hypatia, by Charles William Mitchell, brutally murdered by “Saint” Cyril’s thugs inside the Caesareum, his headquarters

Hypatia, the daughter of Theon, the astronomer, rose to become the supreme figure of the Alexandrian School of Philosophy, which was second only to the Athenian School. Her fame attracted students (including Christian theologians) from across the Mediterranean. She was also very much respected by Orestes, who quite often consulted her. Cyril was incensed that Hypatia’s reputation and talents were giving the cause of Hellenism a “dangerous prestige”, and thereby preventing the “progress of the Faith”. The bishop had no scruples to liken the relationship of Hypatia and Orestes to that of Cleopatra and Mark Antony. “If she could,” he ventured, “she would set up an Egyptian Empire”! As he inveighed against the “harlot” from his pulpit, more fanatics swarmed in from the desert in response to his call.

● One day in March 415, Cyril agitated a “Sturmabteilung” of Black-shirts, a mob of 500 fanatical monks, possessed

“by a fierce and bigoted zeal, whose ringleader was a reader [a minor cleric] named Peter”, testified Socrates Scholasticus. They “waylaid [Hypatia] returning home and, dragging her from her carriage, they took her to the church called Caesareum, where they completely stripped her, and then murdered her with ostraca [potsherds]. After tearing her body in pieces, they took her mangled limbs to a place called Cinaron, and there burnt them”…⁽³⁾ “No one in Alexandria was punished for her murder. There was a cover up”, adds Catherine Nixey.

• ⁽³⁾ It seems that the burning of dead bodies (or of any opponents, while they were still alive) was “typically” the final stage of the “etiquette” of bigoted brutalities. Traditionally, Alexandrians, and others in those years, carried the remains of “the most abominable criminals” usually outside the urban (and also… urbane) limits to incinerate them, cleansing symbolically the city. They burned the body, as well, to prevent the cult of a martyr or a hero. As we have seen, this was the fate of George, Marcellus, Mark – and now of Hypatia. So, there’s a chance that “Mark” the… “Venetian” (whom we met at the end of the previous Chronicle) is in fact Alexander the Great!

● Hypatia’s brutal murder sent shockwaves throughout the empire. Cyril, whom everyone saw as the culprit, had done something unprecedented, even with the standards of the era, targeting a prominent intellectual woman, and was now in great danger. Alarmed at Cyril’s conduct, the council of bishops of Alexandria sent an embassy to Constantinople, and an investigation was soon launched to determine his role in the murder. In the autumn of 416, emperors Theodosius and Honorius issued an edict, removing the parabalani from the bishop’s power and placing them instead under Orestes’ authority. Cyril probably only managed to escape some heavy punishment by bribing imperial advisers. The restrictions on the parabalani (limiting their numbers, and forbidding them to attend “public spectacles”, or enter “the municipal council or a courtroom”) show that they were found equally guilty. However, Cyril proved he was a master of intrigues: in two years, the parabalani were again placed under his control, and after a while, he had come to dominate the Alexandrian council. There was nothing to block his way anymore while heading for… “sainthood”!⁽⁴⁾

• ⁽⁴⁾ That’s what one version of the story says. Because, though it’s been 1,600 years since then, we still don’t know exactly what has happened. According to another version, Orestes ordered the execution of the monk Hierax (the provocateur in the expulsion of the Jews) for complicity in the murder of Hypatia. In a few days, says this version, Orestes was also murdered. Cyril, absolutely triumphant, declared that “Hypatia has gone to Athens”, while Orestes resigned and left. There had been no mob rule (ochlocracy), nor any tragedy. And then, Cyril himself nominated the new governor, the duopoly ceased, and religious tyranny enthroned itself in the erstwhile capital of wisdom. It’s amazing that, if you search for Orestes’ fate in the Internet, you read Cyril’s version: the prefect resigned and left… How then the parabalani were placed under his authority 1.5 years later?

Cleopatra at the entrance of
the Egyptian Museum in Cairo

Sometimes history is not written by the winners. Cyril’s propaganda may have worked for centuries. The rumours for Hypatia’s defamation (“she was devoted at all times to magic, astrolabes and instruments of music, and she beguiled many people through her Satanic wiles”) echo in the writings of the 7th-century Coptic bishop, John of Nikiû. In the Middle Ages, Hypatia was co-opted as a symbol of Christian virtue, or her death was equated with that of Christian martyrs. The last advocate to speak out “in Defence of Saint Cyril and the Alexandrian Clergy” was perhaps Thomas Lewis in 1721. Since then, more and more books and works of art turn against Cyril and extol Hypatia. In 1853, Charles Kingsley romanticized her in his novel, Hypatia, as “the last of the Hellenes”. She was honoured as an astronomer, as well, in 1884, when a main belt asteroid and a lunar crater were named after her. “Unfortunately for Cyril et al”, said Abby Norman, “by killing Hypatia, they immortalized her. Indeed, had they left Hypatia alone, her work and name would likely have been lost to history. In death, she is as she was in life: unwilling to be silenced, ever-tenacious in her curiosity and wonder.”

● Regarding the Caesareum, where the hideous assassination took place, it was not an ordinary church, but “Saint” Cyril’s headquarters! And, needless to say, it was not a church, but an ancient temple that was “sanctified” at the turn of the 4th century, when Christians set about appropriating the property of all other religions to wipe out all their traces throughout the world. The Caesareum was conceived by Cleopatra as a dedication to Marc Antony. It was finished by the man that “finished” them, Octavian-Augustus, who, after wiping out all traces of Marc Antony in the temple and Alexandria, dedicated it to… himself!

● 420s. There was soon more trouble in Carthage, says Nixey, taking us to the other North African “hot spot”. “The one-mile-long temple of the Roman goddess Caelestis and all nearby sanctuaries were leveled… Fights could ensue during destruction and, in the process, Christians were sometimes killed [as well] – not necessarily a bad thing to some Christian minds”…

Parthenon in ruins and an Ottoman mosque (built after 1715), by Pierre Peytier (early 1830s)

● 429. A widespread persecution of Hellenes, who were considered as demon followers, was accompanied by the plunder of the Parthenon. Athena’s temple survived for nearly one thousand years, until Theodosius II decreed in 435 that all ancient temples throughout the empire be closed. In the last decade of the 6th century, it was converted into a church of Virgin Mary. Thus the Parthenon, disguised as “Parthenos” (“Virgin”), became the fourth most important Christian pilgrimage destination in the Byzantine Empire after Constantinople, Ephesus, and Thessalonica.

● “Even the Acropolis had not escaped”, remarks Nixey: “The colossal statue of Athena, one of the most famous works of art in the empire, was torn down from where she had stood guard for almost a thousand years, and shipped off to Constantinople… Many of the Parthenon sculptures were attacked. Faces were mutilated, hands and limbs were hacked off and gods were decapitated.”

East Pediment: Parthenon’s Marbles, or Elgin’s (for the British), or Mutilated (by the Christians)

“Go to Room 18 in the British Museum”, she challenges. “You will find yourself in front of the Parthenon Marbles,⁽⁵⁾ taken from Greece by Lord Elgin in the 19th century. The astonishingly lifelike statues are, today, in a sorry state: many are mutilated or missing limbs. This, it is often assumed, was the fault of Elgin’s clumsy workmen or fighting during the Ottoman occupation… But much was the work of zealous Christians who set about the temple with blunt instruments, attacking ‘demonic’ gods, mutilating some of the finest statuary Greece had ever produced… The East Pediment fared particularly badly. The vast majority of the gods have been decapitated… They were pushed off… and smashed on the ground below, their fragmented remains ground down and used for mortar for a Christian church.”

• ⁽⁵⁾ If you search for the “Parthenon Marbles” in Wikipedia, you’re redirected to the “Elgin Marbles”! Not only for the British authorities, but for Wikipedia, as well, the marbles (still) belong to the looter…

“Today, histories of this period, if they mention such destruction at all, hesitate to condemn it outright. The 1965 edition of The Penguin Dictionary of Saints records with little more than amused indulgence that Martin of Tours ‘was not averse to the forcible destruction of heathen shrines’. In modern histories those carrying out and encouraging the attacks are rarely described as violent, or vicious, or thuggish: they are merely ‘zealous’, or ‘pious’, or ‘enthusiastic’ or, at worst, ‘over-zealous’. As… John Pollini puts it: ‘modern scholarship, influenced by a Judeo-Christian cultural bias’, has frequently overlooked or downplayed such attacks and even at times ‘sought to present Christian desecration in a positive light’.”

The Rape of the Parthenon begins on July 31, 1801: Elgin removing the Marbles (reconstruction)

● In 457, politics bowed to religion, when Leo I became the first emperor to be crowned by the patriarch of Constantinople. In 491, the empire’s submission to Christianism became complete, when Anastasius I was obliged to sign a written declaration of orthodoxy before his coronation.

● Etrusca Disciplina, the Etruscan books of cult and divination, untouched by all ancient cultures, were collected and burned by the Christians in the 5th century, almost a millennium after the Etruscans had ceased to exist as a people…

Justinian: Genocide Act IΙI – Codex Justinianus

Goddess (Leto) carries a child (Apollo); roof ridge of the Etruscan Portonaccio Temple at Veii (510–500 BCE)

● 529. This year, which is often cited as the end of Antiquity, Justinian decided to shut down the Platonic Academy that had been revived in 410 as a centre for Neoplatonism and mysticism. The old Academy was probably destroyed by the Roman dictator, Sulla, in 86 BCE. The faculty members, wrote the Hellene poet and historian Agathias, looked for protection under the Sassanid king Khosrow (Khosrau) I (531-579), known to Hellenes and Romans as Chosroes, in his capital at Ctesiphon, carrying with them precious scrolls of literature, philosophy, and science. While exiled, Simplicius of Cilicia (perhaps others, too) might have gone to Harran (Carrhae or Hellenopolis), near Edessa, in Upper Mesopotamia, founding an Academy-in-exile. This school should have survived until the 9th century, facilitating a revival of the Neoplatonic tradition in Baghdad, with the foundation of the House of Wisdom in 832. Two of the major centres of learning in the intervening period (from 5th to 8th centuries) were the School of Nisibis (Nusaybin, close to Harran) in Asia Minor, under Persian rule at the time, and the Academy of Gundishapur, founded by Khosrau. The Austrian philosopher and educator Rudolf Steiner commented that the culture of Gondishapur (also home of a Library and a Medical school-hospital) was a premature efflorescence which was undermined and destroyed by the Islamic troops in the 7th century (Parallel Lives of monotheistic religions).

The “barbarians” were being Hellenized,
while the Hellenes were being barbarized

All this eastward “brain drain” started in 489, when emperor Zeno decreed the closure of the Nestorian Christian theological and scientific centre in Edessa. Its scholars were then transferred and absorbed into the School of Nisibis. There, in collaboration with those Hellenistic philosophers, who were banished from the Academy of Athens, carried out important research in medicine, mathematics, astronomy, and other sciences. The Academy of Gondeshapur became known for medicine and learning. Khosrau gave refuge to various Grecian philosophers and Syriac-speaking Nestorian Christians fleeing religious persecution by the Byzantines, and commissioned them to translate Hellenic and Syriac texts (on medicine, astronomy, philosophy, and other useful crafts) into Pahlavi (Middle Persian). Gloomy conclusion: the “barbarians” were being Hellenized, while the Hellenes were being barbarized!

The School of Athens (1510-1511), by Raphael (Raffaello Sanzio da Urbino)

● The Codex Justinianus was completed in 529, i.e. the year the emperor closed down the Neoplatonic Academy as anti-Christian. It may have been Theodosius who initiated the adoption of laws and the signing of decrees against Hellenism, but the one who sparked persecutions of gentiles on a massive scale was none but Justinian with the codification and reform of the law. As he was convinced that the unity of the empire presupposed the unity of faith, it appeared to him obvious that this faith could only be the “orthodox”. Those of a different creed were subjected to persecution, which imperial legislation had effected from the time of Constantius and would now vigorously continue. The Corpus Juris Civilis contained two statutes that decreed the total eradication of Hellenism even in civic, private life, which were zealously enforced. Contemporary sources (John Malalas, Theophanes of Byzantium, John of Ephesus) tell of severe persecutions, even against many high officials, experiencing strict Inquisition, exile and threat of capital punishment, with executions carried out even in the emperor’s very presence: some by burning, others by drowning. The alternative, the only way out for anyone to escape, was Christianization. Thus these Byzantine Crusades had no end. In Asia Minor alone, John of Ephesus reported to have converted 70,000 gentiles. Other peoples under Byzantine rule were also Christianized. The worship of Amun in Libya was abolished; so were the remnants of the worship of Isis in Egypt.⁽⁶⁾ The state suppression of Hellenism made all non-Christians a public threat. The word Hellene was no longer an insult, but a deadly accusation. With this legal arsenal on hand, which was supplemented by new provisions, the emperors, in complete accord with the Church, continued the Genocide of the Hellenes…

• ⁽⁶⁾ “Justinian decided to destroy the frieze in the beautiful temple of Isis at Philae in Egypt.” (C.N.)

Artemis, Roman copy of a Greek original
(1st century CE)

● When legal loopholes were detected, or if something escaped the attention of the ever-vigilant bishops, Christian “commoners” took action: in the mid-530s they started burning or cutting forests in Hellas because they were… dwellings of demons! Blind fanaticism destroyed the oak forests of Zeus, the fir forests of Artemis and Pan, the olive groves of Athena. The results were devastating since all this deforestation caused the drying up of rivers and springs and the total disruption of the country’s ecosystem…

● “A series of legal hammer blows fell”, says Nixey of the Codex: “anyone who offered sacrifice would be executed. Anyone who worshipped statues would be executed. The laws went further. This was no longer mere prohibition of other religious practices. It was the active enforcement of Christianity on every single pagan in the empire… Everyone now had to become Christian… Those who refused would be stripped of all their property… lose their civil rights, be left in penury and ‘in addition’… they would be ‘subject to the proper punishment’… and then would be exiled. The ‘insane error’ of paganism was to be wiped out from the face of the earth… It was this law that led… Edward Gibbon to declare that the entirety of the barbarian invasions had been less damaging to Athenian philosophy than Christianity was… It was from this moment, said later historians, that a Dark Age began to descend upon Europe.”

“Centuries later, Al Mas’udi, an Arab traveller, would visit a town on the edge of Europe and reflect on what had happened in the Roman Empire. ‘During the early days of the empire of the Rum’, he wrote… ‘the sciences were honoured and enjoyed universal respect. From an already solid and grandiose foundation, they were raised to greater heights every day, until the Christian religion made its appearance among the Rum: this was a fatal blow to the edifice of learning; its traces disappeared and its pathways were effaced’.”

● The first millennium of Christianism went on and concluded this way – there is no need to repeat ourselves. You can see how shattered is in fact the “unbroken continuity” of ancient Hellenic and Byzantine civilizations, having as a “malignant appendix” that inarticulate fascist bark: “Hellas of Greek Christians”!⁽⁷⁾

• ⁽⁷⁾ The main slogan of the military junta (1967-1974) in Hellas (when it was turned into… Hell-ass!)

Crusades, Colonialism and Slave Trade

Siege of Antioch (1097-98), detail of a
medieval miniature, by Jean Colombe

THE CRUSADES, after the East-West Schism, were conducted under the sanction of the “Holy See”. Pope Urban II called for the First Crusade in 1095, with the declared goal of restoring Christian access to the Jerusalem area. There followed six major Crusades against Muslim territories in the Orient, and many minor ones, as part of a 200-year struggle for the control of the “Holy Land” that finally failed. After the fall of the last Christian stronghold in 1291, the Vatican mounted no further coherent response in the East. Similar papal-blessed military campaigns against “pagans”, “heretics”, and “excommunicated” people, undertaken in the Occident for various economic, political, or religious reasons, were the Albigensian Crusade, the Aragonese Crusade, the Northern Crusades, and the Iberian Reconquista. The “burning of books and heretics or infidels”, of course, was in the agenda of all Crusades. The Crusaders’ conduct was shocking not only to modern sensibilities but to European contemporaries, as well, for the Crusaders pillaged the lands they passed through; there was also at least one case of cannibalism in the Levant! In the Rhineland, the First Crusade resulted in the slaughter of 8,000 Jews in the first of Europe’s pogroms. It also led to the massacre of at least 70,000 citizens in the fall of Jerusalem. The nobles carved up the territory that they had gained rather than return it to the Byzantines, as they had vowed to do. Even worse, the Fourth Crusade resulted in the conquest and sacking of Constantinople, and the partition of the Byzantine Empire. (On the Crusades, see Chronicle 9, Crusades and Lebensraum – Urban, Hitler and Zionists, and especially Crusades in the West, Chronicle 11, The Crusades).

The Entry of the Crusaders into Constantinople, by Eugène Delacroix (1840)

● 1193. Nalanda, an ancient centre of higher learning with a great library in the Indian Bihar, was sacked by Turkic Muslim invaders from southern Afghanistan. The university was so vast that it is reported to have burned for three months after the invaders set it on fire…

● 1258. The House of Wisdom in Abbasid-era Baghdad was a library, translation institute and research centre. The scholars, mainly Persians or Greeks, translated all available Hellenic texts – scientific, philosophic, and many more. A great part of ancient Hellenic literature survived and became known in Europe thanks to these translations into Arabic. The House and all other libraries in the city were destroyed by the Mongol ruler Hulagu. The waters of the Tigris ran black for six months with ink from the enormous quantities of books flung into the river…

Materia medica (Περὶ ὕλης ἰατρικῆς), by the Greek physician, pharmacologist and botanist Pedanius Dioscorides, translated into Arabic

● 1452. Pope Nicholas V may have tried to revive the spirit of the old Crusades in the East, one year before the Fall of Constantinople to the Ottomans, as his nephew, Loucás Notarás, was the Byzantine Megas Doux (Grand Duke). However, European attention was already focused on the more promising opportunities opening up in the West. So, Nicholas’ papal bull, renewed repeatedly by future pontiffs, granted Portugal (and later Spain, of course) “full and free permission to invade, search out, capture, and subjugate the Saracens and pagans and any other unbelievers and enemies of Christ wherever they may be, as well as their kingdoms… and other property… and reduce their persons into perpetual slavery.” Effectively, these “geographically unlimited” bulls extended the Crusades’ legacy all over the world justifying European colonialism and, by all means, “ushered in the West African slave trade”. This trade was about to take off with the transport of African slaves to America, and the popes would go on “granting permissions” and “issuing bulls” – as they were no fools – to guarantee their booty share!

● 15th century. Arabic Muslim books were burned wholesale by Catholic Spain. About 5,000 Arabic poetic manuscripts were consumed by flames in the public square at Granada, in 1499, on the orders of the Archbishop of Toledo. At the same time, a number of Hebrew Bibles and other Jewish books were burned at the behest of the Spanish Inquisition.

● The Aztec emperor Itzcoatl (1427-28 to 1440) had all historical codices burned – on the grounds that it was “not wise that all the people should know”! Thus the way was paved for the development of a state-sanctioned “history” and mythos – but also for the conquest of Mexico by Hernán Cortés in 1521.^(h) This signaled a new era of genocides and holocausts committed by Christians holding the cross in one hand and the sword in the other. The new crusaders and slave traders, together with the inquisitors, had new challenges to face, new frontiers to cross, new “books to burn and infidels to bury” in the “New World”, under the sanction and arbitration of the good, old “Holy See” – with profit in mind, as always!

Just take a look at Tenochtitlan (reconstructed): with a population of almost 300,000, it is believed it was the world’s largest city at the time, the capital of an empire of almost 5 million people. Compared to Europe, only Paris, Venice and Constantinople might have rivaled it. It was five times the size of the contemporary London. Entering the city the Spaniards thought it was a dream. These people were the “savages” that had to be Christianized and “civilized”…

● Tenochtitlan, today’s Mexico City, was the city of the Mexica (hence Mexico), dominating in the Aztec Empire and ruling over several other tribes. All these people, for sure, did not fall from the sky. Civilization in Mesoamerica appeared during the 3rd millennium BCE – in the era of the Cycladic and Minoan civilization in the Aegean, before the arrival of the Hellenes in Greece. The earliest known major civilization of Central America was the Olmecs (1500 – 400 BCE). However, there were pre-existing cultures as early as 2500 BCE that were gradually displaced. As the oldest civilization, it greatly influenced those that followed. Among these influences is what we consider to be their “black spot”: human sacrifice. The most characteristic artistic creations of the Olmecs are their sculptures of colossal heads, up to 3 meters high and weighing from 25 to 55 tons.

Mayan Kukulcan pyramid, Chichen Itza, in Yucatán, Mexico

The most outstanding and long-lasting civilization of the Western Hemisphere was developed by the Maya, noted for its most sophisticated writing system in pre-Columbian Americas, as well as for its art, mathematics, calendar, astronomical system. They were excellent architects building pyramids, temples, and other elaborate edifices. Their culture reached the level of the most famous civilizations of antiquity. Their archaic period began before 2000 BCE, followed by the pre-classic period (2000 BCE – 250 CE), the classic (up to 1000 CE), and finally the post-classic period. They were also aware of the meaning of the number 0 (which… troubled the ancient Greeks), although they probably borrowed this knowledge from the Olmecs. The Maya should have had close relations with the Toltecs, as we can see from their mutual influence. The Toltecs (10th – 12th century CE) were the forerunners of the Aztecs (14th – 16th century). The latter considered the Toltecs as their spiritual ancestors and their culture as the epitome of civilization.

Urban core of Tikal or Yax Mutal, Guatemala, Maya, 8th century CE, reconstruction

● In conclusion, a fleeting glimpse at the “future”: Abelard, in the 12th century, was made to burn his Theologia himself. Later, he was judged as a heretic, since, among other things, he praised the pagan philosophers of classical antiquity. He was excommunicated by the pope, who ordered him to be perpetually silent, confined in a monastery, and his books to be burned. His pupil and colleague, Arnold of Brescia, refused to abjure his beliefs after a synod, where they were condemned, and went on to lead the Commune of Rome against the Vatican, but he was finally executed. The Church ordered the burning of all his writings, which was carried out so thoroughly than none of them survives. By the end of the 15th century, Savonarola ordered all the works of Ovid and also Boccaccio’s Decameron to be burned. In the 16th century, Servetus was burned in Geneva at the order of the city council, dominated by Calvin, because a remark he made in his translation of Ptolemy’s Geographia was considered heretic! Angelo Carletti’s theological work so infuriated Martin Luther that he had it publicly burned. In the 17th century, Luther’s German translation of the Bible was burned in parts of Germany controlled by the Catholics. In the 18th century, Voltaire’s works were burned several times in pre-revolutionary France. In 1821, Heinrich Heine, in his play, Almansor, referring to the burning of the Quran by the Spanish Inquisition, wrote: “Where they burn books, so too will they in the end burn human beings.” It is the episode we’ve used as a starting point in these additional Chronicles, with the “burning of books and burying of scholars” in China. It goes without saying that “triumphal bonfires”, as “God-blessed work”, in a way, never stopped…⁽⁸⁾

Thousands of books smoulder in a huge Nazi bonfire during
a wave of book-burnings that spread throughout Germany

• ⁽⁸⁾ “Robert Drews described the Bronze Age collapse as ‘the worst disaster in ancient history, even more calamitous than the collapse of the Western Roman Empire’. Several people nostalgically referred to the cultural memories of the disaster as stories of a ‘lost golden age’, when ’civilization was wiped out’.” (See the conclusion of Chronicle 18).

