Chronicle 7. INDO-IBERIAN ARC (Duende)

Chronicle 7. INDO-IBERIAN ARC (Duende)

/ΕΛΛΗΝΙΚΑ/ Χρονικό 7. ΙΝΔΟΪΒΗΡΙΚΟ ΤΟΞΟ (Duende)

● Lorca and Duende ● Pohren and Flamenco:
Dance and Guitar ● Cithara and Pandura

Michales Loukovikas

FEDERICO GARCÍA LORCA gave lectures not only on cante jondo, but also on the Theory and Play of Duende (1930) – a keyword in order to get to the bottom of the essence of flamenco, of music in general, and penetrate the core of all the arts, especially the so-called performing arts. According to the dictionaries, duende means “fairy, demon, ghost, devil, goblin, spirit – holy or evil.” Dictionaries rarely clarify concepts related to music and culture. And why should we let ourselves in the mercy of lexicographers when we have Lorca as a guide? Let’s listen to him with due attention as we are introduced to the magic and mystical duende:

“All that has dark sounds has duende.” (Manuel Torre)

“All through Andalusia… people constantly talk about duende and recognize it every time it appears with a fine instinct… The old Gypsy bailaora [dancer] La Malena once heard Brailowsky play a piece of Bach, and exclaimed: ‘Olé! That has duende!’, but was bored by Gluck, Brahms and Milhaud. And [the Gypsy singer] Manuel Torre, a great artist of the Andalusian people, a man who has more culture in his veins than anyone I’ve known, on hearing Falla play his own Nocturno del Generalife, spoke this splendid phrase: ‘All that has dark sounds has duende’… – agreeing with Goethe who hit on a definition of duende, in speaking of Paganini: ‘A mysterious force that everyone feels and no philosopher has explained.’⁽¹⁾

• ⁽¹⁾ Lorca’s English texts on Cante jondo and Duende are based on A. S. Kline’s translations.

“I heard an old maestro of the guitar say: ‘Duende is not in the throat: duende surges up, inside, from the soles of the feet.’ Meaning, it’s not a question of skill, but of a style that’s truly alive; meaning, it’s in the veins; meaning, it’s of the most ancient culture of immediate creation. It is, in sum, the spirit of the earth, the same duende that scorched Nietzche’s heart as he searched for its outer form on the Rialto Bridge and in Bizet’s music, without finding it, and without seeing that the duende he pursued had leapt from the Greek mysteries to the dancers of Cádiz and the headless Dionysiac scream of Silverio’s siguiriya.”

Alhambra with Generalife by night

The “Dionysiac” and “mystic” Hellenes are here again in full force. Their theatre of action is Cádiz, the ancient Gádeira (Gadir), or Roman Gades.⁽²⁾ To this port of Andalusia outside the Mediterranean, on the Atlantic Ocean, beyond the Strait of Gibraltar, or the Pillars of Heracles, we will shortly return. For the moment, we continue listening to García Lorca spellbound:

• ⁽²⁾ The ancient root is retained in the adjective gaditano: of/from Cádiz, its native/inhabitant.

Sea Melodies, by Herbert James Draper (1904)

“For every man, every artist called Nietzsche or Cézanne, every step that he climbs in the tower of his perfection is at the expense of the struggle that he undergoes with his duende, not with an angel, as is often said, nor with his Muse… Angel and Muse come from outside us: the angel brings light, the Muse form (Hesiod learnt from her)… While duende has to be roused from the furthest habitations of the blood. Reject the angel, and give the Muse a kick… The true struggle is with duende.

“The great artists of southern Spain, Gypsy or flamenco, singers, dancers, musicians, know that emotion is impossible without the arrival of duende. They might deceive people into thinking they can communicate the sense of duende without possessing it, as authors, painters, and literary fashion-makers deceive us every day, possessing no duende: but we only have to attend a little, and not be full of indifference, to discover the fraud, and chase off that clumsy artifice.

“Emotion is impossible without duende.” (García Lorca)

Pastora Pavón, la Niña de los Peines

“Once the Andalusian flamenco singer Pastora Pavon, La Niña de Los Peines [The Girl of the Combs], sombre Spanish genius, equal in power of fancy to Goya… was singing in a little tavern in Cádiz. She played with her voice of shadows, with her voice of beaten tin, with her mossy voice, she tangled it in her hair, or soaked it in manzanilla or abandoned it to dark distant briars. But, there was nothing there: it was useless. The audience remained silent… Pastora Pavón finished her song in silence. Only, a little man… sarcastically, in a very soft voice, said: ‘Viva, Paris!’ as if to say: ‘Here ability is not important, nor technique, nor skill. What matters here is something else.’

“Then La Niña de Los Peines got up like a madwoman, trembling like a medieval mourner, and drank, in one gulp, a huge glass of fiery spirits, and began to sing with a scorched throat, without voice, breath, colour, but… with duende. She managed to tear down the scaffolding of the song, but allow through a furious, burning duende, friend to those winds heavy with sand, that make listeners tear at their clothes with the same rhythm as the Negroes of the Antilles in their rite… La Niña de Los Peines had to tear apart her voice, because she knew experts were listening, who demanded not form but the marrow of form, pure music with a body lean enough to float on air. She had to rob herself of skill and safety: that is to say, banish her Muse, and be helpless, so her duende might come, and deign to struggle with her at close quarters. And how she sang! Her voice no longer at play, her voice a jet of blood, worthy of her pain and her sincerity”…

Donn Pohren and Baile Flamenco

WHAT AN EVENING, INDEED! I’D LOVE TO BE THERE! Well, here we are back to Cádiz with the captivating description of duende by Lorca. It’s where we meet again Donn Pohren, who will lead us to the ancient city of Gadir via… India!

Donn Pohren

“Today”, Pohren writes in his Biographical History, Lives and Legends of Flamenco, the second book of his flamenco trilogy, “nearly all theoreticians of the dance agree that the baile flamenco is directly descended from the ancient religious dances of the Indian Hindus… What in all likelihood has taken place is that the highly-civilized Brahmanic temple dances were adopted by a lesser-developed people, shorn of many subtleties, and returned to a more natural and primitive art form concerned only with the expression of oneself and one’s emotions.

“Let us attempt to construct a brief history of the development of these Indian dances within Spain. First of all, how did they reach Spain? Traditionally performed only in the temples during Brahmanic religious rites, these dances eventually began to be danced more popularly outside the shrines in India. It was then that they were first introduced into other lands by way of early Mediterranean trading vessels and overland caravans. The point of entrance into Spain was most certainly Gadir, later called Gades, today called Cádiz, the oldest city in Spain, founded by the Phoenicians around 1100 BC. Gadir was an extremely important city, and it is likely that professional Indian dancers were brought in to entertain the city’s royalty, probably during the time of the Greeks, c. 500–250 BC, less likely during the reign of the Romans, c. 250 BC – 475 AD. (Hindu musicians and singers surely accompanied the dancers, and thus also introduced their art forms into Spain during this same period. This would partly explain the strong similarities that still exist between certain types of Hindu singing and music, and flamenco).”

● Although we have just heard Lorca telling us that “duende had leapt from the Greek mysteries to the dancers of Cádiz”, there was probably no Hellenic period then in Gadir. From the Phoenicians and the Punics (whom Pohren seems to ignore), the city passed into the hands of the Romans in 206 BCE. Irrespective of the error, what’s important is not who the master of the city was at the time, but the fact that Gadir functioned as a gateway for the Indian dance and music influence into Andalusia. Whatever the case, we know that in their symposia, the Hellenes, both in mainland Greece and also in the colonies, used to enjoy the art of foreign singers and musicians, mostly women, who (according to the symposiasts’ “tastes”) appeared dressed or nude, as we are told by Athenaeus (“Deipnosophistae”, 3rd century CE) and Suda (“Lexicon”, 10th century).

Symposium scene with an aulos playing girl [modestly dressed up, not nude], by Nicias painter

“These civilizations,” Pohren goes on, “with their emphasis on culture, undoubtedly introduced this religious dancing into their own temples, so that by the arrival of the Visigoths in Andalusia (c. 450–700), this type of religious dancing had already become so traditional as to be carried over into the primitive Spanish Church, encouraged and even performed by early Christian priests. (El Baile Andaluz, by Caballero Bonald: ‘It is now known that the fathers of the primitive Church openly admitted, and even fomented with their examples, the adoption by the Christian cult of certain elements of the sacred oriental dances, frequently danced by the very priests themselves’). The Visigoths accepted Catholicism and merged with the Hispano-Roman population,⁽³⁾ and religious dancing continued throughout their reign.

• ⁽³⁾ Pohren, just like Mascarenhas Barreto in the Chronicle 5, put the cart before the horse, speaking about Catholicism before the Schism. Although this doubling of the error makes me wonder: may Catholicism be synonymous with Christianism, and Orthodoxy is a… heresy? Terra incognita: religious affairs have never been my forte!

“It is postulated that during the reign of the Moors (c. 711–1492) these sacred dances were danced more and more popularly outside the confines of the church, possibly even by Spain’s first gypsies, who were thought to have come as camp-followers of the Moorish armies (after having arrived in North Africa from their homeground, India, by way of Pakistan, Persia, and Arabia). As both the gypsies and the Moors already cultivated a type of dance largely derived from the Brahmanic religious dances, their arrival most certainly gave the existing Andalusian dances a shot in the arm…

“Another historical event in the development of the flamenco dance was the arrival of the second migration of gypsies to Spain around 1450, shortly before the Moors were expelled from their last footholds in Andalusia. The gypsies arrived from India by the northern route (Persia, Russia, etc.), bringing with them their interpretations of Indian dances and songs, and adding fresh fuel to the Andalusian folklore…

“After the Moors were forced out, all religious connotations in the dance ceased. The dances were not only banned from the Church because of their increasing sensuality and ‘sinful movements’, but at one time persecutions were carried out against interpreters of certain dances regardless of where they were danced. It was then that the dance, together with the cante, went underground, becoming an art of the ‘lawless elements’ of society. This happened more or less simultaneously with the 16th century edicts ordering the expulsion of the Moors, gypsies, and Jews, and can probably be cited as the beginning of the formation of flamenco as we know it today.”

Cithara/Kithara > Guitarra

This panorama on the evolution of dance from the Indian Brahmanic temples to the Andalusian gypsy camps, with all intermediate stages, has a negative side: it is one-dimensional, presenting India as the matrix of the art of dance – and even more – leading to wrong conclusions. But if, instead of the dance, we trace the evolution of the guitar, the entire mosaic of exchange becomes balanced and three-dimensional. Our guide, Pohren, as a guitarist, moves now into far more familiar waters:

Ancient Hellenic cithara/kithara

“The Spanish guitar”, he remarks in the chapter of the same book (Lives and Legends of Flamenco) dealing with his instrument, “is the direct offspring of, principally, the guitarra latina (Latin guitar) and, secondarily, the guitarra morisca (Moorish guitar), both of which are generally believed to have descended from the ancient kithara asiria (Oriental zither).⁽⁴⁾

• ⁽⁴⁾ Note how terminology differs in the phases of the guitar’s development: cithara or kithara > guitarra. It refers to the time when the ancient cithara ceased to have the form of a large ancient lyre and acquired a “neck” or “arm”.

“First let us attempt to trace the kithara asiria [Assyrian]. José de Azpiazu, in his book La Guitarra y Los Guitarristas, makes the observation that we must look to Egypt and Babylonia for the earliest string instruments, including the zither, from whence they passed on to Syria, Persia, India, and the Middle and Far East in general. He bases this assumption on diverse archaeological finds, principally in Egypt, singling out in particular a bas-relief, dated at 3500 BC, discovered in the tomb of one of the Kings of Thebes. This bas-relief, now in the museum of Leyden (Holland), includes an instrument somewhat resembling today’s Spanish guitar. Azpiazu also states that around the time 1000–800 BC the Egyptians possessed an instrument greatly resembling the modern guitar. This instrument could easily have been the previously mentioned guitarra morisca, or one of its predecessors in its development from the kithara asiria.

Egyptian 3500 years ago playing a guitar-like instrument

“However, in view of continued archaeological discoveries, no date or place can be irrevocably pinpointed concerning the origin of any of the ancient stringed instruments. The discovery by an English archaeologist, Kathleen Kenyon, determining that the city of Jericho was teeming with life as far back as 6800 BC, makes the first Egyptian dynasty (3400 BC) seem relatively modern. In truth, the family tree of string instruments, in all of its rich variety, is as vague as civilization’s early history. Perhaps the only data available to sustain the belief that the guitar is descended from the ancient kithara asiria is the similarity and progression of the zither-guitar terminology in various languages, and the corresponding similarity and development of the instruments represented by the terms, as follows: qitâra (Chaldea – an ancient region in Southeast Asia, on the Tigris and Euphrates rivers), quitar (Arabic), sitar (Hindi), kithara (Greek), cítara (Spanish) and guitarra (Spanish).

