Chronicle 7. INDO-IBERIAN ARC (Duende)

Chronicle 7. INDO-IBERIAN ARC (Duende)

/ΕΛΛΗΝΙΚΑ/ Χρονικό 7. ΙΝΔΟΪΒΗΡΙΚΟ ΤΟΞΟ (Duende)

● Lorca and Duende ● Pohren and Flamenco:
Dance and Guitar ● Cithara and Pandura

Michales Loukovikas

FEDERICO GARCÍA LORCA gave lectures not only on cante jondo, but also on the Theory and Play of Duende (1930) – a keyword in order to get to the bottom of the essence of flamenco, of music in general, and penetrate the core of all the arts, especially the so-called performing arts. According to the dictionaries, duende means “fairy, demon, ghost, devil, goblin, spirit – holy or evil.” Dictionaries rarely clarify concepts related to music and culture. And why should we let ourselves in the mercy of lexicographers when we have Lorca as a guide? Let’s listen to him with due attention as we are introduced to the magic and mystical duende:

“All that has dark sounds has duende.” (Manuel Torre)

“All through Andalusia… people constantly talk about duende and recognize it every time it appears with a fine instinct… The old Gypsy bailaora [dancer] La Malena once heard Brailowsky play a piece of Bach, and exclaimed: ‘Olé! That has duende!’, but was bored by Gluck, Brahms and Milhaud. And [the Gypsy singer] Manuel Torre, a great artist of the Andalusian people, a man who has more culture in his veins than anyone I’ve known, on hearing Falla play his own Nocturno del Generalife, spoke this splendid phrase: ‘All that has dark sounds has duende’… – agreeing with Goethe who hit on a definition of duende, in speaking of Paganini: ‘A mysterious force that everyone feels and no philosopher has explained.’⁽¹⁾

• ⁽¹⁾ Lorca’s English texts on Cante jondo and Duende are based on A. S. Kline’s translations.

“I heard an old maestro of the guitar say: ‘Duende is not in the throat: duende surges up, inside, from the soles of the feet.’ Meaning, it’s not a question of skill, but of a style that’s truly alive; meaning, it’s in the veins; meaning, it’s of the most ancient culture of immediate creation. It is, in sum, the spirit of the earth, the same duende that scorched Nietzche’s heart as he searched for its outer form on the Rialto Bridge and in Bizet’s music, without finding it, and without seeing that the duende he pursued had leapt from the Greek mysteries to the dancers of Cádiz and the headless Dionysiac scream of Silverio’s siguiriya.”

Alhambra with Generalife by night

The “Dionysiac” and “mystic” Hellenes are here again in full force. Their theatre of action is Cádiz, the ancient Gádeira (Gadir), or Roman Gades.⁽²⁾ To this port of Andalusia outside the Mediterranean, on the Atlantic Ocean, beyond the Strait of Gibraltar, or the Pillars of Heracles, we will shortly return. For the moment, we continue listening to García Lorca spellbound:

• ⁽²⁾ The ancient root is retained in the adjective gaditano: of/from Cádiz, its native/inhabitant.

Sea Melodies, by Herbert James Draper (1904)

“For every man, every artist called Nietzsche or Cézanne, every step that he climbs in the tower of his perfection is at the expense of the struggle that he undergoes with his duende, not with an angel, as is often said, nor with his Muse… Angel and Muse come from outside us: the angel brings light, the Muse form (Hesiod learnt from her)… While duende has to be roused from the furthest habitations of the blood. Reject the angel, and give the Muse a kick… The true struggle is with duende.

“The great artists of southern Spain, Gypsy or flamenco, singers, dancers, musicians, know that emotion is impossible without the arrival of duende. They might deceive people into thinking they can communicate the sense of duende without possessing it, as authors, painters, and literary fashion-makers deceive us every day, possessing no duende: but we only have to attend a little, and not be full of indifference, to discover the fraud, and chase off that clumsy artifice.

“Emotion is impossible without duende.” (García Lorca)

Pastora Pavón, la Niña de los Peines

“Once the Andalusian flamenco singer Pastora Pavon, La Niña de Los Peines [The Girl of the Combs], sombre Spanish genius, equal in power of fancy to Goya… was singing in a little tavern in Cádiz. She played with her voice of shadows, with her voice of beaten tin, with her mossy voice, she tangled it in her hair, or soaked it in manzanilla or abandoned it to dark distant briars. But, there was nothing there: it was useless. The audience remained silent… Pastora Pavón finished her song in silence. Only, a little man… sarcastically, in a very soft voice, said: ‘Viva, Paris!’ as if to say: ‘Here ability is not important, nor technique, nor skill. What matters here is something else.’

“Then La Niña de Los Peines got up like a madwoman, trembling like a medieval mourner, and drank, in one gulp, a huge glass of fiery spirits, and began to sing with a scorched throat, without voice, breath, colour, but… with duende. She managed to tear down the scaffolding of the song, but allow through a furious, burning duende, friend to those winds heavy with sand, that make listeners tear at their clothes with the same rhythm as the Negroes of the Antilles in their rite… La Niña de Los Peines had to tear apart her voice, because she knew experts were listening, who demanded not form but the marrow of form, pure music with a body lean enough to float on air. She had to rob herself of skill and safety: that is to say, banish her Muse, and be helpless, so her duende might come, and deign to struggle with her at close quarters. And how she sang! Her voice no longer at play, her voice a jet of blood, worthy of her pain and her sincerity”…

Donn Pohren and Baile Flamenco

WHAT AN EVENING, INDEED! I’D LOVE TO BE THERE! Well, here we are back to Cádiz with the captivating description of duende by Lorca. It’s where we meet again Donn Pohren, who will lead us to the ancient city of Gadir via… India!

Donn Pohren

“Today”, Pohren writes in his Biographical History, Lives and Legends of Flamenco, the second book of his flamenco trilogy, “nearly all theoreticians of the dance agree that the baile flamenco is directly descended from the ancient religious dances of the Indian Hindus… What in all likelihood has taken place is that the highly-civilized Brahmanic temple dances were adopted by a lesser-developed people, shorn of many subtleties, and returned to a more natural and primitive art form concerned only with the expression of oneself and one’s emotions.

“Let us attempt to construct a brief history of the development of these Indian dances within Spain. First of all, how did they reach Spain? Traditionally performed only in the temples during Brahmanic religious rites, these dances eventually began to be danced more popularly outside the shrines in India. It was then that they were first introduced into other lands by way of early Mediterranean trading vessels and overland caravans. The point of entrance into Spain was most certainly Gadir, later called Gades, today called Cádiz, the oldest city in Spain, founded by the Phoenicians around 1100 BC. Gadir was an extremely important city, and it is likely that professional Indian dancers were brought in to entertain the city’s royalty, probably during the time of the Greeks, c. 500–250 BC, less likely during the reign of the Romans, c. 250 BC – 475 AD. (Hindu musicians and singers surely accompanied the dancers, and thus also introduced their art forms into Spain during this same period. This would partly explain the strong similarities that still exist between certain types of Hindu singing and music, and flamenco).”

● Although we have just heard Lorca telling us that “duende had leapt from the Greek mysteries to the dancers of Cádiz”, there was probably no Hellenic period then in Gadir. From the Phoenicians and the Punics (whom Pohren seems to ignore), the city passed into the hands of the Romans in 206 BCE. Irrespective of the error, what’s important is not who the master of the city was at the time, but the fact that Gadir functioned as a gateway for the Indian dance and music influence into Andalusia. Whatever the case, we know that in their symposia, the Hellenes, both in mainland Greece and also in the colonies, used to enjoy the art of foreign singers and musicians, mostly women, who (according to the symposiasts’ “tastes”) appeared dressed or nude, as we are told by Athenaeus (“Deipnosophistae”, 3rd century CE) and Suda (“Lexicon”, 10th century).

Symposium scene with an aulos playing girl [modestly dressed up, not nude], by Nicias painter

“These civilizations,” Pohren goes on, “with their emphasis on culture, undoubtedly introduced this religious dancing into their own temples, so that by the arrival of the Visigoths in Andalusia (c. 450–700), this type of religious dancing had already become so traditional as to be carried over into the primitive Spanish Church, encouraged and even performed by early Christian priests. (El Baile Andaluz, by Caballero Bonald: ‘It is now known that the fathers of the primitive Church openly admitted, and even fomented with their examples, the adoption by the Christian cult of certain elements of the sacred oriental dances, frequently danced by the very priests themselves’). The Visigoths accepted Catholicism and merged with the Hispano-Roman population,⁽³⁾ and religious dancing continued throughout their reign.