Polish Catholic priests burn now (2020) books etc. they
consider “offensive”: the Inquisition moved to Poland!

That’s how we’ve described that catastrophe, the collapse of the Bronze Age; a description that perfectly fits the collapse of Antiquity. The Christians played the role of the Sea Peoples. If it was famine that triggered those dramatic events, what led to “The Triumph of Cretinism”? Hunger and thirst for power? Avarice? Christianism again found itself at the antipode of humanism.

Christianism, Slavery and Racism

THE SLAVERY CONVENTION (to Suppress the Slave Trade and Slavery), an initiative of the League of Nations in 1926, was followed by the Universal Declaration of Human Rights, adopted by the UN General Assembly in 1948, explicitly banning slavery. The Christian Church? Too little, too late. Only in 1965, the Second Vatican Council declared without qualification that slavery was an “infamy” that dishonoured the Creator and was a poison in society. And what about the Orthodox Church? Or the other Churches?

The Bible (Old and New Testament) endorses slavery. Its prohibitions refer to all other matters but human enslavement (see previous Chronicle). In the Old Testament, God (i.e. the man who speaks in his name) not only approves the practice, but also lays down rules for buyers and sellers (ItalicusExodus) – as there was no… Ministry of Commerce at that time! And not only that: men are at liberty to sell even… their own daughters (Exodus)! The New Testament instructs slaves to accept their position with humility (Paul’s Ephesians), and also to please their masters in everything [?!] (Titus, cf. Colossians). But in case the slave owners are Christians, the slaves are commanded to serve them better than other masters, “so that the name of God and the teaching may not be defamed” [!] (Timothy). Jesus himself mentioned slavery more than once, but never with the slightest hint of criticism of it. He even glorified the master-slave relationship as a model of the relationship between God and humans – the “slaves of God” (Matthew). “Saint” Augustine’s view that slavery was ordained by God as a punishment for sin was endorsed by the Church. “Slavery among men is natural,” proclaimed another “saint”, Thomas Aquinas, “for some are naturally slaves according to the Philosopher” (Aristotle). A Church Council taking place at Gangra, in Asia Minor, in 362, excommunicated anyone who encouraged a slave to despise his master, or to withdraw from his service. This would in time be incorporated into Church Law, where it would remain until the 20th century.

Saul of Tarsos, the trouble-maker, in two paintings on the same topic – book-burning –
and by the same painter – Eustache Le Sueur: The Preaching of St. Paul at Ephesus (1649).
He set an example that the Nazis and other fascists followed later on with enthusiasm…

The Third Lateran Council in 1179 imposed slavery on anyone who opposed the papacy. The citizens of Venice were condemned to slavery three times: in 1309, 1482, and 1506. The same thing would happen to the whole of England in 1508. Soon the Church would become the largest slave owner in the Roman Empire.⁽⁹⁾ The popes and bishops owned slaves. Pope Innocent VIII accepted the gifts of large numbers of slaves from the royal couple of Spain: the exceptionally devout Isabella sent him numerous slaves from Málaga, in 1487. Ferdinand, the next year, so as not to lag behind, sent him 100 Black Moorish slaves, whom he then distributed to various cardinals and “nobles”. The Spanish Inquisition consisted of fanatics in everything – even in the enslavement of human beings. One single inquisitor, the notorious Torquemada, had 97,371 people condemned to slavery! In 1493 (the year after Columbus “discovered” the Americas), pope Alexander VI made explicit the rights of Catholics there. He authorized the king of Spain to enslave non-Christians of the Americas at war with Catholic powers – or, in other words, anyone who resisted the invasion and seizure of his land. Pope Paul III confirmed in 1548 that all Christian men and all members of the clergy had the right to own slaves. Papal galleys went on slave-hunting expeditions along the coast of Africa! “Sir” John Hawkins, the most notorious, but very “pious”, English slave trader, named his slave ships Angel, Jesus and Grace of God…

• ⁽⁹⁾ It had been common for polytheists, Greeks and Romans, to emancipate their slaves. But the emancipation of the Church’s slaves was declared impossible, on the grounds that these slaves were owned not by the clergy, but by… God himself; therefore only the slave owner could legally dispose of his… “goods”.

The Slave Trade (Slaves on the West Coast of Africa), by François-Auguste Biard (ca 1833)

Until the discovery of America, the slaves were mainly prisoners of war, debtors, or victims of religious persecution. However, black African enslavement did not result from wars, financial indebtedness, or religious prejudice. The reason was the need for labour in the Americas, after the failed effort to enslave the Native Americans. West Africans had agricultural knowledge and skills. They also had a relative immunity against malaria adapted from centuries of living in the tropics that the European indentured servants did not. These were the reasons for the African Holocaust. The brutal system of slavery and the subjugation of millions of people had to be justified with an ideology. After Christianism, this ideology was racism. Racists declared (also very “piously”) that the “white race” had been “chosen” to rule the earth “in God’s name”.

In conclusion…

THESE EXTRA “CHRONICLES WITHIN THE CRONICLES”, I remind you, had Ábdera of Andalusia as a starting point, during the revival of an ancient Periplus of Iberia in Chronicle 22. We then voyaged to Ábdera of Thrace and met its most celebrated citizen, Democritus. Plato’s antipathy towards the Atomist philosopher, asking his students to destroy all Democritean works they could find, in combination with the fact that no such works have survived, were more than a challenge for a “Periplus in the Archipelagos”, sailing on seas the “Big Brothers” erased helter-skelter from the maps. Oceans of abuses are hidden there. I’ve just gleaned some information on the initial period (until the time the first caravels crossed the Atlantic), limiting myself to cases of intentional crimes that came to my attention. A study in depth – I’m sure – would reveal the Prince of Darkness himself…

What conclusions can we draw? A “naïve” person would expect to find the first traces of the idea of human rights in religions, especially the monotheistic ones, which should uphold the “sanctity of human existence”. In fact, the history of human rights finds such traces in some legal codes of antiquity (Mesopotamia, Persia, India, Hellas, Rome), not in the Bible, skipping Judaism and Christianism. The reason is that those who cared about such rights were the philosophers and not the prophets (with the exception of Muhammad due to special conditions). The kings who wanted to conquer the world, the priests who wanted to conquer the mind, infringed as a rule on human rights. I guess that if the Declaration of Human Rights and Freedom of Religion had been adopted and observed since the dawn of the Common Era (AD), the only monotheists in the world nowadays might have been the Jews…

Arsons of Libraries

BOOKS ARE DEADLY ENEMIES OF “BIG BROTHERS”. ARSONS OF LIBRARIES are a form of cultural genocide or cleansing, a purge:

● Xianyang Palace and State Archives (China, 206 BCE): the palace was burned during Xiang Yu’s rebellion, triggered by the “burning of books and burying of scholars”.
● Library of Alexandria (Egypt, 48 BCE, 272 CE, etc.): by Julius Caesar, Aurelian, et al: multiple arsons by multiple perpetrators – but not intentional arsonists…
● Library of Antioch (Syria, 364): by Jovian, because Julian the “Apostate” had heavily stocked it with plenty of new… “apostate” volumes!
● Library of the Serapeum, with what was left from the Library of Alexandria (Egypt, 391): the building was systematically looted, burned, and razed to the ground, by Theophilus, on orders by Theodosius.
● Library of Córdoba (Andalusia, 976): by Almanzor, the de facto ruler of Al-Andalus, and religious scholars; in a surge of “ultra-orthodoxy”, they burned books of “ancient science”.
● Library of Ray (Tehran, Iran, 1029): by Mahmud of Ghazna, because its books were deemed as “heretical”.

Shah Mosque, Isfahan, by Pascal Coste visiting Persia in 1841

● Library of Avicenna (Isfahan, Iran, 1034): by Mas’ud of Ghazna, conquering the city.
● Library of Tripoli (Lebanon, 1109): by Baldwin’s Crusaders and mercenaries, looting and burning part of the city.
● Library of Ghazna (Afghanistan, 1151): by Ala al-Din Husayn, sacking and burning the city for seven days, destroying libraries and palaces.
● Library of Nishapur (Iran, 1154): by Oghuz Turks, who sacked and burned libraries, destroying partially the city.
● Nalanda (India, 1193): by Bakhtiyar Khalji, who sacked the University complex, the most renowned foundation of Buddhist knowledge at the time. The destruction is a milestone in the decline of Buddhism in India.
● Imperial Library of Constantinople (Byzantine Empire, 1204): by Crusaders (Franks and Venetians) who destroyed it, burning and selling its books.

Great palace, Constantinople, peristylium, ca 5th-6th century

● Library of Alamut Castle (Iran, 1256): by pro-Christian Mongols, who captured the castle and destroyed the library.
● House of Wisdom (Baghdad, Iraq, 1258): also by Mongols during the city’s siege.
● Libraries of Constantinople (Byzantine Empire, 1453): by Ottoman Turks, after the second fall of the city, when hundreds of thousands of manuscripts were removed, destroyed, or sold from the libraries.
● Madrasah Library (Granada, Andalusia, 1499): by Cardinal Cisneros, ransacking it and ordering its books be burned in a central square.
● Bibliotheca Corviniana (Buda, Hungary, 1526): by Ottoman Turks after the Battle of Mohács.
● Monastic libraries (England, 1530s): by Henry VIII, when they were destroyed or dispersed, following the dissolution of the monasteries.
● Cornish Colleges (Cornwall, England, 1548): by Henry’s successor, Edward VI. The smashing and looting of the colleges at Glasney and Crantock brought an end to the scholarship which had helped to sustain the Cornish language and cultural identity.

The Mayan Codices on fire

● Maya codices (Yucatán, Mexico, 1562): there was no Itzcoatl among the Maya with the “bright” idea to burn their codices. The arsonist was found in the face of bishop and conquistador Diego de Landa, a cruel, fanatical priest, as described by historians, who led a violent campaign against “idolatry”, burning almost all Mayan manuscripts (useful in deciphering Mayan script, knowledge of Maya religion and civilization, or the history of the American continent): “We found a large number of books in these characters [hieroglyphs, he said], and, as they contained nothing in which were not to be seen as superstition and lies of the devil, we burned them all, which they [the Maya] regretted to an amazing degree, and which caused them much affliction”… Only three extant codices are widely considered unquestionably authentic.

Aztec Calendar

The Arsons of Libraries Chronicle stops here. Not because there were no more arsons. The list, unfortunately, is too incomplete and never-ending. But this was our time frame: until the time the first caravels started crossing the Atlantic. And instead of transporting products and ideas, they used to carry murderers, spoils, and slaves…

As regards these two Chronicles, The Genocide of the Hellenes and The Triumph of Cretinism, they are dedicated to that kid, with his questions, on the beach of Theotokos, at the Sepias cape, in southeastern Pelion, asking: “Why, dad, have they built the chapel on ancient ruins?”

Why then? Because, in a way, the Genocide of the Hellenes never stopped… Shall we be able some day to estimate the hecatombs of the victims?

Demographic Decline of the Hellenes Due to the Genocide, as well

IN 500 BCE, c. 100 million people lived in Asia, Europe and Africa. The Hellenes around the Aegean numbered 3 million in the 5th century. In the 4th century, adding the colonists, as well, they approached 8-10 million. This means they represented 5-10% of the total – without counting those who were Hellenized during the Hellenistic period. Now, all Greeks, plus expatriates, reach 16 million, while the world’s population has risen dramatically to 7.7 billion. This, of course, means they represent just a very small percentage of only 0.21%.

• >> Chronicle 25. “CARTHAGO DELENDA EST!”
• << Chronicle 23. THE GENOCIDE OF THE HELLENES

Next Chronicle 25. “CARTHAGO DELENDA EST!” ● Colonization ● Tartessos: the Apple of Discord ● Impact of Persian Expansion ● Phoenicians and Punics ● Tartessos and Carthage Ruined ● Macedonia and Rome

The Alexandrian Library in its heyday…

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ARCHiPELAGOS • I. THE ARCHIPELAGO REVISITED

AMÉLIA MUGE & MICHALES LOUKOVIKAS

ARCHiPELAGOS / Passages

 

I. THE ARCHIPELAGO REVISITED
 

● The Archipelago
(Is Ionia in Bloom? Where Is Athens?)
● Katolophýromae (I’m Wailing in Lament)

 

/PORTUGUÊS/ ARCHiPELAGOS • I. REVISITANDO O ARQUIPÉLAGO

/ΕΛΛΗΝΙΚΑ/ ΑΡΧΙΠΕΛΑΓΟΣ • I. ΕΠΙΣΤΡΟΦΗ ΣΤΟ ΑΡΧΙΠΕΛΑΓΟΣ

ARCHiPELAGOS / Passages: AMÉLIA MUGE & MICHALES LOUKOVIKAS

01. The Archipelago
a. Is Ionia in Bloom? – b. Where Is Athens?
(1800-1801, excerpts)

– Friedrich Hölderlin (adapted into Portuguese by Amélia Muge)
/ a. Aegean traditional tune – b. Michales Loukovikas
• Arranged by M. Loukovikas, António José Martins

Is Ionia in Bloom?

Are the cranes back at your door? Have the ships
Resumed their course to your shores? Do breaths of breezes
We longed for stir the calm waves? […]
Is Ionia in bloom? Is it time? […]

Where Is Athens?

Say, where is Athens? Perhaps above the teachers’ urns
Your most beloved city
[…] has sunk entirely amid the ashes?
Is there still some sign of her, so that a sailor
Passing by would mention and remember her? […]

The Delphic god fell silent, the paths are long
Desolate and lonely […]

• Adapted into English by Michales Loukovikas

• Recitation: Maria José & A. Muge / Vocals: Cramol, Maria Monda, Teresa Campos
• Cello: Catarina Anacleto / Clarino: Manos Achalinotópoulos / D. Bass: António Quintino
Guitar: Dimitris Mystakidis / Ney: Harris Lambrakis / Piano: Filipe Raposo
Portuguese guitar: Ricardo Parreira / Violin, Viola: Kyriakos Gouventas

●

Friedrich Hölderlin, a major philhellene lyric poet, by Johanna Ebertz (1979)

● Friedrich Hölderlin (1770 – 1843): a major German lyric poet associated with Romanticism. He synthesized the spirit of ancient Greece with his pantheism and an unorthodox version of Christianism. Written in 1800-1801, The Archipelago is his longest poem (296 verses). Partly epic and lyrical, partly elegiac and hymnic, it brings to the fore his belief that divine nature and human culture had been harmoniously connected in the Greek poleis, especially Athens, but were painfully crushed in the present, and his hope that they would blossom together again in the future. ● Aegean Sea: located between the Greek and Anatolian peninsulas, it was known as the Archipelago (Αρχιπέλαγος, i.e. chief sea), while later usage of the term shifted to refer to the Aegean Islands, since the sea is remarkable for its large number of isles. Any such island group is now described as an archipelago. Regarding the name of the sea, among several explanations in antiquity, it was said to have been named after Aegeus, a king of Athens, father of Theseus, or Aegea, a queen of the Amazons, who both drowned there. A possible etymology is a derivation from the Greek word αἶγες, aiges, i.e. goats, used metaphorically to mean waves, hence wavy sea. ● Ionia: an ancient region of central coastal Asia Minor, named after the Ionians, one of the four major Hellenic tribes, who settled the shores and islands of the Aegean Sea between the 11th and 9th centuries BCE. ● Athens: a notable Hellenic polis (city-state), a centre for the arts, learning and philosophy in the classical period. It is regarded as the cradle of Western Civilization, and the birthplace of democracy that was established in 508 BCE. ● Delphi: the major site for the worship of Apollo (the Delphic god), as well as the seat of his oracle that was consulted on important decisions throughout the ancient world.

Twilight bathes the ruins of the Tholos of Delphi,
a circular building that adorned the Sanctuary of Athena

02. Katolophýromae / I’m Wailing in Lament

– Euripides • Tragedy “Orestes” (408 BCE, fragments)
• Adapted / Αrranged by Michales Loukovikas

Strophe

[…] oh, I am begging you, yes, I am begging you,
in spacious aether you dart along to exact
a penalty for blood, a murder penalty,
oh, please, allow the son
of Agamemnon to forget his frenzy,
his manic rage, twisting madness. Toils in vain,
that you, poor creature, so strove to drag yourself […]

Antistrophe

[…] I’m wailing in lament,
I’m wailing in lament.
Alas, your mother’s blood, which drives you raving mad?
Great happiness is not in mortals permanent.
But like a sail it is,
that of a rapid boat, shaken by some god,
plunged in a sea of dire troubles in the tempest,
furious and disastrous the waves all around. […]

• Adapted into English by Michales Loukovikas

• Voice: M. Loukovikas / Vocals: Amélia Muge, M. Loukovikas, Andreas Karakotas,
Manos Achalinotópoulos • Clarino: M. Achalinotópoulos / D. Bass: António Quintino
Ney, Recorder: Harris Lambrakis / Percussion: José Salgueiro / Piano: Filipe Raposo
Violin, Viola: Kyriakos Gouventas

●

Euripides

● Euripides (c. 480 – c. 406 BCE): the youngest of the three great tragedians of classical Athens, coming after Aeschylus and Sophocles. ● Katolophýromae (I’m wailing): a notated but mutilated passage of the music from the tragedy Orestes (the antistrophe of the first stasimon, lines 338-344), found on a papyrus from Hermopolis, Egypt, in the collection of Archduke Rainer Ferdinand of Austria, and published in 1892. The Vienna Papyrus G 2315 dates to the 3rd century BCE. Thus the question whether the fragment represents the original music Euripides composed is still open. There is, however, some evidence that the melody recorded there must have been composed much earlier: the tragedian has been famous for his innovative spirit, and the fragment accords with what we know about the complexity of his style. If the Hellenistic era musicians and musicologists imitated and reproduced the classical works of music the same way librarians and grammarians did for literature, this would be another argument in favour of the authenticity. ● According to Plutarch (Parallel Lives, in Nicias and Lysander), it was the music of Euripides (not that of Aeschylus, Sophocles, or even Aristophanes) that saved many Athenians, and Athens itself, during the Peloponnesian War. After the disastrous for the Athenians Sicilian expedition (415 – 413 BCE), many of them held captives saved their lives because they could sing Euripides; his avant-garde songs were much loved by all Hellenes in Greece and in the colonies – except perhaps Aristophanes!(*) And in 404 BCE, after Athens’ defeat, the victorious Spartan generals had a meeting to decide the fate of the city. They concluded that it should be demolished and its citizens enslaved. Then, during the victory celebrations, someone sang an ode from Euripides’ Electra. The generals were so much moved that they changed their minds: They felt it would be a barbarous act to annihilate a polis where such men were born… These episodes also support the arguments in favour of the authenticity: it would be natural to copy again and again compositions with such an enormous appeal, such as Katolophýromae. ● In our approach, we have chosen to: a) repeat the surviving notes in the corresponding missing musical phrases, instead of filling up the gaps with our own inventions; b) present not only the antistrophe, but also the strophe; and c) balance ourselves between monophony and polyphony, hoping that Euripides would smile and applaud approvingly, despite the brickbats thrown by Aristophanes, Plato, and the Spartan ephori.

(*) Indeed, it is very impressive that at that time, the most popular music was avant-garde! It goes without saying that the citizens’ cultural level then was very high…

Euripides’ Orestes: Katolophyromae, the antistrophe
of the first stasimon (Vienna Papyrus G 2315)

● Agamemnon (Ἀγαμέμνων): king of Mycenae, who led the Hellenes in the Trojan War (dated variously from around 1260 to around 1180 BCE). Upon his return from Troy, he was murdered by his wife, Clytemnestra, and her lover. ● His son, Orestes, is the subject of several myths and plays connected with his madness, after murdering his mother to avenge his father. ● But before passing a verdict, one needs to take into account Clytemnestra’s feelings towards Agamemnon. Most important event: before the war, the king was obliged to sacrifice their daughter, Iphigenia, so his fleet could voyage safely to Troy. Orestes finally found his sister in Tauris or Taurica (Crimea), where she had been taken by Artemis, who intervened the last moment and saved her. Euripides wrote two related tragedies: Iphigenia in Aulis, where the sacrifice took place, and Iphigenia in Tauris. ● Stasimon: a stationary (i.e. στάσιμον) song composed of strophes and antistrophes and performed by the chorus in the orchestra (ὀρχήστρα), the place where the chorus dances. Static but showing emotions, the chorus comments and analyzes the dramatic situation after an episode of a tragedy, accompanied by lyre or aulos (pipe). ● Chorus: a group of performers who comment on the dramatic action, singing or speaking their lines in unison, and dancing (chorus in Greek means also dance, choir, troop, as well as a place for dancing, where it is synonymous with the orchestra). ● In this stasimon, the chorus is initially pleading with the Erinyes (remorses), the demonic spirits protecting matriarchy, to stop tormenting Orestes, and then turns to him…

The Remorse of Orestes (Orestes Pursued by the Erinyes or Furies, 1862),
by William-Adolphe Bouguereau

• >> ARCHiPELAGOS • II. SONGS OF CLAY

Chronicle 23. THE GENOCIDE OF THE HELLENES

Chronicle 23. THE GENOCIDE OF THE HELLENES

/ΕΛΛΗΝΙΚΑ/ Χρονικό 23. Η ΓΕΝΟΚΤΟΝΙΑ ΤΩΝ ΕΛΛΗΝΩΝ

● “Burning Books, Burying Scholars” ● Libraries Burned ● Massacre
of Thessalonica ● Delphi, the Serapeum and the Temple of Artemis
in Ruins ● Sacrilege of Alexander’s Sōma ● The Darkening Age

Michales Loukovikas

.

GENOCIDE: “acts committed with intent to destroy, in whole or in part, a
national, ethnic, racial or religious group.” (The UN Genocide Convention)

 

“In the early Middle Ages, in the time of Valens, Valentinian and Theodosius, there was a veritable ‘Inquisition’ established in the East, whose atrocities, persecutions and massacres were in no way inferior to those of the Spanish Inquisitors, who just persecuted people for sinister faith, while the Orthodox ‘penalizers’ in the Orient intended to eliminate en masse anyone who was Hellenizing or philosophizing on the face of the earth.” (Emmanuel Rhoides)

.