Vihuela: the bygone “aristocrat” cousin of the “folk” guitar, with six double strings, is the mother of the violas portuguesas, one of which accompanies the guitarra portuguesa, the lead instrument of fado.

“If we wish to follow the popular theory that the guitar was derived from the kithara (there is no good reason not to), the guitar’s development in Spain can be traced in rough outline. It is generally agreed that the kithara asiria (then called the kithara romana) was introduced into Spain during the time of the Romans, sometime before the birth of Christ.⁽⁵⁾ The kithara flourished in Spain until the fall of the Spanish Roman Empire (5th century), at which time it fell largely into disuse until the invading Visigoths were firmly established on the peninsula. The Visigoths set about reviving the old Roman culture, and the kithara again emerged. In the 7th century San Isidro wrote of wandering minstrels singing and accompanying themselves on the kithara… It was around this period that the guitarra latina, an instrument containing four sets of double strings and which resembled a small version of the present Spanish guitar, was developed in Spain, presumably, as we have stated, from the kithara romana.

• ⁽⁵⁾ “In my opinion”, footnotes Pohren, “it is more likely that visiting Hindu musicians introduced the kithara asiria, or similar instruments, into Cádiz before the coming of the Romans, probably during the reign of the Greeks”…

● Well, in my opinion, it is far more likely that the Greeks themselves introduced into Iberia their own version of this instrument: the cithara helénica!

A woman playing a lyre (an instrument that shows the
cithara to guitarra transition), by Cesare Saccaggi

“Meanwhile, in the Middle East the kithara asiria had long ago inspired the family of the guitarra morisca, an oval-shaped, three-stringed instrument introduced into Spain with the 8th century Moorish invasion. It is thought that the only significant characteristic that the Latin guitar borrowed from the Moorish guitar, in its development into Spanish guitar, was the idea of the single strings in place of the formerly-used sets of double strings.

“So by the 9th century there existed in Spain guitars not unlike those we play today, but until the troubadour period (the 11th through the 13th centuries) the guitar was not widely introduced to the general populace. Little structural change of any significance took place in this guitar until the 16th century, when Vicente Espinel began using a fifth string. (This was not Espinel’s invention, as guitars had existed previously with five strings. Espinel merely made the fifth string fashionable. Many musicologists express the belief that the famous Ziryab himself first innovated the use of the fifth string in the 9th century). With this development the Spaniards finally seemed to feel that the guitar was their instrument, and it was then that the guitarra latina was rechristened the ‘Spanish guitar’.⁽⁶⁾ Two centuries later the final radical development was made, which was the addition of the sixth string by fray Miguel García, a monk also known as Padre Basilio, an excellent classical guitarist and the guitar instructor of King Carlos IV, Queen María Luisa, and the famous concert guitarist, Dionisio Aguado. Thus, except for its growth in size and quality, by the latter third of the 18th century the Spanish guitar was as we know it today.

• ⁽⁶⁾ Except the guitarra española, there is also a guitarra portuguesa, which resembles more a lute than a guitar. It descends from a medieval “guitar”, the citole, and is now the solo instrument of fado. It is accompanied by a “normal” guitar, which is called viola to be distinguished from the guitarra portuguesa; the word viola probably comes from another old guitar, vihuela, or viola de mão. In the 15th century, some musicians played it with a bow, and that’s how the viol, or viola da gamba, was born; it was later replaced by the violin family, especially the cello.

Bayad plays the oud to the Lady (from the Arabic tale Bayad
and Riyad) – or Ziryab’s Garden (Andalusia, 13th century)

“Now that we know something of the development of the guitar, let us look into the development of the music. According to Lévi-Provençal (La Civilización Árabe en España), the great tradition of Andalusian music was molded together and developed in the Cordovan conservatory of music established and directed by the Mesopotamian musician, Ziryab, in the 9th century. (Ziryab arrived in Córdoba in 822, in his early thirties, and remained there the rest of his life). What he must have done was gather, and become proficient in, the Andalusian folklore of that period, which was, of course, highly Oriental in nature, and conserve and teach it to attending minstrels and nobility in his conservatory. As he had spent years in the courts of Baghdad, and was the supreme musician of his time, he undoubtedly added to, and purified, what he found. Ziryab, in fact, is credited with having played the major musical role in making Andalusia the outstanding cultural center of the world at that time.”

“Ziryab played the major role in making Andalusia the outstanding
cultural center of the world in the 9th century.” (Donn Pohren)

Chelys: lyre made with a tortoise shell

IN THIS MONUMENTAL MURAL, created mainly by Lorca and Pohren, with all the others contributing, we only need to apply some extra brushstrokes to… exonerate the Assyrians, who became notorious in history mainly for their cruelty, but also to show that in social processes, parthenogenesis is out of the question in all places and all times – even in the case of the ancient “Hellenic miracle” that has been feasible due to borrowing intellectual achievements and know-how from the Orient.

The cithara was an instrument of the professionals, while its little sister, the lyre, of the amateurs. According to the Encyclopedia of Ancient Hellenic Music by Solon Michaelides (the source of much valuable information throughout our Chronicles), the cithara was called Ἀσιάς (Asian). Plutarch (1st–2nd century CE) claimed that “it was called Asian because it was used by the Lesbian citharodes [or citharoedes, or citharedes (cithara + ode), i.e. cithara players who also sang] dwelling close to Asia”. This is, of course, a pretext – even if Lesbos is actually close to Asia Minor. The truth is found in the writings of Hesychius of Alexandria (5th century CE), who explained that the cithara was defined as such “for it was invented in Asia”. The adjectives Ἀσιάς and Ἀσιᾶτις (Asian, Asiatic) were used not only in relation to the cithara, but also to music in general; as Strabo points out: “… καὶ ἡ μουσικὴ πᾶσα Θρᾳκία καὶ Ἀσιᾶτις νενόμισται”; “… all music is thought to be Thracian and Asian” (see the Chronicle 11. “Music Is Thracian and Asian”). Ancient Thrace, mind you, was not a part of ancient Hellas.

A Konso girl playing a krar lyre (southern Ethiopia)

These instruments of the cithara and lyre family have been extinct for centuries now because they were left behind in the development of music, becoming inadequate and thus unable to satisfy the needs of the people – musicians and listeners. They are now rarely found still in use among primitive tribes, primarily in northeastern Africa – and this is indeed a pleasant surprise! Certain German ethnomusicologists recorded, among others, the sound of a lyre played by a cattleman, member of the Hamar tribe in Ethiopia, and put his photo on the cover of the album. Isn’t it impressive? The symbol of so many “serious” music institutions, the “musical instrument par excellence” of the ancient Greeks, the celebrated chelys of Hermes, who offered it to Apollo (to atone for stealing his oxen!), to be “degraded” in the hands of primitive Africans, and also been made with a tortoise shell? It can’t be, these Germans should have been related in some way to… Fallmerayer!⁽⁷⁾

• ⁽⁷⁾ Jakob Philipp Fallmerayer (1790 – 1861) was a German Tyrolean traveller, journalist, politician, and historian, best known for his controversial discontinuity theory concerning the racial origins of the Greeks.

In conclusion, if we assume that the guitar descended from the ancient cithara, the latter must have been combined with some kind of lute – that is, with an instrument having a “neck” – as the guitar belongs to this lute family. The only similar instrument in ancient Greece was the so-called tríchordon (three-string), or pandura, pandurís, pánduros, and phánduros. In the Hellenistic era there was already a whole family of such instruments that became later even larger with the additions of the erudite thambura (tambur of Constantinople), folk tanbur-saz or bağlama, and also bouzouki (see Chronicle 9. The Celebrated Tríchordon).

Bow harp (ennanga from Uganda): descendant of the musical bow and precursor of the string instruments

Pollux (2nd century CE), writing about the origin of the instrument, is very clear: “Tríchordon, which the Assyrians called pandura; it was also their own invention.” Therefore, etymologically and organologically, the pandura was Assyrian. We can assume, as a result, that the cithara asiria, which Pohren referred to, should have been related to the pandura. The term tríchordon that the Hellenes used for the pandura means that it was a three-string instrument. Let us not forget that the guitarra morisca, descending from the cithara asiria, was also a tríchordon.⁽⁸⁾

• ^(h) Cithara probably means tríchordon, three-string. The Indian sitar (of a common etymological origin), though it’s multi-stringed now (about 20 strings; 6-7 melodic and the rest sympathetic, “sympathizing”, i.e. vibrating, with the melodic ones) should have been three-string and Persian in origin (seh-tar in Farsi means “three-string”); besides, in Iran there is still in use a kind of three-string (already four-string) tanbur called setar.

It’s so thrilling to imagine that the starting point of all these instruments was the primitive hunter’s bow; that in time of rest could become a musical bow…

• >> Chronicle 8. A HYBRID’S HYBRIS…
• << Chronicle 6. INDO-IBERIAN ARC (Jondo)

Next Chronicle 8. A HYBRID’S HYBRIS… ● “Mosaic” of Andalusia ● Cultural “Crossroads” and “Purity” ● Natural and Artificial Hybrids ● “Creative” Commercialization ● Paco de Lucía

Musical bow

Chronicle 23. THE GENOCIDE OF THE HELLENES

Chronicle 23. THE GENOCIDE OF THE HELLENES

/ΕΛΛΗΝΙΚΑ/ Χρονικό 23. Η ΓΕΝΟΚΤΟΝΙΑ ΤΩΝ ΕΛΛΗΝΩΝ

● “Burning Books, Burying Scholars” ● Libraries Burned ● Massacre
of Thessalonica ● Delphi, the Serapeum and the Temple of Artemis
in Ruins ● Sacrilege of Alexander’s Sōma ● The Darkening Age

Michales Loukovikas

.

GENOCIDE: “acts committed with intent to destroy, in whole or in part, a
national, ethnic, racial or religious group.” (The UN Genocide Convention)

 

“In the early Middle Ages, in the time of Valens, Valentinian and Theodosius, there was a veritable ‘Inquisition’ established in the East, whose atrocities, persecutions and massacres were in no way inferior to those of the Spanish Inquisitors, who just persecuted people for sinister faith, while the Orthodox ‘penalizers’ in the Orient intended to eliminate en masse anyone who was Hellenizing or philosophizing on the face of the earth.” (Emmanuel Rhoides)

.

NATURAL SELECTION, Charles Darwin’s revolutionary evolutionary theory – a cornerstone of biology – does not apply to man-made creations, which are instead “artificially selected” (censored), on the basis of ideological prejudice against all non-conformist ideas. Big Brother, it seems, has been omnipresent long before George Orwell’s 1984, burning not only books and libraries, but on many occasions the authors themselves, while “purifying” society and rewriting “history”… The motives of such crimes against humanity are very rarely outright politico-economical; as a rule, they are disguised behind a religious mask – especially when this religion is monotheistic, i.e. antagonistic to all the other creeds, authoritarian, and also power-hungry. Note that among the monotheistic religions, Christianism is the “unchallenged champion” of such crimes. Here is a short list of the first phase:

● 213–210 BCE. The “burning of books and burying of scholars” campaign during the Qin Dynasty of ancient China epitomizes the “war against freedom of thought and speech” that is still raging: all Chronicles, except those by the Qin historians, the Classics of Poetry and History, works of Confucius and several other schools, should be burned; and anyone discussing these books be executed. More than 460 scholars, or almost 1200, according to another count, were buried alive. The campaign soon led to revolts and war resulting to a further damage of texts of history: the capital was sacked and burned, in 207 BCE, destroying the officially sanctioned works in the imperial library, as well.

● 53 CE. Saul (Paul) of Tarsus, the trouble-maker, combined his preaching with book burning in Ephesus. This episode inspired many artists applauding such actions (see e.g. paintings by Eustache Le Sueur, Lucio Massari, Pieter Coecke van Aelst, etc.) that all fascists imitated with enthusiasm… Acts of the Apostles, 19: “Τhey counted the value of [the burned books] and found it came to 50,000 pieces of silver” = more than 20 million €!

“Βurning of books and burying of scholars”: late dynastic period painting

● Circa 160 CE. Epicurus’ book Established Beliefs was burned in a Paphlagonian market, by order of a charlatan prophet. It was just a first glimpse of what would follow, as soon as these charlatans climbed up the highest echelons of power…

● 170s CE. Describing the Bible as “utter trash”, “a Greek intellectual named Celsus launched a monumental… attack against the new religion”, writes Catherine Nixey in her well-documented study, The Darkening Age / The Christian Destruction of the Classical World – hence our many, lengthy quotations in the previous, present, and next Chronicle. “Celsus was more than disdainful; he was worried that this religion – which he considered stupid, pernicious and vulgar – might spread even further and… damage Rome. Over 1,500 years later, the 18th century English historian Edward Gibbon would draw similar conclusions, laying part of the blame for the fall of the Roman Empire firmly at the door of the Christians… The Church… promptly placed his Decline and Fall of the Roman Empire on the Index Librorum Prohibitorum, its list of banned books.⁽¹⁾ Even in liberal England, the atmosphere became fiercely hostile to the historian”.⁽²⁾

• ⁽¹⁾ Updating the Index (1900), pope Leo XIII stressed: “It is totally unacceptable to support, defend or allow freedom of thought, of speech… as if these rights are given to man by Nature”!