• ⁽³⁾ Pohren, just like Mascarenhas Barreto in the Chronicle 5, put the cart before the horse, speaking about Catholicism before the Schism. Although this doubling of the error makes me wonder: may Catholicism be synonymous with Christianism, and Orthodoxy is a… heresy? Terra incognita: religious affairs have never been my forte!

“It is postulated that during the reign of the Moors (c. 711–1492) these sacred dances were danced more and more popularly outside the confines of the church, possibly even by Spain’s first gypsies, who were thought to have come as camp-followers of the Moorish armies (after having arrived in North Africa from their homeground, India, by way of Pakistan, Persia, and Arabia). As both the gypsies and the Moors already cultivated a type of dance largely derived from the Brahmanic religious dances, their arrival most certainly gave the existing Andalusian dances a shot in the arm…

“Another historical event in the development of the flamenco dance was the arrival of the second migration of gypsies to Spain around 1450, shortly before the Moors were expelled from their last footholds in Andalusia. The gypsies arrived from India by the northern route (Persia, Russia, etc.), bringing with them their interpretations of Indian dances and songs, and adding fresh fuel to the Andalusian folklore…

“After the Moors were forced out, all religious connotations in the dance ceased. The dances were not only banned from the Church because of their increasing sensuality and ‘sinful movements’, but at one time persecutions were carried out against interpreters of certain dances regardless of where they were danced. It was then that the dance, together with the cante, went underground, becoming an art of the ‘lawless elements’ of society. This happened more or less simultaneously with the 16th century edicts ordering the expulsion of the Moors, gypsies, and Jews, and can probably be cited as the beginning of the formation of flamenco as we know it today.”

Cithara/Kithara > Guitarra

This panorama on the evolution of dance from the Indian Brahmanic temples to the Andalusian gypsy camps, with all intermediate stages, has a negative side: it is one-dimensional, presenting India as the matrix of the art of dance – and even more – leading to wrong conclusions. But if, instead of the dance, we trace the evolution of the guitar, the entire mosaic of exchange becomes balanced and three-dimensional. Our guide, Pohren, as a guitarist, moves now into far more familiar waters:

Ancient Hellenic cithara/kithara

“The Spanish guitar”, he remarks in the chapter of the same book (Lives and Legends of Flamenco) dealing with his instrument, “is the direct offspring of, principally, the guitarra latina (Latin guitar) and, secondarily, the guitarra morisca (Moorish guitar), both of which are generally believed to have descended from the ancient kithara asiria (Oriental zither).⁽⁴⁾

• ⁽⁴⁾ Note how terminology differs in the phases of the guitar’s development: cithara or kithara > guitarra. It refers to the time when the ancient cithara ceased to have the form of a large ancient lyre and acquired a “neck” or “arm”.

“First let us attempt to trace the kithara asiria [Assyrian]. José de Azpiazu, in his book La Guitarra y Los Guitarristas, makes the observation that we must look to Egypt and Babylonia for the earliest string instruments, including the zither, from whence they passed on to Syria, Persia, India, and the Middle and Far East in general. He bases this assumption on diverse archaeological finds, principally in Egypt, singling out in particular a bas-relief, dated at 3500 BC, discovered in the tomb of one of the Kings of Thebes. This bas-relief, now in the museum of Leyden (Holland), includes an instrument somewhat resembling today’s Spanish guitar. Azpiazu also states that around the time 1000–800 BC the Egyptians possessed an instrument greatly resembling the modern guitar. This instrument could easily have been the previously mentioned guitarra morisca, or one of its predecessors in its development from the kithara asiria.

Egyptian 3500 years ago playing a guitar-like instrument

“However, in view of continued archaeological discoveries, no date or place can be irrevocably pinpointed concerning the origin of any of the ancient stringed instruments. The discovery by an English archaeologist, Kathleen Kenyon, determining that the city of Jericho was teeming with life as far back as 6800 BC, makes the first Egyptian dynasty (3400 BC) seem relatively modern. In truth, the family tree of string instruments, in all of its rich variety, is as vague as civilization’s early history. Perhaps the only data available to sustain the belief that the guitar is descended from the ancient kithara asiria is the similarity and progression of the zither-guitar terminology in various languages, and the corresponding similarity and development of the instruments represented by the terms, as follows: qitâra (Chaldea – an ancient region in Southeast Asia, on the Tigris and Euphrates rivers), quitar (Arabic), sitar (Hindi), kithara (Greek), cítara (Spanish) and guitarra (Spanish).

Vihuela: the bygone “aristocrat” cousin of the “folk” guitar, with six double strings, is the mother of the violas portuguesas, one of which accompanies the guitarra portuguesa, the lead instrument of fado.

“If we wish to follow the popular theory that the guitar was derived from the kithara (there is no good reason not to), the guitar’s development in Spain can be traced in rough outline. It is generally agreed that the kithara asiria (then called the kithara romana) was introduced into Spain during the time of the Romans, sometime before the birth of Christ.⁽⁵⁾ The kithara flourished in Spain until the fall of the Spanish Roman Empire (5th century), at which time it fell largely into disuse until the invading Visigoths were firmly established on the peninsula. The Visigoths set about reviving the old Roman culture, and the kithara again emerged. In the 7th century San Isidro wrote of wandering minstrels singing and accompanying themselves on the kithara… It was around this period that the guitarra latina, an instrument containing four sets of double strings and which resembled a small version of the present Spanish guitar, was developed in Spain, presumably, as we have stated, from the kithara romana.

• ⁽⁵⁾ “In my opinion”, footnotes Pohren, “it is more likely that visiting Hindu musicians introduced the kithara asiria, or similar instruments, into Cádiz before the coming of the Romans, probably during the reign of the Greeks”…

● Well, in my opinion, it is far more likely that the Greeks themselves introduced into Iberia their own version of this instrument: the cithara helénica!

A woman playing a lyre (an instrument that shows the
cithara to guitarra transition), by Cesare Saccaggi

“Meanwhile, in the Middle East the kithara asiria had long ago inspired the family of the guitarra morisca, an oval-shaped, three-stringed instrument introduced into Spain with the 8th century Moorish invasion. It is thought that the only significant characteristic that the Latin guitar borrowed from the Moorish guitar, in its development into Spanish guitar, was the idea of the single strings in place of the formerly-used sets of double strings.

“So by the 9th century there existed in Spain guitars not unlike those we play today, but until the troubadour period (the 11th through the 13th centuries) the guitar was not widely introduced to the general populace. Little structural change of any significance took place in this guitar until the 16th century, when Vicente Espinel began using a fifth string. (This was not Espinel’s invention, as guitars had existed previously with five strings. Espinel merely made the fifth string fashionable. Many musicologists express the belief that the famous Ziryab himself first innovated the use of the fifth string in the 9th century). With this development the Spaniards finally seemed to feel that the guitar was their instrument, and it was then that the guitarra latina was rechristened the ‘Spanish guitar’.⁽⁶⁾ Two centuries later the final radical development was made, which was the addition of the sixth string by fray Miguel García, a monk also known as Padre Basilio, an excellent classical guitarist and the guitar instructor of King Carlos IV, Queen María Luisa, and the famous concert guitarist, Dionisio Aguado. Thus, except for its growth in size and quality, by the latter third of the 18th century the Spanish guitar was as we know it today.

• ⁽⁶⁾ Except the guitarra española, there is also a guitarra portuguesa, which resembles more a lute than a guitar. It descends from a medieval “guitar”, the citole, and is now the solo instrument of fado. It is accompanied by a “normal” guitar, which is called viola to be distinguished from the guitarra portuguesa; the word viola probably comes from another old guitar, vihuela, or viola de mão. In the 15th century, some musicians played it with a bow, and that’s how the viol, or viola da gamba, was born; it was later replaced by the violin family, especially the cello.

Bayad plays the oud to the Lady (from the Arabic tale Bayad
and Riyad) – or Ziryab’s Garden (Andalusia, 13th century)

“Now that we know something of the development of the guitar, let us look into the development of the music. According to Lévi-Provençal (La Civilización Árabe en España), the great tradition of Andalusian music was molded together and developed in the Cordovan conservatory of music established and directed by the Mesopotamian musician, Ziryab, in the 9th century. (Ziryab arrived in Córdoba in 822, in his early thirties, and remained there the rest of his life). What he must have done was gather, and become proficient in, the Andalusian folklore of that period, which was, of course, highly Oriental in nature, and conserve and teach it to attending minstrels and nobility in his conservatory. As he had spent years in the courts of Baghdad, and was the supreme musician of his time, he undoubtedly added to, and purified, what he found. Ziryab, in fact, is credited with having played the major musical role in making Andalusia the outstanding cultural center of the world at that time.”