NATURAL SELECTION, Charles Darwin’s revolutionary evolutionary theory – a cornerstone of biology – does not apply to man-made creations, which are instead “artificially selected” (censored), on the basis of ideological prejudice against all non-conformist ideas. Big Brother, it seems, has been omnipresent long before George Orwell’s 1984, burning not only books and libraries, but on many occasions the authors themselves, while “purifying” society and rewriting “history”… The motives of such crimes against humanity are very rarely outright politico-economical; as a rule, they are disguised behind a religious mask – especially when this religion is monotheistic, i.e. antagonistic to all the other creeds, authoritarian, and also power-hungry. Note that among the monotheistic religions, Christianism is the “unchallenged champion” of such crimes. Here is a short list of the first phase:

● 213–210 BCE. The “burning of books and burying of scholars” campaign during the Qin Dynasty of ancient China epitomizes the “war against freedom of thought and speech” that is still raging: all Chronicles, except those by the Qin historians, the Classics of Poetry and History, works of Confucius and several other schools, should be burned; and anyone discussing these books be executed. More than 460 scholars, or almost 1200, according to another count, were buried alive. The campaign soon led to revolts and war resulting to a further damage of texts of history: the capital was sacked and burned, in 207 BCE, destroying the officially sanctioned works in the imperial library, as well.

● 53 CE. Saul (Paul) of Tarsus, the trouble-maker, combined his preaching with book burning in Ephesus. This episode inspired many artists applauding such actions (see e.g. paintings by Eustache Le Sueur, Lucio Massari, Pieter Coecke van Aelst, etc.) that all fascists imitated with enthusiasm… Acts of the Apostles, 19: “Τhey counted the value of [the burned books] and found it came to 50,000 pieces of silver” = more than 20 million €!

“Βurning of books and burying of scholars”: late dynastic period painting

● Circa 160 CE. Epicurus’ book Established Beliefs was burned in a Paphlagonian market, by order of a charlatan prophet. It was just a first glimpse of what would follow, as soon as these charlatans climbed up the highest echelons of power…

● 170s CE. Describing the Bible as “utter trash”, “a Greek intellectual named Celsus launched a monumental… attack against the new religion”, writes Catherine Nixey in her well-documented study, The Darkening Age / The Christian Destruction of the Classical World – hence our many, lengthy quotations in the previous, present, and next Chronicle. “Celsus was more than disdainful; he was worried that this religion – which he considered stupid, pernicious and vulgar – might spread even further and… damage Rome. Over 1,500 years later, the 18th century English historian Edward Gibbon would draw similar conclusions, laying part of the blame for the fall of the Roman Empire firmly at the door of the Christians… The Church… promptly placed his Decline and Fall of the Roman Empire on the Index Librorum Prohibitorum, its list of banned books.⁽¹⁾ Even in liberal England, the atmosphere became fiercely hostile to the historian”.⁽²⁾

• ⁽¹⁾ Updating the Index (1900), pope Leo XIII stressed: “It is totally unacceptable to support, defend or allow freedom of thought, of speech… as if these rights are given to man by Nature”!

• ⁽²⁾ But even in the 20th century, the Pythons’ “1979 film, Life of Brian [parodying the life of Jesus], was banned in several countries.” (C. Nixey)

Library of Celsus in Ephesus (2nd century CE), the third-largest in the Roman world after Alexandria and Pergamum, was the funerary monument of Tiberius Julius Celsus Polemaeanus, governor of Asia (Minor). The library, an architectural marvel, and its 12,000 scrolls, were burned by Christian Gothic barbarians, who also destroyed the magnificent Temple of Artemis there, one of the 7 wonders of antiquity (262 CE). The library’s façade was restored in the 1970s.

● However, both Celsus and Gibbon were right: “What… if God and Caesar both laid claim to the same thing? Well, said the great thinkers of the first Christian century, in that case God took precedence. As Augustine put it, if God’s law diverged from Roman law, then the Heavenly City and its inhabitants were compelled ‘to dissent, and to become obnoxious to those who think differently’… At the highest level the Church was starting to challenge the power of the state. Roman observers had long noticed the Christian tendency to consider themselves above the law… ‘There is no crime’, declared Shenoute, ‘for those who have Christ’… Murder committed for the sake of God was not a crime but actually ‘a prayer’… As Christianity gained in power their acts of defiance gained in boldness. Courtrooms in the east of the empire were disrupted by sinister groups of dark-clad, psalm-chanting monks… Monks – anonymous, rootless, untraceable – were able to commit atrocities with near impunity… Even Theodosius, a wholeheartedly Christian emperor, mutedly observed that ‘the monks commit many crimes’.” Gibbon, on his part, comparing the monks with “a race of filthy animals”, wrote: “In almost every province of the Roman world, an army of fanatics, without authority and without discipline, invaded the peaceful inhabitants; and the ruin of the fairest structures of antiquity still displays the ravages of those barbarians”.

● Catherine Nixey begins her dramatic narrative in Palmyra in 385 CE. Exactly the same scenes, unfortunately, would unfold in the city of Zenobia, the “nymph of the desert”, even nowadays, committed by the terrorists of the Islamic State. But what’s happened now in a single region of Syria, or in one country, Afghanistan, by the Taliban, was then about to spread to an entire empire and last for many centuries:

It’s ironic that the new fundamentalists’ target was again Athena: the statue of Al-lāt, equated with the goddess of Wisdom, destroyed in 2015; so was the Lion at the temple’s entrance. (We see Asclepius on the wall). Other ISIS crimes: the monumental arch in Palmyra’s colonnade (also 2015); Tetrapylon (2017); the theatre (used for executions, 2017); the Baal Shamin temple, blown up; etc…

“The destroyers came from out of the desert. Palmyra must have been expecting them: for years, marauding bands of bearded, black-robed zealots, armed with little more than stones, iron bars and an iron sense of righteousness had been terrorizing the east of the Roman Empire. Their attacks were primitive, thuggish, and very effective. These men moved in packs – later in swarms of as many as five hundred – and when they descended, utter destruction followed. Their targets were the temples… Great stone columns that had stood for centuries collapsed in an afternoon; statues… had their faces mutilated; temples… fell in a single day… In this atmosphere, Palmyra’s temple of Athena was an obvious target… The ‘triumph’ of Christianity had begun.”

● “Today”, says Nixey, “almost no one has heard of Celsus and fewer still have read his work… It simply disappeared… Almost all information about him has vanished, including any of his names except his last… The long and inglorious Christian practice of censorship was now beginning… Celsus accused Christians of actively targeting idiocy in their recruitment… Lack of education made listeners vulnerable to dogma, he argued. Christians ‘do not want to give or to receive a reason for what they believe, and use such expressions as «Do not ask questions; just believe», and «Thy faith will save thee»’… They declare that ‘Wisdom in this life is evil, but foolishness is good’ – an almost precise quotation from [Saul’s (Paul’s) Epistle to the] Corinthians… To men as educated as Celsus… this was unfathomable: in Greek philosophy, faith was the lowest form of cognition.”

Christianism Has Never Been an Ideology of Liberation

● Christian leaders might have “actively targeted idiocy in their recruitment”, but were anything but… idiots themselves, choosing as their ideal target group “the vast majority of the empire – perhaps 80-90% of men, and a higher percentage of women – [that] was illiterate”. The Christians selected them because they were “hoi polloi” (the many), in order not to upgrade them (with “bread, education, freedom!”), but to downgrade the whole society to their level. Christianism has never been an ideology of liberation; quite the opposite:

The Slave Market, by Gustave Boulanger (c. 1882): in the Roman era,
the “merchandise” was multi-racial; racism would appear later…

“Many of those who set out for the hills” to become monks, Nixey points out, “were poor and illiterate. Some were even slaves – much to the irritation of their Christian superiors. Nietzsche and Engels would later equate Christianity and its values with slaves and slave morality – but if that was true, then no one had told the most powerful Christians in this period. They had no truck with such dangerously revolutionary ideas as the emancipation of slaves. Far from encouraging the escape of Christian slaves, senior clerics cracked down hard on any who attempted to escape their mortal bondage by disappearing into the desert for a more heavenly servitude. When one bishop advised slaves to desert their masters and become ascetics, the Church was appalled and promptly excommunicated him. ‘We shall never’, stated a Canon of the Holy Apostles, ‘allow such a thing, which brings sorrow to the masters to whom the slaves belong’… In the 4th century, St Theodore appeared: a saint whose speciality was finding missing slaves. Sleep on St Theodore’s tomb and… he would appear in your dream and show you where your recalcitrant slave was hiding.” (Then the Church will collect the reward!)

Seen from this perspective, the analogies between Christianism and fascism – apart from the same methodology – become more apparent. Both, though they are systemic, tempt and entrap the underprivileged. (More about Christianism and slavery, and how they are related, you can read in the next Chronicle).

A scholar on a sarcophagus, 180-200 CE

“A few decades after Celsus wrote On the True Doctrine, a more monumental assault was made on the Christian faith by another Greek philosopher”, Nixey goes on. “Yet today this philosopher’s name, like Celsus’s, has been all but forgotten. He was, we know, called Porphyry and his attack was immense – at least 15 books [Against the Christians]… It targeted Old Testament history, and poured scorn on the blind faith of Christians… Porphyry’s works were deemed so powerful and frightening that they were completely eradicated. The first Christian emperor, Constantine… announced… they were destroyed. In the same letter Constantine also consigned the works of the heretic, Arius, to the flames and announced that anyone who was found hiding one of Arius’s books would be put to death. A century or so later, in AD 448, Porphyry’s books were burned again, this time on the orders of… Theodosius II and Valentinian III.”

The Christians’ Psychopathology

● The Christian counter-attack to Celsus came some eighty-odd years later, and signed by Origen: thanks to his text, we now know what the True Doctrine was about. In the meantime, Clement of Alexandria formulated a Christian guide in his own manual, Paedagogus (Tutor; a most inappropriate title), which exposes alarmingly the psychopathology of Christian leaders, even before these fanatics climbed up to power. What Nixey says is most revealing and hair-raising:

“As Clement wrote, the Lord himself had said: ‘I will sharpen my sword… and render justice to mine enemies, and requite those who hate me. I will make mine arrows drunk with blood, and my sword shall devour flesh from the blood of the wounded’. (Who on earth was there – and where? – to listen to this sadist and write down his dictum?) “Clement,” proceeds Nixey, “in… authoritative paragraphs, peppered with frequent… threats from the scriptures, advised the faithful on every aspect of their day, from what they were allowed to eat and drink to what they could wear; from how they could style their hair to even what they were allowed to do in bed.⁽³⁾ In… his guide he censured almost every human activity.”

• ⁽³⁾ Preachers: “Sex between husband and wife is allowed but it should not be enjoyed.” [!] (C.N.)

Fresco from Herculaneum depicting a banquet

Two centuries later, “John Chrysostom advised avoiding dinners altogether in favour of funerals. ‘It is better to go’, he thundered… ‘where there is weeping, lamentation, groans, and anguish, and so much sadness, than where there is the dance, the cymbals, and laughter, and luxury, and full eating and drinking’… [! In addition,] contact with women of all kinds was something to be feared and, if possible, avoided altogether… [! But he] jubilantly observed: ‘The tradition of the forefathers… the tyranny of joy, [!] the accursed festivals… have been obliterated’: Pagan festivals, with their exuberant merriment and dancing, were banned… In 407 [the year John died], the old merry ceremonies were forbidden… If anyone declared himself an official in charge of pagan festivals then, the law said, he would be executed.”⁽⁴⁾

• ⁽⁴⁾ “The firebrand preacher John Chrysostom – John ‘Goldenmouth’ – [the rock star of the era] was so charismatic that crowds of Christians would pack into Antioch’s Great Church to hear him speak, his eyes flashing, then leave as soon as he was finished, ‘as if’, he observed, with a distinct want of monkish humility, ‘I were a concert performance’.” (C.N.)

“In literature of a newly sadistic strain, Christian writers outlined in graphic detail what awaited those who did not comply with the edicts… The punishments for sinners were atrocious… The Apocalypse of Peter reveled in verse after stomach-churning verse on what happened in Hell. In it, the reader is taken on an infernal safari in which the retributions for various misdeeds are pointed out with relish… Even children don’t escape.”⁽⁵⁾

• ⁽⁵⁾ See what a church of Lesbos is distributing now (April 2019) to elementary school pupils – an entire screed, entitled Children’s Guide to Confession (of “sins”)… Just get an idea:

● “Do you by chance like to listen to secular songs on the radio? (…)
● “Do you by chance go to the theatre and the cinema? (…)
● “Do you by chance go to parties and dance sinful dances? (…)”
There’s no end to children’s “sins”, arranged in an array of categories and countless chapters…

Oedipus and the Sphinx, by Gustave Moreau

“Theatre was abhorred as a repository of blasphemous filth… What the Greeks considered civilized – even civilizing – Christian preachers reviled as ‘depravity’… a ‘disease’ and a ‘wanton madness’… Everything about the theatre was… from the Devil. The theatre… was a place of lust and drunkenness, a ‘citadel of all vile practices’. The ‘abominations’ that happened on stage were a ‘lawless corruption’ designed to pollute the ears and eyes of the audience… Tragedies were bloody, comedies were wanton… Actors were whores: Christians regularly substituted the words ‘actor’ and ‘dancer’ with the word ‘prostitute’; the theatre itself was ‘the temple of lust for prostitution’. Almost every kind of display was… stained with Satanism… As one preacher boasted, Christians smashed the flutes of the ‘musicians of the demons’ to pieces… The music that people danced to was considered perilous, for music can take away men’s senses, and mesmerize them, whipping them into a frenzy of lust… As Tertullian joyfully explained, all of these miscreants would be consumed in the avenging fires of the Lord – and he and his fellow obedient Christians would be there, enjoying the sight. What need for the theatre or the hippodrome now?, he asked. Because for the Christian faithful there are ‘other spectacles to come – that day of the Last Judgement, when the hoary age of the world and all its generations will be consumed in one fire’.”

Constantine: Genocide Act I – Persecutions in Perpetuum

● 313. The Edict of Milan on Freedom of religion, which Constantine the “Great” and “Saint” adopted, was meant to protect the Christians, but as it turned out, it seems it concerned only them. Following Galerius’ initiative, who had adopted a similar measure in 311, the emperor aimed at consolidating peace (Pax Romana) in the empire, something that had not been achieved through the persecution of Christians. But he was a… mama’s boy (as his mother, Helena, was a fanatical Christian). Therefore, instead of imposing the strict implementation of religious freedom, he was anything but impartial: the ancient gods on his coinage were replaced by Christian symbols, especially the “XP” monogram, which he had also on his labarum. Hence it was obvious the persecutions would go on; there was just a change of roles: the formerly persecuted were now the persecutors. It was also obvious that the new persecutions would be much more brutal and bloody, widespread and long-lasting (in perpetuum), for the very simple reason that the Christian leaders, who found themselves in a dominant position, confronted the vast majority of the empire’s subjects, who remained faithful to their traditional gods.⁽⁶⁾ Besides, it was even ironic that the persecutions were further multiplied because, as soon as the Christian priesthood was legalized, infighting broke out! As early as 313, the year of the edict, until 317, bishops threw brickbats against bishops in Carthage, until they asked for Constantine’s arbitration. There were three ecclesiastical councils and two trials before one faction (that of Donatus) was judged schismatic, with the result that its property was confiscated and the clergy banished.

The Pearls of Aphrodite, by
Herbert James Draper (1907)

• ⁽⁶⁾ “Christians at that moment were very much in the minority. It has been estimated they made up as little as between 7 and 10% of the empire’s total population.” (C.N.)

“The emperor Constantine proclaimed himself a follower of Christ”, recounts Nixey. “Under his auspices, the Church was soon exempted from taxes and its hierarchy started to be richly rewarded. Bishops were paid five times as much as professors, six times as much as doctors – as much even as a local governor. Eternal delight in the next life, bureaucratic preferment in this. What more could one wish for?”

● 325-326. Emperor Constantine ordered a temple of Aphrodite in Jerusalem to be demolished for the construction of the Church of the Holy Sepulchre there. In the meantime, all the Hellenic sanctuaries on Athos were destroyed, while in the following years even more ancient temples were burned and torn down, and Christian churches erected on the ruins. Soon, this “operation” became “legal”, ordered by the king – who made sure that there were no pagan temples built in his New Rome.

“The great Roman and Greek temples were – or so Eusebius said – broken open and their statues brought out, then mutilated”, writes Nixey. “Officials ‘scraped off the material which seemed to be usable, purifying it by smelting with fire’, then poured the precious metal into the public purse… Constantine, as his nephew the ‘apostate’ emperor, Julian,⁽⁷⁾ would scornfully say, was a ‘tyrant with the mind of a banker’… A market of plundered art developed and Christians… took to levering out and selling statues that were particularly valuable… The Greek poet Palladas archly observed, as he looked at a fine array of gods in the house of one wealthy Christian, that ‘the inhabitants of Olympus, having become Christians, live here undisturbed: for here, at least, they will escape the cauldron that melts them down for petty change’.”

• ⁽⁷⁾ Julian, the “Philosopher”, for the polytheists, the “Apostate”, for the monotheists, depending on the philosophic or religious ideas and priorities or prejudice of each value system…

But early Christians were neither “bankers”, nor wealthy merchants; they were ignorant people and idiots – including some emperors:

“As Julian acerbically observed, while Constantine robbed the temples, his sons overthrew them.” Nixey describes vividly how, “in a spasm of destruction never seen before… the Christian Church demolished, vandalized and melted down a simply staggering quantity of art… In Athens, a larger-than-life statue of Aphrodite has been disfigured by a crude cross carved on her brow; her eyes have been defaced and her nose is missing.⁽⁸⁾ In Cyrene, the eyes have been gouged out of a life-sized bust in a sanctuary of Demeter, and the nose removed; in Tuscany, a slender statue of Bacchus has been decapitated. In Sparta, a colossal statue of the goddess Hera looks blindly out, her eyes disfigured by crosses. A beautiful statue of Apollo from Salamis has been castrated and then struck, hard, in the face, shearing off the god’s nose. Across his neck are scars indicating that Christians attempted to decapitate him but failed… In Egypt, countless chisel blows neatly defaced… the images of the gods in the Dendera temple complex on the left bank of the Nile. Divine figures were attacked with tiny hack marks – usually several hundred for each figure… Eberhard Sauer, a specialist in the archaeology of religious hatred, has observed that the closeness of these cuts… hints at blows made with almost frantic rapidity.”

“Purified” head of an ancient Hellenic statue in Samos

• ⁽⁸⁾ “A naked statue of Aphrodite was, wrote one Christian historian in disgust, ‘more shameless than that of any prostitute standing in front of a brothel’… Far less easy to feel desire for a statue who has had a cross gouged in her head, her eyes blinded and her nose sliced from her face.” (C.N.)

“We will never know quite how much was wiped out. Statues were pulverized, shattered, scattered, burned and melted into absence… Others were so well disposed of that they will probably not be found: they were thrown into rivers, sewers and wells, never to be seen again… The sacred groves of the old gods… were set about with axes and their ancient trees hacked down… Moments of vandalism were immortalized in glowing terms in Christian hagiographies… Far more violence was buried by silence… While it might take months of effort, years of training and centuries of accumulated knowledge to build a Greek temple, it took little more than zeal and patience to destroy one… People built themselves houses from the stones of demolished temples… One law announced that the stones from these temples should be used to repair roads, bridges and aqueducts. In Constantinople, a former temple of Aphrodite was used to store a bureaucrat’s chariots… The desecration continued for centuries.”

● Let’s pick up the thread again. The king ordered the execution of the eunuch priests in Egypt, because they… “offended” his “morals”. The same fate awaited dozens of gentiles, pagans, who were considered as “sorcerers of the evil”, and responsible for the poor harvesting in 335. Among them was the philosopher Sopater of Apamea, a disciple of the Neoplatonist Iamblichus, despite the favour and personal friendship of Constantine he enjoyed. According to the Hellene historian and sophist Eunapius, the king was convinced by some adviser that, by magical arts, the pagan philosopher had… obstructed the arrival of a fleet laden with grain! Constantine’s son, Constantius II, a zealous Arian, also persecuted the seers, prophets, magicians, astrologers, and other diviners, for he feared he would be deprived of his throne by “spells”! The serpent of Judeo-Christian obscurantism had been hatched…⁽⁹⁾

• ⁽⁹⁾ As I commented in Chronicle 2, footnote 4, the Judaization of the Hellenistic and Roman worlds (in the Orient and Occident respectively) through Christianization was the precondition – sine qua non – of obscurantism during the Dark Ages.

● A Hellene, for the early Christian Church, was a gentile, a pagan; the word retained that meaning until the end of the millennium. The Greeks distinguished themselves from others according to cultural standards; the Jews did so according to religious standards. It is more than obvious what each people’s contribution to civilization and what their ideals have been. In his Epistles, Paul almost always juxtaposes Hellenes to Hebrews, in disregard of all other ethnicities (Romans, Syrians, Egyptians, etc.) living in the area at the time. It is more than obvious who he considered an enemy! Another “softer” interpretation is that a Hellene for him was a polytheist, while a Hebrew was a monotheist. Nota bene, a gentile is, first of all, a non-Jew (and not a non-Christian). The word Hellene meaning pagan has persisted into modern times. Many advocates of a revival of the Olympian gods’ worship call themselves Hellenic Polytheists, while the religion is called Hellenism. Such persons outside of Greece are careful not to imply that they consider themselves Greek nationals.

The Council of Gods, Raphael (1517-18)

● “The word ‘pagan’,” according to Nixey, “was a pejorative and insulting word… It was also a Christian innovation: before Christianity’s ascendancy few people would have thought to describe themselves by their religion at all. After Christianity, the world became split, forevermore, along religious boundaries; and words appeared to demarcate these divisions. One of the most common was ‘pagan’. Initially this word had been used to refer to a civilian rather than a soldier. Later, Christian writers concocted false, unflattering etymologies for it: they said it was related to the word pagus, to the ‘peasants’… It was not; but such slurs stuck and ‘paganism’ acquired an unappealing whiff of the rustic and the backward – a taint it carries to this day.”

Besides, the English writer thinks it is better to “avoid ascribing modern nationalities to ancient characters and instead describe them by the language they chiefly wrote in. Thus the orator Libanius, though he was born and lived in Syria, is described not as a ‘Syrian’ but as a Greek. This was a cosmopolitan world where anyone… might consider himself to be a ‘Hellene’ – a Greek”, she adds.

● Constantius was the emperor who initiated the anti-paganistic legislation that in time would become the basis of the Inquisition. He escalated persecutions, as well, setting up a concentration camp in Scythopolis, Palestine, where Hellenes, other gentiles and all those who were considered to be “enemies of the empire”, singled out by vile royal counselors, were tortured and killed. Relevant evidence is given by Ammianus Marcellinus – “a former officer and Hellene”, as he used to describe himself, even in those hard times, born perhaps in Antioch. The idea for the construction of the camp was attributed to to George of Cappadocia, bishop of Alexandria, whose end would be as bad as his life was, once Julian ascended the throne.