• ⁽²⁾ But even in the 20th century, the Pythons’ “1979 film, Life of Brian [parodying the life of Jesus], was banned in several countries.” (C. Nixey)

Library of Celsus in Ephesus (2nd century CE), the third-largest in the Roman world after Alexandria and Pergamum, was the funerary monument of Tiberius Julius Celsus Polemaeanus, governor of Asia (Minor). The library, an architectural marvel, and its 12,000 scrolls, were burned by Christian Gothic barbarians, who also destroyed the magnificent Temple of Artemis there, one of the 7 wonders of antiquity (262 CE). The library’s façade was restored in the 1970s.

● However, both Celsus and Gibbon were right: “What… if God and Caesar both laid claim to the same thing? Well, said the great thinkers of the first Christian century, in that case God took precedence. As Augustine put it, if God’s law diverged from Roman law, then the Heavenly City and its inhabitants were compelled ‘to dissent, and to become obnoxious to those who think differently’… At the highest level the Church was starting to challenge the power of the state. Roman observers had long noticed the Christian tendency to consider themselves above the law… ‘There is no crime’, declared Shenoute, ‘for those who have Christ’… Murder committed for the sake of God was not a crime but actually ‘a prayer’… As Christianity gained in power their acts of defiance gained in boldness. Courtrooms in the east of the empire were disrupted by sinister groups of dark-clad, psalm-chanting monks… Monks – anonymous, rootless, untraceable – were able to commit atrocities with near impunity… Even Theodosius, a wholeheartedly Christian emperor, mutedly observed that ‘the monks commit many crimes’.” Gibbon, on his part, comparing the monks with “a race of filthy animals”, wrote: “In almost every province of the Roman world, an army of fanatics, without authority and without discipline, invaded the peaceful inhabitants; and the ruin of the fairest structures of antiquity still displays the ravages of those barbarians”.

● Catherine Nixey begins her dramatic narrative in Palmyra in 385 CE. Exactly the same scenes, unfortunately, would unfold in the city of Zenobia, the “nymph of the desert”, even nowadays, committed by the terrorists of the Islamic State. But what’s happened now in a single region of Syria, or in one country, Afghanistan, by the Taliban, was then about to spread to an entire empire and last for many centuries:

It’s ironic that the new fundamentalists’ target was again Athena: the statue of Al-lāt, equated with the goddess of Wisdom, destroyed in 2015; so was the Lion at the temple’s entrance. (We see Asclepius on the wall). Other ISIS crimes: the monumental arch in Palmyra’s colonnade (also 2015); Tetrapylon (2017); the theatre (used for executions, 2017); the Baal Shamin temple, blown up; etc…

“The destroyers came from out of the desert. Palmyra must have been expecting them: for years, marauding bands of bearded, black-robed zealots, armed with little more than stones, iron bars and an iron sense of righteousness had been terrorizing the east of the Roman Empire. Their attacks were primitive, thuggish, and very effective. These men moved in packs – later in swarms of as many as five hundred – and when they descended, utter destruction followed. Their targets were the temples… Great stone columns that had stood for centuries collapsed in an afternoon; statues… had their faces mutilated; temples… fell in a single day… In this atmosphere, Palmyra’s temple of Athena was an obvious target… The ‘triumph’ of Christianity had begun.”

● “Today”, says Nixey, “almost no one has heard of Celsus and fewer still have read his work… It simply disappeared… Almost all information about him has vanished, including any of his names except his last… The long and inglorious Christian practice of censorship was now beginning… Celsus accused Christians of actively targeting idiocy in their recruitment… Lack of education made listeners vulnerable to dogma, he argued. Christians ‘do not want to give or to receive a reason for what they believe, and use such expressions as «Do not ask questions; just believe», and «Thy faith will save thee»’… They declare that ‘Wisdom in this life is evil, but foolishness is good’ – an almost precise quotation from [Saul’s (Paul’s) Epistle to the] Corinthians… To men as educated as Celsus… this was unfathomable: in Greek philosophy, faith was the lowest form of cognition.”

Christianism Has Never Been an Ideology of Liberation

● Christian leaders might have “actively targeted idiocy in their recruitment”, but were anything but… idiots themselves, choosing as their ideal target group “the vast majority of the empire – perhaps 80-90% of men, and a higher percentage of women – [that] was illiterate”. The Christians selected them because they were “hoi polloi” (the many), in order not to upgrade them (with “bread, education, freedom!”), but to downgrade the whole society to their level. Christianism has never been an ideology of liberation; quite the opposite:

The Slave Market, by Gustave Boulanger (c. 1882): in the Roman era,
the “merchandise” was multi-racial; racism would appear later…

“Many of those who set out for the hills” to become monks, Nixey points out, “were poor and illiterate. Some were even slaves – much to the irritation of their Christian superiors. Nietzsche and Engels would later equate Christianity and its values with slaves and slave morality – but if that was true, then no one had told the most powerful Christians in this period. They had no truck with such dangerously revolutionary ideas as the emancipation of slaves. Far from encouraging the escape of Christian slaves, senior clerics cracked down hard on any who attempted to escape their mortal bondage by disappearing into the desert for a more heavenly servitude. When one bishop advised slaves to desert their masters and become ascetics, the Church was appalled and promptly excommunicated him. ‘We shall never’, stated a Canon of the Holy Apostles, ‘allow such a thing, which brings sorrow to the masters to whom the slaves belong’… In the 4th century, St Theodore appeared: a saint whose speciality was finding missing slaves. Sleep on St Theodore’s tomb and… he would appear in your dream and show you where your recalcitrant slave was hiding.” (Then the Church will collect the reward!)

Seen from this perspective, the analogies between Christianism and fascism – apart from the same methodology – become more apparent. Both, though they are systemic, tempt and entrap the underprivileged. (More about Christianism and slavery, and how they are related, you can read in the next Chronicle).

A scholar on a sarcophagus, 180-200 CE

“A few decades after Celsus wrote On the True Doctrine, a more monumental assault was made on the Christian faith by another Greek philosopher”, Nixey goes on. “Yet today this philosopher’s name, like Celsus’s, has been all but forgotten. He was, we know, called Porphyry and his attack was immense – at least 15 books [Against the Christians]… It targeted Old Testament history, and poured scorn on the blind faith of Christians… Porphyry’s works were deemed so powerful and frightening that they were completely eradicated. The first Christian emperor, Constantine… announced… they were destroyed. In the same letter Constantine also consigned the works of the heretic, Arius, to the flames and announced that anyone who was found hiding one of Arius’s books would be put to death. A century or so later, in AD 448, Porphyry’s books were burned again, this time on the orders of… Theodosius II and Valentinian III.”

The Christians’ Psychopathology

● The Christian counter-attack to Celsus came some eighty-odd years later, and signed by Origen: thanks to his text, we now know what the True Doctrine was about. In the meantime, Clement of Alexandria formulated a Christian guide in his own manual, Paedagogus (Tutor; a most inappropriate title), which exposes alarmingly the psychopathology of Christian leaders, even before these fanatics climbed up to power. What Nixey says is most revealing and hair-raising:

“As Clement wrote, the Lord himself had said: ‘I will sharpen my sword… and render justice to mine enemies, and requite those who hate me. I will make mine arrows drunk with blood, and my sword shall devour flesh from the blood of the wounded’. (Who on earth was there – and where? – to listen to this sadist and write down his dictum?) “Clement,” proceeds Nixey, “in… authoritative paragraphs, peppered with frequent… threats from the scriptures, advised the faithful on every aspect of their day, from what they were allowed to eat and drink to what they could wear; from how they could style their hair to even what they were allowed to do in bed.⁽³⁾ In… his guide he censured almost every human activity.”

• ⁽³⁾ Preachers: “Sex between husband and wife is allowed but it should not be enjoyed.” [!] (C.N.)

Fresco from Herculaneum depicting a banquet

Two centuries later, “John Chrysostom advised avoiding dinners altogether in favour of funerals. ‘It is better to go’, he thundered… ‘where there is weeping, lamentation, groans, and anguish, and so much sadness, than where there is the dance, the cymbals, and laughter, and luxury, and full eating and drinking’… [! In addition,] contact with women of all kinds was something to be feared and, if possible, avoided altogether… [! But he] jubilantly observed: ‘The tradition of the forefathers… the tyranny of joy, [!] the accursed festivals… have been obliterated’: Pagan festivals, with their exuberant merriment and dancing, were banned… In 407 [the year John died], the old merry ceremonies were forbidden… If anyone declared himself an official in charge of pagan festivals then, the law said, he would be executed.”⁽⁴⁾

• ⁽⁴⁾ “The firebrand preacher John Chrysostom – John ‘Goldenmouth’ – [the rock star of the era] was so charismatic that crowds of Christians would pack into Antioch’s Great Church to hear him speak, his eyes flashing, then leave as soon as he was finished, ‘as if’, he observed, with a distinct want of monkish humility, ‘I were a concert performance’.” (C.N.)

“In literature of a newly sadistic strain, Christian writers outlined in graphic detail what awaited those who did not comply with the edicts… The punishments for sinners were atrocious… The Apocalypse of Peter reveled in verse after stomach-churning verse on what happened in Hell. In it, the reader is taken on an infernal safari in which the retributions for various misdeeds are pointed out with relish… Even children don’t escape.”⁽⁵⁾

• ⁽⁵⁾ See what a church of Lesbos is distributing now (April 2019) to elementary school pupils – an entire screed, entitled Children’s Guide to Confession (of “sins”)… Just get an idea:

● “Do you by chance like to listen to secular songs on the radio? (…)
● “Do you by chance go to the theatre and the cinema? (…)
● “Do you by chance go to parties and dance sinful dances? (…)”
There’s no end to children’s “sins”, arranged in an array of categories and countless chapters…

Oedipus and the Sphinx, by Gustave Moreau

“Theatre was abhorred as a repository of blasphemous filth… What the Greeks considered civilized – even civilizing – Christian preachers reviled as ‘depravity’… a ‘disease’ and a ‘wanton madness’… Everything about the theatre was… from the Devil. The theatre… was a place of lust and drunkenness, a ‘citadel of all vile practices’. The ‘abominations’ that happened on stage were a ‘lawless corruption’ designed to pollute the ears and eyes of the audience… Tragedies were bloody, comedies were wanton… Actors were whores: Christians regularly substituted the words ‘actor’ and ‘dancer’ with the word ‘prostitute’; the theatre itself was ‘the temple of lust for prostitution’. Almost every kind of display was… stained with Satanism… As one preacher boasted, Christians smashed the flutes of the ‘musicians of the demons’ to pieces… The music that people danced to was considered perilous, for music can take away men’s senses, and mesmerize them, whipping them into a frenzy of lust… As Tertullian joyfully explained, all of these miscreants would be consumed in the avenging fires of the Lord – and he and his fellow obedient Christians would be there, enjoying the sight. What need for the theatre or the hippodrome now?, he asked. Because for the Christian faithful there are ‘other spectacles to come – that day of the Last Judgement, when the hoary age of the world and all its generations will be consumed in one fire’.”

Constantine: Genocide Act I – Persecutions in Perpetuum

● 313. The Edict of Milan on Freedom of religion, which Constantine the “Great” and “Saint” adopted, was meant to protect the Christians, but as it turned out, it seems it concerned only them. Following Galerius’ initiative, who had adopted a similar measure in 311, the emperor aimed at consolidating peace (Pax Romana) in the empire, something that had not been achieved through the persecution of Christians. But he was a… mama’s boy (as his mother, Helena, was a fanatical Christian). Therefore, instead of imposing the strict implementation of religious freedom, he was anything but impartial: the ancient gods on his coinage were replaced by Christian symbols, especially the “XP” monogram, which he had also on his labarum. Hence it was obvious the persecutions would go on; there was just a change of roles: the formerly persecuted were now the persecutors. It was also obvious that the new persecutions would be much more brutal and bloody, widespread and long-lasting (in perpetuum), for the very simple reason that the Christian leaders, who found themselves in a dominant position, confronted the vast majority of the empire’s subjects, who remained faithful to their traditional gods.⁽⁶⁾ Besides, it was even ironic that the persecutions were further multiplied because, as soon as the Christian priesthood was legalized, infighting broke out! As early as 313, the year of the edict, until 317, bishops threw brickbats against bishops in Carthage, until they asked for Constantine’s arbitration. There were three ecclesiastical councils and two trials before one faction (that of Donatus) was judged schismatic, with the result that its property was confiscated and the clergy banished.