“Ziryab played the major role in making Andalusia the outstanding
cultural center of the world in the 9th century.” (Donn Pohren)

Chelys: lyre made with a tortoise shell

IN THIS MONUMENTAL MURAL, created mainly by Lorca and Pohren, with all the others contributing, we only need to apply some extra brushstrokes to… exonerate the Assyrians, who became notorious in history mainly for their cruelty, but also to show that in social processes, parthenogenesis is out of the question in all places and all times – even in the case of the ancient “Hellenic miracle” that has been feasible due to borrowing intellectual achievements and know-how from the Orient.

The cithara was an instrument of the professionals, while its little sister, the lyre, of the amateurs. According to the Encyclopedia of Ancient Hellenic Music by Solon Michaelides (the source of much valuable information throughout our Chronicles), the cithara was called Ἀσιάς (Asian). Plutarch (1st–2nd century CE) claimed that “it was called Asian because it was used by the Lesbian citharodes [or citharoedes, or citharedes (cithara + ode), i.e. cithara players who also sang] dwelling close to Asia”. This is, of course, a pretext – even if Lesbos is actually close to Asia Minor. The truth is found in the writings of Hesychius of Alexandria (5th century CE), who explained that the cithara was defined as such “for it was invented in Asia”. The adjectives Ἀσιάς and Ἀσιᾶτις (Asian, Asiatic) were used not only in relation to the cithara, but also to music in general; as Strabo points out: “… καὶ ἡ μουσικὴ πᾶσα Θρᾳκία καὶ Ἀσιᾶτις νενόμισται”; “… all music is thought to be Thracian and Asian” (see the Chronicle 11. “Music Is Thracian and Asian”). Ancient Thrace, mind you, was not a part of ancient Hellas.

A Konso girl playing a krar lyre (southern Ethiopia)

These instruments of the cithara and lyre family have been extinct for centuries now because they were left behind in the development of music, becoming inadequate and thus unable to satisfy the needs of the people – musicians and listeners. They are now rarely found still in use among primitive tribes, primarily in northeastern Africa – and this is indeed a pleasant surprise! Certain German ethnomusicologists recorded, among others, the sound of a lyre played by a cattleman, member of the Hamar tribe in Ethiopia, and put his photo on the cover of the album. Isn’t it impressive? The symbol of so many “serious” music institutions, the “musical instrument par excellence” of the ancient Greeks, the celebrated chelys of Hermes, who offered it to Apollo (to atone for stealing his oxen!), to be “degraded” in the hands of primitive Africans, and also been made with a tortoise shell? It can’t be, these Germans should have been related in some way to… Fallmerayer!⁽⁷⁾

• ⁽⁷⁾ Jakob Philipp Fallmerayer (1790 – 1861) was a German Tyrolean traveller, journalist, politician, and historian, best known for his controversial discontinuity theory concerning the racial origins of the Greeks.

In conclusion, if we assume that the guitar descended from the ancient cithara, the latter must have been combined with some kind of lute – that is, with an instrument having a “neck” – as the guitar belongs to this lute family. The only similar instrument in ancient Greece was the so-called tríchordon (three-string), or pandura, pandurís, pánduros, and phánduros. In the Hellenistic era there was already a whole family of such instruments that became later even larger with the additions of the erudite thambura (tambur of Constantinople), folk tanbur-saz or bağlama, and also bouzouki (see Chronicle 9. The Celebrated Tríchordon).

Bow harp (ennanga from Uganda): descendant of the musical bow and precursor of the string instruments

Pollux (2nd century CE), writing about the origin of the instrument, is very clear: “Tríchordon, which the Assyrians called pandura; it was also their own invention.” Therefore, etymologically and organologically, the pandura was Assyrian. We can assume, as a result, that the cithara asiria, which Pohren referred to, should have been related to the pandura. The term tríchordon that the Hellenes used for the pandura means that it was a three-string instrument. Let us not forget that the guitarra morisca, descending from the cithara asiria, was also a tríchordon.⁽⁸⁾

• ^(h) Cithara probably means tríchordon, three-string. The Indian sitar (of a common etymological origin), though it’s multi-stringed now (about 20 strings; 6-7 melodic and the rest sympathetic, “sympathizing”, i.e. vibrating, with the melodic ones) should have been three-string and Persian in origin (seh-tar in Farsi means “three-string”); besides, in Iran there is still in use a kind of three-string (already four-string) tanbur called setar.

It’s so thrilling to imagine that the starting point of all these instruments was the primitive hunter’s bow; that in time of rest could become a musical bow…

• >> Chronicle 8. A HYBRID’S HYBRIS…
• << Chronicle 6. INDO-IBERIAN ARC (Jondo)

Next Chronicle 8. A HYBRID’S HYBRIS… ● “Mosaic” of Andalusia ● Cultural “Crossroads” and “Purity” ● Natural and Artificial Hybrids ● “Creative” Commercialization ● Paco de Lucía

Musical bow

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Chronicle 20. THE ENIGMATIC SEA PEOPLES

Chronicle 20. THE ENIGMATIC SEA PEOPLES

/ΕΛΛΗΝΙΚΑ/ Χρονικό 20. ΟΙ ΑΙΝΙΓΜΑΤΙΚΟΙ ΛΑΟΙ ΤΗΣ ΘΑΛΑΣΣΑΣ

● Bronze Age Collapse Due to Famine ● Trojan War and Anatolian
Sea Peoples ● Merneptah Stele and Exodus ● Hittites and Luwians

Michales Loukovikas

The “Great Green” Mediterranean, the “Sea of Hellenes”

BEFORE WE VOYAGE WEST, we need to sail off onto the “Great Green” of the “Sea of Hellenes” (Egyptian terms referring to the Mediterranean), in search of the Sea Peoples, meeting more migrant-refugee bands on the way. Voyaging in space and time, in history, legend or myth, let us go back to the explosive finale of the 17th century BCE, i.e. the “big bang” of the Minoan volcanic eruption on Thera, as it occurred very close to the period that the Sea Peoples initially appeared in Egypt. If we take into account the wrecking of the Minoan navy policing the seas, we can presume that these peoples were then nothing but pirates, and we also realize how interdependent the great powers were in the ancient world, as well.

Ancient ship, Egyptian papyrus painting

Later the Egyptians started identifying various bands of Sea Peoples in their own style, and one of the first they mentioned were the Sherden, or Shardana, a large group of pirates. They disrupted trade in the late 13th century and contributed greatly to the collapse of the Mycenaean civilization. Nonetheless, they are not mentioned in either Hellenic or Hittite legends or documents, suggesting that they did not originate from either sphere of influence. Many scholars relate the Shardana to Sardinia due to the similarity between the two words. Based on the same principle, the archaeologist Margaret Guido proposed that the Shardana might have ultimately derived from Sardis, and the Sardinian plain nearby, in Lydia, and perhaps migrated later to Sardinia. It seems that many people, and not only the Trojans that would become Romans, left Anatolia and the Aegean for the Italian peninsula and its islands due to the Bronze Age collapse rather than before. There is evidence that gives credit to Virgil’s Aeneid – but without excluding the possibility of earlier migrations. Recent genetic studies indicate that the populations not only of people, but even of cattle, in several Italian regions, especially in Tuscany, are more related to Asia Minor, and mainly in the northwest, than to anywhere else.

A famous passage from Herodotus, quoted by scholars quite often, portrays the migration and drifting of Lydians in the Mediterranean because of famine:

Etruscans dancing, painting on a tomb

“Their king divided the people into two groups, so that the one should remain and the other leave the country. His son, Tyrrhenus, was to be the head of those who departed. They went down to Smyrna and built themselves ships. After sailing past many countries they came to the Umbri, where they founded cities and called themselves Tyrrhenians.”

We can’t but remember that Anatolia faced the same acute problem of famine in the time of the collapse and, as a result, the Sea Peoples, then a coalition of seagoing migrants, closed ranks seeking relief from scarcity. Drought could have easily precipitated socio-economic problems and wars. As regards the story told by Herodotus and its link to the Sea Peoples, some scholars contend that those people called Teresh by the Egyptians were none others than the Tyrrhenians, or Tyrsenians, who are often identified with the Tusci (hence Tuscany), the Latin exonym for the Etruscans, or Ras(en)na, as they called themselves. The Tyrsenian linguistic family, together with Etruscan, includes the Lemnian language, spoken on the Aegean island of Lemnos to the 6th century BCE. Another Aegean tongue possibly related to the Etruscan was the Minoan Cretan. A third Aegean island close to Asia Minor mentioned as their possible origin by Thucydides is that of Lesbos. The Romans, as Virgil’s readers, identified the Teresh with the Trojans. There are clues to support this view. Several writers, e.g. Andrea Salimbeti in The Greek Age of Bronze: Sea Peoples, comment that a Trojan connection in the case of the Teresh (or Tursha) should be at first taken under consideration:

The double-headed eagle, the Byzantine symbol of Empire, was used before by Mycenaeans and Hittites, e.g. this relief at Alaca Höyük (1400 BCE)

“Troy appears in a Hittite record as Taruisa. It is a reasonable assumption that the people of Taruisa called themselves by some name close to this; stripped of vowels so that it can be compared to the Egyptian spelling”.