Victory column of Diocletian (erroneously mentioned as Pompey’s pillar) erected at the Serapeum in 297 CE after suppressing a revolt in Egypt. It’s a granite monolith 20.46 m high (total height 26.85 m.)

● 356. “It became illegal – on pain of death – to worship images”, observes Nixey. “‘Pagans’ began to be described as ‘madmen’ whose beliefs must be ‘completely eradicated’, while sacrifice was a ‘sin’ and anyone who performed such an evil would be ‘struck with the avenging sword’.” Christianism’s Orwellian Brave New World was in need of a surveillance network. “Roman emperors had always used informers – ‘delatores’. Now, they were put to the service of the Church. Men of all ranks were required to become informers… If they refused or failed in their duties, then they themselves would be held accountable. Among those whom the clergy were tasked with reporting on were actors, actresses and, as one revealing little law added, prostitutes ‘who wore monastic habits’. The punishments could be terrible… [e.g.] by having molten lead poured down [one’s] throat. Correction was paramount.” (!)

Julian: a Parenthesis of Hellenism

● February 4, 362. Julian promulgated an edict to guarantee freedom of religion, proclaiming that all religions were equal in front of the Law, and that the Roman Empire had to return to its former religious eclecticism, according to which it did not impose any religion. As a student of philosophy in Athens, the last emperor who consciously rejected Christianism, was initiated to the Eleusinian Mysteries, which he later tried to restore, and became acquainted with two future bishops and “saints”: Gregory of Nazianzus and Basil of Caesarea.

Julian (361–363) was a complex personality: “military commander, philosopher, theosophist, social reformer, and man of letters”, who wrote in Greek. Of course, several of his works have been “lost”; one of the most important of such “lost works” was his Against the Galileans (Christians). He was half-Hellene from his mother. His parents were Christians; he was given a Christian education. Yet, he converted from Christianism to Hellenism when he was 20. The emperor’s role did not suit him, as he disliked absolute autocracy. He considered the ideal ruler as being primus inter pares (“first among equals”), and equal before the law to his subjects. Julian often frequented in the Senate, participating in debates as a member, not as a king. His habit of talking to his subjects on an equal footing, dressing casually, and leading an ascetic lifestyle, were all misunderstood by “hoi polloi”, who thought that he should behave like an all-powerful Emperor.

Julian the Apostate Presiding at a Conference of Sectarians, by Edward Armitage (1875)
Julian the… Sectarian? But at that time, sectarians were the Christians!

He continually sought to reduce the burdensome and corrupt bureaucracy, and dismissed the surplus staff, either civic officials, or secret agents. He promoted decentralization for the same reason, transferring authorities to the cities from the capital. Of course, he repealed the stipends that Constantine had awarded to bishops, and removed the privileges of the Church, as well. He envisioned the institution of a philanthropic system, as the Christian charities were open to all, including pagans, and criticized the priests of the old religion: “These impious Galileans not only feed their own poor, but ours also; welcoming them into their agapae,⁽¹⁰⁾ they attract them, as children are attracted, with cakes.”

• ⁽¹⁰⁾ The agape (“love” in Greek) feast was a communal meal shared among early Christians.

After five months in Constantinople, he spent the next nine months in Antioch, preparing a campaign to Persia. He was disappointed a lot there, when he saw wealthy merchants hoarding food and selling it at high prices, with the situation heading for a famine. Despite his interventions, the curia and the city’s leading citizens did nothing. Finally, he fixed prices, and imported grain from Egypt; at the same time, he forced the landholders to sell. Then he tried to resurrect the ancient oracular spring of Castalia at a nearby temple of Apollo, where, however, a bishop had been buried. His order for the bones to be removed resulted to a massive Christian procession; shortly after, the temple was destroyed by fire. In 363, he ordered Solomon’s Temple in Jerusalem to be rebuilt: again, fires broke out and the works stopped. No need to say that in both cases, these fires were acts of sabotage by Christians, which could be described as “acts of terror”.

Mercurius killing Julian (Coptic icon). According to a “tradition”, Basil of Caesarea had been imprisoned at the start of Julian’s campaign. He prayed for help to Mercurius, who appeared in a vision, claiming to have speared Julian to death…

Julian was mortally wounded under mysterious circumstances during the Persian campaign, before he could implement his vision (“an act of God!”, the Christians would blissfully say, praising the “Lord”). But was it, indeed, “an act of God”? In 364, Libanius said that Julian was assassinated by a Christian soldier of his own army; but 14 years later, he… corrected himself, claiming that Julian was killed by a “Saracen” – though this turnaround happened in a period when the Christians were back in power. According to John Malalas, Basil of Caesarea commanded the assassination. Later Christian historians propagated the idea that Julian was killed by “saint” Mercurius. Considered apocryphal (Christian fantasy) is a report that his dying words were “νενίκηκάς με, Γαλιλαῖε!” (“You have won, Galilean!”). Julian would certainly speak in the plural: “You have won, Galileans!” (Compare his work Against the Galileans): there’s a big difference.

● As regards bishop George, according to Julian himself, Ammianus, as well as Christian historians, such as Sozomenus, Theodoret, or Socrates Scholasticus:

“George manifested his anti-pagan zeal in excess with arbitrary acts and insulting speeches, exacting onerous taxes, procuring the banishment of Zeno, a prominent pagan physician,⁽¹¹⁾ preventing the pagans from offering sacrifices and celebrating their gentile feasts, and bringing Artemius, duke of Egypt, whom the Alexandrians dreaded, for he was much given to the destruction of idols: he invaded with an armed force into the superb temple of Serapis [Serapeum], which was forthwith stripped of images, votive offerings, and ornaments… The news of Julian’s accession arrived at Alexandria on November 30, 361. George was at the height of his pride and power: he had persecuted and mocked the pagans, who now… felt that the gods could, at last, be avenged”… He was thrown into prison with two others who had overthrown a pagan altar; but “in the morning of December 24, the pagan mob again assembled, dragged them forth with horrible shouts of triumph, and kicked them to death.” Then they led the bodies through every part of the city and “eventually burned the remains on the shore, casting the ashes into the sea.” Alexandria, the glorious centre of Hellenistic civilization, was gradually sinking into the abyss…

• ⁽¹¹⁾ Everything Hellenic was “from the Devil”, as well, and banished: knowledge, science, medicine. Medical books were also burned and the only therapeutic methods left were blood-letting and… exorcism. Only dehumanized humans would never question the Christian “new order”…

St. George Killing the Dragon, by Bernat Martorell (1434-35): the same iconography, with a dragon
in the place of Julian!

● But who was that “duke of Egypt” (dux Aegypti), Artemius? For the Christians, he was none other than the “martyr” and “saint” Artemius of Antioch, where he was tried and beheaded in 362 for abuse of power and maladministration of his province, having demolished temples and broken down their idols – on his own will, or instigated by George. The Church apparently felt that his work was “God-blessed”! However, there’s a chance that in Julian’s years, we have not only one, but two “martyrs”: Artemius and George. The English historian Edward Gibbon e.g. identifies George of Cappadocia, the bishop, with… George of Lydda, the “saint”! The former was an Arian (i.e. a heretic), therefore, a “black sheep”. But the latter was the hero of a legend that, in several variations, fascinated even the Muslims. So, he should be preserved. The disinformation operation was thus put into motion (keep in mind that what information we have has passed through… a thousand censoring “sieves”)! George the “saint” was supposedly martyred in 303, during the Diocletian persecution. The technology of the era, however, did not allow a non-existent person to acquire flesh and bone. That’s why we know nothing about the “saint”, nor is there any proof that he ever existed. Whatever we know is according to… tradition. The oldest text referring to the legend, but without naming George, is Eusebius’ Church History in the 4th century (about his credibility, see Chronicle 19, last paragraph). The oldest text preserving fragments of the legend is in a Greek hagiography, a 5th-century palimpsest. But its compiler, just like Gibbon, also identifies the martyr with his namesake bishop.

● “As the early Christian author Origen admitted”, comments Nixey, “the numbers of martyrs were few enough to be easily countable; the Christians had died for their faith ‘occasionally’… Several saints appear never to have existed at all. It is now thought that fewer than ten martyrdom tales… can be considered reliable… There were few persecutions of those years: the Decian; the Valerian, seven years later, and ‘the Great [Diocletian] Persecution’ fifty-odd years after that in AD 303. And not all of these ‘persecutions’ were intended to explicitly target Christians… The Romans did not seek to wipe Christianity out. If they had, they would almost certainly have succeeded… The martyr stories… show what the scholar G. E. M. de Ste. Croix called ‘an increasing contempt for historicity’… The brief and sporadic Roman persecutions of Christians would pale in comparison to what the Christians inflicted on others – not to mention on their own heretics.”

● 363. When Julian was dead, the “purple” (the “crown”, as they used to say of later kings) was given, due to a “misunderstanding”, to Jovian, who established Christianism again as the official religion. Being under the influence of “saint” Athanasius of Alexandria, he moved “as if by magic” from tolerance to bigotry, subjecting those who worshipped ancestral gods to death and also ordering the Library of Antioch to be burned down.⁽¹²⁾ However, he was unable to complete his “mission”: he died (or… they made him die) half a year later. Very soon this task would be undertaken by Theodosius I.

A Greek rider seizes a mounted Amazon (armed with a double-headed axe) by her Phrygian cap; mosaic, 2nd half of the 4th century CE
(in the time of Jovian); from Daphne, a suburb of Antioch.

• ⁽¹³⁾ “Jovian ordered the destruction” of the Library of Antioch, relates Johannes Hahn in his Gewalt und religiöser Konflikt (Violence and religious conflict), “because he wanted to gain the favour of the Antiochians. Nevertheless, he failed completely: not only the pagans but also the Christians interpreted this as a barbaric act… He burned the temple, with all the books in it, at the urging of his wife, with his concubines laughing and setting the fire”…

● The “witch-hunt”, in the meantime, continued with even greater intensity, after Julian’s short reign: Hellenic philosophical and scientific treatises were burned in public, and hundreds of Greeks or other pagans, accused of sorcery, were being pilloried, imprisoned, tortured, executed, and their properties were confiscated. Among them was another philosopher, Simonides. Such accusations arose from the practice of theurgy, performed by Neoplatonic philosophers. It was “man’s conscious participation in the divine work,” which was accomplished by rituals, invoking god, or gods, with the goal of achieving henosis (union with the divine) and perfecting oneself. It is what the mystics, such as the Sufis, are after until now, with rituals using music and poetry, singing and dancing – and what the people of the Church detest until now.

● In 364, Maximus, Julian’s instructor in philosophy and theurgy, was accused of causing a lengthy illness in the new emperors, Valentinian and Valens, but was acquitted due to lack of evidence. In 365-366, however, he was again arrested for illegitimate enrichment. A heavy fine was imposed and he was tortured since he was not able to pay… Around 370, his name was implicated in some rumours about an oracle on who the next emperor would be. Valens reacted hysterically, unleashing a massacre, and as a result, he was loathed by his subjects. Maximus was tortured and beheaded in 372, although, according to Eunapius, he had no involvement in this plot.

St. Paul and the burning of pagan books at Ephesus, by Lucio Massari (1612). Acts of the Apostles, 19: “Τhey counted the value of [the burned books] and found it came to fifty thousand pieces of silver” = more than 20 million €!

● 4th century, 3rd quarter. “One of the most infamous assaults on thinkers and books took place in Antioch… Ammianus Marcellinus… one of the finest historians of the era, happened to be there. An accusation of treasonous divination led to a full-scale purge that targeted the city’s intellectuals… A noble of ‘remarkable literary attainments’ was one of the first to be arrested and tortured; he was followed by a clutch of philosophers who were variously tortured, burned alive and beheaded. ‘Innumerable books and whole heaps of documents, which had been routed out from various houses, were piled up and burnt under the eyes of the judges. They were treated as forbidden texts to allay the indignation caused by the executions, though most of them were treatises on various liberal arts and on jurisprudence… Throughout the eastern provinces whole libraries were burnt by their owners for fear of a similar fate; such was the terror which seized all hearts’… As John Chrysostom crowed, the writings ‘of the Greeks have all perished and are obliterated’.” Catherine Nixey sums up with the most tragic consequence: “It has been estimated that less than 10% of all classical literature has survived into the modern era.”

Omphalos of Gaea (navel of the Earth): Delphi with the Temple of Apollo (reconstruction)

Theodosius: Genocide Act IΙ – Massacre of Thessalonica
Christian Vandals in Delphi

● 390. Another “miraculous” metamorphosis was witnessed on Theodosius (379–395). His policy of tolerance in the beginning of his reign gave way to bigotry. The bloody turning point came with his order to his Gothic troops to commit the abominable massacre of Thessalonica in the Hippodrome in 390, when the citizens rebelled against his Germanic mercenary garrison (see Chronicle 18, footnote 5). The people had been invited to watch chariot races; but the Goths closed the gates and slaughtered everyone. The result: 7,000-15,000 Thessalonians killed. Ambrose, the archbishop of Milan, was quick to capitalize on this golden opportunity: he excommunicated Theodosius, and thereby turned him into his obedient instrument.⁽¹³⁾ The king submitted himself completely to the Church, and agreed to do public penance, adopting a new role as the champion of the Christian faith. The result was the so-called “Theodosian decrees”, breaking up pagan institutions and destroying their temples. The first act of his “penance” was perhaps the ruination of the temple of Apollo and most of the statues and works of art in Delphi, in the name of Christianism, in the same year (390).⁽¹⁴⁾ The sacred site was totally destroyed by Christian zealots in an attempt to obliterate all traces of Hellenism, which was already proscribed, a “religio illicit”: gentiles would be sought out by Christian informers, brought to court and in many cases executed. This “war on the infidels” was transferred to Alexandria the next year.

• ⁽¹³⁾ Ambrose could manipulate three emperors: Gratian, Valentinian II, and Theodosius I; naturally, he was “sanctified”! Adopting Constantine’s tactics, Gratian in 382 confiscated every paganist property. Valentinian’s legislation practically outlawed polytheism. Theodosius’ decrees were effectively a declaration of war on Hellenism. He not only authorized, but also participated in Christian zealots’ attacks against ancient shrines, when priests were killed and temples destroyed.

Aphrodite: clay figurine from Myrina
(2nd century BCE)

• ⁽¹⁴⁾ In fact, Delphi was already in a desolate state, with its treasures plundered and shattered: the oracle was visited by Oribasius, Julian’s personal physician, in 362, on behalf of the emperor, and received one of Pythia’s last “prophecies” (or, rather the cry: “Help!”). At least, that’s what the Christian historian Philostorgius says, but we ignore if it is a fact, or another case of falsified truth, of “history” written by the Big Brothers:

  .

  Tell the emperor,

  the splendid palace fell to the ground.

  Phoebus no longer has a house,

  nor the prophesying laurel,

  nor the speaking spring;

  the speaking water evaporated as well.

● 391. “Theodosius passed a formidable law. ‘No person shall be granted the right to perform sacrifices; no person shall go around the temples; no person shall revere the shrines’. Nor could anyone… venerate his household gods, or burn lights, put up wreaths, or burn incense to them. Then… a new and more terrible law came. ‘If there should be any temples in the country districts, they shall be torn down’… A bishop named Marcellus became ‘the first… to put the edict in force and destroy the shrines’… As the laws against pagans were building to an aggressive crescendo, [he also] destroyed the vast and still hugely popular temple of Zeus at Apamea… It fell with a crash that was loud enough to bring all the townspeople running… Marcellus [at last] was seized and burned alive by outraged polytheists… Today he is worshipped as a saint in the Orthodox Church.” No one could ever imagine what building would be the Christians’ next target. Catherine Nixey’s narrative builds up to a climax:

Serapeum of Alexandria (reconstructed)

● “At the end of the first century of Christian rule, the Colosseum dominated Rome and the Parthenon towered above Athens. Yet when writers of this period discuss architecture, these aren’t the buildings that impress them. Instead, their admiration is drawn by another structure in Egypt [despite destruction inflicted by Artemius]. Its great halls, its columns, its astonishing statues and its art all made it… ‘the most magnificent building in the whole world’. Everyone had heard of it. No one has heard of it now. While tourists still toil up to the Parthenon, or look in awe at the Colosseum, outside Academia few people know of the temple of Serapis.⁽¹⁵⁾ That is because… a bishop, supported by a band of fanatical Christians, reduced it to rubble.”

• ⁽¹⁵⁾ It is astonishing that none of these edifices (Parthenon, Colosseum, Serapeum) was included among the Seven Wonders of the Ancient World!

The Serapeum and Artemision Razed to the Ground

● In 391, the enormous Serapeum, together with what was left out of the great Library of Alexandria, were looted, burned and razed to the ground by Christian fanatics and troops, at the decrees of Theodosius and archbishop Theophilus, whom Edward Gibbon describes in The Decline and Fall of the Roman Empire as “the perpetual enemy of peace and virtue, a bold, bad man, whose hands were alternately polluted with gold and with blood.” The archbishop had discovered an underground Mithraeum,⁽¹⁶⁾ and together with his followers, mockingly displayed the worshippers’ sacred artifacts offending them enough to provoke an attack on Christians. The latter counterattacked, forcing the Mithraists to retreat to the Serapeum. Theodosius had given Theophilus the go-ahead to destroy, and just asked him to avoid another massacre. As the Christian historiographer, Socrates Scholasticus says in his Ecclesiastical History, Theophilus “caused the Mithraeum to be cleaned out… Then he destroyed the Serapeum… The heathen temples were therefore razed to the ground, and the images of their gods molten into pots and other convenient utensils for the use of the Alexandrian Church.” The temples that were demolished could be declared “abandoned”, as Theophilus immediately noted in applying for permission to convert them into Christian churches – an act that must have received general sanction, for cave-like mithraea turned into crypts, and temples forming the foundations of churches, appear throughout the Roman Empire in the 5th century.

• ⁽¹⁶⁾ Note that we know almost nothing about Mithraism, a religion contemporary with – and rival of – Christianism, practiced from about the 1st to the 4th centuries CE.

5th-century scroll: Theophilus standing triumphantly on the ruins of Serapeum: his eyes betray his paranoia…

● Standing triumphantly in the ruins, Theophilus looked around in search of his next victim and, after he razed to the ground numerous shrines all over Egypt, turned against the followers of Origen, embarking on a paranoid campaign that killed 10,000 monks: the massacre was unavoidable after all… Nevertheless, the slaughterer is considered a “saint” by the Copts!

“According to later Christian chronicles”, notes Nixey, Serapeum’s devastation “was a victory. According to a non-Christian account, it was a tragedy – and a farce. The Greek writer Eunapius felt the destruction was done less from reverence for the Lord than out of pure greed. In his account the Christians weren’t virtuous warriors: they were hoodlums and thieves. The only thing that they did not steal, he observed acidly, was the floor – and that was left ‘simply because of the weight of the stones which were not easy to move’… The tens of thousands of books, the remnants of the greatest library in the world,⁽¹⁷⁾ were all lost, never to reappear. Perhaps they were burned. As the modern scholar, Luciano Canfora, observed: ‘the burning of books was part of the advent and imposition of Christianity’.”

• ⁽¹⁷⁾ “It was over a millennium before any other library would ever come close to its holdings.” (C.N.) On the devastation of the Alexandrian Library, see Chronicle 18, footnote 6, and Chronicle 24, Arsons of Libraries.

● The destruction of the Serapeum was seen by many authors as representative of the “triumph of Christianity” over other religions – or the victory of a Hebrew god over Hellenic, Roman, Egyptian, Persian, etc., deities – hence other cultures; while that of the Alexandrian Library symbolized “knowledge and culture ruined”. The library held almost 700,000 scrolls from Hellas, Egypt, Assyria, Persia, India, and several other countries, being part of a grand research institute, an ancient university, called the Musaeum (House of the Muses), where many of the most famous thinkers of the ancient world studied and worked, such as: Archimedes, antiquity’s greatest scientist; Ctesibius, the father of pneumatics and inventor of the hydraulis (water organ, or today’s pipe organ; see Chronicle 11, Hydraulis, Pipe Organ); Euclid, the father of geometry; Eratosthenes, who argued for a spherical earth, calculated its circumference, and the tilt of its axis, to near-accuracy; Hero, the father of mechanics, inventor of the first steam engine (aeolipile), a follower of the Atomists; Hipparchus, the father of astronomy and founder of trigonometry; Aristarchus, who proposed the first heliocentric system of the universe; his case is an excellent example: his only extant work, On Sizes and Distances of the Sun and the Moon, is based on the geocentric model; the other book that proposed the alternative hypothesis of heliocentrism is known only through citations by other scientists, such as Archimedes. Is this just a coincidence? Absolutely not!

Library of Alexandria (reconstructed)

● In 392, Theodosius banned the mysteries of Aphrodite in Cyprus, while “saint” Epiphanius, bishop of Salamis, Christianized gentiles en masse with the threat of slaughter and fire, destroying all sanctuaries. The next year, the king extended the ban to all Pan-Hellenic artistic and athletic festivals and games, such as the Olympian, Pythian, Isthmian, and also the Roman Actia. Given the opportunity, the sanctuaries in Olympia were plundered. In 395, Christian atrocities spread all over Greece, including symbolic sites – not only Olympia, but also Dion, Delphi (again), and Eleusis, where the ancient sanctuary was set to fire and all priests were killed because they had tried to revive the Eleusinian Mysteries.

● Violence reigned supreme during the late 4th century, with ancient temples destroyed and turned into Christian churches, their statues, altars, sanctuaries, carried around and mocked in public before they were shattered, gentile priests killed, and libraries burned. Surviving texts describe this widespread catastrophe in the Orient and Occident, referring among others to: the devastation of holy sites that extended rapidly throughout Egypt; the leveling of all temples in Gaza; the destruction of temples and idols in Syria and around Carthage; the attacks of Martin of Tours on holy sites in Gaul; and the list goes on…

The destruction of the Temple of Zeus at Olympia was ordered by Theodosius II in 426 CE

“In France”, writes Nixey, “St Martin, or so the Life of Martin proudly records, ‘set fire to a most ancient and famous shrine’ before moving on to a different village where he ‘completely demolished the temple… and reduced all the altars and statues to dust’. Hagiography records such attacks not as dismal… acts of vandalism but proof of a saint’s virtue. Some of the most famous saints in Christianity kicked off their careers… demolishing shrines. Benedict of Nursia… was celebrated as a destroyer of antiquities. Upon arriving in Monte Cassino, just outside Rome, he smashed an ancient statue of Apollo and destroyed the shrine’s altar. He toured the area ‘pulling down the idols and destroying the groves on the mountain… and gave himself no rest until he had uprooted the last remnant of heathenism’… John Chrysostom, hearing that Phoenicia was still ‘suffering from the madness of the demons’ rites’, sent violent bands of monks, funded by the faithful women of his congregation, to destroy the shrines in the area… In AD 401, Augustine told Christians in Carthage to smash pagan objects because that was what God wanted and commanded… His congregation, eager to sack the temples, started reciting Psalm 83. ‘Let them be humiliated and downcast forever. Let them perish in disgrace’… It has been said that 60 died in riots inflamed by this burst of oratorical fire.” It was an undeclared war.⁽¹⁸⁾

The Sack of Rome by the [Christian] Barbarians
in 410, by Joseph-Noël Sylvestre (1890)

• ⁽¹⁸⁾ Centuries of brainwashing created the false impression that Christianism fell like a “ripe fruit”, in a society tired of polytheism, where everyone embraced the new religion. Eusebius mentions street-fighting in Alexandria between Christians and polytheists, occurring as early as the mid-3rd century. A little later, early in the 4th century, “Spanish bishops were moved to declare that: ‘If anyone breaks idols and is killed on the spot’ he would not… be awarded the martyr’s crown”, as Catherine Nixey notes.