The Pearls of Aphrodite, by
Herbert James Draper (1907)

• ⁽⁶⁾ “Christians at that moment were very much in the minority. It has been estimated they made up as little as between 7 and 10% of the empire’s total population.” (C.N.)

“The emperor Constantine proclaimed himself a follower of Christ”, recounts Nixey. “Under his auspices, the Church was soon exempted from taxes and its hierarchy started to be richly rewarded. Bishops were paid five times as much as professors, six times as much as doctors – as much even as a local governor. Eternal delight in the next life, bureaucratic preferment in this. What more could one wish for?”

● 325-326. Emperor Constantine ordered a temple of Aphrodite in Jerusalem to be demolished for the construction of the Church of the Holy Sepulchre there. In the meantime, all the Hellenic sanctuaries on Athos were destroyed, while in the following years even more ancient temples were burned and torn down, and Christian churches erected on the ruins. Soon, this “operation” became “legal”, ordered by the king – who made sure that there were no pagan temples built in his New Rome.

“The great Roman and Greek temples were – or so Eusebius said – broken open and their statues brought out, then mutilated”, writes Nixey. “Officials ‘scraped off the material which seemed to be usable, purifying it by smelting with fire’, then poured the precious metal into the public purse… Constantine, as his nephew the ‘apostate’ emperor, Julian,⁽⁷⁾ would scornfully say, was a ‘tyrant with the mind of a banker’… A market of plundered art developed and Christians… took to levering out and selling statues that were particularly valuable… The Greek poet Palladas archly observed, as he looked at a fine array of gods in the house of one wealthy Christian, that ‘the inhabitants of Olympus, having become Christians, live here undisturbed: for here, at least, they will escape the cauldron that melts them down for petty change’.”

• ⁽⁷⁾ Julian, the “Philosopher”, for the polytheists, the “Apostate”, for the monotheists, depending on the philosophic or religious ideas and priorities or prejudice of each value system…

But early Christians were neither “bankers”, nor wealthy merchants; they were ignorant people and idiots – including some emperors:

“As Julian acerbically observed, while Constantine robbed the temples, his sons overthrew them.” Nixey describes vividly how, “in a spasm of destruction never seen before… the Christian Church demolished, vandalized and melted down a simply staggering quantity of art… In Athens, a larger-than-life statue of Aphrodite has been disfigured by a crude cross carved on her brow; her eyes have been defaced and her nose is missing.⁽⁸⁾ In Cyrene, the eyes have been gouged out of a life-sized bust in a sanctuary of Demeter, and the nose removed; in Tuscany, a slender statue of Bacchus has been decapitated. In Sparta, a colossal statue of the goddess Hera looks blindly out, her eyes disfigured by crosses. A beautiful statue of Apollo from Salamis has been castrated and then struck, hard, in the face, shearing off the god’s nose. Across his neck are scars indicating that Christians attempted to decapitate him but failed… In Egypt, countless chisel blows neatly defaced… the images of the gods in the Dendera temple complex on the left bank of the Nile. Divine figures were attacked with tiny hack marks – usually several hundred for each figure… Eberhard Sauer, a specialist in the archaeology of religious hatred, has observed that the closeness of these cuts… hints at blows made with almost frantic rapidity.”

“Purified” head of an ancient Hellenic statue in Samos

• ⁽⁸⁾ “A naked statue of Aphrodite was, wrote one Christian historian in disgust, ‘more shameless than that of any prostitute standing in front of a brothel’… Far less easy to feel desire for a statue who has had a cross gouged in her head, her eyes blinded and her nose sliced from her face.” (C.N.)

“We will never know quite how much was wiped out. Statues were pulverized, shattered, scattered, burned and melted into absence… Others were so well disposed of that they will probably not be found: they were thrown into rivers, sewers and wells, never to be seen again… The sacred groves of the old gods… were set about with axes and their ancient trees hacked down… Moments of vandalism were immortalized in glowing terms in Christian hagiographies… Far more violence was buried by silence… While it might take months of effort, years of training and centuries of accumulated knowledge to build a Greek temple, it took little more than zeal and patience to destroy one… People built themselves houses from the stones of demolished temples… One law announced that the stones from these temples should be used to repair roads, bridges and aqueducts. In Constantinople, a former temple of Aphrodite was used to store a bureaucrat’s chariots… The desecration continued for centuries.”

● Let’s pick up the thread again. The king ordered the execution of the eunuch priests in Egypt, because they… “offended” his “morals”. The same fate awaited dozens of gentiles, pagans, who were considered as “sorcerers of the evil”, and responsible for the poor harvesting in 335. Among them was the philosopher Sopater of Apamea, a disciple of the Neoplatonist Iamblichus, despite the favour and personal friendship of Constantine he enjoyed. According to the Hellene historian and sophist Eunapius, the king was convinced by some adviser that, by magical arts, the pagan philosopher had… obstructed the arrival of a fleet laden with grain! Constantine’s son, Constantius II, a zealous Arian, also persecuted the seers, prophets, magicians, astrologers, and other diviners, for he feared he would be deprived of his throne by “spells”! The serpent of Judeo-Christian obscurantism had been hatched…⁽⁹⁾

• ⁽⁹⁾ As I commented in Chronicle 2, footnote 4, the Judaization of the Hellenistic and Roman worlds (in the Orient and Occident respectively) through Christianization was the precondition – sine qua non – of obscurantism during the Dark Ages.

● A Hellene, for the early Christian Church, was a gentile, a pagan; the word retained that meaning until the end of the millennium. The Greeks distinguished themselves from others according to cultural standards; the Jews did so according to religious standards. It is more than obvious what each people’s contribution to civilization and what their ideals have been. In his Epistles, Paul almost always juxtaposes Hellenes to Hebrews, in disregard of all other ethnicities (Romans, Syrians, Egyptians, etc.) living in the area at the time. It is more than obvious who he considered an enemy! Another “softer” interpretation is that a Hellene for him was a polytheist, while a Hebrew was a monotheist. Nota bene, a gentile is, first of all, a non-Jew (and not a non-Christian). The word Hellene meaning pagan has persisted into modern times. Many advocates of a revival of the Olympian gods’ worship call themselves Hellenic Polytheists, while the religion is called Hellenism. Such persons outside of Greece are careful not to imply that they consider themselves Greek nationals.

The Council of Gods, Raphael (1517-18)

● “The word ‘pagan’,” according to Nixey, “was a pejorative and insulting word… It was also a Christian innovation: before Christianity’s ascendancy few people would have thought to describe themselves by their religion at all. After Christianity, the world became split, forevermore, along religious boundaries; and words appeared to demarcate these divisions. One of the most common was ‘pagan’. Initially this word had been used to refer to a civilian rather than a soldier. Later, Christian writers concocted false, unflattering etymologies for it: they said it was related to the word pagus, to the ‘peasants’… It was not; but such slurs stuck and ‘paganism’ acquired an unappealing whiff of the rustic and the backward – a taint it carries to this day.”

Besides, the English writer thinks it is better to “avoid ascribing modern nationalities to ancient characters and instead describe them by the language they chiefly wrote in. Thus the orator Libanius, though he was born and lived in Syria, is described not as a ‘Syrian’ but as a Greek. This was a cosmopolitan world where anyone… might consider himself to be a ‘Hellene’ – a Greek”, she adds.

● Constantius was the emperor who initiated the anti-paganistic legislation that in time would become the basis of the Inquisition. He escalated persecutions, as well, setting up a concentration camp in Scythopolis, Palestine, where Hellenes, other gentiles and all those who were considered to be “enemies of the empire”, singled out by vile royal counselors, were tortured and killed. Relevant evidence is given by Ammianus Marcellinus – “a former officer and Hellene”, as he used to describe himself, even in those hard times, born perhaps in Antioch. The idea for the construction of the camp was attributed to to George of Cappadocia, bishop of Alexandria, whose end would be as bad as his life was, once Julian ascended the throne.

Victory column of Diocletian (erroneously mentioned as Pompey’s pillar) erected at the Serapeum in 297 CE after suppressing a revolt in Egypt. It’s a granite monolith 20.46 m high (total height 26.85 m.)

● 356. “It became illegal – on pain of death – to worship images”, observes Nixey. “‘Pagans’ began to be described as ‘madmen’ whose beliefs must be ‘completely eradicated’, while sacrifice was a ‘sin’ and anyone who performed such an evil would be ‘struck with the avenging sword’.” Christianism’s Orwellian Brave New World was in need of a surveillance network. “Roman emperors had always used informers – ‘delatores’. Now, they were put to the service of the Church. Men of all ranks were required to become informers… If they refused or failed in their duties, then they themselves would be held accountable. Among those whom the clergy were tasked with reporting on were actors, actresses and, as one revealing little law added, prostitutes ‘who wore monastic habits’. The punishments could be terrible… [e.g.] by having molten lead poured down [one’s] throat. Correction was paramount.” (!)

Julian: a Parenthesis of Hellenism

● February 4, 362. Julian promulgated an edict to guarantee freedom of religion, proclaiming that all religions were equal in front of the Law, and that the Roman Empire had to return to its former religious eclecticism, according to which it did not impose any religion. As a student of philosophy in Athens, the last emperor who consciously rejected Christianism, was initiated to the Eleusinian Mysteries, which he later tried to restore, and became acquainted with two future bishops and “saints”: Gregory of Nazianzus and Basil of Caesarea.

Julian (361–363) was a complex personality: “military commander, philosopher, theosophist, social reformer, and man of letters”, who wrote in Greek. Of course, several of his works have been “lost”; one of the most important of such “lost works” was his Against the Galileans (Christians). He was half-Hellene from his mother. His parents were Christians; he was given a Christian education. Yet, he converted from Christianism to Hellenism when he was 20. The emperor’s role did not suit him, as he disliked absolute autocracy. He considered the ideal ruler as being primus inter pares (“first among equals”), and equal before the law to his subjects. Julian often frequented in the Senate, participating in debates as a member, not as a king. His habit of talking to his subjects on an equal footing, dressing casually, and leading an ascetic lifestyle, were all misunderstood by “hoi polloi”, who thought that he should behave like an all-powerful Emperor.

Julian the Apostate Presiding at a Conference of Sectarians, by Edward Armitage (1875)
Julian the… Sectarian? But at that time, sectarians were the Christians!

He continually sought to reduce the burdensome and corrupt bureaucracy, and dismissed the surplus staff, either civic officials, or secret agents. He promoted decentralization for the same reason, transferring authorities to the cities from the capital. Of course, he repealed the stipends that Constantine had awarded to bishops, and removed the privileges of the Church, as well. He envisioned the institution of a philanthropic system, as the Christian charities were open to all, including pagans, and criticized the priests of the old religion: “These impious Galileans not only feed their own poor, but ours also; welcoming them into their agapae,⁽¹⁰⁾ they attract them, as children are attracted, with cakes.”

• ⁽¹⁰⁾ The agape (“love” in Greek) feast was a communal meal shared among early Christians.

After five months in Constantinople, he spent the next nine months in Antioch, preparing a campaign to Persia. He was disappointed a lot there, when he saw wealthy merchants hoarding food and selling it at high prices, with the situation heading for a famine. Despite his interventions, the curia and the city’s leading citizens did nothing. Finally, he fixed prices, and imported grain from Egypt; at the same time, he forced the landholders to sell. Then he tried to resurrect the ancient oracular spring of Castalia at a nearby temple of Apollo, where, however, a bishop had been buried. His order for the bones to be removed resulted to a massive Christian procession; shortly after, the temple was destroyed by fire. In 363, he ordered Solomon’s Temple in Jerusalem to be rebuilt: again, fires broke out and the works stopped. No need to say that in both cases, these fires were acts of sabotage by Christians, which could be described as “acts of terror”.

Mercurius killing Julian (Coptic icon). According to a “tradition”, Basil of Caesarea had been imprisoned at the start of Julian’s campaign. He prayed for help to Mercurius, who appeared in a vision, claiming to have speared Julian to death…

Julian was mortally wounded under mysterious circumstances during the Persian campaign, before he could implement his vision (“an act of God!”, the Christians would blissfully say, praising the “Lord”). But was it, indeed, “an act of God”? In 364, Libanius said that Julian was assassinated by a Christian soldier of his own army; but 14 years later, he… corrected himself, claiming that Julian was killed by a “Saracen” – though this turnaround happened in a period when the Christians were back in power. According to John Malalas, Basil of Caesarea commanded the assassination. Later Christian historians propagated the idea that Julian was killed by “saint” Mercurius. Considered apocryphal (Christian fantasy) is a report that his dying words were “νενίκηκάς με, Γαλιλαῖε!” (“You have won, Galilean!”). Julian would certainly speak in the plural: “You have won, Galileans!” (Compare his work Against the Galileans): there’s a big difference.