The Troad (or Troas) was outside the territory but within the sphere of influence of Hatti. Nevertheless, another Hittite record points to a different location, for it contains a list of cities, among them Tarsa, most likely Tarsus. These toponyms and corresponding ethnicities would be written down in Egyptian hieroglyphs, or in any cuneiform script, as “T-r-s” or “T-r-sh” – i.e. without vowels.⁽¹⁾

• ⁽¹⁾ A very good example of how important the Greek innovation with the vowels in the alphabet has been. If the Egyptian script had vowels, as well, the enigma of the Sea Peoples might have long since been solved!

“The Sea Peoples may well have been Troy and its confederated
allies, and the literary tradition of the Trojan War may well reflect
the Greek effort to counter those raids.” (Eberhard Zangger)

Anatolian amalgam: the most important regions and peoples

Anatolian connections have been suggested for other Sea Peoples, too, such as the Lukka (Lycians). Most striking is that they mostly seem to have descended from the Troad. Thus the Swiss geoarchaeologist,⁽²⁾ Eberhard Zangger, thinks that “the Sea Peoples may well have been Troy and its confederated allies, and the literary tradition of the Trojan War may well reflect the Greek effort to counter those raids.” This is what the Iliad seems to reflect.⁽³⁾

• ⁽²⁾ Geoarchaeology uses techniques and subject matter of geography, geology, and other Earth sciences, to examine topics which inform archaeological knowledge. Geoarchaeologists study the natural processes that affect archaeological sites, such as geomorphology, as well as soil and sediments, to contribute to archaeological studies.

• ⁽³⁾ According to this scenario, the Trojan War was “just” and defensive on the part of the Greeks, not intended for conquest and destruction of the city controlling the passage to the Black Sea.

Ilium/Troy: the wider area and, below on the right, the modern coastline in red and, therefore,
the floodplain that interested Zangger – on the strategic straits and close to the border area.

Eberhard Zangger

Eberhard Zangger’s Anatolian Hypothesis

● In his Anatolian hypothesis, Eberhard Zangger caused a sensation because of his controversial identification of Troy as Atlantis. Zangger’s point of view is that Plato used an Egyptian version of the story about Troy for his famous report on Atlantis. He based his argument on comparisons between the Mycenaean culture and Plato’s account of the Hellenic civilization facing Atlantis, as well as parallels between the recollections of the Trojan War and the one supposedly fought between Greeks and Atlanteans (a Titanomachy variation). He interpreted the legend of the Trojan War to be the memory of the momentous chaos leading to the Bronze Age collapse, and arrived at the conclusion that Troy must have been much bigger than scholars had presumed, with artificial harbours inside the modern floodplain. In order to prove it, he prepared a helicopter-based geophysical exploration of the plain to locate layers of settlement and artificial port basins, using ground-penetrating techniques. Having granted an “exclusive excavation license” for Troy to Manfred Korfmann, a German archaeologist, the Turkish government rejected Zangger’s request. Disappointed, the latter summed up his theory giving a lecture in the Heidelberg Academy of Science. In my view, his ambitious project was undermined not by Korfmann’s… exclusive rights to excavate for Troy (! – Zangger’s plan did not entail any real excavations) but rather by Turkey’s unwillingness to authorize any disclosure of sensitive military data in an area close to the border for the sake of science.

The historicity of the Iliad

Trojan War scenes on pottery

Despite the attempts of several historians to discredit the historicity of the Iliad, the Trojan War is considered a historical event; in addition, it is a key to grasp the underlying causes of all these epoch-making developments. “For sure, the Sea Peoples’ movement was one of the largest and most important migrations in history that changed the face of the ancient world more than any other single event before the time of Alexander the Great”, remarks Andrea Salimbeti. This long, ravaging war, in combination with the widespread famine in the entire peninsula, created the explosive conditions leading to the collapse. Under the circumstances, many Trojans, allies or neighbours, became refugees, and some survived by their wits or swords. Archeological evidence leads to the conclusion that the Sea Peoples were not pirates anymore, nor raiders plundering and pillaging established cities, but instead a mass of people looking for a place to settle, in search of a home. This was obvious since their first invasion of Egypt under Libyan leadership, when they were accompanied by their families and belongings. The Libyan tribes also played a role in the first campaigns against Egypt. Herodotus and Hecataeus mentioned one of them centuries later. It was the Berber tribe of the Maxyes or Mazyes, the Mazaces to the Romans, or the Meshwesh to the Egyptians – who claimed to have Trojan blood in their veins…

A Peleset headdress, and a similar (?) Phaestos disc symbol (below on the right)

Pelasgians and Philistines (Peleset)

An important Sea People have been the Peleset, identified with the Philistines, or in a broad sense, the Palestinians:

“One of the theories”, says Salimbeti, “links them to the Pelasgians who were allies of Troy and one group of them lived in Thrace. Those Pelasgians would have migrated south, overrunning and fatally damaging Achaean Greek civilization. Shortly after, many would have gone farther south to Crete.”

There are also Biblical references to the Philistines as coming from a place called Caphtor, identified by several scholars with Crete:⁽⁴⁾

• ⁽⁴⁾ According to Wikipedia: “Caphtor is a locality mentioned in the Bible and related literature. The people of Caphtor are called Caphtorites (Caphtorim) and are named as a division of the ancient Egyptians. Traditional Hebrew sources place Caphtor in the region of Pelusium [in the Nile Delta]. Other sources [?] associate Caphtor with localities outside Egypt e.g. Cilicia, Cappadocia, Cyprus or Crete.” The least probable scenario is “hard truth” for some scholars… (See Chronicle 27, footnote 10).

The Nile Delta with Pelusium in the East, the Hellenic colony Naucratis in the West, and further on the location Alexandria was to be built. The ancient canal linking the Mediterranean and the Red Seas is also shown.

“This theory”, adds Salimbeti, “has been somewhat strengthened by the discovery in Crete of the Phaestos disc. One of the symbols shows the head of a man crowned with feathers – very similar to the feather-topped helmets of the Peleset depicted” at the Temple of Ramses III.⁽⁵⁾

• ⁽⁵⁾ Well, it was certainly unavoidable: “The similarity [of the Peleset helmet] with Maya and Aztec feather headdresses is truly amazing, given the distance that separated the Mesoamerican culture” from the Mediterranean… Galloping imagination somewhere in the Internet Sea, while far in the distant horizon the land of Atlantis is gradually emerging…

● Well, what about the language of the Philistines? Wikipedia informs us of “possible relations to Indo-European languages, even Mycenaean Greek, [which supposedly] support the independently-held [?!] theory that immigrant Philistines originated among ‘Sea Peoples’.” And what do we know about the Pelasgian language(s)? “In the absence of certain knowledge about the identity (or identities) of the Pelasgians, various theories have been proposed. Since Greek is classified as an Indo-European language, the major question of concern is whether Pelasgian was an Indo-European language”. For more information, we are forwarded to the Aegean language family, proposed by Giulio M. Facchetti, due to some alleged similarities between Etruscan, Lemnian, and some other languages of the area, such as Minoan Cretan, Eteocretan, Eteocypriot, and Philistine. These languages could constitute a pre-Indo-European phylum stretching from Canaan to the Alps. But this is not a view held in common; there are attempts to link Eteocretan and Eteocypriot with Semitic.

Pelasgian Cycladic civilization: on this “frying pan”’s design (2800 BCE), some imaginative people see a map of Atlantis!

Surely, all the above are nothing but hypotheses, as Facchetti himself admits. What counts is the idea the ancient Hellenes had about the Pelasgians, who had survived even in the classical period in several locations of mainland Greece, Crete and other Aegean islands. People identified as “Pelasgian” spoke a language or languages that the Hellenes described as “barbaric” – that is, they were incomprehensible to them. A tradition also survived that many parts of Greece had once been Pelasgian before being Hellenized. Hence, we can relish watching all scholarly theorizations crumbling and crashing down… (On the Pelasgians see Chronicle 15, footnote 7).