This peculiar civil war forced many people to convert to Christianism, but secretly they remained polytheists. Some had the courage to “apostasize”, just like Julian, adopting Hellenism again. It was the reason why laws against “apostasy” were promulgated by Gratian and Theodosius, with the penalties getting heavier and heavier. Polytheist writers blamed the Christian hegemony for all the evils of the empire, such as the Sack of Rome, in 410, by Alaric. Certainly, these books, and all similar writings, were destroyed by the Christians, who threatened to cut off the hands of anyone who dared to make copies of such “banned” literature.

● Alaric and his Goths were Christians (Arians), while the sack of Rome was the beginning of the end for the Western Roman Empire.

“The orator Libanius… and other worshippers of the old gods saw… their temples ‘in ruins, their ritual banned, their altars overturned, their sacrifices suppressed, their priests sent packing and their property divided up between a crew of rascals’… The vicious and thuggish attacks on the temples weren’t done out of piety, said Libanius [echoing Eunapius]. They committed them out of pure greed… ‘These attacks are a source of income’ because after raiding not only shrines but also peasant homes, ‘the invaders depart with the loot from the places they have stormed’.”

Saul of Tarsus, the trouble-maker: his preaching and book burning at Ephesus inspired many artists who applauded such actions that all fascists imitated. Here’s another version: The Story
of St. Paul: The Burning of the Books at Ephesus, by Pieter Coecke van Aelst (tapestry, detail: designed c. 1529, woven before 1546)

● A fundamentalist mob, led by “Chrysostom”, destroyed completely the Temple of Artemis in Ephesus, one of the seven wonders of antiquity, in 401, ten years after its closure. Its ruins were used to decorate the Hagia Sophia (columns), the Senate (bronze gates), the palace, and other buildings of Constantinople. A first verbal attack on the temple by Saul-Paul caused a violent riot. Destructions by the Christians started at the end of the 1st century. The “baton” was later taken by the Christian Goths who plundered Artemision in 262 CE. Archaeologists had been searching for six years before they located its traces in 1869.

● The impression one gets on this first “Christian century” is that Julian’s failure to restore freedom of religion was a turning point: the Christians realized what they had achieved and what they were in danger of losing. Their attacks would then reach proportions of an annihilation of all non-Christians, a true genocide – to a paroxysmal point.

●

Reconstruction of the procession carrying Alexander’s body based on Diodorus’ description

Sacrilege of Alexander’s Sōma

IN THIS ATMOSPHERE OF CHAOS AND POLARIZATION, utmost decay and moral degradation, proclaimed as “the triumph of Christianity over idolatry”, the symbolism of a “Victorious Jesus” could not be overwhelming without the “defeat” and “conquest” of the invincible conqueror, Alexander the Great. The king died (probably poisoned) in Babylon in 323 BCE. His body was en route to Macedonia, when it was hijacked by Ptolemy Soter for the prestige of having Alexander’s tomb in Egypt. The deceased, who had been declared as “the son of Amun” by the god’s oracle at Siwa oasis, asked shortly before his death to be buried there, in the temple of Zeus Amun, rather than alongside his biological father, Philip, at Aegae. Ptolemy Philopator built a magnificent mausoleum in Alexandria, inside a huge precinct, known as Sōma (Body), which became one of the most famous and sacred sanctuaries of the ancient world, for Alexander was worshipped as a god in the Macedonian and the Roman Empires – especially in the city he had founded, where he was like a patron. A large number of rulers and politicians, officers and officials, both Hellenes and Romans, paid respects to Alexander visiting the mausoleum. Julius Caesar was the first Roman leader to go to the Sōma, as a pilgrimage to the grave of his hero. Many others followed, from Augustus to Severus. However, there were some sacrilegious villains, like Caligula, who removed the breastplate, and Caracalla, who took the tunic, ring, and belt, while his troops were looting Alexandria for several days, slaughtering over 20,000 citizens, mainly young people, in 215, because of a satire produced in the city mocking his claims that he had killed his brother, co-emperor Geta, in self-defense.

City plan of ancient Alexandria with the four flashpoints framed in red: the Musaeum and the
Library, the Serapeum, and somewhere between the “Sōma”, the tomb of Alexander

● Nevertheless, even in such a bloodbath and plunder, with the sole exception of those “pickpockets” wearing the imperial purple, there was no real threat to Alexander’s Sōma until the next century. Ammianus Marcellinus described how bishop George, passing by the Sōma, in 361, wondered intentionally aloud in front of the people of Alexandria about the great and magnificent temple of the city’s genius: “How long will this tomb stand?”, he asked. By “genius”, Ammianus meant the tutelary deity of the city, Alexander. After a while, as we have seen, “George was killed for repeated acts of pointed outrage, insult, and pillage of the most sacred treasures of the city.” Besides, he was hated by all, pagans and Christians alike. But George was not alone. Theodosius, in 391, declared illegal the veneration of Alexander, together with all other pagan gods, and afterwards, says Alexandre Grandazzi in his Historia, “a violent Christian and anti-pagan riot exploded leading to the destruction of the great temple of Serapis, and possibly reached… the Sōma: an allusion… in a speech by the orator Libanius indicates that the body was removed from the tomb to be exposed publicly for the last time.” It seems that the body was hijacked again, and buried in a Christian manner since, according to the new dogma, it should be interred, while the preceding practice of entombment was thought to be idolatrous. Everything referring to Hellenism was destroyed, while the burial of important, illustrious persons was no longer done in mausoleums, but in Christian basilicas and underground. It is the time when Alexander’s remains “mysteriously” vanish. Already at the turn of the 4th and 5th centuries, John “Chrysostom” boasted in a sermon that the Macedonian king’s tomb was “unknown to his own people”, i.e. to the Alexandrian polytheists. Some decades later, Alexander was included by Theodoret in his list of famous personages whose graves had been “lost”.

Alexander the Great, several versions, by Andy Warhol (1982)

● There are a couple of references to a mosque or tomb of Alexander in Arabic texts dating from the 9th and 10th centuries. They probably allude to a mosque that was reconstructed from ancient architectural elements in the 11th century. Alexander’s empty sarcophagus was found there by Napoleon’s forces in 1798. Leo Africanus, who visited Alexandria around 1517, wrote:

“In the midst of the ruins of Alexandria, there still remains a small edifice, built like a chapel, worthy of notice on account of a remarkable tomb held in high honour by the Mohammedans; in which sepulchre, they assert, is preserved the body of Alexander the Great… An immense crowd of strangers come thither, even from distant countries, for the sake of worshipping and doing homage to the tomb, on which they likewise frequently bestow considerable donations.”

Alexander the Great, mosaic,
by Alexandros Giannios

George Sandys, visiting Alexandria in 1611, was also shown a sepulchre venerated as Alexander’s resting place. Whatever the fate of the tomb that was “mysteriously lost” again, these testimonies constitute a double defeat over Christianism: a) Alexander’s veneration continued either with or even without his body, despite the sacrilege; b) a comparison between the two monotheistic religions here ends up overwhelmingly against Christianism.

● According to 21st century historians, such as Andrew Chugg, author of four books on Alexander, one entitled Alexander the Great, the Lost Tomb, there’s a chance that the embalmed body of the great Macedonian king might be preserved in St. Mark’s Basilica in Venice, where it has been mistakenly venerated as the body of Mark the Evangelist! The latter had gone to Alexandria in 49, and founded the Church there, becoming its first bishop. However, there were Alexandrian pagans who resented his efforts to turn them away from the worship of their traditional gods. So, in 68, they placed a rope around his neck and dragged him through the streets until he died (the mobs, you see, were not a Christian invention: they have been an essential and indispensable “tool” of every ideology and doctrine).

Two Venetian merchants brought the mummy from Muslim Alexandria to Venice in the 9th century, and the doge ordered the so-called Chiesa d’Oro (Church of Gold) to be built next to his palace. The possession of an important relic would have serious political consequences. With a supposed evangelist on its territory, Venice acquired a status almost equal to that of Rome. During the construction of a new basilica in 1063, the relics “mysteriously” disappeared. According to a tradition, “Mark” himself revealed the location of his remains in 1094 by extending his arm from a pillar to the doge of the time.

Since 1811, the mummy rests in a crypt under the church’s altar, inside a marble sarcophagus on which there are also several Macedonian symbols. On the contrary, the Copts believe that Mark’s head remains in a church named after him in Alexandria, parts of his relics are in St. Mark’s Cairo Cathedral, and the rest are in Venice.

Nevertheless, there’s just one “little detail”: early Christian writers, such as Dorotheus, Eutychius, and also the author of the Chronicón Paschale, say that Mark’s body was burned by the pagans! How could it be possibly embalmed?

A scientific study on the remains would reveal the secret of their origin. Radiocarbon dating would establish if the body is old enough to match to that of Alexander. And, it would be possible to reconstruct his facial features from the skull (wherever it is), and inspect the bones for signs of multiple injuries, particularly the one inflicted on Alexander’s chest when an arrow penetrated into his sternum…

Do you sincerely think there will be any Church officials who would ever allow such a study, putting at risk the Church’s “history” for History’s sake?

• >> Chronicle 24. THE TRIUMPH OF CRETINISM
• << Chronicle 22. AN IBERIAN PERIPLUS REVIVAL

Next Chronicle 24. THE TRIUMPH OF CRETINISM ● The Genocide of the Hellenes (Β) ● Hypatia’s Assassination ● Christianism and Slavery ● Colonialism and Racism

Ruins and Columns of the Temple of Artemis at Ephesus

Chronicle 27. AN ARCHAEOLOGIST’S WATERLOO

Chronicle 27. AN ARCHAEOLOGIST’S WATERLOO

/ΕΛΛΗΝΙΚΑ/ Χρονικό 27. ΤΟ ΒΑΤΕΡΛΩ ΕΝΟΣ ΑΡΧΑΙΟΛΟΓΟΥ

● Emporia in Egypt and the Levant ● Leonard Woolley’s Waterloo ● Itinerant Minoan Artists ● Creto-Egyptian Ties ● Differences Between Minoan and Pharaonic Society and Art

Michales Loukovikas

.

… Hope the voyage is a long one…
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbours seen for the first time!
May you stop at Phoenician emporia
to buy fine things…
And may you visit many Egyptian cities
to gather stores of knowledge from their scholars…

(Constantine P. Cavafy, Ithaca)

A Minoan woman

UNDER NORMAL CIRCUMSTANCES, in the process of a research, in order to present a topic, you know beforehand in general terms what you’re looking for, while searching for documentation. Sometimes, however, the thread you have in hand to find your way in the “labyrinth of history” leads you to unanticipated landscapes, “into harbours seen for the first time”! Then a strong desire is born to “stop at Phoenician emporia… | and visit many Egyptian cities | to gather stores of knowledge from their scholars”, as Cavafy advises in his Ithaca. These are, indeed, the happiest moments of a research!

It happened exactly that when from the Aegean emporia in the historical space of the Mediterranean, I ended up following itinerant Minoan artists to distant lands! I felt I was obliged to give more information about these emporia, after referring to Naucratis in the previous Chronicle, when I realized I have already used this term several times in connection with colonies or trading posts; but the emporia were not exactly colonies or trading posts, though related to both. Writing in the Encyclopaedia of the Hellenic World about Commercial posts and harbours, Elias Petropoulos tried to clear things out:

“The term emporium denoting a type of settlement or colony first appears in ancient literature rather late, in the 5th century BC. According to some scholars, an emporium should be understood as the locale of the emporos (or merchant), i.e. the traveller carrying commodities. The word emporos etymologically originates from the preposition en and the word poros, meaning sea route. The word appears in Homer’s Odyssey twice. In both cases the epic poet obviously meant a private individual who travelled for professional reasons. Hence we could suppose that the word emporium originated from the word emporos. Unfortunately, this word does not appear on [Mycenaean] Linear B tablets, and this is rather surprising, but it also leads to the obvious conclusion that the word was coined at a later time. Scholarship on the subject argues that the word or term emporium (in the sense of a colony or settlement and not that of a simple commercial transaction or exchange of products) appears first in writing in the work of Herodotus in the mid-5th century BC. By the 4th century BC the word is found written on an inscription (known as ‘the inscription of Pistiros’) which has been unearthed quite recently in a settlement of the modern Bulgarian (ancient Thracian) hinterland, close to Philippopolis…

Emporium < Emporos (< en + poros) = a voyager on a sea route

The Babylonian Marriage Market (1875), by Edwin Long,
inspired by a passage in the Herodotan Histories

“According to information we can extract from Melpomene, Herodotus’ fourth book [of Histories], the Black Sea was home to several emporia, as the ancient historian described them… There are also more scattered references in the other eight books of Herodotus. These emporia were located outside the Black Sea, and situated in the Mediterranean. The case of Naucratis among them really puzzles us: the ancient historian mentions it as both a polis and an emporium. Many studies have dealt with this issue, but nevertheless we still cannot determine the early nature of this settlement with certainty. The term usually understood as the opposite of emporium is colony, which is considered as a complete form of settlement in the model of the ancient Greek polis, featuring a distinct form of political and social organization. A colony was obviously established in the context of a predetermined plan of action, and under the auspices of a god (or gods) through an oracle, with every formality on the part of the metropolis, possessing an agricultural hinterland and its own coinage… However, in some cases, an emporium may be characterized as a proto-polis or proto-settlement, in the sense that it could act as an early stage in the foundation of a colony or polis.”

Frieze of a landscape with river; Acroteri, Thera – when there were still rivers on Santorini…

Egypt with Alexandria, Naucratis, Avaris, Sais, Pelusium, Memphis and Thebes mentioned in this Chronicle.

Emporia, according to Wikipedia, were places that the traders of one people had reserved to their business interests within the territory of another people. Except Naucratis, famous emporia in Egypt included Avaris and Sais, where Solon, the Athenian legislator, went “to gather stores of knowledge from its scholars”, in 590 BCE. Similar emporia were founded in the Levant, such as Al-Mina and Posideion in Syria. Sais (or Zau in ancient Egyptian) was located in the western Nile Delta. The city’s patron goddess was Neith. The Greeks, such as Herodotus, Plato and Diodorus Siculus, identified her with Athena and hence postulated a primordial link to Athens. Diodorus recounts that Athena built Sais before the deluge that supposedly destroyed Athens and Atlantis; all Hellenic cities were wiped out in that cataclysm, but the Egyptian cities survived. In Plato’s Timaeus and Critias (around 360 BCE), a priest in Sais entrusted to Solon the story of Atlantis, with its aggression against Greece and Egypt, and its eventual defeat and destruction by a natural catastrophe.⁽¹⁾

• ⁽¹⁾ The story of Atlantis may be connected with either ice melting after the last Ice Age (but Hellas was non-existent then), or the Sea Peoples’ raids and the consequent Bronze Age collapse. This could have been the “cataclysm” that destroyed Greece, while Egypt barely survived… (See the Chronicles 18, 19, 20, especially the last one).

Taureador: Fresco fragment from Avaris, 16th BCE

Avaris (today’s Tell el-Dab’a), the capital of Egypt under the Canaanite Hyksos, was also located in the Nile Delta, in the northeastern region. Its position at the hub of Egypt’s emporia made it a major administrative and commercial centre. Excavations have shown there was a busy harbour catering to over 300 ships in a trading season. Artifacts inside the precinct of the palace, possibly a temple, have produced goods from all over the Aegean. Most impressively, there were even Minoan-like wall paintings similar to those found in Crete at the Palace of Knossos. It is speculated that there was close contact with the rulers of Avaris, whoever they were, and the large building with the frescoes allowed the Cretans to have a ritual life in Egypt. French archaeologist Yves Duhoux also proposed the existence of a Minoan colony on an island in the Nile Delta.

Minoan Ladies in Blue fresco, ca 1525-1450 BCE

Outside of the Aegean, only three sites have an indisputable record of Minoan civilization, one being Avaris in Lower Egypt, the others Kabri and Alalakh in the Levant. Kabri, in Palestine, near the Lebanese border, is notable for its Minoan-style wall paintings. In the summer of 2009, more Aegean-style frescoes were found at the site. Apparently, the Canaanite rulers of the city wished to associate it with the Mediterranean culture and avoid Syrian and Mesopotamian styles of art that other cities in Canaan adopted. Alalakh was a late Bronze Age city-state in the area where Seleucid Antioch would rise by the end of the 4th century BCE. It was occupied from before 2000, when the first palace was built, and destroyed probably in the 12th century by the Sea Peoples (as were many other towns of coastal Anatolia and the Levant). Alalakh was never reoccupied and its place was taken by the nearby port of Al-Mina during the Iron Age.

Mantiklos Apollo, from geometric to orientalizing period, bronze, (c 700-675 BCE, Thebes, Hellas)

Al-Mina (“The Port” in Arabic) is the name that archaeologist Leonard Woolley gave to this ancient trading post in the Orontes estuary. According to Woolley, it was an early Hellenic trading colony, founded a little before 800 BCE in direct competition with the Phoenicians to the south. Large amounts of Greek pottery established its early Euboean connections, while the Syrian and Phoenician ware reflected a cultural mix typical of an emporium. The controversy whether it is to be regarded as a native Syrian site, with local architecture and pots, and a Greek presence, or as a Hellenic trading post, has not been resolved. Al-Mina served as an outpost for cultural influences that accompanied commerce with Urartu and Assyria through the shortest caravan route. Pottery recovered from later levels after 700 BCE shows that a Hellenic presence endured through the 4th century BCE, with pottery imported from Miletus and deftly imitated locally, apparently by Greek potters. Al-Mina is a key to understanding the role of early Hellenes in the East at the outset of the Orientalizing period of Greek cultural history. Robin Lane Fox has made a case for the Greek name of the site to have been Potamoi Karon mentioned by Diodorus Siculus; he suggestively linked it to karu (“trading post”) in an Assyrian inscription, which would result to Rivers of Emporia.

Sumerian silver lyre of Ur (2600-2400 ΠΚΧ)

Woolley identified Al-Mina with Posideion mentioned by Herodotus and Strabo, but recent scholarship places the latter at Ras al-Bassit, located 53 kilometres north of Latakia (Hellenistic Laodicea) by the Mediterranean. Excavations there revealed a small settlement of the late Bronze Age, when it may have functioned as an outpost of Ugarit to the south. Unlike Ugarit, Bassit survived the passage of the Sea Peoples and into the Iron Age. It had strong links with Phoenicia and Cyprus, and a Greek presence was attested from the 7th century BCE. Posideion expanded and its acropolis was fortified in the Hellenistic period.

Ram in a Thicket: one of a pair of figures found at Ur. The excavation was a joint venture of the British Museum and the Pennsylvania University. Then they decided to share the booty!

Woolley began work at Al-Mina in 1936, after the excavation in Mesopotamia, at Ur, where he discovered Sumerian royal tombs of great wealth. He made up his mind to work by the Mediterranean coast because he was interested in finding ties between the Aegean and the Mesopotamian civilizations, and also wished to throw light, as he wrote, “upon the development of Cretan civilization and its connections with the great civilizations of Nearer Asia”. Disappointed at Al-Mina, as he did not find a Bronze Age port there, he soon moved his interests to the earlier, more urbane site of Alalakh, where he worked before and after World War II (1937-39 and 1946-49). It seems, however, that his “view” was anything but “impartial”, for he, too, was “spectacled”, wearing “Asiatic myopic glasses”. All those clues on the “connections” he was interested in were there, of course; but, having already in mind an elaborate scenario, and most probably the secret ambition to turn Arthur Evans’ work in Crete upside down, he led himself to erroneous conclusions. If Ur had been his Austerlitz, Alalakh turned out to be his Waterloo! His failure to interpret his findings correctly should be taught in every School of Archaeology, helping each equally short-sighted scholar learn his/her lesson…⁽²⁾

Wishing to turn Arthur Evans’ work in Crete upside down, Leonard Woolley drew wrong conclusions. If Ur had been his Austerlitz, Alalakh turned out to be his Waterloo!

Lawrence (left) and Woolley at Carchemish

• ⁽²⁾ “Sir” Charles Leonard Woolley (1880-1960) was knighted in 1935 for his contribution to his discipline, since he was considered as one of the first “modern” archaeologists. Volunteered by Arthur Evans to run the excavation on a Roman site in northern England, Woolley started his career in 1906, later admitting: “I had never studied archaeological methods even from books… and I had not any idea how to make a survey or a ground-plan”. He worked with T. E. Lawrence, the later famous “Lawrence of Arabia”, on the excavation of the Hittite city of Carchemish in 1912-14. His work at Ur, starting in 1922, led to the discovery of the royal tombs and inspired Agatha Christie in writing the novel Murder in Mesopotamia. The writer later married Woolley’s assistant, Max Mallowan. Woolley was one of the first archaeologists to propose that the “great deluge” of the Bible was a local flood, after identifying a flood-stratum at Ur of “…400 miles long and 100 miles wide; but for the occupants of the valley, that was the whole world”…

The Knossos palace reconstructed

Wolf-Dietrich Niemeier vs. Leonard Woolley

REFERRING TO MINOAN ARTISANS TRAVELLING OVERSEAS: The Alalakh Frescoes and the Painted Plaster Floor at Tel Kabri (Western Galilee), the German archaeologist Wolf-Dietrich Niemeier, who excavated at Kabri, explained how Woolley’s ambition to upturn Evans boomeranged back on him:

“The uniqueness and seeming suddenness of the emergence of the Cretan palace system in the Aegean has often been explained by connections with and influences from the older advanced civilizations of the ancient Near East. In Alalakh… Woolley thought to have found what he had looked for: in Yarim-Lim’s palace he recognized ‘unmistakable connections’ with Minoan Crete. Similar building techniques… as well as frescoes ‘identical in colouring, technique and style’ at Alalakh and Knossos led him to the conclusion that ‘there can be no doubt but that Crete owes the best of its architecture, and its frescoes, to the Asiatic mainland’, and that ‘we are bound to believe that trained experts, members of the Architects’ and Painters’ Guilds, were invited to travel overseas from Asia (possibly from Alalakh) to build and decorate the palaces of the Cretan rulers’.