● As regards bishop George, according to Julian himself, Ammianus, as well as Christian historians, such as Sozomenus, Theodoret, or Socrates Scholasticus:

“George manifested his anti-pagan zeal in excess with arbitrary acts and insulting speeches, exacting onerous taxes, procuring the banishment of Zeno, a prominent pagan physician,⁽¹¹⁾ preventing the pagans from offering sacrifices and celebrating their gentile feasts, and bringing Artemius, duke of Egypt, whom the Alexandrians dreaded, for he was much given to the destruction of idols: he invaded with an armed force into the superb temple of Serapis [Serapeum], which was forthwith stripped of images, votive offerings, and ornaments… The news of Julian’s accession arrived at Alexandria on November 30, 361. George was at the height of his pride and power: he had persecuted and mocked the pagans, who now… felt that the gods could, at last, be avenged”… He was thrown into prison with two others who had overthrown a pagan altar; but “in the morning of December 24, the pagan mob again assembled, dragged them forth with horrible shouts of triumph, and kicked them to death.” Then they led the bodies through every part of the city and “eventually burned the remains on the shore, casting the ashes into the sea.” Alexandria, the glorious centre of Hellenistic civilization, was gradually sinking into the abyss…

• ⁽¹¹⁾ Everything Hellenic was “from the Devil”, as well, and banished: knowledge, science, medicine. Medical books were also burned and the only therapeutic methods left were blood-letting and… exorcism. Only dehumanized humans would never question the Christian “new order”…

St. George Killing the Dragon, by Bernat Martorell (1434-35): the same iconography, with a dragon
in the place of Julian!

● But who was that “duke of Egypt” (dux Aegypti), Artemius? For the Christians, he was none other than the “martyr” and “saint” Artemius of Antioch, where he was tried and beheaded in 362 for abuse of power and maladministration of his province, having demolished temples and broken down their idols – on his own will, or instigated by George. The Church apparently felt that his work was “God-blessed”! However, there’s a chance that in Julian’s years, we have not only one, but two “martyrs”: Artemius and George. The English historian Edward Gibbon e.g. identifies George of Cappadocia, the bishop, with… George of Lydda, the “saint”! The former was an Arian (i.e. a heretic), therefore, a “black sheep”. But the latter was the hero of a legend that, in several variations, fascinated even the Muslims. So, he should be preserved. The disinformation operation was thus put into motion (keep in mind that what information we have has passed through… a thousand censoring “sieves”)! George the “saint” was supposedly martyred in 303, during the Diocletian persecution. The technology of the era, however, did not allow a non-existent person to acquire flesh and bone. That’s why we know nothing about the “saint”, nor is there any proof that he ever existed. Whatever we know is according to… tradition. The oldest text referring to the legend, but without naming George, is Eusebius’ Church History in the 4th century (about his credibility, see Chronicle 19, last paragraph). The oldest text preserving fragments of the legend is in a Greek hagiography, a 5th-century palimpsest. But its compiler, just like Gibbon, also identifies the martyr with his namesake bishop.

● “As the early Christian author Origen admitted”, comments Nixey, “the numbers of martyrs were few enough to be easily countable; the Christians had died for their faith ‘occasionally’… Several saints appear never to have existed at all. It is now thought that fewer than ten martyrdom tales… can be considered reliable… There were few persecutions of those years: the Decian; the Valerian, seven years later, and ‘the Great [Diocletian] Persecution’ fifty-odd years after that in AD 303. And not all of these ‘persecutions’ were intended to explicitly target Christians… The Romans did not seek to wipe Christianity out. If they had, they would almost certainly have succeeded… The martyr stories… show what the scholar G. E. M. de Ste. Croix called ‘an increasing contempt for historicity’… The brief and sporadic Roman persecutions of Christians would pale in comparison to what the Christians inflicted on others – not to mention on their own heretics.”

● 363. When Julian was dead, the “purple” (the “crown”, as they used to say of later kings) was given, due to a “misunderstanding”, to Jovian, who established Christianism again as the official religion. Being under the influence of “saint” Athanasius of Alexandria, he moved “as if by magic” from tolerance to bigotry, subjecting those who worshipped ancestral gods to death and also ordering the Library of Antioch to be burned down.⁽¹²⁾ However, he was unable to complete his “mission”: he died (or… they made him die) half a year later. Very soon this task would be undertaken by Theodosius I.

A Greek rider seizes a mounted Amazon (armed with a double-headed axe) by her Phrygian cap; mosaic, 2nd half of the 4th century CE
(in the time of Jovian); from Daphne, a suburb of Antioch.

• ⁽¹³⁾ “Jovian ordered the destruction” of the Library of Antioch, relates Johannes Hahn in his Gewalt und religiöser Konflikt (Violence and religious conflict), “because he wanted to gain the favour of the Antiochians. Nevertheless, he failed completely: not only the pagans but also the Christians interpreted this as a barbaric act… He burned the temple, with all the books in it, at the urging of his wife, with his concubines laughing and setting the fire”…

● The “witch-hunt”, in the meantime, continued with even greater intensity, after Julian’s short reign: Hellenic philosophical and scientific treatises were burned in public, and hundreds of Greeks or other pagans, accused of sorcery, were being pilloried, imprisoned, tortured, executed, and their properties were confiscated. Among them was another philosopher, Simonides. Such accusations arose from the practice of theurgy, performed by Neoplatonic philosophers. It was “man’s conscious participation in the divine work,” which was accomplished by rituals, invoking god, or gods, with the goal of achieving henosis (union with the divine) and perfecting oneself. It is what the mystics, such as the Sufis, are after until now, with rituals using music and poetry, singing and dancing – and what the people of the Church detest until now.

● In 364, Maximus, Julian’s instructor in philosophy and theurgy, was accused of causing a lengthy illness in the new emperors, Valentinian and Valens, but was acquitted due to lack of evidence. In 365-366, however, he was again arrested for illegitimate enrichment. A heavy fine was imposed and he was tortured since he was not able to pay… Around 370, his name was implicated in some rumours about an oracle on who the next emperor would be. Valens reacted hysterically, unleashing a massacre, and as a result, he was loathed by his subjects. Maximus was tortured and beheaded in 372, although, according to Eunapius, he had no involvement in this plot.

St. Paul and the burning of pagan books at Ephesus, by Lucio Massari (1612). Acts of the Apostles, 19: “Τhey counted the value of [the burned books] and found it came to fifty thousand pieces of silver” = more than 20 million €!

● 4th century, 3rd quarter. “One of the most infamous assaults on thinkers and books took place in Antioch… Ammianus Marcellinus… one of the finest historians of the era, happened to be there. An accusation of treasonous divination led to a full-scale purge that targeted the city’s intellectuals… A noble of ‘remarkable literary attainments’ was one of the first to be arrested and tortured; he was followed by a clutch of philosophers who were variously tortured, burned alive and beheaded. ‘Innumerable books and whole heaps of documents, which had been routed out from various houses, were piled up and burnt under the eyes of the judges. They were treated as forbidden texts to allay the indignation caused by the executions, though most of them were treatises on various liberal arts and on jurisprudence… Throughout the eastern provinces whole libraries were burnt by their owners for fear of a similar fate; such was the terror which seized all hearts’… As John Chrysostom crowed, the writings ‘of the Greeks have all perished and are obliterated’.” Catherine Nixey sums up with the most tragic consequence: “It has been estimated that less than 10% of all classical literature has survived into the modern era.”

Omphalos of Gaea (navel of the Earth): Delphi with the Temple of Apollo (reconstruction)

Theodosius: Genocide Act IΙ – Massacre of Thessalonica
Christian Vandals in Delphi

● 390. Another “miraculous” metamorphosis was witnessed on Theodosius (379–395). His policy of tolerance in the beginning of his reign gave way to bigotry. The bloody turning point came with his order to his Gothic troops to commit the abominable massacre of Thessalonica in the Hippodrome in 390, when the citizens rebelled against his Germanic mercenary garrison (see Chronicle 18, footnote 5). The people had been invited to watch chariot races; but the Goths closed the gates and slaughtered everyone. The result: 7,000-15,000 Thessalonians killed. Ambrose, the archbishop of Milan, was quick to capitalize on this golden opportunity: he excommunicated Theodosius, and thereby turned him into his obedient instrument.⁽¹³⁾ The king submitted himself completely to the Church, and agreed to do public penance, adopting a new role as the champion of the Christian faith. The result was the so-called “Theodosian decrees”, breaking up pagan institutions and destroying their temples. The first act of his “penance” was perhaps the ruination of the temple of Apollo and most of the statues and works of art in Delphi, in the name of Christianism, in the same year (390).⁽¹⁴⁾ The sacred site was totally destroyed by Christian zealots in an attempt to obliterate all traces of Hellenism, which was already proscribed, a “religio illicit”: gentiles would be sought out by Christian informers, brought to court and in many cases executed. This “war on the infidels” was transferred to Alexandria the next year.

• ⁽¹³⁾ Ambrose could manipulate three emperors: Gratian, Valentinian II, and Theodosius I; naturally, he was “sanctified”! Adopting Constantine’s tactics, Gratian in 382 confiscated every paganist property. Valentinian’s legislation practically outlawed polytheism. Theodosius’ decrees were effectively a declaration of war on Hellenism. He not only authorized, but also participated in Christian zealots’ attacks against ancient shrines, when priests were killed and temples destroyed.

Aphrodite: clay figurine from Myrina
(2nd century BCE)

• ⁽¹⁴⁾ In fact, Delphi was already in a desolate state, with its treasures plundered and shattered: the oracle was visited by Oribasius, Julian’s personal physician, in 362, on behalf of the emperor, and received one of Pythia’s last “prophecies” (or, rather the cry: “Help!”). At least, that’s what the Christian historian Philostorgius says, but we ignore if it is a fact, or another case of falsified truth, of “history” written by the Big Brothers:

  .

  Tell the emperor,

  the splendid palace fell to the ground.

  Phoebus no longer has a house,

  nor the prophesying laurel,

  nor the speaking spring;

  the speaking water evaporated as well.

● 391. “Theodosius passed a formidable law. ‘No person shall be granted the right to perform sacrifices; no person shall go around the temples; no person shall revere the shrines’. Nor could anyone… venerate his household gods, or burn lights, put up wreaths, or burn incense to them. Then… a new and more terrible law came. ‘If there should be any temples in the country districts, they shall be torn down’… A bishop named Marcellus became ‘the first… to put the edict in force and destroy the shrines’… As the laws against pagans were building to an aggressive crescendo, [he also] destroyed the vast and still hugely popular temple of Zeus at Apamea… It fell with a crash that was loud enough to bring all the townspeople running… Marcellus [at last] was seized and burned alive by outraged polytheists… Today he is worshipped as a saint in the Orthodox Church.” No one could ever imagine what building would be the Christians’ next target. Catherine Nixey’s narrative builds up to a climax:

Serapeum of Alexandria (reconstructed)

● “At the end of the first century of Christian rule, the Colosseum dominated Rome and the Parthenon towered above Athens. Yet when writers of this period discuss architecture, these aren’t the buildings that impress them. Instead, their admiration is drawn by another structure in Egypt [despite destruction inflicted by Artemius]. Its great halls, its columns, its astonishing statues and its art all made it… ‘the most magnificent building in the whole world’. Everyone had heard of it. No one has heard of it now. While tourists still toil up to the Parthenon, or look in awe at the Colosseum, outside Academia few people know of the temple of Serapis.⁽¹⁵⁾ That is because… a bishop, supported by a band of fanatical Christians, reduced it to rubble.”

• ⁽¹⁵⁾ It is astonishing that none of these edifices (Parthenon, Colosseum, Serapeum) was included among the Seven Wonders of the Ancient World!

The Serapeum and Artemision Razed to the Ground

● In 391, the enormous Serapeum, together with what was left out of the great Library of Alexandria, were looted, burned and razed to the ground by Christian fanatics and troops, at the decrees of Theodosius and archbishop Theophilus, whom Edward Gibbon describes in The Decline and Fall of the Roman Empire as “the perpetual enemy of peace and virtue, a bold, bad man, whose hands were alternately polluted with gold and with blood.” The archbishop had discovered an underground Mithraeum,⁽¹⁶⁾ and together with his followers, mockingly displayed the worshippers’ sacred artifacts offending them enough to provoke an attack on Christians. The latter counterattacked, forcing the Mithraists to retreat to the Serapeum. Theodosius had given Theophilus the go-ahead to destroy, and just asked him to avoid another massacre. As the Christian historiographer, Socrates Scholasticus says in his Ecclesiastical History, Theophilus “caused the Mithraeum to be cleaned out… Then he destroyed the Serapeum… The heathen temples were therefore razed to the ground, and the images of their gods molten into pots and other convenient utensils for the use of the Alexandrian Church.” The temples that were demolished could be declared “abandoned”, as Theophilus immediately noted in applying for permission to convert them into Christian churches – an act that must have received general sanction, for cave-like mithraea turned into crypts, and temples forming the foundations of churches, appear throughout the Roman Empire in the 5th century.