Another “Trojan” Sea People might have been the Weshesh. Again, the scarcity of information led… “necessarily” to speculation about possible links between their name and that of Ilion, as the city of Troy was also called by the Greeks – Wilusa (or Wilusiya) by the Hittites – after king Ilus (thence the Iliad). “The W of Weshesh”, notes Salimbeti, “is a modern invention for ease of pronunciation; the Egyptian records refer to Uashesh.” Some scholars associate this people with Assos, also in the Troad, or with Iassos in Caria, or with Issus (Issos) in Cilicia. Others have theorized that they became part of the Israelite confederacy as the tribe of Asher. Another people connected with the Hebrews were the Tjeker. Moving to Canaan, they captured the city-state of Dor and turned it into a large, well-fortified capital of their kingdom. Dor was violently destroyed in the mid-11th century BCE by the expanding Phoenicians, who were initially checked by the Philistines, and then by the Hebrews. King David (if he was something more than just a mythological figure) supposedly conquered Dor and the Tjeker were mentioned no more.

Teucer (Teucrus) of the Troad and Salamis

Achilles and Ajax playing a dice game: an amphora
by painter-potter Exekias, ca 540-530 BCE

A possible linguistic connection has been proposed between the Tjeker and the Tekrur, identified with the Teucri, a tribe described by some ancient sources as inhabiting northwest Anatolia to the south of Troy. Tradition offers basically two candidates for their homeland: Crete or Attica. Legend links all three places and goes even further, following two heroes with the same name: Teucer (Teucrus). According to Virgil, the older Teucer was from Crete but left the island with a third part of its inhabitants during a great famine (how many such stories…). They eventually settled near a river, named Scamander after his father. On the contrary, Dionysius of Halicarnassus claims Teucer had gone to the Troad from Attica. Scamander (or Xanthos) was a river-god, a son of Oceanus. According to Homer, he fought on the side of the Trojans after Achilles insulted him. He was the personification of the river that flowed by Troy. The Hellenes had set up their camp near its mouth, and their battles with the Trojans were fought on its plain. The land was initially called Teucria, after Teucer. When Dardanus arrived there, it was renamed as Dardania (thence Dardenelles), and later Troad (from king Tros). But these toponymic changes would not deter the Trojans to often call themselves Teucrians. Aeneas e.g. is described as “the great captain of the Teucrians”.

The Judgement of Paris (1904), by Enrique Simonet: Aphrodite, the winner in this ancient beauty pageant, stepping forward triumphantly naked, while Hera and Athena stay behind humiliated…

Teucer the younger, or “bastard”, was half-Trojan because his mother, Hesione, a concubine of king Telamon, was a princess of Ilion. His father had arrived from Aegina to Salamis, as he was sent away by his own father for he had accidentally killed his brother. Teucer also fought in the Trojan War, but on the side of the Hellenes, having his half-brother, Ajax, as a co-fighter, while his cousins, Hector and Paris, and his uncle Priam, were “enemies”. After all, war was a family affair – let alone for Teucer Jr. On his return to Salamis, however, his father accused him for not bringing Ajax’s body back home. He was in his turn disowned, exiled and set out to find a new home. With his departing words that Horace turned into a moving ode, he exhorted his companions to “despair in no way… tomorrow we shall set out upon the boundless sea”.⁽⁶⁾ This speech, related later to the theme of voyages of discovery, is also found in Dante’s Inferno and Tennyson’s Ulysses. Teucer eventually joined king Belus of Tyre in a Phoenician campaign against Cyprus, and when the island was seized, the king handed it over to Teucer as a reward. He founded there the city of Salamis, named after his homeland.

• ⁽⁶⁾ Horace, Odes: “Wherever fortune may bear us, kinder than my father, | We shall go, o men and comrades! | Despair in no way with Teucer as your leader and as protector, | Surely resolved Apollo has promised uncertain | Future to Salamis in a new world. | O men, who with me often have endured | Worse fortunes, now, banish cares with wine; | Tomorrow we shall set out upon the boundless sea!”
  (Quo nos cumque feret melior fortuna parente, | ibimus, o socii comitesque. | Nil desperandum Teucro duce et auspice Teucro; | certus enim promisit Apollo ambiguam tellure nova Salamina futuram. | O fortes peioraque passi | mecum saepe viri, nunc vino pellite curas; | cras ingens iterabimus aequor.”)

Leda and the Swan, from the Sanctuary of Aphrodite,
Paphos, Cyprus (3rd century CE)

The “copper island”, a vital node in the trade networks, experienced two waves of Grecian settlement: the initial wave consisted of Mycenaean traders, c. 1400 BCE. Towards the end of this period, great amounts of Mycenaean pottery were produced in Cyprus. A major second wave, connected with Teucer’s story, took place after the Bronze Age collapse, c. 1100 BCE, with the island’s predominantly Hellenic character dating from this era, due to the invasion of Helladic refugees. Apart from Salamis, Teucer is credited as a founder of other cities, too. A local legend in Galicia, in northwestern Iberia, relates the foundation of Pontevedra to “Teucro”. The legend seems to be based on the conjecture that Greek traders might have arrived there in ancient times. Though legends appear for a certain reason, historians and archaeologists tend to agree that the initial settlement was probably formed when Gallaecia was integrated into the Roman Empire (1st century BCE). Pontevedra, i.e. “old bridge”, in reference to an old Roman bridge across the Lérez river, is sometimes poetically called “The City of Teucro”, and its inhabitants teucrinos – just like the Trojans!⁽⁷⁾ (See Chronicle 26, Odysseys in the Aftermath of the Trojan War: Colonization of Iberia).

Oil lamp, Tróia

• ⁽⁷⁾ It seems as if Tróia, across Setúbal, Portugal, was named after Troy but we do not know why. Tróia peninsula has been inhabited since prehistoric times when it was an island called Acalá. In the 1st century CE, the Romans built a town and named it Cetóbriga. It served as a fishery centre until 412, when it was destroyed completely by an earthquake with tsunami. If the town’s initial name had been Tróia, we could think that the Romans, as originating from the Trojans, decided to build a “Troy” in the vicinity of the city of Odysseus – Olisipo, Lisbon! According to José Pedro Machado, Tróia – in the Onomastic-Etymologic Dictionary of the Portuguese Language – is not a toponym found exclusively in the area of Setúbal. There are more Tróias in Portugal and a Troya in Galicia. Their “godfathers” were probably inspired by the Iliad. Based on an article in the Great Portuguese and Brazilian Encyclopedia, Machado expressed the idea this name to originate from Cetóbriga: > Cetóbria > Cetróbia > Cetróia > Xetróia > Atróia – though it seems too much of an adventure for a toponym… Or perhaps the name comes not from Troy but from either Troyes or Truyes, two cities of France; or its origin is the Latin phrase “Trogia (villa)”, from the Celtic name Trogus – which is the most likely explanation.

Mosaic in Conímbriga

Thracian and Celtic Coincidences

● Cetóbriga is apparently a Celtic toponym, too. But because of the reports on the presence of even Thracians in Iberia, who also had the suffix –briga in their tongue, let’s have a look at that possibility, too. This suffix is very common in several toponyms of the peninsula. The most well-known city with such a name is Conímbriga, one of the greatest Roman settlements in Portugal. During pre-Roman times, the Conii (or Cynetes, who settled later in southern Portugal) occupied the settlement. After the town was destroyed by Suebi c. 465-468 CE, several of its inhabitants went to live in the neighbouring Aeminium that was gradually renamed as Coimbra. The word Conímbriga is not related to the Conii; it is formed by the native term conim (rock) and the Celtic suffix –briga (citadel), deriving from the Celtic Brigantes, who had Brigantia, N. England, under their control in pre-Roman times. Ptolemy wrote that the Brigantes also lived in SE Ireland, while Strabo mentioned the Brigantii as a subtribe of the Vindelici on the Alps. There was a Brigantium (Coruña) in Galicia, and a Brigaecium in Asturias. But there were also the Bryges, or Brigantes, a numerous Thracian people, whose cradle was perhaps the land of the Cicones, a Homeric tribe, between the Hebrus (Maritsa) and Nestos rivers, or the area around the Prespes or Brygeides lakes. The Bryges were ancestors of the Phrygians (‘B’ turned into ‘Ph’), who originally lived in the Balkans, and then settled in Asia Minor. The land of the Cicones, according to Herodotus, was initially called Briantica. The Bryges spread to N. Epirus (c. 700 BCE), to Paeonia, to Illyria (as Scymnus of Chios wrote in his Periēgēsis), to the Adriatic (in the area of the Brygeides islands), and later to West Europe, campaigning as followers of Dionysus. According to Hesychius, the suffixes –briga, or –bria, were typical in the names of the Thracian Brigantes’ towns (See Chronicle 26, Odysseys in the Aftermath of the Trojan War: Colonization of Iberia).