“Crete owes the best of its architecture, and its frescoes, to Asia.”
(Leonard Woolley)

Yamhad, with Halab (Aleppo) as capital, and several toponyms mentioned in this Chronicle:
Carchemish, Alalakh, Ugarit, Qatna, Hazor in Canaan, Mari, Babylon, Ur.

“Woolley’s main argument for this theory, which has been accepted by eminent scholars,⁽³⁾ [!] was that ‘Yarim-Lim’s palace antedates by more than a century the Cretan examples in the same style’… However, after a long debate on ‘Alalakh and Chronology’, Woolley’s date (‘between c. 1780 and 1730 BC’) proved to be too high. Yarim-Lim of Alalakh was not – as Woolley had thought – Yarim-Lim I of Yamhad, the contemporary of the great Hammurabi of Babylon, but a younger brother of King Abban [Abba-El?] of Yamhad who gave Alalakh to him as an appanage principality…⁽⁴⁾ The dates recently proposed by different scholars lie between c. 1650 and 1575 BC. In regard to architecture… the evidence is far from substantiating Woolley’s theory of Near Eastern architects working in Crete… The orthostates of Alalakh are c. 300 years later than the orthostates of the first phase of the Old Palace at Phaistos… Fragments of wall paintings from Yarim-Lim’s palace show characteristic Minoan motifs which appear contemporary or even earlier in Crete. Moreover, the sense of movement detectable in the wall-painting fragments from Yarim-Lim’s palace is characteristically Minoan and in opposition to Near Eastern tradition.

• ⁽³⁾ You see, the… spectacled parrotlet (forpus conspicillatus) is not an endangered species!

• ⁽⁴⁾ There were three kings of Yamhad under the name of Yarim-Lim and, of course, far more local rulers with the same name, such as the one in Alalakh. Woolley (more than anyone else) should have known better before he wrote that “Crete owes the best of its architecture, and its frescoes, to the Asiatic mainland”…

Papyrus fresco on Thera

“Woolley’s strongest argument for a direct connection between the Alalakh paintings and those in Crete was that they both were executed in true fresco painting on wet lime plaster. But it is exactly this fact which definitely disproves Woolley’s theory of the Near Eastern ancestry of Cretan fresco painting. Until most recently the Alalakh frescos formed the only known example of true fresco painting on the ancient Near East. In Crete, true fresco painting is known at least from c. 1900 BC on. Thus true fresco painting apparently has been first invented on Crete, probably because it was suitable to the temperament of the Minoan artists.⁽⁵⁾ Technique, style and iconography of the fresco fragments from the Yarim-Lim palace at Alalakh indicate that their resemblances to the Cretan wall-paintings worked in the reverse direction as that originally thought by Woolley.

• ⁽⁵⁾ While the Egyptian artists of this period painted their wall paintings in the “dry-fresco” (secco) technique, the Minoans used a “true” or “wet” painting method, allowing the pigments of metal and mineral oxides to bind well to the wall, which required quick execution. The nature of this technique encouraged improvisation, spontaneity, and the element of chance. Since they had to work within the time constrains of the drying plaster, they had to be very skilful, and their fluid brush strokes translated into the graceful outlines that characterize Minoan art. For this reason, this method of painting was most appropriate for the fluid moments of life and nature scenes that the Minoans favoured, which contrasted sharply with the strict stylization and stereotyping typical of frescoes from other Mediterranean cultures of the same time. The figures of Minoan frescoes are depicted in natural poses of free movement that reflect the rigours of the activity they engage in, an attitude characteristic of a seafaring civilization accustomed to freedom of movement, liquidity, and vigour.

Ritual sprinkler in rock crystal
from Kato Zakros, Crete

“There is much evidence that Cretan objects of art were highly valued in the ancient Near East. In the Mari tablets Cretan imports are mentioned… The prestige character of the Cretan objects in the Mari texts is indicated by the fact that two of them were presented by King Zimri-Lim of Mari to other Mesopotamian Kings. As finds of Kamares pottery at Ugarit, Qatna, Byblos and Hazor demonstrate, this outstanding pottery was highly esteemed in the Levant. Thus, at least from the 19th century BC on, Crete within its relations to the Levant was not only the receiver but developed into an equal partner producing works of art for which there was a great demand in the Near East.⁽⁶⁾ These Cretan works of art arrived by some kind of exchange or trade in the Levant. But, as Woolley has stated, ’one cannot export a palace on board of a ship, nor is the «art and Mystery» of fresco-working a form of merchandise’.⁽⁷⁾ Do we therefore have to reconstruct just the reverse scenario as that suggested by Woolley, i.e. Cretan artisans travelling to Alalakh for painting the frescoes there?

• ⁽⁶⁾ I ignore the Levantine contribution to the Minoan culture and, unfortunately, Niemeier gives no information on the subject. What I do know is how much the Cretans were indebted to, and how much they were benefited by learning from, the Egyptians (see Chronicle 17, Minoan Trade and Influence). I can imagine, in addition, how much the Egyptians would have benefited if they were not so stuck-up to let themselves learn from the Cretans…

• ⁽⁷⁾ I used a similar argument in Chronicle 22, Conclusion, to show the necessity of Hellenic presence in Iberia: “What the Phoenician ships could not transport and, thus, made the Greek presence absolutely necessary in Iberia, was Hellenic culture, art, ideas, models, architecture, burial habits, etc.”

“The sense of movement is characteristically Minoan, in opposition to Near Eastern tradition. Kabri and Alalakh show a purely Minoan iconography and technique. This can only mean they were made by itinerant Minoan artists.”
(Wolf-Dietrich Niemeier)

Knossos: the Throne Room with the griffins reconstructed

“In ‘Greater Canaan’…⁽⁸⁾ there are two other sites which can contribute to the problem: Qatna and Tel Kabri. Fragments of wall-paintings from the palace at Qatna show [techniques] in the characteristic Aegean manner. Tel Kabri lay on one of the most important trade routes of the ancient Near East, [Way of the Philistines,] the later so-called Via Maris…⁽⁹⁾ In the palace of the local ruler… a threshold was plastered and painted with… similar floor-techniques and designs of the Minoan palaces but not from the Ancient Near East… There is evidence that the walls of this room were also covered with painted plaster of which unfortunately only tiny fragments have been preserved. The plaster floor has been painted in true fresco technique… found also in Cretan and Theran fresco painting but not in tempera and fresco secco. The colours in the floor’s painting are… very similar to those of Cretan and of Theran wall-painting… Originally the floor… imitated the slabs of a stone pavement… In Crete painted plaster floors imitating slab-paved floors are known from [c. 2000 BCE]. Other parts of the Kabri floor were decorated with floral motifs. Among them are chains of stylized linear iris blossoms of a characteristic Minoan type which occurs first in frescoes and vase-painting [in 1700-1500 BCE]. Such kind of decorative mixture is a characteristic feature of Minoan fresco painting… The Kabri floor and also the fresco fragments from Yarim-Lim’s palace at Alalakh do not have only single Minoan motifs foreign to ‘Greater Canaan’ which could be explained as intrusive or incorporated elements arriving by motif transfer, but they show a purely Minoan iconography as well as technique. This can only mean that they were executed by travelling Minoan artisans…

Asherah, Canaanite fertility goddess

• ⁽⁸⁾ Greater Canaan: “the area between the Amuq plain [where Antioch was later built] to the north and the deserts to the south and to the east for the middle and late Bronze Age… appears to form a largely uniform civilization with regional variations.” (Ruth Amiran)

• ⁽⁹⁾ The historical name of the road, sadly for the Israeli Jews, was Way of the Philistines, since it crossed through the Philistine plain, where the Gaza Strip is located. Via Maris was “fished up” out of the Vulgate – “via maris”, meaning “by the way of the sea” – without specifying any road (there was no such Roman name denoting any road anywhere). The modern name was adopted so as to… expel the Palestinians from their homeland, Palestine, even on archaeological terms!

La Petite Parisienne de Crète…

“We have evidence for exchange of information on the equipment of the palaces within the ancient Near East (to which Minoan Crete belonged in a certain sense as a westernmost member). That Cretans actually travelled to the Levantine coast is proved by a tablet from the Mari archives mentioning a Cretan who purchases tin at Ugarit from agents of the Mari palace. A tale in the mythological poetry of Ugarit is of highest interest in our context. In it the goddess Anat is sending the divine messenger over the sea to the god of handicrafts, Kothar wa-Khasis, who is brought from his throne in Kptr (almost unanimously identified as Caphtor = Crete) to build a splendid palace for god Baal and to furnish it with precious works of art.⁽¹⁰⁾ As Arvid Schou Kapelrud has stated, Kothar is ‘the master-builder and the master-smith as he is found in the Near Eastern courts of this time, a highly skilled specialist’. In Canaanite mythology the god of handicrafts was called from Crete to furnish the palaces of the deities with precious works of art; in reality the rulers of Tel Kabri (Rehov) and Alalakh (and other cities, possibly Qatna) asked the rulers of Crete for sending artisans to decorate their palaces with fresco painting. As has been demonstrated by Carlo Zaccagnini, the sending of specialized workers is well-attested in the framework of the diplomatic relations between the rulers in the ancient Near East, their transfers are inserted into the dynamics and formal apparatus of the practice of gift-exchange.”

• ⁽¹⁰⁾ “KPTR” may be identified with “Caphtor”; but the latter’s identification with Crete is anything but certain. Biblical Caphtor may refer to: a) Pelusium in the Nile Delta; b) Cilicia; c) Cappadocia; d) Cyprus; e) Crete (see Chronicle 20, Pelasgians and Philistines-Peleset). Egypt fits far better here because in all references to Kothar, except the poetic tale mentioned above, his abode is identified as “HKPT”, which is possibly read as “Hikaptah”, or “House of the ka (soul) of (god) Ptah”, i.e. Memphis. The Hellenes pronounced this Hikaptah as Aegyptos, hence the name of the country in many languages.

Minoan fresco frieze at Avaris reconstructed

AFTER THE DISCOVERIES in Alalakh and Kabri, the absolutely impressive Minoan wall paintings in Avaris with a long frieze of taurocathapsia (bull-leaping) against a labyrinth pattern, griffins or rosettes, recovered during Manfred Bietak’s excavations there,

“instantly created much sensation, since among the scenes depicted on them are spectacular representations of bull leaping so closely identified with Minoan cult and culture”, as Wolf-Dietrich and Barbara Niemeier commented in another paper on Minoan Frescoes in the Eastern Mediterranean.

“From 1990 on, we suggested that the Kabri and Alalakh frescoes were painted by travelling Aegean specialists, and [some time later] Bietak and Nanno Marinatos did the same for the Avaris frescoes”.

A Minoan heterotopia at Avaris. Taureador (detail)

There was a minor problem among archaeologists on the date of these frescoes. Wishing perhaps to please everyone,

“Bietak and Marinatos came to the conclusion that ‘Minoan wall painting existed in Avaris both during the late Hyksos period and the early 18th Dynasty’. Bietak had regarded as possible that ‘trade… links between Avaris and Crete… might have survived a dynastic change and might have carried on into the 18th Dynasty, even after the fall of the Hyksos.’ There is indeed enough evidence from history that the kind of diplomatic and economic relations which apparently are behind these fresco paintings can survive the changes of regimes.

“According to Bietak, ‘king Ahmose, the founder of the 18th Dynasty, fits particularly well into the picture of Minoan connections.’ He imagines the possibility of a political deal between Ahmose and the ‘Minoan Thalassocracy’ in which the Minoan fleet helped Ahmose – who had no fleet – against the danger still threatening from the Hyksos harbour bases in southern Palestine. There is no archaeological or textual evidence for the latter hypothesis, and it recalls rather imaginative and today forgotten scenarios connected with the expulsion of the Hyksos, like those according to which Mycenaean mercenaries helped Ahmose in evicting the Hyksos, or according to which fugitive Hyksos princes conquered the Argolid and subsequently were buried in the Shaft Graves at Mycenae. Moreover, Ahmose already had a fleet: he captured Avaris after a series of assaults by both land and water [and then] proceeded to southern Palestine.”

Ahmose fighting back the Hyksos

Even a pharaoh with a fleet of his own would surely prefer to have the far more experienced Cretan navy on his side, than against him, allied with the Hyksos! The Avaris paintings indicate an involvement of Egypt in international relations and cultural exchanges with the eastern Mediterranean either through exchange of gifts or even marriage. They additionally point to Minoan authority as being involved in Egyptian affairs, possibly because Crete had a strong naval force to offer the pharaoh, and also to Avaris as a place where these cultural exchanges took place, meaning the city was incredibly important to Egypt.

Girl from Acroteri, Thera: detail
from the fresco of the lilies

The marriage of a Minoan princess to an Egyptian pharaoh may be one possible scenario. Bietak has suggested that the Avaris frescoes were painted by Minoan artists who were members of the entourage of a Knossian princess married to a pharaoh, whom he first identified as a Hyksos ruler, then as Ahmose, and later as Thutmose III. At last, who was the Cretan girl’s groom? The Minoan eruption on Thera (c. 1640 – c. 1540) coincides with the Hyksos period in Egypt (1650–1550 BCE). But because the exact moment of the eruption escapes us, we can not speculate if the marriage took pace then and when. There follows Ahmose with his New Kingdom, when the Egyptians considered the Aegean to be part of their “empire”. The term must not be understood literally, because in Egypt, they misinterpreted even the gifts given to the pharaohs: “The Egyptians, with their characteristic egocentric sense of superiority, would have presented such gifts as tribute”, remarks A. R. Schulman. At any rate, “Ahmose fits particularly well into the picture of Minoan connections”. Thutmose could very well be the groom, too. Besides, we know that he had three foreign wives: Menwi, Merti, and Menhet. However, a problem arose: another dynastic change that happened during his reign, in the middle of the 15th century BCE – not in Egypt but in Crete, when the Minoans were put under the yoke of their own “Hyksos” (foreign rulers), the Mycenaeans. Therefore, if there was a wedding, it should have happened in the beginning of Thutmose’s reign, when the actual pharaoh was his stepmother, Hatshepsut, or immediately after her death, in 1458 BCE.

Theran rosettes

Whatever the case, these unique wall paintings are of Minoan style, technique, and content. There is a long frieze of bull-leaping and grappling against a maze pattern. Marinatos has made a case that the rosette motif, a prominent feature of the “Taureador” paintings, reproduces the Knossian rosettes, and that it is a distinct Minoan symbol. The frescoes also depict griffins, hunting scenes, felines chasing ungulates, several life-sized figures, and a white female wearing a skirt. Especially important are the Minoan palace emblems, such as the half rosette frieze, and the presence of big griffins that are the same size as the ones in the Knossian Throne room. The technique of painting is typically Aegean, while the style is of very high quality and compares with some of the best paintings from Crete. The use of Minoan royal motifs in a palace of Avaris, says Bietak, indicates that “an encounter on the highest level must have taken place between the courts of Knossos and Egypt,” while the large representation of the female in the skirt may suggest a political marriage of a Minoan princess to the pharaoh.

Minoan female acrobat
(ivory, 2800-1100 BCE)

“Dynastic intermarriage was a favoured diplomatic tactic in the Bronze Age Near East,” the Niemeiers point out. The entourage of a foreign princess, some scholars suppose, “would comprise several hundred people, who until the end of their lives remained in the harem of the pharaoh, and that one can well imagine that at Avaris the rooms of the foreign princess and her entourage were decorated according to her desires. [However], at Alalakh and Tel Kabri, the frescoes probably had been attached to the walls of major ceremonial (and possible ritual) halls of the palace, not of the private rooms of queens or princesses.”

The technique of using lime plaster in two layers with a highly polished surface, fresco in combination with stucco, are all techniques that are not Egyptian but first seen in Cretan paintings. The colours used by the artists are clearly Minoan. Using blue instead of grey is Minoan, with that colour convention being seen in Egypt later, due to Aegean influence. Besides, there are no Egyptian hieroglyphs or emblems among the fragments. The composition of the paintings and motifs also fit in perfectly with all those of the Aegean world. Thus the overwhelming evidence seems to point into the direction of Minoan artists working in Avaris.

Differences Between Minoan and Pharaonic Society and Art

Wild duck on Thera

“The differences between the styles of Egyptian and Minoan arts have been analyzed by Henriette Antonia Groenewegen-Frankfort and, most recently, by Bietak,” the Niemeiers comment. “According to Groenwegen-Frankfort, Minoan art differs from Egyptian (and ancient Near Eastern) art in its ‘absolute mobility in organic forms’. Bietak aptly explains this with the different cultural patterns of both civilizations. The Minoan society was not – as the Egyptian one – dominated by writing, listing, and absolute order, and therefore Minoan art was not subjected to hieroglyphic clichés and a rigid canonical order. As to a comparison of Canaanite and Minoan arts, we do not have, unfortunately, many objects of art from the middle Bronze Age Levant. But those which are extant show a style distinctly different from the Minoan one. For instance, the bird representations on bone inlays from Megiddo and Lachish seem motionless in comparison to the crane on an ivory plaque from Palaikastro. Canaanite female and male metal figurines appear stiff in comparison to the Minoan female and male metal figurines displaying strong inner tension and dynamics.”

“Minoan art differs from Egyptian art in its ‘absolute mobility in organic forms’.” “The Minoan society was not dominated by absolute order; so
Minoan art was not subjected to hieroglyphic clichés and rigid order.”
(Henriette Antonia Groenewegen-Frankfort and Manfred Bietak)

Another map of the area, with arrows pinpointing the places mentioned in this Chronicle): Alalah, Carchemish, Ugarit, Qatna, Byblos, Megiddo, Mari, Babylon, Ur.

As it turned out the wall paintings at Avaris, Alalakh, Kabri, possibly Qatna (17th – 16th centuries BCE), were not the older ones.

“Earlier are the painted stone imitations in Zimri-Lim’s palace at Mari [18th century BCE]. The excavator of Mari, André Parrot, compared the stone imitations to those at Knossos. He also asked for possible connections between the Mari and the Knossos murals, and, pointing to the evidence for their connections provided by the Minoan precious objects mentioned in the Mari archives, he apparently tended to see some Cretan influence in the murals there.”

● Located in Mesopotamia, far from the Mediterranean, Mari (today’s Tell Hariri) was a Sumerian and Amorite city on the Euphrates. It flourished from 2900 to 1759 BCE, when it was sacked by Hammurabi, despite the gifts king Zimri-Lim had given him. More important was Mari’s strategic position as a relay point between northern Syria and lower Mesopotamia. The city came to control the trade lanes between different regions such as Iran, Mesopotamia, and Anatolia. The royal palace contained over 300 rooms and was possibly the largest of its time (over 1,000 rooms, they say, had the palace of Knossos)! More than 25,000 tablets were recovered while excavating Mari, as Parrot noted, “bringing about a complete revision of the historical dating of the ancient Near East, and providing more than 500 new place names, enough to redraw the geographical map of the ancient world.”

● Qatna (modern Tell el-Mishrife), 18 km NE of Homs, was one of the largest Bronze Age Syrian towns. Trade routes in the 2nd Millennium connected Mesopotamia with Cyprus, Crete, Egypt. Qatna is mentioned in the tin trade, linking Mari, via Qatna, to the Mediterranean; Cypriote copper was also transported on this route; their alloy, bronze, was most valuable during both the Bronze and Iron Ages.

Theran boy-boxers

Regarding the ethnic composition of the “Minoan” workshops, there are various possibilities: the frescoes were painted a) by travelling Aegean artisans; b) under the supervision of Aegean artists, assisted by Levantine painters, after they were trained by them; c) by Levantine students of Aegean masters. The idea of mixed workshops seems more appealing, probable, realistic. Decorating huge palaces was a great undertaking. However, it would seem unthinkable to imagine Cretan ships full of artists travelling around the Mediterranean for this task. The artistic teams should have been rather small, working necessarily with local apprentices.

“It is difficult to decide in each case which of these solutions is the correct one,” point out the Niemeiers. “We would agree with Philip P. Betancourt that only a very small percentage of the fresco paintings is known and that ‘we are touching the tip of the iceberg of a whole series of interrelated workshops, working in Knossos, the Aegean islands, on the coast of Western Asia and in Egypt, perhaps travelling back and forth, perhaps occasionally exchanging personnel, or going back to Knossos to learn the most recent things’… The Alalakh, Kabri, and Avaris frescoes are to be seen ‘in terms of the forging of an élite koiné – artistic, iconographical, ideological, technological – in the circumstances of the intense maritime interaction between the coastal areas of the Eastern Mediterranean’,” as Susan Sherratt proposed. Marinatos has argued that these paintings are evidence of a koiné, a visual language of common symbols, which testifies to interactions among the rulers of neighbouring powers. This idea is adopted by the Niemeiers, as well: “The Minoan artists involved in the painting of all these frescoes apparently formed an important element in the growth of the so-called ‘International Style’ of the Late Bronze Age eastern Mediterranean.”⁽¹¹⁾

• ⁽¹¹⁾ Not only of the eastern part of the Mediterranean: according to some fresco experts, similar wall paintings have also been found in “faraway” Morocco. However, it is not clear if they are painted with the true (wet) fresco or secco technique.

“Interrelated workshops worked in Knossos, the Aegean islands, the Western Asia coast and Egypt, travelling back and forth, exchanging personnel, or going back to Knossos to learn the most recent things.” “An élite koiné – artistic, iconographical, ideological, technological – was forged in the circumstances of intense maritime interaction between the coastal areas
of the Eastern Mediterranean.” (Philip P. Betancourt and Susan Sherratt)

Cretans in Egypt, bringing gifts of metal, jewelry etc, facsimile of a painting in Thebes, Egypt, 18th dynasty
(early 15th century BCE)

Whatever happened to the Avaris wall paintings? One group of them had fallen off the wall of a doorway, and another group of fragments was found in dumps deposited by the north-east palace. The frescoes seem to have been removed during the later Thutmosid period – when there was no Minoan Crete anymore, after it was taken over by the Mycenaeans.

“Minoan fresco painting apparently was a rather short-lived phenomenon in the Levant and Egypt – in Egyptian terms, covering the Hyksos period and the very beginning of the early 18th Dynasty,” the Niemeiers sum up. “Later, we find again paintings of nature scenes which appear to breathe a Minoan spirit. They were, however, executed in secco technique and certainly were not painted by Aegean artists. Minoan wall painting was a thing of the past at that time.”

Without Minoan Crete there was no room for Minoan art. Minoan workshops were still busy, of course; but the artistic masters worked for the new political masters, the Mycenaeans; there were no Greek artists at that time to compete with them. But their new works of art are not typified as “Minoan” anymore; they are called “Mycenaean”, sometimes with a footnote that they were made by Cretan artistic workshops. Would anyone ever think to describe as “Cretan” the masterpieces of another great Cretan master, who lived more than three millennia later, namely Doménicos Theotocópoulos, the famous El Greco?