• ⁽¹⁶⁾ Note that we know almost nothing about Mithraism, a religion contemporary with – and rival of – Christianism, practiced from about the 1st to the 4th centuries CE.

5th-century scroll: Theophilus standing triumphantly on the ruins of Serapeum: his eyes betray his paranoia…

● Standing triumphantly in the ruins, Theophilus looked around in search of his next victim and, after he razed to the ground numerous shrines all over Egypt, turned against the followers of Origen, embarking on a paranoid campaign that killed 10,000 monks: the massacre was unavoidable after all… Nevertheless, the slaughterer is considered a “saint” by the Copts!

“According to later Christian chronicles”, notes Nixey, Serapeum’s devastation “was a victory. According to a non-Christian account, it was a tragedy – and a farce. The Greek writer Eunapius felt the destruction was done less from reverence for the Lord than out of pure greed. In his account the Christians weren’t virtuous warriors: they were hoodlums and thieves. The only thing that they did not steal, he observed acidly, was the floor – and that was left ‘simply because of the weight of the stones which were not easy to move’… The tens of thousands of books, the remnants of the greatest library in the world,⁽¹⁷⁾ were all lost, never to reappear. Perhaps they were burned. As the modern scholar, Luciano Canfora, observed: ‘the burning of books was part of the advent and imposition of Christianity’.”

• ⁽¹⁷⁾ “It was over a millennium before any other library would ever come close to its holdings.” (C.N.) On the devastation of the Alexandrian Library, see Chronicle 18, footnote 6, and Chronicle 24, Arsons of Libraries.

● The destruction of the Serapeum was seen by many authors as representative of the “triumph of Christianity” over other religions – or the victory of a Hebrew god over Hellenic, Roman, Egyptian, Persian, etc., deities – hence other cultures; while that of the Alexandrian Library symbolized “knowledge and culture ruined”. The library held almost 700,000 scrolls from Hellas, Egypt, Assyria, Persia, India, and several other countries, being part of a grand research institute, an ancient university, called the Musaeum (House of the Muses), where many of the most famous thinkers of the ancient world studied and worked, such as: Archimedes, antiquity’s greatest scientist; Ctesibius, the father of pneumatics and inventor of the hydraulis (water organ, or today’s pipe organ; see Chronicle 11, Hydraulis, Pipe Organ); Euclid, the father of geometry; Eratosthenes, who argued for a spherical earth, calculated its circumference, and the tilt of its axis, to near-accuracy; Hero, the father of mechanics, inventor of the first steam engine (aeolipile), a follower of the Atomists; Hipparchus, the father of astronomy and founder of trigonometry; Aristarchus, who proposed the first heliocentric system of the universe; his case is an excellent example: his only extant work, On Sizes and Distances of the Sun and the Moon, is based on the geocentric model; the other book that proposed the alternative hypothesis of heliocentrism is known only through citations by other scientists, such as Archimedes. Is this just a coincidence? Absolutely not!

Library of Alexandria (reconstructed)

● In 392, Theodosius banned the mysteries of Aphrodite in Cyprus, while “saint” Epiphanius, bishop of Salamis, Christianized gentiles en masse with the threat of slaughter and fire, destroying all sanctuaries. The next year, the king extended the ban to all Pan-Hellenic artistic and athletic festivals and games, such as the Olympian, Pythian, Isthmian, and also the Roman Actia. Given the opportunity, the sanctuaries in Olympia were plundered. In 395, Christian atrocities spread all over Greece, including symbolic sites – not only Olympia, but also Dion, Delphi (again), and Eleusis, where the ancient sanctuary was set to fire and all priests were killed because they had tried to revive the Eleusinian Mysteries.

● Violence reigned supreme during the late 4th century, with ancient temples destroyed and turned into Christian churches, their statues, altars, sanctuaries, carried around and mocked in public before they were shattered, gentile priests killed, and libraries burned. Surviving texts describe this widespread catastrophe in the Orient and Occident, referring among others to: the devastation of holy sites that extended rapidly throughout Egypt; the leveling of all temples in Gaza; the destruction of temples and idols in Syria and around Carthage; the attacks of Martin of Tours on holy sites in Gaul; and the list goes on…

The destruction of the Temple of Zeus at Olympia was ordered by Theodosius II in 426 CE

“In France”, writes Nixey, “St Martin, or so the Life of Martin proudly records, ‘set fire to a most ancient and famous shrine’ before moving on to a different village where he ‘completely demolished the temple… and reduced all the altars and statues to dust’. Hagiography records such attacks not as dismal… acts of vandalism but proof of a saint’s virtue. Some of the most famous saints in Christianity kicked off their careers… demolishing shrines. Benedict of Nursia… was celebrated as a destroyer of antiquities. Upon arriving in Monte Cassino, just outside Rome, he smashed an ancient statue of Apollo and destroyed the shrine’s altar. He toured the area ‘pulling down the idols and destroying the groves on the mountain… and gave himself no rest until he had uprooted the last remnant of heathenism’… John Chrysostom, hearing that Phoenicia was still ‘suffering from the madness of the demons’ rites’, sent violent bands of monks, funded by the faithful women of his congregation, to destroy the shrines in the area… In AD 401, Augustine told Christians in Carthage to smash pagan objects because that was what God wanted and commanded… His congregation, eager to sack the temples, started reciting Psalm 83. ‘Let them be humiliated and downcast forever. Let them perish in disgrace’… It has been said that 60 died in riots inflamed by this burst of oratorical fire.” It was an undeclared war.⁽¹⁸⁾

The Sack of Rome by the [Christian] Barbarians
in 410, by Joseph-Noël Sylvestre (1890)

• ⁽¹⁸⁾ Centuries of brainwashing created the false impression that Christianism fell like a “ripe fruit”, in a society tired of polytheism, where everyone embraced the new religion. Eusebius mentions street-fighting in Alexandria between Christians and polytheists, occurring as early as the mid-3rd century. A little later, early in the 4th century, “Spanish bishops were moved to declare that: ‘If anyone breaks idols and is killed on the spot’ he would not… be awarded the martyr’s crown”, as Catherine Nixey notes.

This peculiar civil war forced many people to convert to Christianism, but secretly they remained polytheists. Some had the courage to “apostasize”, just like Julian, adopting Hellenism again. It was the reason why laws against “apostasy” were promulgated by Gratian and Theodosius, with the penalties getting heavier and heavier. Polytheist writers blamed the Christian hegemony for all the evils of the empire, such as the Sack of Rome, in 410, by Alaric. Certainly, these books, and all similar writings, were destroyed by the Christians, who threatened to cut off the hands of anyone who dared to make copies of such “banned” literature.

● Alaric and his Goths were Christians (Arians), while the sack of Rome was the beginning of the end for the Western Roman Empire.

“The orator Libanius… and other worshippers of the old gods saw… their temples ‘in ruins, their ritual banned, their altars overturned, their sacrifices suppressed, their priests sent packing and their property divided up between a crew of rascals’… The vicious and thuggish attacks on the temples weren’t done out of piety, said Libanius [echoing Eunapius]. They committed them out of pure greed… ‘These attacks are a source of income’ because after raiding not only shrines but also peasant homes, ‘the invaders depart with the loot from the places they have stormed’.”

Saul of Tarsus, the trouble-maker: his preaching and book burning at Ephesus inspired many artists who applauded such actions that all fascists imitated. Here’s another version: The Story
of St. Paul: The Burning of the Books at Ephesus, by Pieter Coecke van Aelst (tapestry, detail: designed c. 1529, woven before 1546)

● A fundamentalist mob, led by “Chrysostom”, destroyed completely the Temple of Artemis in Ephesus, one of the seven wonders of antiquity, in 401, ten years after its closure. Its ruins were used to decorate the Hagia Sophia (columns), the Senate (bronze gates), the palace, and other buildings of Constantinople. A first verbal attack on the temple by Saul-Paul caused a violent riot. Destructions by the Christians started at the end of the 1st century. The “baton” was later taken by the Christian Goths who plundered Artemision in 262 CE. Archaeologists had been searching for six years before they located its traces in 1869.

● The impression one gets on this first “Christian century” is that Julian’s failure to restore freedom of religion was a turning point: the Christians realized what they had achieved and what they were in danger of losing. Their attacks would then reach proportions of an annihilation of all non-Christians, a true genocide – to a paroxysmal point.

●

Reconstruction of the procession carrying Alexander’s body based on Diodorus’ description

Sacrilege of Alexander’s Sōma

IN THIS ATMOSPHERE OF CHAOS AND POLARIZATION, utmost decay and moral degradation, proclaimed as “the triumph of Christianity over idolatry”, the symbolism of a “Victorious Jesus” could not be overwhelming without the “defeat” and “conquest” of the invincible conqueror, Alexander the Great. The king died (probably poisoned) in Babylon in 323 BCE. His body was en route to Macedonia, when it was hijacked by Ptolemy Soter for the prestige of having Alexander’s tomb in Egypt. The deceased, who had been declared as “the son of Amun” by the god’s oracle at Siwa oasis, asked shortly before his death to be buried there, in the temple of Zeus Amun, rather than alongside his biological father, Philip, at Aegae. Ptolemy Philopator built a magnificent mausoleum in Alexandria, inside a huge precinct, known as Sōma (Body), which became one of the most famous and sacred sanctuaries of the ancient world, for Alexander was worshipped as a god in the Macedonian and the Roman Empires – especially in the city he had founded, where he was like a patron. A large number of rulers and politicians, officers and officials, both Hellenes and Romans, paid respects to Alexander visiting the mausoleum. Julius Caesar was the first Roman leader to go to the Sōma, as a pilgrimage to the grave of his hero. Many others followed, from Augustus to Severus. However, there were some sacrilegious villains, like Caligula, who removed the breastplate, and Caracalla, who took the tunic, ring, and belt, while his troops were looting Alexandria for several days, slaughtering over 20,000 citizens, mainly young people, in 215, because of a satire produced in the city mocking his claims that he had killed his brother, co-emperor Geta, in self-defense.

City plan of ancient Alexandria with the four flashpoints framed in red: the Musaeum and the
Library, the Serapeum, and somewhere between the “Sōma”, the tomb of Alexander

● Nevertheless, even in such a bloodbath and plunder, with the sole exception of those “pickpockets” wearing the imperial purple, there was no real threat to Alexander’s Sōma until the next century. Ammianus Marcellinus described how bishop George, passing by the Sōma, in 361, wondered intentionally aloud in front of the people of Alexandria about the great and magnificent temple of the city’s genius: “How long will this tomb stand?”, he asked. By “genius”, Ammianus meant the tutelary deity of the city, Alexander. After a while, as we have seen, “George was killed for repeated acts of pointed outrage, insult, and pillage of the most sacred treasures of the city.” Besides, he was hated by all, pagans and Christians alike. But George was not alone. Theodosius, in 391, declared illegal the veneration of Alexander, together with all other pagan gods, and afterwards, says Alexandre Grandazzi in his Historia, “a violent Christian and anti-pagan riot exploded leading to the destruction of the great temple of Serapis, and possibly reached… the Sōma: an allusion… in a speech by the orator Libanius indicates that the body was removed from the tomb to be exposed publicly for the last time.” It seems that the body was hijacked again, and buried in a Christian manner since, according to the new dogma, it should be interred, while the preceding practice of entombment was thought to be idolatrous. Everything referring to Hellenism was destroyed, while the burial of important, illustrious persons was no longer done in mausoleums, but in Christian basilicas and underground. It is the time when Alexander’s remains “mysteriously” vanish. Already at the turn of the 4th and 5th centuries, John “Chrysostom” boasted in a sermon that the Macedonian king’s tomb was “unknown to his own people”, i.e. to the Alexandrian polytheists. Some decades later, Alexander was included by Theodoret in his list of famous personages whose graves had been “lost”.

Alexander the Great, several versions, by Andy Warhol (1982)

● There are a couple of references to a mosque or tomb of Alexander in Arabic texts dating from the 9th and 10th centuries. They probably allude to a mosque that was reconstructed from ancient architectural elements in the 11th century. Alexander’s empty sarcophagus was found there by Napoleon’s forces in 1798. Leo Africanus, who visited Alexandria around 1517, wrote:

“In the midst of the ruins of Alexandria, there still remains a small edifice, built like a chapel, worthy of notice on account of a remarkable tomb held in high honour by the Mohammedans; in which sepulchre, they assert, is preserved the body of Alexander the Great… An immense crowd of strangers come thither, even from distant countries, for the sake of worshipping and doing homage to the tomb, on which they likewise frequently bestow considerable donations.”