Trojan Horse: its oldest known depiction
on the Mykonos vase; ca 670 BCE

UP TO NOW, excluding Teucer, who attacked Cyprus in collaboration with the Phoenicians, representing all those who found refuge there, we have seen no Hellenes fighting alongside the Sea Peoples, or their allies, but rather against them in the Trojan War. It is what Sanford Holst already told us in the previous Chronicle:

“The Mycenaeans attacked the Anatolian people from the seaward side. To deal with this problem, warriors and ships in the Sea Peoples confederacy poured from Anatolia and the Black Sea into the Aegean, where they ravaged the Mycenaeans.”

Let us try to verify this in Wikipedia:

“The invaders, that is, the replacement cultures at those [Mycenaean] sites, apparently made no attempt to retain the cities’ wealth but instead built new settlements of a materially simpler cultural and less complex economic level atop the ruins. For example, no one appropriated the palace and rich stores at Pylos, but all were burned up, and the successors (whoever they were) moved in over the ruins with plain pottery and simple goods. This demonstrates a cultural discontinuity.”

This may demonstrate a logical discontinuity, as well! The question of who the invaders might have been is left open. However, the author identifies them with “the replacement cultures”, who were stupid enough to “burn up the palace and rich stores”, instead of appropriating them. Quite simply, those invaders had no intention to settle there; they went there just to destroy: for sure, they were not “the replacement cultures”!

Captive Sea Peoples in Egypt

The Anatolians were prevalent among the Sea Peoples but they were not alone. Several tribe names in the Egyptian files have a dubious or unknown origin – i.e. the Shekelesh, perhaps the Siculi, who moved to Sicily from the Italian mainland.

“There was a gigantic series of migratory waves”, Michael Grant remarks, “extending all the way from the Danube valley to the plains of China”; and Moses Finley agrees: “A large-scale movement of people is indicated… The original centre of disturbance was in the Carpatho-Danubian region of Europe… pushing in different directions at different times.”

But if we have faith in Michael Wood, they were… “essentially” [?!] Hellenes:

“Were the Sea Peoples in part actually composed of Mycenaean Greeks – rootless migrants, warrior bands and condottieri on the move? Certainly there seem to be suggestive parallels between the war gear and helmets of the Greeks and those of the Sea Peoples”. Moreover, he reminds us that “there were migrations of Greek-speaking peoples to [Sardinia and Sicily] at this time”, and therefore, he includes the Sherden and Shekelesh among the “villains”. Troy, he concludes, “was sacked by essentially Greek Sea Peoples”…⁽⁸⁾

• ⁽⁸⁾ It’s a pity there were “essentially” no Britannic “condottieri on the move”. Or else this… “thinking woman’s crumpet” (as Wood was humorously dubbed by British newspapers for his good looks most appealing to women) would have found Hellenic colonies even on Mars!

Cycladic head: a Pelasgian who is suspect as an “islander”: he has deformed his features!

Michael Wood is not alone, either. The identification of the Denyen and Ekwesh with the Danaans and Achaeans respectively are long-standing issues in Bronze Age scholarship, as the “suspects” also lived “in the isles”…⁽⁹⁾ Were the Egyptian scribes so naïve to use two names for one and the same people? What species of Bronze Age scholars are they if they (pretend to) ignore that Achaeans and Danaans are synonymous terms? Have they not been schooled in the Iliad? Homer mentions the name Achaeans 598 times; Danaans 138 times; Argives 182 times; and Hellenes only once. According to a version of the myth, they were ancestors of the Greeks and their tribes: Hellen, Graecus, Magnes, and Macedon (Makednós) were sons of Deucalion and Pyrrha, the only survivors of the Great Flood. Sons of Hellen were Dorus, Xuthus, and Aeolus; sons of Xuthus were Ion and Achaeus. Danaus, coming from Egypt, Pelops, from Anatolia, and Cadmus, from Phoenicia, gained a foothold in Greece, were assimilated and Hellenized. At least for the Danaans, perhaps due to their “Egyptian” origin, there is some “flexibility”: they are identified with the people of Adana in Cilicia, or possibly related to the land of the Danuna, near Ugarit, in Syria, or it is rumoured they joined Hebrews to form one of the original 12 tribes of Israel, that of Dan.

• ⁽⁹⁾ Although the connection of the Hittite toponym Ahhiyawa, or Ahhiya, with Achaea is strongly disputed (cf. Wikipedia: “the exact relationship of the term Ahhiyawa to the Achaeans beyond a similarity in pronunciation is hotly debated by scholars”; see also the conclusion of this Chronicle), the… “Wikipedists” are absolutely sure about the identification of the Achaeans with the Ekwesh. So, if you search for the entry “Ekwesh”, you are redirected to the “Achaeans”… As for the phrase “in the isles”, used by the Egyptians when referring to Sea Peoples and quoted by scholars as an argument, it ends up meaning: “Whoever is not a landsman is a suspect”!

THE MAJOR EVENT DURING PHARAOH Merneptah’s reign (1213–1203 BCE) was a war against a confederacy, termed the “Nine Bows”, under the leadership of the king of Libya. The pharaoh declared that he defeated the invasion, killing 6,000 soldiers and taking 9,000 prisoners. To be certain of the numbers, among other things, he took the penises of all uncircumcised dead and the hands of all the circumcised.⁽¹⁰⁾ We mention this macabre detail because, as it turned out, the so-called “Achaeans”, the Ekwesh, were circumcised, a fact that would certainly have obliged any serious Bronze Age scholar to “acquit” the Grecian Achaeans!⁽¹¹⁾

• ⁽¹⁰⁾ Imagine those poor soldiers who were assigned to count all these penises and hands…

• ⁽¹¹⁾ …“a fact causing some to doubt they were Greek,” is what we actually read in Wikipedia! They were circumcised as a… camouflage! Or just to baffle our Bronze Age scholars! What they do remember is Virgil’s aphorism: “Timeo Danaos et dona ferentes”; i.e. “Beware of Greeks bearing gifts” – in this case: bearing circumcision! Our scholars have been schooled in the Aeneid, at least… Note that not only the Ekwesh, but also the Shekelesh and Shardana were circumcised, as the Egyptians made clear (pity, they did not inform… Michael Wood)! Thus these two peoples had also been Oriental in origin and settled in Sicily and Sardinia only later. Those who were not circumcised were the Peleset. (“Aha!”, I can hear you chuckling, my dear scholars…)

Merneptah stele: the Zionist usurpers… usurped it from
another usurper!

Merneptah Stele and Exodus

● The pharaoh’s victories over the Libyans and their Sea People allies are glorified on the Merneptah Stele, a black granite slab over three meters high, that Flinders Petrie discovered in Thebes in 1896. There is, however, a kind of footnote in the final two of the 28 lines, which refers to a separate campaign in Canaan. There the king boasts of defeating and destroying four cities, the fourth one being most probably a city and valley in northern Canaan, called Jezreel – a word so similar to… Israel! For sure, that would be far more convenient and beneficial for all: the entire Jewish diaspora, the emerging Zionism, formally established as a movement the next year after the discovery, for many Christians, especially the clergy, and of course, for Petrie himself! That day he wondered: “Won’t the reverends be pleased?” and then he prophesied: “This stele will be better known in the world than anything else I have found.” He was not a fool: if this set of hieroglyphs on Line 27 could be read as… “Israel”, instead of “Jezreel”, it would present the first documented instance of this name in the historical record, and the only mention in ancient Egypt!

Although the readings in many places are illegible due to the rough surface and the poor cutting (Petrie’s own translation of the text contains dozens of question marks; only next to the controversial word the mark is missing…), most biblical archeologists accept Petrie’s version. So, his find was also proclaimed as… “Israel Stele”;⁽¹²⁾ based on a disputed word in the penultimate line of a text dealing with another subject! What a disgrace for Merneptah: a proud pharaoh boasting of a triumph over a handful of poor villagers! There were no more than about 25 villages then on the highlands of Canaan. Archaeologists and historians have attempted to trace the origins of these villagers but it’s been impossible to identify any distinctive features that could define them as specifically Israelite. “It is probably… during Iron Age I” (1200–1000 BCE), says archaeologist Paula McNutt, that “a population began to identify itself as ‘Israelite’.” The Kingdom of Israel emerged as an important, worth-mentioning local power even later, by the 9th century BCE, before falling to the Assyrians in 722. Thus, there was no “Israel” for Merneptah to mention – unless he was as prophetic as Petrie himself!