Mycenaean women procession fresco

Before Tin, it was the Obsidian…

HERE WE ARE AGAIN AT OUR STARTING POINT, my dearest fellow voyagers, having come full circle back: we began with Periplus and Minoan Cretan Thalassocracy, and we concluded with Emporia and Minoan Cretan fresco.⁽¹²⁾ Now we can start anew, picking up the thread again, going back even before our starting point – before man learned how to work metals, when he voyaged in search of an equally valuable material: the obsidian. So, let’s attempt to go back to the Neolithic era. Let’s schedule it, at least: our vivid imagination is our strong point!

• ⁽¹²⁾ See also Chronicles 3, 5, and 17, 18, 19, about Crete, Cretans, Minoan civilization, navigation and trade, thalassocracy, fresco, taurocathapsia, etc.

• >> 28. THE MAKING OF THE MEDITERRANEAN PERIPLUS
• << Chronicle 26. IBERIAN CROSS-CHECK

Grandstand Minoan procession fresco

Chronicle 15. SAILING TO RIO DE JANEIRO!

ii) INTERLUDE

Crossing the Atlantic

 

Chronicle 15. SAILING TO RIO DE JANEIRO!

● Periplus: (Luso-Hellenic Wanderings) ● An Atlantic Odyssey

/ΕΛΛΗΝΙΚΑ/ ΠΛΩΡΗ ΓΙΑ RIO DE JANEIRO!
/PORTUGUÊS/ NAVEGANDO PARA O RIO DE JANEIRO!

Afro-Brazilian Museum

ΙΙΙ Festival

SO DISTANT
SO NEAR

Music and Poetry in the
Portuguese Language

Federal University of
Rio de Janeiro, May 2013

Tão Longe Tão Perto Organized in collaboration with the ensemble Música Surda: Andréia Pedroso, Antônio Jardim, Artur Gouvêa and Eduardo Gatto.

Michales Loukovikas

WHEN AMÉLIA MUGE AND I BEGAN researching and exchanging recorded material from our traditions, the Lusitanic–Portuguese and the Hellenic–Greek, several people raised ironically their brows:

“Oh, they are loucos”, they thought – some even said. “Portugal and Greece are so far apart. Impossible to find common ground”…⁽¹⁾

• ⁽¹⁾ Imagine what people with “raised brows”, just like them, will say now that we are talking about a triangle (not that of… Bermuda): Portugal, Brazil and Greece. Well, Portugal and Brazil, OK, the relation is too obvious: former metropolis and colony; but what about Greece?(!)

● This text was presented during the festival Tão longe, tão perto, in Rio de Janeiro.

I confess that our collaborative results astonished even us! Or even me, I should add, that I have been researching this field for years, arriving to the conclusion that civilization, culture, is the result of give and take, of exchange. I have also shown during my radio program (Mediterranean periplus, 9.58 fm, ERT3) that lands located so far apart, like, say, India and Iberia, have been interconnected for thousands of years, since ancient times…⁽²⁾

• ⁽²⁾ “Ancient” for the Hellenes means BCE (before the Common Era), or BC (before Christ), if you like.

Flamenco (by Hyatt Moore): an exciting art
interconnecting Iberia and India

All these ideas were further reinforced when Amélia and I started working on Periplus.⁽³⁾ For sure, there are some “dark spots” still now; questions that remain unanswered. A big question for me e.g. is: how can Amélia, a Portuguese born in Mozambique, compose in an ancient style? You see, all three themes of ancient Grecian music and poetry we have in Periplus (Seikilos’ Epitaph, the First Delphic Hymn to Apollo, probably by Athenaeus, and Mesomedes’ Hymn to Nemesis) were included after certain compositions of hers reminded me of these ancient Hellenic songs. It’s very strange, indeed.

• ⁽³⁾ It’s not so obvious but there is something like a “periplus” in different human endeavours, too. Music was born together with speech. In an advanced stage, in ancient Hellas, music was either instrumental or song. Poetry was inconceivable without music in classical Greece. The two arts got… divorce later, in the 4th century BCE. However, either before or after, a “periplus” was (and still is) needed to combine sounds with words, and express the meaning of the words through sounds. Something similar happens in a translation: then the “periplus” concerns two tongues. It is the voyage of a text, of its meaning and style, content and form, while it is adapted in order to start breathing in another language environment.

Andalusian ivory cylindrical pyxis,
i.e. a box to keep precious cosmetics
or jewelery (10th century)

However, apart from these “dark spots”, which will always challenge us to come up with some satisfactory answers, we were soon able to assemble the rest of the puzzle rather easily. And when our Periplus was released, I could say:

“You know, the links are there, waiting for us to bring them to light. One only needs to search, of course, methodically, with a proper compass – a bússula, as we say in Greek, or bússola, as you say in Portuguese”.⁽⁴⁾

• ⁽⁴⁾ We have the same word coming from Greek (pyxos > pyxis-pyxida > buxis-buxida > box, boîte, and bussola), with the plant pyxos (> boxwood) as a starting point; this hard, compact, durable wood has been used since ancient times to construct vessels, such as pyxides, and also musical (string and wind) instruments. Note that its seeds are kept in a capsule also called pyxis. Indeed, who among the non-specialists would ever imagine that the English box is of a Greek origin?

Anticythera Mechanism

The Mediterranean and the Oecumene beyond

THE GREEK PENINSULA AND ARCHIPELAGO was not a beginning in world history. The Hellenes received much wisdom from the Orient (Asia Minor, Mesopotamia, Egypt) and turned it into science;⁽⁵⁾ it was a great feat! What they left behind was a marvelous literature – uma literatura maravilhosa, indeed! Thus the Hellenic civilization became the foundation of the Occidental cultures.

• ⁽⁵⁾ There can be no great civilization without equivalent technology. A marvel in this domain is the Anticythera mechanism, the earliest analogue computer designed to calculate astronomical positions. Dated to c. 100 BCE, it was recovered in 1901 from a wreck between the Peloponnese and Crete, but its significance and complexity were not understood until a century later. Devices of a comparable level would reappear in the 14th century CE in Europe, with the construction of astronomical clocks. Professor Michael Edmunds of Cardiff University, who led a 2006 study of the mechanism, said:

“This device is just extraordinary, the only thing of its kind. The design is beautiful, and the astronomy is exactly right. The way the mechanics are designed just makes your jaw drop. In terms of historic and scarcity value, I have to regard this mechanism as being more valuable than the Mona Lisa.”

Victoria, the sole ship of Magellan’s fleet to complete the world’s periplus (detail from a map of Ortelius, 1590)

The extant peripli took place on the Mediterranean, the Indian and the Atlantic Oceans. Herodotus wrote about a periplus of Africa by Phoenicians on behalf of an Egyptian pharaoh. Some Greek from Alexandria, Egypt, described the Indian Ocean coasts of eastern Africa and India. Pytheas, from the Hellenic colony of Massalia (modern Marseille, France), voyaged north to the British Isles and also Scandinavia, and concluded a periplus of Europe sailing via European rivers from the Baltic to the Black Sea and back to the Mediterranean. There are people who believe that the Minoan Cretans, the Greeks, the Egyptians, the Phoenicians and Punics, and other ancient peoples, such as the Chinese, sailed to the Americas long before the Vikings, Columbus – or, of course, Magellan, who attempted a periplus of the Earth but was not fortunate enough to conclude it.

Hence these voyages started long before recorded history, in the Bronze Age. There are historical clues that the Minoans, in the time of their Thalassocracy, travelled as far as Cornwall, Britain, in search of tin – or else, they obtained this important metal at harbours in southern Gaul. Tin is a necessary component of bronze (±90% copper plus ±10% tin). There were vast quantities of copper in the Mediterranean. Cyprus e.g. was full of copper and the name Cyprus comes from copper (and vice versa). But tin? There were very few places with tin in the Mediterranean and in limited quantities.

The Minoans, and later the Greeks and Phoenicians, sailed initially to Iberia that was rich in these minerals. The Andalusians probably led the Cretans to Galicia, Brittany and Cornwall: they knew the way… These places, especially Cornwall, had massive tin deposits. There, close to Galicia, or even Cornwall, were the so-called Cassiterides Nēsoe, the Tin Isles (tin is cassíteros in Greek). Herodotus and other historians wrote also about the links of the Hellenes and Phoenicians with Tartessos, at the mouth of the Guadalquivir, and several people now correlate the legendary Andalusian city with the elusive Atlantis.

Tartessos – identified here with Sanlúcar de Barrameda (?) – and Gadeira-Gadir-Gades-Cádiz, on three islets with Greek names (Erytheia, Kotinoussa and Antipolis), outside the Pillars of Heracles,
the Strait of Gibraltar, in the Sea of Darkness, the Atlantic

Critical questions as the starting point of the research

MY RESEARCH, in the first part we have already voyaged, aimed at that complacent Greek highbrow “hot air”, summed up in the phrase “our own Orient” (see Chronicle 6, footnote 1). So, I raised that vast “Indo-Iberian arc” to demarcate the Mediterranean historical and cultural space. The starting point in the second part was these simple questions that had to be answered:

● Where did the Bronze Age Mediterranean find tin to produce bronze?

● Who were the established maritime traders of the time to bring this most crucial metal to the Mediterranean, as tin was rare around the basin?

I attempt to give some answers in the 2nd part, Cassiterides Archipelago: sailing to Tartessos, following the 1st part, Mediterranean Periplus: in Search of Orpheus. (Hellenic) music is my focus in the 1st part; (Mediterranean) history in the 2nd.

One of the Riace Bronzes, two Greek full-size nude warriors (ca 460–450 BCE), recovered in 1972, considered as a symbol of Calabria.

Α. Mediterranean Periplus, in Search of Orpheus

Prologue. Before Sailing Off
1. The Universal Mediterranean
2. It All Started Here…
3. A Chronicle of the Humans
4. On Democracy
5. Iberia’s Odyssey
6. Indo-Iberian Arc (Jondo)
7. Indo-Iberian Arc (Duende)
8. A Hybrid’s Hybris…
9. The Celebrated Tríchordon
10. The… “Sun Language”
11. “Music Is Thracian and Asian”
12. “Do Not Maltreat Our Music!”
13. Professionals or Amateurs?
14. Music Made of Body and Soul

Β. Cassiterides Archipelago, Sailing to Tartessos

15. Sailing to Rio de Janeiro!
16. Mediterranean Periplus-Paraplus
17. Minoan Cretan Thalassocracy
18. Aegean: Knossos, Mycenae, Troy
19. Phoenicia’s Stroke of Fortune
20. The Enigmatic Sea Peoples
21. Iberian “El Dorado”
22. Iberian Periplus Revival
23. The Genocide of the Hellenes
24. The Triumph of Cretinism
25. “Carthago Delenda Est!”
26. Iberian Cross-Check
27. An Archaeologist’s Waterloo

Appendix: 28. The Making of the Mediterranean Periplus | 29. Biblio – Disco – Graphy | 30. Michales Loukovikas – bio.

A general conclusion is that certain needs motivated humans to live together, to communicate, to exchange. That’s how society was born, the cities were created, the classes and division of labour emerged, and writing was invented. People’s coordinated interaction concerned material needs but transformed at the same time all those who worked together, exchanging ideas or ideals; it was a process that led to the birth of culture, of civilization.

Homer’s Odyssey periplus

HOMER’S ODYSSEY IS A POETIC PERIPLUS. According to the Lusitanians, Odysseus’ wanderings were Luso-Hellenic, as well: he founded Lisbon and had a child with the princess of Iberia, Calypso. Homer described Odysseus’ descent into the Hades, the underworld, which was outside the Pillars of Heracles, that is, the Strait of Gibraltar. The Hellenes located in the same area the Garden of the Hesperides or the Makarōn Nēsoe, i.e. the Fortunate Isles, the Islands of the Blessed, or Elysium, what today is thought to be Macaronesia (the Azores and Madeira, the Canaries and Cape Verde).

Strabo and Solinus said that Odysseus, after the fall of Troy, navigated westward to Lusitania, founded Lisbon, and then desired to try his fortune on the Atlantic – where he disappeared, with no trace left behind. This is a version of Odysseus’ story mentioned also by Pere Antoni Beuter, a Valencian historian, who referred to Dante Alighieri, saying he shared this view. Indeed, in his Inferno, the Italian poet described Odysseus’ descent into the underworld with no return. The king of Ithaca, he wrote, went out of the Pillars of Hercules, sailed south, crossed the Equator, and then continued voyaging for months, until he reached a bay with a big mountain. Then, a tornado sank his boat; everybody drowned there.

I really don’t know why, but I feel this bay with the big mountain is… the River of January: Rio de Janeiro! I would really love to confirm that…

The siege of Lisbon, by Roque Gameiro (1917)

Appendix: An Atlantic Odyssey

● A modern Greek Homerist, Iohannis Kakridís, argues that the Odyssey is a work of poetry and not a travel log (i.e. a navigator’s periplus). According to W. B. Stanford, Cape Maleas and the nearby island of Cythera, where Odysseus met storms (see the Odyssey, book 9), are “the last clearly identifiable places in his wanderings. After this he leaves the sphere of Geography and enters Wonderland” – a wander in wonders!

Nevertheless, due to the great impact of the Homeric epics, the attempt to work out “a Geography of the Odyssey” started as early as Hesiod, a Homer’s contemporary most probably, and by the Hellenistic period, the literature on the subject had really thrived. There were even passionate debates among the scholars whether Odysseus’ wanderings were confined within the Mediterranean, or if they indeed expanded into the Atlantic – indicating that for them the ocean was not a “terra” (mare) incogita.

Sappho and Alcaeus, by Lawrence Alma-Tadema

Despite that, other scholars, turned against this euhemerism –⁽⁶⁾ or even against the great rhapsode. The mythographer-grammarian Apollodorus of Athens (2nd century BCE) wrote that Homer imagined the wanderings as having taken place in a kind of fairyland in the Atlantic. Strabo (1st centuries BCE-CE) thought that at least Ogygia and Scheria, the islands of Calypso and Nausicaa respectively, were “imagined in fantasy” as being in the Atlantic – so, they both mentioned the Atlantic! In addition, he insisted that any hypothesis at all, no matter how outrageous, is more plausible than saying “I do not know”… Yet, Eratosthenes (3rd – 2nd centuries BCE) remarked rather sarcastically: “You will find the scene of the wanderings of Odysseus when you find the cobbler who sewed up the bag of the winds.”

• ⁽⁶⁾ Euhemerism: from the mythographer of Sacred History, Euhemerus: a view that the gods have been deified humans and that the myths have a historical basis.

Plutarch (1st – 2nd centuries CE) was sure Ogygia was in the Atlantic, and specifically west of Britain. Additionally, he repeated what Plato had described as a continent on the other side of the Atlantic, claiming that from this continent Ogygia was about 900 kilometres distant. The German astronomer Kepler (1571 – 1630) estimated that this “great continent” was America and attempted to locate Calypso’s island.

Map of Rio de Janeiro (Dutch Atlas 1600)

● In her research entitled The Wine Dark Sea (1964), the American Henriette Mertz argued that Circe’s island was Madeira, Calypso’s island one of the Azores, while the intervening voyages recorded a discovery of North America: Scylla and Charybdis were in the Bay of Fundy, Nova Scotia, Canada, while Scheria, the Phaeacians’ land, was in the Caribbean, in the Gulf of Mexico, possibly in Florida. Such travels were done with the help of sea currents she studied. It was them, mainly the (Mexican) Gulf Stream, which took Odysseus to the Sirens (Haiti or Cuba, and to the Island of the Sun, of Helios (Nova Scotia or Newfoundland).

Enrico Mattievich, an Italian-Peruvian retired Professor of Physics from the Federal University of Rio de Janeiro (where our festival took place), “brought” Odysseus to South America, proposing that his journey to the Underworld actually took place there. The river Acheron is the Amazon, he argued in his Journey to the Mythological Inferno (1992). After a long voyage upstream, Odysseus met the spirits of the dead at the confluence of the rivers Marañon and Ucayali – i.e. at the starting point of the Amazon.

Another study connected to that of Mertz’s is Siegfried Petrides’ Odyssey – a Naval Epic of the Greeks in America (1994). Grecian literature is full of references about the geographical and astronomical knowledge of the Hellenes, which allowed them to use the constellations for directions. Petrides’ long experience as a sailor allowed him to confirm, or even clarify, Mertz’s conclusions, providing extra details on the wind directions, sea routes, islands, etc. A clarification is that ancient Greek sailors did not rely on mere chance to reach America but had fast and versatile vessels that could easily cross the Atlantic. They also knew perfectly well how to combine and take advantage of both the sails and the rows, thus covering very long distances.

Demetris Michalópoulos, of the Institute of Hellenic Maritime History, described a Peripeteia [Adventure] in the Atlantic: Ulysses’ voyages between Europe and America – referring also to Petrides. His anything but controversial starting point is the coast of Libya, the land of the Lotophagi. His next stop, the land of the Cyclopes, seems to be nearby: Sicily or somewhere in Magna Graecia, according to the prevailing opinion in late antiquity. All the same, there is no mention to Italy in the Homeric text. The only information given by Homer is that, in the past, the Cyclopes were neighbours of the Phaeacians in the “immense Hyperia”. Yet, the latter were compelled to migrate to Scheria, because the Cyclopes were anything but friendly… But where was Hyperia located? If we now accept what we have just rejected, i.e. the prevailing opinion in late antiquity, the Cyclopes lived in the Mediterranean near the Laestrygonians. In the Homeric text, there are some indications about the Laestrygonians’ land: “the outgoings of the nights and of the days are close together”… Michalópoulos supposes that the Laestrygonians lived in a region where, in summer, the days are very long and the nights very short, that is, in Scandinavia. He also refers to Tacitus, who wrote that Odysseus reached at least Germany. Hence Hyperia was somewhere there. Yet, there is a “little problem”: between the Cyclopes and the Laestrygonians, Odysseus voyaged to Aeolia that, although “floating”, is identified most possibly with Mallorca. But a return trip between Scandinavia and the Balearics is… a little too much!

Then we set sail to America. Circe’s Aeaea, the Underworld, the Hesperides and the Gorgons were all in the “remote West”, according to Hesiod. Ogygia, wrote Plutarch, was five days away from Britain. Arriving there, one must navigate through “a heavy sea, muddy and agitated by currents”. Such a place can be the Sargasso Sea, in the North Atlantic Ocean, where Bermuda may be the location of the isle of Calypso. The nymph instructed Odysseus to sail with the Ursa Major constellation on his left. After eighteen days, he reached Scheria, possibly in Iberia. Ithaca’s king and other Trojan War heroes had made their presence felt in the peninsula. According to Strabo, even a town therein was named after Odysseus. There is a tradition, as well, adopted by Camões, that the etymon of Lisbon is Ulysses, i.e. the Latin form of the name of our hero. Hence the “Homeric” river of the Phaeacians is the Tagus, whose bed was so rich in precious metals that it was described as “equivalent to the Pactolus”, the well-known gold river of Asia Minor (Silius Italicus).

Odysseus may not have been the first Greek (or European) to step on American soil: according to Mertz, some time before the Trojan War and the Odyssey, circa 1300 (or 1225) BCE,⁽⁷⁾ the Argonauts travelled across the Atlantic Ocean, thanks to the Gulf Stream, crossed the Sargasso Sea (Apollonius of Rhodes’ “floating islands”) and then touched at Puerto Rico. They sailed southwards by South America, past the mouth of the Amazon and Rio de Janeiro until the Río de la Plata of Argentina, and, following it upstream, reached the altiplano of Bolivia arriving at Colchis, or Tiwanaku, where the Golden Fleece was kept. Centuries later Tiwanaku became the cultural, religious, cosmological and commercial centre of a pre-Columbian Empire extending around Lake Titicaca in present-day western Bolivia, southern Peru and northern Chile from 300 to 1150 CE. But this area must have been inhabited as early as 1500 BCE.⁽⁸⁾

• ⁽⁷⁾ Michalópoulos (The Argonauts in the Black Sea) moves the expedition to a distant past in the first half of the 19th century BCE. In very ancient times, he says, “voyages were longer and more venturesome than those in late antiquity”, while “the Euxine had been a center of international trade”. The Argonauts were Minyans, the most prominent tribe of the Pelasgians. The latter are presented as ancestors of the Hellenes, colonizers of the Black Sea, and also of Italy, inventors of the alphabet – a civilizing people.

• ⁽⁸⁾ Both the expedition of the Argonauts and the Trojan War that followed aimed at the control of the Black Sea by the Hellenes. The legend of the Golden Fleece was based on a practice of the local tribes: they would place a lamb’s fleece at the bottom of a stream to entrap gold dust that was washed down from upstream. In some regions this practice is still now in use. The capital of Colchis, Aea (Kutaisi), is said to have been one of many cities that were founded in Eurasia by Egyptians. This account is combined with one by Herodotus, citing Egyptian priests. Their story was about the legendary pharaoh Sesostris, who once led an army north through the Levant and Asia Minor, all the way to Colchis. He settled colonists there, at the river Phasis (modern Rioni), and then he turned westward across southern Russia, and south through Romania and Bulgaria, until he reached eastern Hellas, from where he returned home. Herodotus cautioned that much of this account came second hand via Egyptian priests, but also noted that the Colchians were commonly known to be Egyptian colonists. According to Strabo and Diodorus Siculus, Sesostris conquered the whole world, from Ethiopia in the South, to Scythia in the North – or, who knows, even South America in the West!

● Some writers interpret the Homeric epics as “British ballads” or “Viking sagas”, and in this way pass off their North-to-South cultural-transmission theory. Such pseudo-theories are centuries older than German nationalism, and definitely inspire all the Northerners – who may figure out they are descendants of the “Hyper-Northerners”, the Hyperboreans!⁽⁹⁾ The idea that the inspiration for Plato’s Atlantis can be found in the Baltic was the… “grandfather” of all these books. In the “heroic” 17th century of Sweden, the foremost champion was the all-round Renaissance scholar (astronomer, physician, “archaeo-historian”, and even more) Olaus or Olof Rudbeck, who caused consternation with his mammoth, 2,500-page work, Atland eller Manheim, translated into Latin for scholarly use as Atlantica. He claimed there, among other things, that the oldest district of his home town, Uppsala, was the centre of “lost Atlantis”; thus – by the extravagant logic of cultural diffusion – Sweden was the cradle of western civilization going back to Adam and Eve! Despite ridicule from his local university colleagues (who also accused him of forgery), he was turned into a national icon – and not only: he was admired at the court of Louis “l’état c’est moi!”, proposed as a member of the Royal Society in London, celebrated in cafés, salons, and academies across the cosmopolitan “Respublica literaria”, and read avidly by Montesquieu and Leibniz, while Isaac Newton wrote to request… a personal copy of Atlantica! After his death, Swedish monarchs would be crowned over his grave! He had fanatic followers and became the subject of a satiric illustration, captioned: “The archaeologist Olof Rudbeck (1630-1702) reveals his ‘Predecessors’ – Hesiod, Plato, Aristotle, Apollodorus, Tacitus, Odysseus, Ptolemy, Plutarch and Orpheus – the ‘Truth’ about Atlantis”…

• ⁽⁹⁾ Along with Thule, the Hyperborean land was among several terrae incognitae to the ancients. The Hyperboreans were a race of giants, three metres high, enjoying lives of sheer happiness and living to the age of one thousand! The sun was supposed to rise and set there only once a year – hence living a thousand days would be the same as living a thousand years! This also, to modern ears, suggests a possible location within the Arctic Circle. They were the most blessed of peoples, living in a perfect land, located “beyond Boreas”, the North Wind. The coldness of the northern countries was due to the cold breath of this wind. Thus the land “beyond Boreas” was a warm and sunny land! Besides, the only one among the Olympians, who was venerated there, was Apollo: the Hellenes thought he spent his winter there. The giants reciprocated by sending their delegation and offerings to his sacred Aegean island, Delos! Pindar sang of “the marvellous road to the assembly of the Hyperboreans: Never the Muse is absent | from their ways: lyres clash and flutes cry | everywhere maiden choruses whirling. | Neither disease nor bitter old age is mixed | in their sacred blood; far from labour and battle they live.”