Alexander the Great, mosaic,
by Alexandros Giannios

George Sandys, visiting Alexandria in 1611, was also shown a sepulchre venerated as Alexander’s resting place. Whatever the fate of the tomb that was “mysteriously lost” again, these testimonies constitute a double defeat over Christianism: a) Alexander’s veneration continued either with or even without his body, despite the sacrilege; b) a comparison between the two monotheistic religions here ends up overwhelmingly against Christianism.

● According to 21st century historians, such as Andrew Chugg, author of four books on Alexander, one entitled Alexander the Great, the Lost Tomb, there’s a chance that the embalmed body of the great Macedonian king might be preserved in St. Mark’s Basilica in Venice, where it has been mistakenly venerated as the body of Mark the Evangelist! The latter had gone to Alexandria in 49, and founded the Church there, becoming its first bishop. However, there were Alexandrian pagans who resented his efforts to turn them away from the worship of their traditional gods. So, in 68, they placed a rope around his neck and dragged him through the streets until he died (the mobs, you see, were not a Christian invention: they have been an essential and indispensable “tool” of every ideology and doctrine).

Two Venetian merchants brought the mummy from Muslim Alexandria to Venice in the 9th century, and the doge ordered the so-called Chiesa d’Oro (Church of Gold) to be built next to his palace. The possession of an important relic would have serious political consequences. With a supposed evangelist on its territory, Venice acquired a status almost equal to that of Rome. During the construction of a new basilica in 1063, the relics “mysteriously” disappeared. According to a tradition, “Mark” himself revealed the location of his remains in 1094 by extending his arm from a pillar to the doge of the time.

Since 1811, the mummy rests in a crypt under the church’s altar, inside a marble sarcophagus on which there are also several Macedonian symbols. On the contrary, the Copts believe that Mark’s head remains in a church named after him in Alexandria, parts of his relics are in St. Mark’s Cairo Cathedral, and the rest are in Venice.

Nevertheless, there’s just one “little detail”: early Christian writers, such as Dorotheus, Eutychius, and also the author of the Chronicón Paschale, say that Mark’s body was burned by the pagans! How could it be possibly embalmed?

A scientific study on the remains would reveal the secret of their origin. Radiocarbon dating would establish if the body is old enough to match to that of Alexander. And, it would be possible to reconstruct his facial features from the skull (wherever it is), and inspect the bones for signs of multiple injuries, particularly the one inflicted on Alexander’s chest when an arrow penetrated into his sternum…

Do you sincerely think there will be any Church officials who would ever allow such a study, putting at risk the Church’s “history” for History’s sake?

• >> Chronicle 24. THE TRIUMPH OF CRETINISM
• << Chronicle 22. AN IBERIAN PERIPLUS REVIVAL

Next Chronicle 24. THE TRIUMPH OF CRETINISM ● The Genocide of the Hellenes (Β) ● Hypatia’s Assassination ● Christianism and Slavery ● Colonialism and Racism

Ruins and Columns of the Temple of Artemis at Ephesus

Chronicle 18. AEGEAN: KNOSSOS, MYCENAE, TROY

Chronicle 18. AEGEAN: KNOSSOS, MYCENAE, TROY

/ΕΛΛΗΝΙΚΑ/ Χρονικό 18. ΑΙΓΑΙΟΝ: ΚΝΩΣΟΣ, ΜΥΚΗΝΑΙ, ΙΛΙΟΝ

● Stonehenge ● Dorians and Sea Peoples ●
Mysteries ● Trojan War and Bronze Age Collapse

Michales Loukovikas

The Atreid dynasty palace at Mycenae

AS HEIRS OF THE MINOANS, the Mycenaeans assumed control of “Tin Routes” – i.e. the maritime trade network of metals from the Occident. Their acme lasted for about 250 years until the Bronze Age collapse. This extensive network sheds light on the reason why Mycenaean artifacts have been found well outside the boundaries of the Mycenaean world: swords located as “far away” as Georgia in the Caucasus; an amber object inscribed with Linear B symbols in Bavaria, Germany; double axes and other objects dating back to the 13th century BCE in England (Wessex, Cornwall) and Ireland. There is convincing evidence that during the final phase of construction of Stonehenge in Wiltshire, around 1600 BCE, those builders there had commercial contacts with “the great contemporary Mediterranean civilizations”, as the astronomer Gerald Hawkins wrote, that is, “Minoan Crete, Mycenaean Greece, Egypt, and the ancestors of the travelling-trading Phoenicians.” The grave of a Mediterranean teenage boy, who died c. 1550 BCE, and several items of Mediterranean origin, have been found in the burial ground of Stonehenge.

Sunset at Stonehenge

● Hence, according to Hawkins, the Mycenaeans were already included among the navigating merchants of long distance voyages even before the conquest of Minoan Crete, together with the “ancestors of the Phoenicians”. The English astronomer and author, famous for his work in the field of archaeoastronomy,⁽¹⁾ published an analysis of Stonehenge in 1965 and was the first to propose the purpose of this megalithic monument as an ancient astronomical observatory to predict movements of the sun and stars. (See Chronicle 3, on Stonehenge as a work of migrants from the cradle of Homo, i.e. the Aegean, and also on the kinship between Minoans and Mycenaeans).

• ⁽¹⁾ Archaeoastronomy: the study of how people in the past “have understood or used phenomena in the sky, and what role the sky played in their cultures.”

Mycenae, Lion Gate

The Mycenaean era (c. 1700 – c. 1100 BCE) is the historical setting of much myth and literature of the Hellenes such as the Epic Cycle and Greek tragedy. Scholars have traditionally blamed the collapse on an uprising, or an invasion by another Hellenic ethnic group, the Dorians, though at least one Mycenaean centre, Pylos, was most probably destroyed by the so-called Sea Peoples. There are theories of natural disasters or large-scale drought, which could have contributed, too. The movements of people from the Balkans and Asia Minor to the Near East at that time have been attested. The internal factors theory has the Mycenaean culture falling in the course of societal conflicts brought on by a rejection of the palatial system by the underprivileged strata of society, which were quite impoverished by the period’s finale. Another hypothesis mingles social with ethnic divisions. In this context let’s have in mind that the Iron Age made large numbers of rather cheap weapons accessible to all. War was no longer an aristocratic privilege. The iron weapons were not as good as the bronze ones but they could still kill… (See the previous Chronicle, footnote 6).

Heracles

● The Dorian invasion is a concept devised by ancient Greek historians to explain why pre-classical dialects and traditions in southern Hellas were replaced by others that prevailed in the classical era. The Dorians, a Greek legend asserted, took control of the Peloponnese in the so-called “Return of the Heracleidae”. The meaning of the concept changed several times, as historians, philologists, and archaeologists, used it in vain attempts to explain the cultural discontinuities expressed in the data of their fields. The pattern of the arrival of Dorian culture on certain islands, such as Crete, is also not well elucidated. Despite some 200 years of investigation, the historicity of the Dorian invasion has not yet been established.

Sea peoples depicted as prisoners in Egypt

● The Sea Peoples were an alliance of seafaring raiders from southern and central Europe, and the Mediterranean Sea, especially the Aegean area, who sailed (and also marched) east invading Hatti, Cyprus, Syria, Canaan, and Egypt, and bringing about the Bronze Age collapse. Pharaoh Merneptah explicitly refers to them by the term “the foreign countries (or peoples) of the sea”. Leaving Mycenaean Hellas out of the list of the victims, some scholars believe they can identify most of the Sea Peoples mentioned in Egyptian records; they supposedly were the: Ekwesh–Achaeans (if they were, why should they destroy Pylos? “Because they were Hellenes!”, is the sardonic answer); Teresh–Tyrrhenians (the ancestors of the Etruscans); Lukka–Lycians; Sherden–Sardinians; Shekelesh–Sicilians; Tekrur-Teucrians (who might have been… either Trojans or Greeks); and Peleset–Philistines (Palestinians?), allegedly coming from Crete. The Peleset and Tekrur were the only major Sea People tribes that settled permanently in Canaan. Note that several of these peoples had been used as mercenaries or “allies” by both the Egyptian and Hittite Empires, before they turned against them (see the next two Chronicles 19 and 20, on the Sea Peoples and the Bronze Age collapse).

A Mycenaean woman with her breast exposed
but… in profile – not en face à la Creta…

Mycenaean settlements were not confined in southern Hellas, but also appeared in Epirus, Macedonia, the Aegean islands, the coast of Anatolia, Cyprus, Canaan and Italy. The towns were well fortified, in contrast to Minoan Crete. The best Mycenaean palaces were excavated at Mycenae, Tiryns, and Pylos. They were heirs of the Minoan palaces but far inferior in structure. The heart of the palace was the megaron, i.e. the throne hall. Staircases found in Pylos indicate that the palaces had two stories. Located on the top floor were probably the private quarters of the royal family. Supreme power appears to have been held by the Homeric ἄναξ (“divine lord”, “sovereign”, “host”), or king. His role was military, judicial, and also religious. Occurrences of the word in texts having to do with offerings suggest that the sovereigns were worshipped.

Apart from that, no priestly class has been identified yet. Furthermore, it remains problematic to pick out a place of worship with certainty. It seems that a lot of gods and religious conceptions of the Minoans were fused in the Mycenaean religion, the mother of the classical Hellenic religion. The Eleusinian mysteries were established during the Mycenaean period on a pre-Greek vegetation cult with Minoan elements. Demeter and other gods appear in Arcadian myths as animal-headed. Representations of the processions of “daemons”, using animal masks, remind us of the Hellenic myth of the Minotaur. Dionysus, the only Greek god who died in order to be reborn, as he often appeared in the religions of the Orient, was related to the Minoan myth of the “Divine Child”, abandoned by his mother, and then brought up by the powers of Nature.⁽²⁾ Mycenaean painting was very much influenced by the Minoan art. Bull-jumping frescoes are found at Mycenae and Tiryns as well. Nevertheless, the Mycenaeans depicted the animals only in relation to man, or as victims of the hunt, and thus displayed a different relation to nature compared to the Minoans.

A procession of lion-headed “daemons” offering libation jugs to the seated goddess who raises a ritual vessel. The sun wheel and the crescent moon are in the sky. (Gold signet ring, the largest from the Mycenaean world, found in Tiryns, but made by a Minoan workshop in the 15th century BCE)

• ⁽²⁾ The “Divine Child”, “Baby Moses”, or Habis, a son of Odysseus and Calypso (we meet him when we visit Iberia, see Chronicles 5 and 21), etc. are anything but unique, as they are found in many cultures, based on the same idea, but not necessarily from the same origin. Similarly, the Deluge myths, connected with the last deglaciation, are widespread among many cultures all around the world. The Mesopotamian Utnapishtim, Deucalion, Noah, etc. are heroes of the same story in several versions. It is a pity that modern Greeks are more familiar with Noah than Deucalion. The reason is that these stories are related as myths, except those in the Bible, considered “sacred”. But what else is the Bible if not Hebrew mythology?

Phryne at the Poseidonia in Eleusis, by Henryk Siemiradzki (1889)

Eleusinian, Cabeirian and Orphic Mysteries

● The Eleusinian mysteries (Ἐλευσίνια μυστήρια) were initiation ceremonies held every year for the cult of Demeter and Persephone based at Eleusis. Of all the mysteries celebrated in ancient Hellas, these were held to be the ones of greatest importance. Most likely their basis was an old agrarian cult which may go back to the Mycenaean and Minoan periods. The mysteries represented the myth of the abduction of the daughter (“korē”) from her mother by the king of the underworld, Hades, in a cycle with three phases: the “descent”, “search” and “ascent”, when Persephone was reunited with Demeter. Her resurrection was symbolic of the rebirth of all life. The rites, ceremonies, and beliefs were kept secret. Since the rituals involved visions and conjuring of an “afterlife”, some scholars believe that their power and longevity came from psychedelic agents. The only requirements for membership were freedom from “blood guilt”, meaning never having committed murder, and also not being a “barbarian” (unable to speak Greek). Nevertheless, the festival later spread to Rome. Women and even slaves were also allowed initiation. Comparative studies show parallels between these Hellenic rituals and other similar systems in the Near East, such as the Egyptian cults of Isis and Osiris, equivalent Syrian and Persian cults and, of course, the Thracian–Phrygian Cabeirian mysteries.

Samothracian relief showing Agamemnon
being initiated into the Cabeirian rites.