• ⁽¹²⁾ Merneptah is also to blame: he “appropriated” the stele from his predecessor, Amenhotep III, turned it round and wrote his controversial text on its rough surface. He could never imagine how this text would be distorted. For sure, he was not a prophet like Petrie!

Departure of the Israelites, by David Roberts (1829)

● This “misspelling” trick was some kind of “compensation” for the historical “error” of the Egyptians to mention neither the notorious Exodus nor the calamitous Biblical plagues. The archeologists are equally “guilty”, as they failed to find any evidence to support the “story” of the Jews in Egypt and the Sinai. The consensus among biblical scholars is that there was never any exodus of the proportions described in the Bible. According to the book of Exodus, arguably the most important in the Bible, the Jews leaving the country would have numbered some 2 million – compared with an entire Egyptian population of around 3 to 3.5 million in 1250 BCE! Marching ten abreast and without accounting for livestock, they would have formed a line 240 kilometers long! No evidence has been found that Egypt ever suffered such a demographic and economic catastrophe, or that the Sinai desert ever hosted (or could have hosted) these millions of people and their herds… The date proposed initially of an Exodus around 1450 BCE is also problematic: digs in the 1930s had failed to find traces of the simultaneous destruction of Canaanite cities c. 1400 BCE – and in fact many of them, such as Jericho, the first one to fall to the Israelites according to the Bible, were then uninhabited. A century of research by archaeologists and Egyptologists has found no evidence that can be directly related to the captivity, and the escape and travels through the wilderness, and most archaeologists have abandoned their investigation of Moses and the Exodus as “a fruitless pursuit”. Archaeologist William Dever says that there is “no room for an Exodus from Egypt or a 40-year pilgrimage through the Sinai wilderness.”

Flinders Petrie’s “fine, Caucasian, dynastic race” invading Egypt…!

● Flinders Petrie, who could possibly “address the issue”, died a long time ago and was buried on Mount Zion, in Palestine. Besides, he remains a controversial figure as a committed advocate of “eugenics” and of the “superiority” of the white, Northern peoples over the Latinate and Southern peoples, as well as for his affiliation with a variety of fascist groups and anti-democratic thought in England. His archaeological views were equally racist: he contended that the Egyptian civilization was derived from a “fine”, invading “Caucasian Dynastic Race”, which had conquered Egypt in pre-dynastic times of late prehistory and introduced the pharaonic, dynastic culture to the “inferior” “mulatto” race then inhabiting the country. These views spilled over into disputes with E. A. Wallis Budge. The British Museum‘s Egyptologist declared that the ancient Egyptians were an African people with roots in eastern Africa and their religion was essentially identical to the religions of the peoples of northeastern and central Africa. However, all but some of his colleagues followed Petrie – a most revealing fact about the dominant ideology at the time, at least among intellectuals. Thus Petrie and his followers derided Budge’s ideas as impossible and “unscientific”…

NEXT ROUND in this protracted war against the Sea Peoples, marking the Bronze Age collapse, took place some three decades later, during the reign of Ramses III (1186–1155 BCE), the last great pharaoh of Egypt. His inscriptions state that the “Nine Bows” re-appeared as another “conspiracy in their isles”… Most Sea People tribes were there again; we are also informed that at least two great battles were fought, one on the sea, and the other on land.

The pharaoh proudly presented his captives (from L to R): the Libyan, Nubian, Syrian, Shasu, and Hittite (the… Hellene probably escaped!)

“When it was over”, says the Wikipedia article on the Sea Peoples, “several chiefs were captive: of Hatti, Amor, and Shasu among the ‘land peoples’, and the Tjeker, ‘Sherden of the sea’, ‘Teresh of the sea’ and Peleset or Philistines (in whose name some [?] have seen the ancient Greek name for sea people: Pelasgians)”…⁽¹³⁾

• ⁽¹³⁾ Pelasgian is related to πελός and Πέλοψ (Pelops: dark-skinned), or to πέλας (the fellow man, or the one nearby) and πελάζω-πλάζω (approach), or to περάω and πέρα (cross to the other side, as a migrant tribe). Once more, the scholars are wrong, as there is no connection with the sea, specifically πέλαγος (pelagos < πλήσσω or πλήττω, i.e. hit).

What conclusions can we draw? We are surprised, first of all, since our scholars were not… surprised at all when they read about a Hittite chief among those captive. Hatti had been a Sea Peoples’ arch-enemy – and one of their greatest victims. But scholars are usually aware of such “details” and are not taken by surprise. Besides, the same thing happened before and the pharaoh’s official complaints were forwarded to the Hittite monarch – as long as this empire still existed. OK, but why don’t they bother to explain, instead of wasting their time trying to involve the Greeks in this… “conspiracy theory”?

Ramses III vs the Sea Peoples

Eventually, we realize that the destruction of the established civilizations, mainly the Hittite and Mycenaean, was a deliberate tactic of the Sea Peoples to garner more strength at sea and amass land forces, as well. After all, the empires were of the aristocracies, Hittite or Mycenaean. What else could a desperate Hellene or a destitute Anatolian do, under the circumstances, but follow and stand by the peoples with whom he shared the same aspirations for a better life?

What else could a desperate Hellene or a destitute Anatolian do but follow the peoples with whom he shared the
same aspirations for a better life?

But what a pity for our scholars: not even one Greek among the captive chiefs… He probably escaped! The other captives were chiefs of the Amorites, who lived in Syria and part of Mesopotamia, and possibly of the Hebrews: Shasu is a term for nomad wanderers, and at least one of the tribes worshipped the Jewish god Yahweh. The rest were sea captains.

The pharaoh concluded his report as follows: “I slew the Denyen in their isles” and “burned” the Tjeker and Peleset… Therefore, he implied some maritime raids of his own, or some punitive expeditions elsewhere in the Mediterranean. In the Aegean? Where, what and whose were these “isles”? Whatever the answers, the chain reaction of the raids went on; it was the Egyptians’ turn to destroy – but destruction bears no signature…

Lady of Mycenae (fresco)

Homer mentions an Achaean attack upon the Nile delta, while Menelaus speaks of that in the Odyssey, recounting his voyage back home from the Trojan War. It was not, however, the only such marauding action by Mycenaeans against Egypt where they went “just for the fun of it” – and some gain, of course!

Taking into account the continuous turbulence among or within the sovereign Mycenaean royal families, the hypothesis that they may have utterly destroyed themselves is long-standing, and seems to find support by the reputable Greek historian Thucydides:

“For in early times the Hellenes and the barbarians of the coast and islands… were tempted to turn to piracy, under the conduct of their most powerful men… They would fall upon a town unprotected by walls… and would plunder it… no disgrace being yet attached to such an achievement, but even some glory”…

Hittite chariot

The “Achaeans” through Hittite eyes

VARIOUS HITTITE ACCOUNTS, from c. 1400 to c. 1220 BCE, mention a land in western Anatolia, named Ahhiyawa (or Ahhiya). The term is thought to be a Hittite rendition of the word “Achaea”, with the broader meaning of “the Achaeans’ land”. This idea was strongly disputed by other Hittitologists (see e.g. footnote 9). In addition, a precise geographical location of this land cannot be drawn from the texts. In any case, it seems that “Achaea” and Hatti evidently dealt with each other both on a diplomatic and a military level. We can read a letter that the Hittite king sent to his “Achaean” counterpart, where the latter is recognized as a “Great King”, and of equal status with the other contemporary great Bronze Age rulers: the kings of Egypt, Babylonia and Assyria. Referring to Millawanda (or Milawata: Miletus?) as a city within the “Achaean” domain,⁽¹⁴⁾ the Hittite monarch mentions an earlier “Wilusa episode”, within his own area, where the “Achaeans” lined up with his enemies. We have seen that Wilusa was most probably Troy (cf. the archaic Ϝίλιον, and later Ilion, i.e. the Trojan acropolis). This “episode” is possibly connected with the Trojan War.⁽¹⁵⁾

The Love of Helen and Paris, by
Jacques-Louis David (1788)

• ⁽¹⁴⁾ The Minoans had created in Miletus perhaps their most important settlement on Anatolian soil. The Mycenaeans inherited it, when they replaced the Cretans as the leading power in the Aegean. The city grew and became prosperous, as it is attested not only from the archaeological evidence, but also these Hittite records, which indicate that Miletus was the most important base for “Achaean” activity in Asia Minor ultimately reaching Iassos, Ephesus, and other cities.

• ⁽¹⁵⁾ Unfortunately, we cannot cross-check the available evidence because the Mycenaeans, unlike the Hittites, did not bother to write down such… “details”! The records in Linear B just refer to administrative bureaucratic issues of the palace. Even commerce is curiously absent from the written sources in Linear B! That’s why it’s impossible to reconstitute from texts in Linear B the late Bronze Age’s political developments. (Hittites vs. Mycenaeans: 1–0!)