Arctic continent on the Gerardus Mercator map (1595)

● “Northerners and Hyper-Northerners”: I started with wordplay, but we ended up filled up with swastikas! Northerners, mainly Scandinavians, wishing to counter the Graeco-Roman Mediterranean culture, identified themselves with the Hyperboreans. This trend was very strong in the 17th century in Sweden, when it was a great power, where the champions of the ideology of Gothicism declared Scandinavia to be both the Hyperborean land and lost Atlantis! After all, the Arctic Circle is their land… Generally, European culture self-identified as Hyperborean. Inevitably, adaptations followed by the ethnologist Karl Penka (Origins of the Aryans, 1883), John Bennett (The Hyperborean Origin of the Indo-European Culture, 1963), and several others. According to some esotericists, the Hyperboreans were part of the Golden Race (where, of course, all these “thinkers” belong, for sure), and their land was the Golden Age polar centre of civilization and spirituality. Mankind, they claim, does not rise from the ape, but devolves progressively into an ape-like condition, as it strays physically and spiritually from its mystical otherworldly homeland in the Far North, succumbing to the South Pole’s daemonic energies… Some outright charlatans, like Robert Charroux, the alter ego of Erich von Däniken, relate the Hyperboreans to an ancient astronaut race of “very large, very white people”, who arrived here and selected “the least warm area on the earth because it corresponded more closely to their own climate on the planet from which they originated”…

● Except perhaps the last ones, who profit out of their… charlatanism, all the rest are racists and fascists. The Nazis e.g. considered Hyperborea as the cradle of the “Aryan race”, while their party was hatched within the “Thule Society”. Let’s remind them (pulling their legs) that Hyperborea, as a terra incognita, was located by ancient writers in the far North, of course, but all across Eurasia, from NW Europe to NE Asia. So, some “Chinks” claimed that the Hyperboreans were Chinese – a view that would be strongly disputed especially in Japan, but also in Mongolia and Siberia!

None of Rudbeck’s descendants ever achieved such a Triumph. Most unlucky was a Belgian lawyer, named Théophile Cailleux (Pays atlantiques décrits par Homère: Ibérie, Gaule, Bretagne, Archipels, Amériques; Théorie nouvelle. Atlantic lands described by Homer: Iberia, Gaul, Britain, Archipelagos, the Americas; New Theory. 1878). Troy, he claimed, was situated in East Anglia, on the heights outside Cambridge, known as the Gog Magog Hills (rather far from the sea); while Ithaca, he believed, should be sought in southern Andalusia, between Jerez and Cádiz, in the Delta of the Guadalete (where a Trojan War hero, Menestheus, allegedly settled: see Chronicle 22). Yet, some time after Cailleux’s book was published, Heinrich Schliemann triumphantly proved that Troy and Mycenae existed as powerful cities, at the right time and in the right place to have fought a Trojan War such as the epics describe. As a result, there was no thirst for geohistorical speculation then in the market…

Homère, L’Odyssée; lithographies by Marc Chagall

More than a century later, the Dutch Iman Wilkens presented the same idea again. His book, Where Troy Once Stood (1990), takes us to the same hills that Cailleux pinpointed, but with a scenario somewhat modified: the Trojan War was fought c. 1200 BCE between groups of Celts. Those living in Cambridgeshire were attacked by fellow Celts from the Continent to win access to the profitable tin mines in Cornwall. Wilkens further suggests that the Sea Peoples (see Chronicles 18, 19, 20) were Celts who settled in Greece and the Aegean as Achaeans and Pelasgians, bringing with them the oral poems that were translated and written down in Hellenic around 750 BCE, forming the basis of the Homeric epics. He locates Scylla and Charybdis at present day St. Michael’s Mount, at the tip of the Cornish peninsula, moves a bit Ithaca from the Guadalete to Cádiz, while the topography of the Laestrygonian capital, Telepylos (“Far-off port”), looks to him similar to that of Havana, Cuba. But he’s got an Achilles’ heel; he (too) is a nationalist:

“It appears that Homer’s Greek contains a large number of loan words from western European languages, more often from Dutch rather than English, French or German”, he thoughtlessly wrote, speaking of tongues that have not existed until at least 1000 years after Homer!⁽¹⁰⁾

• ⁽¹⁰⁾ If one takes Cailleux and Wilkens for granted, the Trojans left Britain after the war to settle in Italy. Anyway, three generations later they returned to found the “British nation”. Historia Regum Britanniae (The History of the Kings of Britain), written around 1136 by Geoffrey of Monmouth, begins with the Trojan Aeneas who, according to Roman legend, settled in Italy after the war. But his great-grandson Brutus was banished, started wandering and was finally directed by the goddess Diana (Artemis) to settle in the western ocean, on the island of Albion, which he named Britain after himself. He then defeated the giants who were the only inhabitants there, and on the banks of the Thames he established his capital, Troia Nova, renamed later as London.

A variation of this North-to-South cultural transmission is that early Grecian sailors might have come for long-distance trade in tin etc. and also took this wonderful epic tale back with them, transforming it into an “ethnic” epic when it was written down in verse. The northern peoples preferred not to write out their compositions, relying on prodigious feats of memory (as Caesar said of the Celtic bards). However, over time the original northern version could have been lost in wars and migrations. Another North-to-South cultural-transmission theory is that the northern tribes were the Sea Peoples who swept south to attack also Hellas, around 1200 BCE. The Greeks that survived assimilated the northerners’ campfire tales and made them their own when they flourished again, also thanks to these tales, after their Dark Ages.

Atlantis, Poseidonis: the last remnant of the lost continent (imaginary reconstruction)

This “theory” was foreshadowed in several books by Jurgen Spanuth (1907-1998), a German pastor, classical scholar, and amateur archaeologist. He maintained that all these events survive in distorted version not just in Homer but also in Plato’s Atlantis parable. Spanuth compared Homer’s and Plato’s descriptions on a point-for-point basis, and suggested both derived from a common origin. This was the rise and fall of a mighty Bronze Age seafaring nation living in the Jutland area, which fell when an “Atlantean” North Sea flood drove them southward into the Mediterranean; they were the Sea Peoples that the Egyptians defeated in the Nile Delta. Their tale of how their vast empire collapsed in a flood was recorded by the Egyptians, and then Plato picked it up through Solon, who was briefed by priests when he visited Egypt (Das Entratselte Atlantis; Atlantis – The Mystery Unraveled; 1953, all through Die Atlanter; Atlantis of the North; 1976). German nationalism was all too clear in these inflated claims – in effect assuming credit for another people’s cultural foundations – and the reception of the books was rather cold in the reviews. Rebuffed by the mainstream, the pastor turned to some right-wing German magazines, which marginalized him further. If he succeeded in something indirectly is that he rekindled interest for new excavations in sunken North Sea ports, e.g. Rungholt, where ceramics were recovered evidencing trade between Frisia and Minoan Crete dating back to 1600-1400 BCE!

The other variant of the North-to-South cultural-transmission “theory”, with a largely Scandinavian setting, has a certain peculiarity: the storyteller is an Italian, the nuclear engineer Felice Vinci – probably the only Mediterranean accepting that his ancestors received the “lights of civilization” from the North. The reception was dismissive, as usual, and the Finns were quick to label it “an interesting joke”! The book is entitled Omero nel Baltico (Homer in the Baltic, 1998), or The Baltic Origins of Homer’s Epic Tales: The Iliad, the Odyssey, and the Migration of Myth. The Achaeans were a Baltic people at the beginning of the 2nd millennium BCE, coming to Greece around the 16th century (after the Trojan War that took place in the 18th century), bringing their traditional oral sagas to the Aegean. Odysseus himself, claims Vinci, was Dutch(!); the islands of his kingdom, Ithaca, Dulichium, Cephallenia, and Zacynthus, correspond to islands in the Danish archipelago of South Funen, and Troy to Toija in SW Finland; the Hellespont could not be identified with the Dardanelles, but the Gulf of Finland; Mycenae stood in the same place as modern Copenhagen; and Odysseus’ voyage would have taken place along the coasts of Norway: Ogygia could be identified with one of the Faeroe Islands (among Britain, Scandinavia and Iceland); the Phaeacian land, Scheria, with Bergen’s environs; Circe’s island, and the places she describes (the Sirens, Scylla and Charybdis) may be placed in the Lofoten archipelago of northern Norway; and Aeolus’ island in the Shetland archipelago, NE of Scotland. The same region is the setting of other Hellenic mythological tales such as the Argonauts, adds Vinci. Referring to Plato’s dialogue Critias, he claims that Athens rose formerly on a flat fertile zone in the Baltic, perhaps near Karlskrona in southern Sweden.

Il Ritorno di Ulisse (Odysseus’ Return), by Giorgio De Chirico (1968)

● Regarding Homeric epics’ background, the Flemish Karel Jozef de Graeve, in his République des Champs Elysées (Republic of the Elysian Fields, 1806), pointed out the area around the Rhine-Meuse-Scheldt Delta.

Finally, the French Gilbert Pillot, in Le Code Secret de l’Odyssée (The Secret Code of the Odyssey, 1969), “saw” Odysseus crossing the Pillars of Heracles and voyaging on the Atlantic, initially to Morocco, the Canaries and Madeira, and then heading north to Ireland, Scotland and Iceland. He most probably thought – quite rightly – that “secret codes” are… sold out, and claimed he discovered “a secret message in the Odyssey”, with a “hidden” itinerary over the Atlantic, from the Canaries to Iceland through the British Isles. The verse epic, he argued, was a Hellenic syndicate’s way of concealing navigation data inside an “entertainment” – acting as an elaborate mnemonic. The Greek mariners could thus remember, yet protect, the key details (sailing directions, times, dangers) of their all-important northern trade route, leading to the sought-after sources of tin: the Cassiterides, or Tin Isles – a terra incognita, as Herodotus complained, impossible to locate, but a key to prosperity mainly in the Bronze Age.

Eternally mapping Homer’s Odyssey

MAPPING HOMER’S ODYSSEY, Armin Wolf concluded that Scheria-Phaeacia should have been in Calabria, Italy, as it is located between two seas: the Tyrrhenian and the Ionian Seas. The capital of the Phaeacians stood at the Tiriolo and Marcellinara region, in the Catanzaro province, he claimed. Additionally, he referred to the dozens (or hundreds?) of attempts to map the Odyssey; several of them we have already presented; but he added some more:

In 1898, an anonymous author with the pseudonym Eumaeus claimed that Odysseus had completed a periplus of Africa (centuries before the Phoenicians, mentioned by Herodotus), and had even discovered America. Pseudo-Eumaeus (the real one was Odysseus’ swineherd and friend) was the first to use the ocean currents to trace the route of the king of Ithaca. In 1925, even the distinguished archaeologist Wilhelm Dörpfeld drew a map of Homer’s world in which, apart from the “established” stops of the Odyssey, he pinpointed the southernmost tip of Africa, and there he located Telepylus of the Laestrygonians and also – like “Eumaeus” – Aeaea, Circe’s island.

After World War II, several maps placed the Odyssey on the Atlantic and North Sea: British Isles, Iceland, Norway. The Swiss F. J. Wil, in 1950, added Faeroes in the list, while the German Otto Zeller, in 1959, expanded the map from Gibraltar and the Azores to Norway and Heligoland. Karl Bartholomäus, professor of archaeogeodesy, in 1977, tried to prove by astronomical calculations that the track from Calypso to Nausicaa leads from the Azores to Heligoland. The German judge Hans Steuerwald, in 1978, “sent” Odysseus to Cornwall and Scotland. The wine produced on Circe’s isle (identified with one of the Hebrides), he added, was in fact Scotch whisky…

Incan Golden Solar disc, used as a star map.
It was lost during the Conquista.

A multitude of writers have created fantastic routes on the oceans of the earth. This mania of inventing “theories” probably reached its climax in 1983, with the Austrian ethnologist Christine Pellech, who argued that Odysseus had sailed right around the earth – before Magellan! She saw no difficulty in the great hero taking just seven days to row from the Mediterranean to Norway, and then in a single day the whole way from Norway to Canada! It goes without saying, of course, that he discovered the Strait of Magellan and Australia…

● More extreme views about the geography of the Homeric epics keep on surfacing, either centered on the Atlantic, or extending all over the globe. Some others turned their eyes to the sky arguing that the Homeric geography is to be found there, and that the Iliad and Odyssey can be decoded as a star map. What we will hear next, I suppose, is that the Trojan War was actually a… Star War!

LABYRINTH OF MAPS

● TROY. NW Asia Minor, Turkey: Hisarlık || E England: Cambridgeshire || SW Finland: Toija.
● LOTUS EATERS (LOTOPHAGI). Libya: a headland in the Gindanes area | Gulf of Sidra || Tunisia: Djerba (Meninx) island.
● CYCLOPES. Italy: SE Sicily, near Etna and Lentini (Leontini) | Marsala, W Sicily | Gulf of Naples || Spain: Balearics archipelago || Scandinavia.
● AEOLIA. Italy, N Sicily: Aeolian Islands (Lipari [Meligounis], or Stromboli [Strongule], or Ustica) || Spain: Balearics archipelago (Mallorca) || Scotland: Shetland archipelago.
● LAESTRYGONIANS. Italy: SE Sicily | N Sardinia || France: S Corsica || Scandinavia || Cuba: Havana || S African tip.
● CIRCE’S AEAEA. Italy: Monte Circeo, Lazio-Latium (< Latinus, Circe’s son) | Ischia, Gulf of Naples || Portugal: Madeira || Norway: Lofoten archipelago || S African tip || Scotland: Hebrides archipelago.
● HADES, UNDERWORLD. NW Hellas: Acheron river || Italy: lake Avernus (< Greek Aornos = with no birds), near Cumae, Campania, where Aeneas also found it || Peru: Amazon River.
● SIRENS. Italy: Cape Faro, by the Strait of Messina | Sirenuse archipelago, or a headland between the Gulfs of Naples and Salerno | Naples itself | Lucanian coast || Haiti or Cuba || Norway: Lofoten archipelago.
● SCYLLA & CHARYBDIS. Italy: Strait of Messina || Canada, Nova Scotia: Bay of Fundy || SW England: St. Michael’s Mount, Cornwall’s tip || Norway: Lofoten archipelago.
● THE SUN (HELIOS) ISLAND. Italy: Sicily || Canada: Nova Scotia or Newfoundland.
● CALYPSO’S OGYGIA. Maltese archipelago: Gaudos, modern Gozo || Morocco-Spain: Pillars of Heracles (Ceuta) || Portugal: Azores || Bermuda || Denmark: Faeroes.
● NAUSICAA & PHAEACIANS’ SCHERIA. NW Hellas: Corcyra (Corfu) || Cyprus || Carribean-Gulf of Mexico-Florida, USA || Portugal: Lisbon || Norway: Bergen || Germany: Heligoland || Italy: Calabria.
● ITHACA. W Hellas: Ithaca, or Cephallenia, or Leucas || Andalusia, Spain: Guadalete Delta or Cádiz || Denmark: S Funen.

Celestial map by the Dutch cartographer Frederik de Wit (17th century)

Homer’s mystery: the epimyth of a myth

ANY HYPOTHESIS AT ALL, NO MATTER HOW OUTRAGEOUS, is more plausible than saying “I do not know”… After all, what do these stories show, even those that are crazy and nuts? What else but the greatness of Odysseus and Homer, the creator of the Iliad and the Odyssey; two wonderful epics that the classicists initially treated as written poetry and also the rhapsode as a writer. Until Milman Parry (1902–1935) appeared in the 1920s, and indicated it was oral musical-poetic tradition. His research on the process of oral poetry improvisation through “stock epithets” and “reiteration” (words, phrases, stanzas) established that these formulae were artifacts easily applied to the hexametric lines of oral tradition. A two-word stock epithet (e.g. “the resourceful Odysseus”) is reiterated, permitting the rhapsode to improvise and complete the verse. This research by Parry and his assistant, Albert Lord, was conducted in Yugoslavia.

Homer (a Hellenic name in Aeolis) was born in Smyrna (Ionia’s northern limit), or on the island of Chios, and died on the Cycladic island of Ios. His name means hostage, follower, or blind (ὁ μὴ ὁρῶν: “he who does not see”). Like Thamyris or Hesiod, Homer was a wandering minstrel, who hanged around with ordinary people – fishermen, sailors, potters, shoemakers, or elderly men – at harbours.⁽¹¹⁾ This image, of course, is far from that of a court musician-poet. Rapidity-ease of movement and plainness of expression-thought do not distinguish the great epic poets Virgil, Dante, or Milton. They rather distinguish the humbler epico-lyrical school. But Homer does not belong to that school, neither his poetry is in any sense ballad poetry. This is apparent through the higher artistic structure and value of his poems. It is his noble and powerful style that eventually separates Homer from all forms of ballad poetry and popular epic. His art is distinguished from the works of Virgil, Dante, and Milton, due to the comparative absence of underlying motives or sentiments. In Virgil’s poetry, a sense of the greatness of Rome is the leading motive of a passionate rhetoric, veiled by the considered delicacy of his language. Dante and Milton are still more faithful exponents of the religion and politics of their time. French epics display sentiments of fear or hatred of the Saracens. In Homer’s work, the interest is purely dramatic. There is no antipathy of race or religion. He is principally interested in human feeling or emotion, and also drama. Indeed, his poems are often referred to as dramas.

Above all, we need to remember that Homer recited his epics; Virgil, Dante, and all the rest wrote them down…

• ⁽¹¹⁾ An elderly Homer, it is said, was going around Ios, the last stop of his life’s voyage, together with children, singing the carols of the day.

● Influences from the mythology and literature of Near East have been seen in the Odyssey. Martin West has noted some parallels between the Epic of Gilgamesh and the Odyssey. Both Odysseus and Gilgamesh travel to the ends of the earth, and even to the underworld. Odysseus follows instructions given to him by Calypso, or Circe, a daughter of the sun-god Helios. Their islands are located at the edges of the world. Gilgamesh also gets directions from the goddess Siduri, who also dwells by the sea at the ends of the earth. Others correlate Homer with Hittite epics. It seems that the great epic poet was equally “resourceful” with his protagonist, Odysseus.

THE “CLASSICAL” MEDITERRANEAN ODYSSEY

● [1] TROY. Setting sail, Odysseus and his men were greeted by friendly and calm waters. He had not committed hubris yet…
● [2] ISMARUS, LAND OF THE CICONES. Odysseus and his men looted the city and robbed it of all its goods. The crew refused to leave quickly and fell asleep on the beach. The next morning the Cicones returned with their fierce kinsmen from the mountains. Odysseus escaped but lost many men. On leaving, his twelve ships were driven off course by fierce storms.
● [3] THE LOTUS EATERS’ ISLAND. Odysseus’ scouting party ate lotus fruit with the natives. This caused them to fall asleep and stop caring about ever going home.
● [4] THE CYCLOPES’ ISLAND. The giant one-eyed Cyclops Polyphemus devoured two of Odysseus’ men each day. Odysseus gave Polyphemus intoxicating wine and then blinded him with a wooden stake. As a result, Odysseus was haunted by the wrath of Poseidon, the Cyclops’ father, who cursed Odysseus to wander the sea for years.
● [5] AEOLIA, LAND OF AEOLUS, GOD OF THE WINDS. Aeolus gave Odysseus hospitality for a month and then a leather bag containing all the winds, except the west wind, so as to return safely home. However, the crew foolishly opened the bag while Odysseus slept, just as Ithaca came into sight, thinking that it contained gold. The resulting storm drove the ships back to Aeolia, but Aeolus refused to provide any further help.
● [6] TELEPYLOS, IN THE LAND OF THE LAESTRYGONIANS. These man-eating giants attacked the fleet with boulders, sinking all the ships but one and killing hundreds.
● [7] AEAEA, CIRCE’S ISLAND. Circe turned all of Odysseus’ men into pigs after feeding them cheese and wine. Hermes gave Odysseus a drug called moly in order to resist Circe’s magic. She agreed to change Odysseus’ men back to their human form in exchange for his love. They remained on the island for one year feasting and drinking.
● [8] HADES, THE UNDERWORLD. Guided by Circe’s instructions, Odysseus crossed the ocean and reached a harbour at the western edge of the world where he sacrificed to the dead and summoned the spirit of the prophet Tiresias to advise him.
● [9] SIRENS. Odysseus escaped by having all his men plug their ears with beeswax and tie him to the mast. When he heard their beautiful song he begged the men to untie him but they ignored him.
● [10] SCYLLA & CHARYBDIS. Circe advised Odysseus to sail closer to the six-headed monster Scylla, for the whirlpool Charybdis could drown the ship. However, Scylla devoured six of his men.
● [11] THRINACIA, HELIOS’ SACRED ISLAND. Though Odysseus warned his men not to kill any of Helios’ sacred cattle, they disobeyed. Helios’ daughters told their father and he destroyed the ship and all men save Odysseus.
● [12] OGYGIA, CALYPSO’S ISLAND. The nymph made him her lover for seven years. On behalf of Athena, Zeus sent Hermes to tell Calypso to let Odysseus go.
● [13] SCHERIA, THE PHAEACIANS’ ISLAND. Washed up on the shore, Odysseus was found by Nausicaa, daughter of King Alcinous, who entertained him and escorted him to Ithaca.
● [14] ITHACA. On the twentieth day of sailing Odysseus finally arrived home.

• >> Chronicle 16. MEDITERRANEAN PERIPLUS-PARAPLUS
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Next Chronicle 16. MEDITERRANEAN PERIPLUS-PARAPLUS ● Periplus: Circumnavigation or Log ● Navigators and Intellectuals ● The Peloponnesian War and Euripides ● Nomos (Law Song)