● The Cabeiri (Κάβειροι) were enigmatic chthonic deities, protectors of sailors, who were imported into Hellenic ritual keeping Hittite and proto-Etruscan elements. They were worshipped in a mystery cult associated with that of Hephaestus, and centered οn the north Aegean islands of Samothrace and Lemnos, and also at Thebes. Other places of worship included Imbros and Seuthopolis in Thrace, or various sites in Macedonia, Asia Minor and the rest of the Aegean. The Samothracian cult spread during the Hellenistic period, eventually initiating Romans. As the cult’s origin was non-Greek, the “barbarians” were also accepted: the initiation had no prerequisites for age, gender, status or ethnicity. Everyone, men and women, adults and children, the free or enslaved, the Hellenes and non-Hellenes, could participate.⁽³⁾ After all, both the Samothracians and Lemnians were originally non-Greek: the latter might have been related to the Etruscans; they were Hellenized after Athens conquered Lemnos in the 6th century; but the cult of the Cabeiri survived the operation of Hellenization. The Samothracians were associated with the Trojans and Pelasgians. In the Sanctuary of the Great Gods,⁽⁴⁾ they used a so-called “barbarian” language even in Roman times. Thebes was linked to Samothrace through the marriage of Cadmus and Harmonia, the Samothracian. The Cabeiri bear many similarities to other fabulous races, such as the Telchines, Cyclopes, Dactyls, Corybantes, and Curetes. These groups were often confused or identified with one another, since many of them were also associated with metallurgy – just like Hephaestus.

• ⁽³⁾ A Samothracian relief showing Agamemnon being initiated into the Cabeirian rites gives credit to the idea that the Eleusinian mysteries originated from the Cabeirian cult through Thracians who settled at Eleusis.

• ⁽⁴⁾ The famous Winged Nike (Victory) of Samothrace (c. 200–190 BCE) stood at the island’s Temple complex, on a rostral pedestal representing a ship’s prow, and dedicated to the Great Gods.

The Myth of Orpheus, by Marc Chagall

● The Orphic (Ὀρφικά) mysteries may have also had their origins with the Cabeiri. They were religious beliefs and practices originating in the Hellenic and Thracian worlds, but associated with poetry ascribed to the mythical musician and prophet Orpheus, who descended into Hades for his beloved Eurydice and returned. Orphics also revered Persephone and Dionysus for the same reason. Initiation into Orphism, as in the case of the Eleusinian mysteries, was associated with an “afterlife”.⁽⁵⁾

Behold Alaric, the Messiah, entering triumphantly
Athens, followed by Christian “blackshirts”…

• ⁽⁵⁾ In 390 CE, Emperor Theodosius I ordered his troops to commit a most horrific massacre, one of the worst in all history, slaughtering 7,000-15,000 Thessalonians in the Hippodrome, because they had rebelled against his Germanic mercenaries. To expiate his sin, two years later, in 392, he closed all ancient sanctuaries by decree, and imposed Christianism as the sole religion, with the abolition of the Edict of Milan (313 CE) on freedom of religion. Thanks to Theodosius, the “Saint” (for the Church), or the “Great” (for History), as soon as the Christians were free from persecution, they started persecuting all the others! The last remnants of the Mysteries were wiped out in 396, when another German, the Christian Alaric, invaded Eleusis with many local Christians “in their dark garments” – the “Blackshirts” of the era – desecrating the old sanctuaries and killing all priests. Having ravaged Attica, the “Messiah” of the Christian mob entered triumphantly Athens. Then he invaded the Peloponnese, sold citizens of Corinth, Argos, Sparta, etc. into slavery, crossed the Gulf of Corinth and marched to Epirus, halting plunder and slaughter only when he was made a magister militum by the emperor. He surely deserved better: sanctification! (See Chronicles 23-24, on the Massacre of Thessalonica and the violent Christianization of the Empire through The Genocide of the Hellenes and The Triumph of Cretinism).

● Apropos: Most of the Theodosian dynasty emperors, as well as the last ones of the Occidental Empire, were puppets of Germanic kingmakers, the so-called magistri militum (military masters) or stratelates, such as Aspar in the East, and Ricimer in the West. As for Alaric, he captured and plundered even Rome, in 410, marking the beginning of the end of the Western Roman Empire.

The choral dancers frieze from the Temenos in Samothrace

After the conquest of Minoan Crete, the Mycenaean foreign trade
took off: production of goods meant to be sold abroad increased.

A Mycenaean jar with an octopus and fish

COMMERCE REMAINS CURIOUSLY ABSENT from all the written sources in Linear B. However, it is known that the Minoans exported fine fabrics to Egypt; no doubt the Mycenaeans did the same. They probably borrowed knowledge and expertise from the Minoans on matters related to navigation, as is evidenced by the fact that their maritime commerce did not take off until after the collapse of the Minoan civilization. It seems that certain products, especially fabrics and oil, even metal objects, were meant to be sold outside the kingdom, because they were made in quantities too great to be consumed solely at home. Pottery was also produced in great quantities. Especially after the conquest of Minoan Crete, production increased considerably, notably in Argolis, the area of Mycenae, with great numbers exported outside Hellas. The products destined for export were more luxurious, featuring heavily worked painted decorations that incorporated mythic, warrior, or animal motifs, etc. The Mycenaean network extended as far as Spain, Britain, and central Europe, while their pottery has been found in Sardinia, Sicily, southern Italy, the Aegean, Asia Minor (amongst others at the old settlement of Miletus, where high-quality ceramics, Minoan or Mycenaean, have been recovered), other parts of Anatolia, Cyprus, Canaan and Egypt. The Minoan and Mycenaean maritime foreign trade is one of the most important chapters of the Bronze Age history, and an open challenge to every archaeologist or historian.

Trojan War, Bronze Age Collapse and Dark Ages

The gold funeral Mask
of “Agamemnon”

The Mycenaeans inherited the Minoan thalassocracy when they became masters of Crete; but they did not last long. The Trojan War, taking place in 1194-1184 BCE according to Eratosthenes,⁽⁶⁾ the Sea Peoples’ raids, and the great instability of the era, led to their downfall during the Bronze Age collapse. Many historians think the transition to the Iron Age was violent, sudden and culturally disruptive. The Aegean and Anatolian palatial civilizations were replaced, after a hiatus, by the isolated village cultures of the so-called “Greek Dark Ages”, which were dark, indeed, but not only Greek. In just fifty years, in the first half of the 12th century, the downfall of the Mycenaean world and the Hittite Empire, the catastrophe in Syria, Canaan, and Egypt, and the cultural collapse that followed, resulted in the interruption of trade routes and the severe reduction of literacy. The Mycenaean Linear B script was forgotten. The Hellenes would need to re-invent writing in the late 9th or early 8th centuries BCE.⁽⁷⁾ During that period almost every city was violently destroyed and usually left unoccupied thereafter, such as Mycenae, Hattusa, the capital of the Hittites, and Ugarit. Troy was destroyed at least twice before being abandoned. Fewer and smaller settlements suggest famine or war (or both), leading to decimation and depopulation.

• ⁽⁶⁾ Eratosthenes (Ἐρατοσθένης, c. 276 – c. 195 BCE), from Cyrene, was a geographer, astronomer, mathematician, poet and music theorist (characteristic of the ancient scholars’ polymathy). He was the first to calculate the circumference of the Earth, and also the tilt of the Earth’s axis, with remarkable accuracy. He may have also accurately calculated the distance from the Earth to the Sun. He invented the term geography, a system of latitude and longitude, and created the first world map with parallels and meridians in his cartographic depictions based on the available geographical knowledge of the era. He invented the leap day, and was the founder of scientific chronology, trying to fix the dates of the chief political and literary events from the conquest of Troy. (Regarding the timing of the Trojan War, see also Chronicle 16, footnote 6).

The map of Eratosthenes

● Eratosthenes was a chief librarian of the Great Library of Alexandria in Ptolemaic Egypt. The library, a major centre of science and learning in the ancient world, was repeatedly destroyed by Romans (Julius Caesar in 48 BCE, Aurelian in the 3rd century CE), the Christians (Theodosius and pope Theophilus in 391), and Muslim Arabs (`Amr ibn al-`As in 642), resulting to an irretrievable loss of knowledge for mankind. (On burning of books and libraries, see also Chronicles 22 (the case of Democritus), and 23-24).

A tablet with Linear B symbols

• ⁽⁷⁾ Greek alphabet: allegedly derived from the “Phoenician alphabet”, it was in turn the ancestor of numerous other European and Middle Eastern scripts, including Latin and Cyrillic. However, a very important change was made in adapting the Phoenician system to Hellenic by introducing vowel letters. The Greeks were obliged to make the same innovation twice because the vowels are significant in their language. When the Mycenaeans adapted the Minoan Linear A script to their needs, they borrowed 87 Cretan symbols; 82 corresponded to syllables and five to vowels. Linear A is still not deciphered and, therefore, we ignore if this brilliant idea of the vowel letters was Cretan or Hellenic. According to the definition used by modern authors, this feature makes Greek the first alphabet in the real sense, as distinguished from the purely consonantal Semitic “alphabets”, the so-called “abjads” (from the Arabic word for alphabet). The Phoenician abjad belonged to the family of the closely related West Semitic scripts. (On Balkan and Greek script, see Chronicle 3, last part: Early Balkan writing).

Achilles discovered by Ulysses (Odysseus), by Jan de Bray

The Trojan War was just an act of this tragedy on a big scale involving numerous ethnicities: the fighters in Troy’s alliance are depicted in the Iliad as speaking various languages and thus needing to have orders translated to them by their commanders. On the Greek side instead, the Trojan campaign was anything but pan-Hellenic: even the great hero, Achilles, tried to avoid the war disguised as a girl in the palace of Skyros but was exposed by Odysseus! The king of Ithaca too tried to evade “conscription” pretending to be mad! Areas such as Macedonia, Epirus, and in part Thessaly, stayed away, probably because they were under the control of the Dorians, who would proceed to the Peloponnese some time later, filling the vacuum created by the demise of the Mycenaeans. Up to 90% of small sites were abandoned and all palaces destroyed, suggesting depopulation on a major scale. Athens and some other cities continued to be occupied but with a more local sphere of influence, limited trade and an impoverished culture, from which they took centuries to recover.

The Temple of Poseidon at Sounion, Attica,
with its Doric order columns at sunset

The Dark Ages would last for more than 400 years. The decoration on Hellenic pottery, after circa 1100 BCE, lacks the figurative adornment of either Minoan or Mycenaean ware, and is restricted to simpler, generally geometric styles (1000–700 BCE). It’s the reason why this age is also called Geometric, or Homeric, due to the composition of Homer’s epics, circa the 8th century, in the context of the Epic Cycle. Those epics, a by-product of the new alphabet and inspired mainly by the Trojan War and its aftermath, which would later feed the tragedians’ imagination, also together with the emergence of the Grecian poleis, in the 9th century, were the first signs of recovery in Hellas.

The celebrated Winged Nike (Victory) of Samothrace – looted by the French, just like Aphrodite of Melos (Venus de Milo). Three Victories were found in the temenos: the second was snatched by the Austrians, while the third, at last, remained on Samothrace. The statue of the first Victory is 3.28 m high (with its wings) and 5.58 m with the marble ship’s prow on which it stands.

The catastrophe was even worse in Anatolia. Every important settlement shows a layer of destruction. Here civilization possibly did not recover to the level of the Hittites for another thousand years. Cyprus witnessed two destructive waves: by the Sea Peoples (c. 1230), and Aegean refugees (c. 1190 BCE). Ugarit, in Syria, was burned to the ground. In addition, the coastal cities from Gaza northward sank into havoc. Nevertheless, paradoxically enough, the raids did not affect the Phoenician cities; they were confined in southern Canaan. Assyria, protected by the best army in the world, also remained intact; but was obliged to withdraw to its borders for a very long time. As for Egypt, although victorious against the invaders and surviving for a while, it succumbed some time later.

Robert Drews describes the Bronze Age collapse as “the worst disaster in ancient history, even more calamitous than the collapse of the Western Roman Empire”. A number of people nostalgically referred to the cultural memories of the disaster as stories of a “lost golden age”, when “civilization was wiped out”. Hesiod spoke of Ages of Gold, Silver and Bronze, separated from the modern harsh and cruel world of the Age of Iron by the Age of Heroes. It seems that, as a result of the Bronze Age collapse, the disruption of long distance trade, an aspect of the so-called “societal collapse”, cut easy supplies of tin, making bronze impossible to produce.

The disruption of long distance trade cut easy supplies of tin,
making bronze impossible to produce (a “societal collapse”).

• >> Chronicle 19. PHOENICIA’S STROKE OF FORTUNE
• << Chronicle 17. MINOAN CRETAN THALASSOCRACY

Next Chronicle 19. PHOENICIA’S STROKE OF FORTUNE ● Phoenicians and Sea Peoples ● Minoan Eruption on Thera ● Trojan War and Bronze Age Collapse (B)

Mycenaean dagger with a hunting scene: men vs. lions