In the second half of the 13th century, a long anti-Hittite revolt broke out with “Achaean” support, and headed by Piyama-Radu, who married his daughter to the vassal ruler of “Miletus”. His case is of particular interest since it appears to intertwine with that of the Trojan War. It was a remarkable revolt for its duration, having spanned at least 35 years, during which time he posed a considerable threat to three consecutive Hittite kings; it caused a great deal of turmoil in the areas of Wilusa, Arzawa,⁽¹⁶⁾ and Seha, and led to an invasion of Lazpa (Lesbos?), which passed under “Achaean” control. The aforementioned letter was sent in this period, as the Hittite king tried to persuade his “Achaean” counterpart to restore peace. Among other things, he mentions a brother of the “Achaean” monarch, named Tawagalawa, or… Eteocles,⁽¹⁷⁾ according to several imaginative scholars! Much more controversial is the “identification” of Piyama-Radu: it is speculated that he “corresponds to the archetype” of the Trojan king Priam… What’s next? They will probably… rewrite the Iliad!

• ⁽¹⁶⁾ “Achaea” and Arzawa joined forces several times against the Hittites. Arzawa was a kingdom, or a confederacy of local rulers, in western Anatolia, with Apasa, later Ephesus, as a capital.

• ⁽¹⁷⁾ The story of Oedipus’ son and king of Thebes is part of the Theban Cycle that is unrelated to the Trojan (Epic) Cycle and the Atreides. Eteocles’ brother was Polynices, with whom he fought for the throne and both were killed. The tragedy culminated with their sister Antigone’s death.

Places mentioned in this Chronicle (counter-clockwise): Wiluša, Lazpa, Seha, Mira, Apaša, Millawanda, Arzawa, Hapalla, Lukka, Alašiya, Ugarit, Amurra,Tarša, Hatti, Hattuša.

Warfare between “Achaeans” and Hittites began c. 1400 BCE. Hittite records mention the operations of the “Achaean” warlord Attarsiya in southwestern Asia Minor, possibly in Lycia, against Hittite vassals. It is the first recorded “Achaean” military activity on the Anatolian mainland, and is associated with an increase of Mycenaean findings in Miletus in this period (early 14th century BCE), indicating that a number of Greeks moved from mainland Hellas to this region. Attarsiya used the city as a military base, and hostilities continued until circa 1250 BCE. “Achaean” activity was to interfere in Asia Minor, with the support of anti-Hittite uprisings, or through local vassal rulers that the “Achaean” king used as agents for the extension of his influence. Speculation, of course, is also present here: It has been suggested by several scholars that the warlord was none other than Atreus, a mythical king of Mycenae, and father of Agamemnon. Others, noting that the Hittites do not speak of the “high king of Achaea”, argue that he should have been some general, named Atreus, or with a similar name, or finally that Attarsiya means Atreidēs, i.e. he was a member of the royal dynasty.

In order to undermine the Hittites, the warlord intervened in Anatolian affairs attacking Hittite vassals, such as Madduwatta from Arzawa (Luwia),⁽¹⁸⁾ whom he repeatedly defeated, as the army he deployed included 100 war chariots. But he eventually withdrew from Asia Minor to prepare a campaign against Alashiya (Cyprus?). He had the Lukka (“Lycians”) on his side, providing him the necessary naval support, together with a number of his Anatolian allies, even Madduwatta, who decided to switch camps. This worried the Hittites, since they considered the island one of their dependencies. The invaders finally defeated them, and thus Alashiya passed under their control. The Mycenaean presence in Cyprus is also corroborated by archaeological evidence, as we have seen, for Mycenaean finds dating from that time were unearthed there.

Anatolian hieroglyphs

• ⁽¹⁸⁾ The Luwians lived in central, western, or southern Asia Minor, as well as the northwestern part of the Levant, in the Bronze and Iron Ages. They spoke the Luwian language, an Indo-European Anatolian tongue written in cuneiform of Mesopotamian origin, or a unique native hieroglyphic script, which was sometimes also used by the linguistically related Hittites.

The following decades were a period of Mycenaean expansion on the Anatolian coast (c. 1380–1320 BCE). In 1320-1315, there was another anti-Hittite rebellion in Arzawa, in cooperation with “Miletus”, and supported by the “Achaeans”, who appeared to be in control of a number of islands in the Aegean, an impression also supported by archaeological evidence. Finally, the Hittites were victorious. The king of Arzawa managed to escape to “Achaean”-controlled territory, and his land was split into three provinces: a southern province, Mira, would later become known as Caria; a northern province, Seha, would be renamed as Lydia; and an eastern province called Hapalla (the Grecian Pisidia). That was the finale of this kingdom’s history, which had passed into oblivion, and came back on the surface thanks to the Hittite texts.

If, indeed, the information contained in these archives corresponds up to a point to historical facts, it seems that the Mycenaean and Hittite palatial civilizations of the Aegean and Anatolia were “bored” (to death) by the same woodworms…

The Luwian Civilization: The Missing Link in the Aegean Bronze Age

ALBEIT BELATEDLY, I’VE STUDIED Eberhard Zangger’s book,⁽¹⁹⁾ The Luwian Civilization / The Missing Link in the Aegean Bronze Age (2016). I feel it is useful to outline his main points regarding the Sea Peoples:

• ⁽¹⁹⁾ Since 1994 Zangger has been advocating the view that a Luwian civilization existed in Western Asia Minor during the 2nd millennium BCE. In 2014 he established the international non-profit foundation Luwian Studies.

The Luwian Civilization / The Missing Link in the Aegean Bronze Age. Cover: probably an Atlantis-like reconstruction of Troy, the most prominent Luwian city, as Eberhard Zangger imagined it.

“Over twenty years ago, I proposed a chronological reconstruction of the political and economic development in the countries around the Eastern Mediterranean during the 13th century BCE. It causally links three wars comprised of reciprocal attacks. First, the so-called Sea Peoples’ invasions took place, during which the navy of allied Luwian petty states from the eastern shore of the Aegean Sea advanced to the southeast. The Luwians were then attacked a few years later by allied Greek forces – and this is memorialized in the tradition of the so-called Trojan War. And finally, a civil war… broke out in Greece.”

“Perhaps the trigger for the [Luwians’] decision to engage in war was [Hatti’s] conquest of Cyprus… possibly to get access to its copper resources. The Luwians in western Asia Minor played an active role in long-distance trade and may have depended on Cyprus as a port of call. Therefore they entered into a military alliance and built a fleet of fast, agile vessels for invasions. Instead of moving against the Hittite forces over land, they dashed across the sea and reached the important Hittite borderlands of Cyprus and Syria. The acclaimed mercenary armies of the Lukka and Sherden had become marine forces which no longer fought alongside the Hittite king but against him – they had formed the coalition known as the Sea Peoples… [Eventually] the capital Hattuša was wiped out overnight – and with it the Hittite Empire.”

Sphinx Gate at Hattusa

“The petty states from western Asia Minor suddenly controlled an area stretching from Macedonia across Anatolia to Syria and Canaan, where it touched upon the Egyptian dominion… Together with this vast territory, the Luwians now dominated almost all ore deposits in the Eastern Mediterranean, as well as the trade routes on land and at sea… Both the access to the Black Sea region as well as the connection through Cyprus and Syria to Mesopotamia were now under Luwian control. Considering the distribution of mineral resources, arable land, the path of the perennial rivers and of the trade routes, the Mycenaeans were about to face a superior force for an extended period of time. To avoid complete dependence… they engaged in a coalition themselves with the ultimate purpose to raid western Asia Minor… About ten years later, united Greek forces attacked western Asia Minor – and this was later remembered as the ‘Trojan War’… which was thus a counterattack against the previously victorious Sea Peoples.”

“While the Mycenaean kings were fighting at Troy, their wives and less competent deputies had taken their thrones. When the surviving victorious kings returned, many of these deputies did not want to give up their power. A civil war broke out and consumed progressively one citadel after another… Pylos – and later Ithaca – may have been among the last palaces to fall into the hands of the insurgents.” (Eberhard Zangger, The Luwian Civilization / The Missing Link in the Aegean Bronze Age; see Chronicle 26, Odysseys in the Aftermath of the Trojan War: Colonization of Iberia).

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Next Chronicle 21. IBERIAN “EL DORADO” ● Minoans, Mycenaeans, Phoenicians in Iberia ● Fortunate Isles, Hesperides ● Sardinia ● Odysseus, Calypso, Ophiussa ● Tartessos

Mycenaean gold diadem